From The Frame
From The Frame
  • Видео 11
  • Просмотров 803 380
Directing Under the Influence - The Fallacy of Originality
“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: ‘It’s not where you take things from - it’s where you take them to.’"
- Jim Jarmusch
//SOUR...
Просмотров: 37 957

Видео

When the Director "Crops" the Film
Просмотров 205 тыс.2 месяца назад
With IMAX releases like Villeneuve’s DUNE Part 2 and Nolan’s Oppenheimer comes the perennial debate on aspect ratios. Which framing is best? Who’s getting more? Who’s getting less? But there’s a bit more nuance to this debate. These questions miss a key component of the filmmaking process: the DIRECTOR’S INTENT. They fail to acknowledge the way cinematographers like Greig Fraser or Hoyte van Ho...
Yorgos Lanthimos’ Evolution as a Director
Просмотров 72 тыс.4 месяца назад
Yorgos Lanthimos’ newest film, Poor Things, marks a distinct turn away from some of the stylistic choices he’s made throughout his body of work. However, even though Poor Things showcases his willingness to explore new visual approaches, it is still unmistakably a Lanthimos film. His directorial style is anything but conventional - unorthodox rehearsals, unconventional coverage, creative use of...
David Fincher - What Often Goes Unnoticed
Просмотров 10 тыс.5 месяцев назад
David Fincher’s films have often been analyzed for their visual style - the exacting cinematography, precise editing, muted color palette, and meticulous construction of the frame. But with the release of The Killer, people are starting to take note of another aspect - his evocative use of SOUND. However you can’t really discuss the sonic landscape of a Fincher film without talking about one of...
Good Acting vs GREAT Acting
Просмотров 229 тыс.6 месяцев назад
What differentiates good acting from acting that is great? Ultimately, this is a subjective question that deals more with taste than a concrete definition of what makes an actor good or bad. While no truly objective standards to judge a performance exist, there are specific factors that can be considered in order to more persuasively frame a conversation about why some actors move us while othe...
Why Some Movie Adaptations Fail
Просмотров 3 тыс.7 месяцев назад
Book to movie adaptations, video game to television show adaptations, short story to limited series adaptations - there’s no shortage of material from which filmmakers can adapt. Sometimes movie adaptations can be just as good as the book, graphic novel, video game, or other material they're based on. Other times filmmakers just can’t seem to get them right. In this video we’ll look at why some...
When the Director Makes You Aware of the Camera
Просмотров 7 тыс.8 месяцев назад
Camera movement is an essential piece of a film’s cinematography, and can often become part of a director’s authorial presence. Think Kubrick’s long tracking shots or Fincher’s subjective camera. However, such movement can often defy the narrative, drawing attention to the camera itself, and momentarily fracturing our film viewing experience. Let’s explore the reasons behind these types of came...
How Greta Gerwig Makes a Film
Просмотров 18 тыс.10 месяцев назад
From Frances Ha to Barbie, Greta Gerwig’s films have a distinct style and voice - a thread that runs through her body of work. From her roots in theater, to her early films with Joe Swanberg and the Duplass brothers, Gerwig has established an approach to filmmaking that is all her own. So what makes a Greta Gerwig film? By focusing specifically on her work in Frances Ha, Lady Bird, Little Women...
How a Video Essayist Becomes a Filmmaker
Просмотров 6 тыс.11 месяцев назад
From Kubrick to Ozu, Bresson to Tarantino, Wes Anderson to Hitchcock, and much more, Kogonada’s video essays provide comprehensive breakdowns of the formal elements such filmmakers use in their work. For him, video essays offered a way of reconnecting with his love of cinema, outside the world of academia. His first feature, 2017’s Columbus, marked an impressive marriage of the form he studied ...
Why is Method Acting so Controversial?
Просмотров 167 тыс.11 месяцев назад
From Jeremy Strong’s performance as Kendall Roy in Succession to Jared Leto as the Joker in Suicide Squad to Daniel Day-Lewis in, well, anything really, commentary attacking actors' processes seem to abound. Today there is a lot of controversy around the Method and actors who utilize this process, regardless of whether they identify as being method actors or not. In this video essay I will take...
Cinematography at Night
Просмотров 58 тыс.11 месяцев назад
Night exteriors present cinematographers with a unique challenge. Do you go for hyper-realism or something more lyrical and poetic? This video explores the varied ways cinematographers have represented night on screen. From the grounded, gritty, vérité of The Last of Us - the vast ambience of the dusk-for-night work on Dune - an homage to classic day-for-night in Mank - the creation of an entir...

Комментарии

  • @baguetteboy2785
    @baguetteboy2785 День назад

    Great video!

