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Hi Eunmi, thanks for your video. It is very helpful to me because I am planning to study the three pieces by Chris Goddard. I didn’t find any recording for the first and third pieces. I’m just wondering if you known where I can find them by any chance? Thank you.

This is so special and touching! Thank you, Eunmi, for sharing your amazing art and self with us <3 Bravo and thank you to all the composers, and everyone involved!

You don't have to like this. Hate this please. tell me why you hate this

hilarious piece thanks for a non-melodramatic performance

Interesting and unique work. Brilliant performance!

I'm not a big fan of this particular style of modern piano music, and as a composer prefer, no matter how tenuous, allusions to harmony. For me, things begin to improve around 5:55. That being said, Eunmi Ko is an excellent player.

❤ Eunmi this is your heart on the table. Thanks to you and all composers for sharing your art with the world 🧿🙏

Idk who you are but you rock

Very cool program -- my favorites were the Koh and Cheng pieces. Never seen an ebow used on a piano but it really worked.

It's never too late to succeed.

Interesting format, always good to see some daring and artistic freedom in repertoire choice, as well as the approach to multiplicity of artistic mediums. Very fresh and inspiring.

This is difficult to write. I know that you feel a need to connect your musical style with your inner voice. Unfortunately, a 12-tone distribution is receptive to a restricted small number of people. While your approach is not entirely atonal, repeating patterns seem to be a "tonal requirement" for most people listening to new music. Even composers like Aaron Copland recognized this. His "Piano Variations" is a perfect example. He did not intend it to be accessible to a large number of listeners. So, he split up his music into parts of his expression. His most "popular" works are obviously theater. He did not consider that a "failure." I think if you asked him, he would say that he liked to compose "both kinds." Copland was true to himself and put in his 4ths where he wanted them. His "angularity" was maintained. Brahms recognized a need for a more popular style, say with his waltzes and Hungarian Dances. (for the money). His young protégée, Antonin Dvorak, wrote popular pieces (Slavonic Dances) as well. Brahms adored them and encouraged him to write more. So, if I were to be giving you advice, I would suggest a "split personality" for your compositions. Robert Schumann also had a split personality (not necessarily good for his emotional health). But it was a part of him. When you try to communicate, consider communicating in a popular tonal mode, and intersperse that with your own inner voice, even if that is atonal. Above, all, I wish you love, success and blessings. Try to also consider positive and loving, and even funny literature. We need all kinds. Respectfully, Sanjosemike (no longer in CA)

Eunmi, you are amazing on all possible levels! Thank you for sharing this with us <3

I will never EVER fail.

Love it, sounds super deranged and abyssally existential as a playstyle.

I’m not sure how I came across this video, but I’d like to say I’m very glad I did. Your playing is lovely to me, and I love the selection. I have literally no idea what or who this video is for, but it’s very snazzy I think :D

Beautifully played, I am struggling with fingerings, do you know any score that has them?

I cried, how beautiful

いつかこんな時があったねって気分になる

...sacred.

Sacred as Sarah...in theme. Aufwederhören. Great Performance! Mercí!

Everything breathes in this so beautifully. I am stunned.

i love this tempo

This is a very pentatonic passion that is as great as the yin! Great performance and great composition! I like it! Quite a bit. Thank you.

I really love this interpretation! I'm currently (trying) to play this piece and it's simply ear-candy

Beautiful work! Great job!

Tré Màgnifíquè Profesor Ko!!! Bravissímo! (Thank you)

THIS IS AMAZINGGGGGG!!! <3 <3 <3 Will miss the special piano, but such a beautiful way to honor it!!!

❤️ beautifully done

Wondeful!! It was a bittersweet concert given how attached we all are to the SPAM piano, but I couldn't have imagined a better sendoff. Also, best Cave Paintings of Discourse yet. Loved how you handled the ending especially!

Thank you Professor Ko. Really nice. Great job! The multitonal melodica with that piano. Tops. Along side great compositions and the BACH couterpointerpoint really set it off for me. Then again maddness. Well, it can be comforting at times. Thank you for your time and efforts. Solid. You know it's good when your ears hurt. Be well.

Love and Light...

Η γλυκύτερη μελωδία!! Εξαιρετικό έργο!! Συγχαρητήρια, Χρήστο Σαμαρά!!

Amazing! Could you send me the sheet music? Greetings from 🇺🇾

Lovely interpretation, a hair slower than others I've heard, which allows certain details to be fully appreciated. It's interesting that this, Poulenc's last Improvisation, is structured like a pop-song ballad, perhaps to be expected since it's an homage to chanteuse Edith Piaf. Thanks for posting!

Love it

It is so humbling to talk to Bob McCormick.

U of M이 혹시 마이애미유니버시티 frost school of music인가요?

Wonderful music, and beautifully played. For me, it only begins to sound like Poulenc when the modality briefly changes to major.

wow. this is a gem. Never new this existed. surprised it isnt more popular - thanks for this.

I can see that feelings are deeply conveyed on this piano play. It is so nice to listen too. It’s an impressive performance.

This is a fascinating piece, fantastic composer, and a great performance. I just showed it to my "Contemporary Piano" class at ASU (Arizona State University) today, and we generated so many positive responses. Thank you!

when i was about to move to the zone, it ends....

기대만땅♡

Truly magical!! <3

Very nice! We miss your live performances! Happy new Year!

Lovely.