Видео

Wow! This is great!

wow, a dislike!

Explanation: 214S, 2S>[4]6S>DFRC (Obviously🙄)

Wow my voice sounds horrible

I suppose this could still be handy for when you don't want to commit to a throw three seconds in advance or don't think you can protect a servant while maintaining its spacing until the countdown's done? And there's no chance of getting hit by the explosion if you mistime the throw or choose to do something else?

Previously, I had mistimed the servant detonation enough that I thought it didn't work unless Jacko was a away ftom the servant

Hey thanks.

An overnight Internet sensation

Read her about a week in advance

Snonk

Lil noodle baby!! What an intrepid climber

Notable Sections: 00:15:25 - Hurricane Ride Fight 04:00:39 - Inverted Rain Levels 04:29:00 - Inverted Station Fight 04:34:56 - Glass Floor Fight (I really should've actually interacted with the gimmick) 04:53:59 - Cross-Gap Floor 05:00:35 - Barbas Fight (Excellent Presentation) 05:49:13-06:08:55 - Club Section

01:59:50 Victory against Midra

2:38:15

I'm in agony. Screaming at my screen "NOOO PAST ME! He just gave you the platform to get the starch eggs. That had nothing to do with the pumps."

Making my way downtown. Walking fast. I’m a seagull go screw yourself. DOO DOO DOO DOO DOO DOO DOOOOOOOOOO

i should get this game maybe

I'm the one with the terrible audio quality

Notable Fights/Rooms: 00:36:41 All of Mission 02 until you leave Il Chiaro Mondo 01:24:05 Sunlit Library, 03 01:32:38 All of Mission 04 02:24:52 All of Mission 07 (Note especially the Escalator fight) 02:53:16 Collapsing Floor A, 08 02:58:07 Collapsing Floor B, 08 04:04:17 Chaos Introduction, 10 04:07:37 Starkly Lit Hallway, 10 04:08:36 Blue Light Room, 10 04:13:00 Starkly Lit Grand Hall, 10 04:16:52 Disco Room, 10 05:07:11 Statue Garden, 12 05:12:42 Blue Hall, 12 05:49:45 Gold Hall, 13 08:53:59 Blue Pillars, 15 08:58:38 Punchline Challenge Room, 15 09:06:35 Floorlit Room, 15 09:07:48 Gold Platforms, 15 I think part of the problem with the lighting is that the Qliphoth is so messy that the lighting doesn't stand out, and the geometry is totally unfamiliar, meaning you really have to try to appreciate the lighting and all the nuance in the level design. Cutscene Fights: 00:18:24 Opening Credits Sequence

Notable Fights: 00:56:38 C1V5 Corridor 01:29:56 Jeanne 1 04:03:54 Jeanne 2 04:40:47 C6V6 Rotunda 05:58:20 C9V2 Out-of-Body Alfheim 08:10:19 Jeanne 3 08:54:48 Jeanne 4 09:53:54 Father Baldur 10:43:22 Credits Cutscene Fights: 00:08:33 Graveyard Opening 00:26:31 Plane Race 04:02:35 Lost Holy Grounds Duel 04:38:50 Rotunda 04:48:09 Airport Portal 04:52:54 Joy Pose 08:07:00 Sinking Plane Duel A 08:09:06 Sinking Plane Duel B

Yay, I was the first to view and comment on this! Lol JK. I actually love the metro series. Exodus is my favorite but last light was the one I played the most

Victory against final boss: 7:36:58

I knew you were a RUclipsr you helped me finish off radagon and the Eldon beast today thank you so much

Victory against boss at Castle Ensis: 1:58:40

Victorious fight against the Dancing Lion: 9:25:42

1:00:36 Red Vagrant

Monkey doo doo, idiot. Crime fart dirt person. Stinky, oily, loud talk. Washcloth.