  • @worksbydandeprez
    @worksbydandeprez День назад

    "Style is when you begin stealing from yourself." --Alfred Hitchcock

  • @acidpandatv
    @acidpandatv День назад

    You’ve successfully made the argument against Welles’ statement - there is so much to be learned from the possibility of cinema by movies (or rather anything visual) made before you. I think that, usually when starting out, students of film will often seek out all these shot decks from previous movies and every piece of their film is an homage. But I also think that can be one of the best ways to learn (because you’ll eventually understand why it works).

  • @nulle_part_recordings8918
    @nulle_part_recordings8918 День назад

    I think a good director and writer, beyond all odds, go into projects believing they can achieve originality. I think anybody who sets out with the mindset that everything has been made screw it let’s do something, that’s just incorrect

  • @anthonyreese5566
    @anthonyreese5566 2 дня назад

    Wait these are all recalling from a previous film but the “previous” film would be the original? So yeah there’s originality

  • @Dakotarunner2013
    @Dakotarunner2013 2 дня назад

    This is such a great channel-please keep going!

  • @operationnevergiveup2718
    @operationnevergiveup2718 2 дня назад

    Don't agree with that concept, the original must be cherished and the "homage" crowd and the "stealing" bros have to give credit to the original, otherwise it feels theft tbh.

  • @amandamarinovich6164
    @amandamarinovich6164 2 дня назад

    Maybe a stretch, but I think the sound of the floor polisher could also foreshadow the sound of the tattoo machine later

  • @KelleyGreenEcstasy
    @KelleyGreenEcstasy 2 дня назад

    Everything is a remix (redux) (2024 edition) (hd) (new, never before seen footage) great work guys

  • @alexdang2520
    @alexdang2520 2 дня назад

    Anyone know the music at 12:30?

    • @fromtheframe
      @fromtheframe 2 дня назад

      It’s from The Worst Person in the World OST by Ola Fløttum. I don’t know the track title, but it’s the song that plays during the freeze-frame sequence.

    • @alexdang2520
      @alexdang2520 2 дня назад

      Thank you! It’s on my watchlist. Wonderful video!

  • @darthJ9
    @darthJ9 3 дня назад

    When Baron Harkonen came out of the goo I literally stood up for a second in the theatre before promptly planting my ass back down

  • @willtobias5280
    @willtobias5280 3 дня назад

    Perhaps when a director steals something, it's to make themselves look good at the expense of someone else's creativity. To use inspiration from other sources to make your piece work though, is more of a collaboration and an homage

  • @wtfckjackson
    @wtfckjackson 3 дня назад

    Beautiful video, makes me inspired to create!!!!!!

  • @davydignatenko8651
    @davydignatenko8651 4 дня назад

    17:20 -- this move,ent remind me soviet film Soy Cuba, one of the greatest camera works in cinema history

  • @sg24336
    @sg24336 4 дня назад

    "Star Wars" was one of the worst things that's ever happened to Hollywood. A complete disaster for thought-provoking filmmaking.

  • @sg24336
    @sg24336 4 дня назад

    The problem is when people are ignorant of world cinema and film history and think someone like Tarentino is "original" and "a genius." He's obviously a talented filmmaker, so it's too bad he wastes it on mainly juvenile content and silly revenge fantasies. I just don't think he has it in him to make a mature film like "Tokyo Story" or "Five Easy Pieces."

  • @insightgang470
    @insightgang470 4 дня назад

    I'm not forgiving y'all for ruining "The worst person in the world" for me

  • @lofi.cinema
    @lofi.cinema 4 дня назад

    Great work! Great channel - subscribed :)

    • @fromtheframe
      @fromtheframe 4 дня назад

      Thanks for the comment and the watch!

  • @KayinAngel
    @KayinAngel 4 дня назад

    Movies fucking rock.

  • @Md2802
    @Md2802 5 дней назад

    You misunderstood the point Welles was making with homage. The first generation of filmmakers drew almost all of their inspiration from outside the world of film - and created new cinematic language as a functional way to translate those inspirations to film. Welles himself famously came from theatre and radio, and directed "Citizen Kane" with what he described as complete ignorance of filmmaking. But beginning around the 1960s, a new generation of filmmakers were emerging that had been raised on film and took a lot of their inspiration from it. Some of their work celebrated cinematic language itself, rather than using it as a tool to convey something with it. Sort of like doing an impression of Einstein to evoke the emotional response to intelligence, rather than saying something intelligent. This is fine in small doses, and in the early years this fresh perspective of the film school generation gave rise to a lot of new and exciting filmmaking - but by the time Welles gave that speech, homage had become an ouroboros. Film, as a cultural institution, had started down the path self-awareness and self-referentialism - which is the deathknell of an artform. In-jokes and meta references may be fun for people who're already fully-immersed in a subculture, but to everyone else they're tedious and annoying. That's not to say filmmakers shouldn't draw inspiration from cinema - nor that people shouldn't do impressions. When done properly, both can elevate and entertain in a unique and interesting way. But it takes very little to overdo it, and when overdone it quickly becomes cringeworthy. That's why Welles made such a big point in his speech for the students to seek adventures outside of the filmmaking bubble. The idea being art comes from the struggle to translate a unique experience into the medium of film - and in order to do that, you need have those experiences first.

