Видео

Van Halen’s “Hot For Teacher” uses the Herta during the intro.

Sure not one of the NARD Standard Rudiments….

I count: 1-uh-let, 2-uh-let, 3-uh-let. Love hearing how people count their subdivisions

Bruce Becker!! ...PEACE!

Dream theater - a fortune in lies

Trying to learn these without sticks and I end up accidentally switching hands based on what I’m hitting, just out of weird habits I guess. Making it consistent timing at different speeds gets crazy. Yes I am learning Meshuggah lol

Holy crap, I didn't know it had a name. I learned this from Jordan Burns from Strung Out before I even started rudiments. He'd use it in a ton of fills, implementing the kick between the snare. This is my favorite pattern.

This was really easy to follow until you started on the 4 stroke I felt like you sped up the demo and explanation and got lost 😖

yeppp, this is what I need. thank you so much! God bless you

The whole thing is single stroke am I wrong?

OK but, just play it with single strokes.

am I crazy or are there 6 downbeats in a 4/4 metre in the notation? Im confused Edit: I see now the accents are the begin of a new paradiddle! Was a bit confused.

I’m a sucker for herta 😢

Thanks for sharing. Very helpful.👍🤗

"... and our flag was still there" so much bullshit...

I've got this issue now. Trying to play Tom Petty's Won't Back Down and there are quick G to C changes. The problem I have and I can hear it here- the Cadd9 does not sound even close the the open C chord. You are basically skipping the C chord.

🎉🎉🎉!(+++)

Im only 2min into this video but your experience sounds very similar to mine. Im just on the cusp of reversing a decade of every kind of tendinitis, carpal tunnel, and a hand "deformity" all in my left arm. I agree with the usage of the soft fulcrum, and in my case I had to play very slow and softly with all my fingers forced into the correct position, and allowing the stick to bounce. I had to relearn french grip (good because of external rotation of the forearm/wrist) and practice freestroke. As well as some bounces similar to you here. Wish I had found this video much earlier

We’re all here for Meshuggah huh

Want to learn Bleed by Meshuggah. It led me here.

Very powerful video

Very nice video!!! 🥲

You’ve got such a minimal drumset lol, thank you for all this

The best rudiment imo

I believe the two stroke is not a tap. It's downstroke and upstroke. No tap.

Yeah. Playing Bleed hertsalot. yeah I know i know. probably saw this joke somewhere, years ago.

I don't think you were following that sheet music at the beginning lol

Tried to buy your Moeller course, but I can’t. It says you have to login, but there’s no place for a person to sign up for a new login. There is an existing login, but no new logins.

BLEED!

Great, now play meshuggah - bleed :D

I’m here to play no one knows

Link broken

For a moment I thought you were covering Meshuggah.

Thank u bro

This video is DI BEST!! THANKS A LOT!!

Just wondering... my Notion of a control stroke is to close hand so tip ends flat and close to the head... purpose being it's loud strike that preceeds a quiet one. your version of control looks like a caught rebound...🤔 is it a different school of thought on this matter?

Worked beautifully. In minutes. Thanks🎉

Great lesson. Thanks so much!

Way easier to hear and play in cut time

This made it so easy, thanks

This is definitely Billy Cobham style but, he does it with his hands where Tomas Haake does it with his feet….😳

I used the herta in a bass drum pattern during a song my band recorded 10 years ago and just now learned that I played hertas incorrectly. This should make it easier to play. Thanks!

Expected to hear bleed by Meshuggah.. heard Bow down by BOO instead lol

Bleed by Meshuggah

Can you show us this as Neil Peart plays it?

BEEEEEEEEEEEEEEEEAMS OF FIRE SWEEP THROUGH MY HEEEEEEEEEEEEEEEEEEEAD!!!

thanks a lot for this tutorial!!! 🔥🔥🔥

I look at this as a triplet but on the accent stroke do a double stroke.

Love this! I've got a question, is it important to honour the accent on the first stroke of the pattern? I don't hear much, if any, dynamic difference in your rendition of the exercise and I'm left wondering whether it's best to just try to make them sound as even as possible first before adding any accented notes...?