💗

45:12

first Ornstein and Smough fight at 1:25:32, victorious attempt at 1:51:20

funny moment at 15:52

kinda funny moment at 50:28. Oswald of Carim moment at 1:53:49

This is my fourth playthrough, but my first time defeating Malenia without using summons. Normally I like challenging bosses, but not when the challenge is reduced to seeing if you can kill them before they use a special attack. Malenia is just shy of being one of the best bosses FromSoftware has ever made, but Waterfowl Dance and the clone attack completely ruin it. And even then, Waterfowl dance just needs somewhere between a quarter to a full second more startup, and it wouldn't be an issue. The clone attack, however, seriously needs something to make it more readable. Fourth playthrough, and I still have no idea when each attack happens or where I should be looking. The only reason I got through her second phase was because she didn't use the clone attack. Edit: and I only dodged that last Waterfowl Dance through pure luck.

Final fight starts at 1:14:21

First?

why does this one have 36 views!?

I would be UNSTOPPABLE if I could actually hit confirm 2K > 2D instead of autopiloting and setting a ball (and if my defense, pressure, oki, setups, zoning, and neutral were vastly superior)

WHY DOES THIS HAVE FORTY-SIX VIEWS?

nice fight

wow, I actually used a divine blessing

oooOOOOh, someone disliked it!

Just pretend you can't see the other person's name until i figure out how to stop youtube's blur function from being the most poorly designed thing in existence. "Ok, now put the blur here, for this duration." "OK! I'll put the blur in a completely unrelated location, have it wiggle around a bit, move in another direction, and then finally settle . . . above the location you placed it." And then there was another video I tried to blur, where the blur expanded to fill the space. It didn't cover the entire thing, until a few seconds after it appeared. WHY? WHY DOES THE BLUR NOT BLUR?

WHY IS THE BLUR DOING THAT Edit: I think the blur was set to track object. Dunno why it started in a location that was not remotely near where I placed it and then teleported over there, though.

TFW the boss's intro cutscene is longer than the actual fight

I made this over a year ago, but only made it public now. Weird that RUclips's set the date to today.

(Note: Add clips from Armored Core VI, Blasphemous II, Blazblue, Cyberpunk 2077, Dead Cells, Devil May Cry 4 (Lady), Devil May Cry 5 (V, Vergil), Elden Ring, For Honor, Guilty Gear (XX, Xrd, and -STRIVE-), Hades, NieR: Automata, Soulcalibur VI, Street Fighter VI, Tekken 7, Ultrakill) (Also maybe try using a DMC5 clip that doesn't have two other players drawing attention away from you.) (I am addicted to parentheses.) This video is just to show how fighting at longer ranges works in character action games. I'm currently making (I mean, it's never going to actually be made, but I can dream) a character-action game with the dynamic of a fighting game. That is, a game like Bayonetta or Devil May Cry if the enemies could combo you, knock you down, and run dangerous offense. Or, in simpler terms: a 3D hack-and-slash game with distinct advantage and disadvantage states. Anyway, in this game, I would very much like for there to be a long-range character (or multiple), but, tragically, the only melee-combat games with long-range characters are fighting games. Ranged abilities in character-action games are entirely supplemental to the core close-range abilities. Yes, the whip Kulshedra has excellent range, but you're really meant to use it to pull in enemies and toss them around; the range is merely an added bonus. This pattern continues with all long-range abilities. This video shows why 'Zoning' (the term used in the Fighting Game Community to describe fighting from a long range) works or doesn't work in character-action games and why it isn't as compelling as in fighting games. The primary issue is that there is no threat. If the enemies close the distance, the player can simply dodge and run away. This is fine for these games, but this is what I'm trying to avoid; a playstyle of hitting, running, hitting, running. Zoning is made fun and tense by the ability, challenge, and *necessity* of holding your ground and keeping enemies away from you. If the opponent closes the distance on a zoner in a fighting game, the zoner is at a huge disadvantage, meaning it is of utmost importance that the player keeps them away. But, outside of fighting games, most enemies are not easily staggered, meaning zoning is not only unnecessary, but ineffective.

Great job! Tough boss!

We won! (Eventually)🤓

None of them are Bedman🙄 are you even a real gamer????