    • @charlie9086
      @charlie9086 3 дня назад

      I understood it the same way. Orson Welles might have been influenced by Jean Baudrillard's "Simulacra and Simulation" which dives into the philosophical theory of a "Hyperreality" - when directors take all their knowledge from movies and "simulate" them by creating a movie on their own then nothing "real" is left, just a symbol of a symbol. (That's at least how I understand it)

    • @nilsnilsson4292
      @nilsnilsson4292 2 дня назад

      Nail on the head. I feel like people used to write movies based on things they have experienced. Now days people write movies based on movies they've seen

  • @LuisSanchez-qe6tr
    @LuisSanchez-qe6tr 5 дней назад

    What an amazing video!!! Keep it up!!!

  • @UndertakingCinema
    @UndertakingCinema 5 дней назад

    "The difference between an artist and a great artist is the great artist never reveals who he stole from". Pablo Picasso

  • @hypernovatv911
    @hypernovatv911 5 дней назад

    The great Quentin Tarantino himself admitted that he steals from everyone. He even once said if you’re not stealing from the greats you’re doing it wrong.

  • @musstakrakish
    @musstakrakish 5 дней назад

    Then there's George Lucas who just steals and says it's his

  • @jeguschristie4300
    @jeguschristie4300 5 дней назад

    Idk if I agree with your interpretation of Welles, Homage as he defines it is much more about cueing in an audience through reference and not as taking inspiration. I think another issue he raises in that talk (it’s been years but I remember it fairly clearly) is the fact that these filmmakers only refer to film and not other art, which handicaps them

  • @matthewoshea7224
    @matthewoshea7224 5 дней назад

    The obsession with “Don’t Look Now” is amazing. Great fucking film. Masterclass in editing

    • @fromtheframe
      @fromtheframe 5 дней назад

      We love Don't Look Now, and were glad to come up with a video where we could fit it in. That opening edit is mind-blowing.

  • @denzels.5505
    @denzels.5505 5 дней назад

    This was such a good video. Thank you so much.

  • @StarNicolas3302
    @StarNicolas3302 5 дней назад

    With a little research one may find Orson Welles' comment about homages was itself an homage - with all the irony he often intended. Maybe.

  • @dannydiaz1066
    @dannydiaz1066 5 дней назад

    This video was so well done and informative. Thank you for sharing it. It's the first video I have seen from your channel, and it prompted me to subscribe.

  • @ThatGuy-yj9ij
    @ThatGuy-yj9ij 5 дней назад

    Subscribed - what a video !

  • @laartwork
    @laartwork 5 дней назад

    This is what people angry about A.I. learning is just how human creatives learn too.

    • @thatunicornhastheaudacity
      @thatunicornhastheaudacity 5 дней назад

      Big difference from poorly ripping off someone's work and acknowledging a reference from it. Especially when A.I. is based generally on turning profit and not creating art for the love of creativity. But I do agree people are pretty mad at A.I. art simply because they don't understand the actual artistic process. And neither do the programmers of these machine learning programs.

    • @fromtheframe
      @fromtheframe 4 дня назад

      Yeah. I don't think we would put A.I. and human artists in the same category, especially in light of everything that is occurring at this current moment in time...

    • @thatunicornhastheaudacity
      @thatunicornhastheaudacity 4 дня назад

      As an amature "artist" myself I can't say I am angry with A.I. art, (perhaps the way it is being handled and implemented as of now) BUT I will say I won't consider it art until the A.I. truly creates something or abstracts something from its own point of view. You can dedicate yourself to recreating the masters but many wouldn't consider you an artist. Just a copycat. It's not until you begin to reimagine or interpret it through you own ideas and view does it become transformative and truly considered art. A.I. needs to paint me what it dreams for me to consider its work art.

  • @stephenmacartney
    @stephenmacartney 5 дней назад

    This is a great piece of work, thank you for the effort. Subscribed!

    • @fromtheframe
      @fromtheframe 5 дней назад

      Thanks for the sub! Glad you enjoyed the video!

  • @macdmacd7896
    @macdmacd7896 5 дней назад

    can homage or tribute be in Musical Composition?... not 'sampling' like hip-hop or rap, but play it in a different tone or octave or notes decorations, eg, use a bridge part of Star Wars score and make it sound 'arabic'?... will composer get sued?

  • @bookgains
    @bookgains 5 дней назад

    Like this comment so that I can rewatch this video time to time. I need it

  • @cambodianz
    @cambodianz 5 дней назад

    Originally is when enough disparate elements are combined to create something never seen before. Copying 1 to 1 is lazy rip-off plagiarism. Understanding how many disalike things can cohesively work together to create something new is the action of originality.!

  • @Not_So_Slim_Shady
    @Not_So_Slim_Shady 5 дней назад

    This was a great essay. I love getting more and more into classic films because you start noticing these references everywhere.

  • @JimmGd
    @JimmGd 5 дней назад

    Huge fan of the 2.39:1 home release of an imax

  • @nbme-answers
    @nbme-answers 5 дней назад

    Under the Skin is wild. Scarlett was 💯💯

  • @stephenward7856
    @stephenward7856 5 дней назад

    Brilliant video essay. You bring so many threads together to illustrate the story. Great effort, wonderful result :)

  • @AimiliosVelia
    @AimiliosVelia 5 дней назад

    I thought this was a video about directors that are under the influence of drugs or alcohol while directing, and how that's unoriginal and bad. Glad this turned out to be what it is lol.

  • @ThanmayK-re1gf
    @ThanmayK-re1gf 5 дней назад

    No story is original, it all come from something. You decide which is inspiration, you decide which is plagiarism

  • @brandonhamaguchi
    @brandonhamaguchi 5 дней назад

    The under the skin reference is also on Get Out and Kendrick Lamar's Swimming Pools music video

  • @brandonhamaguchi
    @brandonhamaguchi 5 дней назад

    Love the comment about transformers by the director of The Worst Person of the Word

    • @fromtheframe
      @fromtheframe 5 дней назад

      Found this one while doing research for the video and thought it was perfect. Glad you enjoyed it!

  • @brandonhamaguchi
    @brandonhamaguchi 5 дней назад

    Wow you really capture interconnected moments and influences with top notch meanings. That's a hard thing to do. Thank you

  • @malcolmnygard7056
    @malcolmnygard7056 5 дней назад

    This is exactly how I try to look at films in the big picture, thank you for this wonderful piece.

  • @hetmanjz
    @hetmanjz 5 дней назад

    2:58 Federico Fellini was part of the... FRENCH New Wave??

    • @fromtheframe
      @fromtheframe 5 дней назад

      Oof good catch! The original edit of this video was referencing Godard’s Bande à part as being a massive source of inspiration for Tarantino, but with the way I’ve worded/edited that section it would indeed appear that I am lumping Fellini in with the French New Wave. Embarrassed to admit how many times I've looked at this video without even catching that 🫠

    • @hetmanjz
      @hetmanjz 5 дней назад

      @@fromtheframe No worries, just wanted to give a heads-up in case it could be re-edited!

  • @krasipaskalevv
    @krasipaskalevv 6 дней назад

    Amazing edit, music selection and voice over. The ending montage gave me chills. Loved it!

    • @fromtheframe
      @fromtheframe 5 дней назад

      Thanks a ton! Glad you enjoyed it!

  • @commanderdodo1806
    @commanderdodo1806 6 дней назад

    Fantastic video, excellent work as always 😄

  • @crappymcdick
    @crappymcdick 6 дней назад

    The only way I could see myself directing is under the influence. Completely hammered and fucking landing every scene with sheer alcoholic confidence.

    • @fromtheframe
      @fromtheframe 5 дней назад

      Ahh, I was waiting for someone to comment on the double entendre in the title

  • @sawyerspecter
    @sawyerspecter 6 дней назад

    "A guy who builds nice chairs doesn't owe money to everyone who has built a chair.". This line from The Social Network comes to mind whenever someone criticizes a film for taking an element from another film. I heard this a lot about Inception stealing from Paprika. They are 2 different films from different countries and industries that inspired eachother. I recently had this experience myself of writing a screenplay and once I finished and watched some of my favorite films and realized I took so many of the elements from them but I wasn't consciously doing it when I was writing it. It was a mix of many. All artforms are like Jackson Pollock's painting. Each paint splatters is original and unique layered on top of one another to form a whole artwork, one cannot be complete without the other and it's something that is never finished. This is by far your best video. Love it! I'm glad you're continuing to make these. Thank you.

    • @fromtheframe
      @fromtheframe 6 дней назад

      Yes! Many are quick to point out references or homages in films and declare them to be cheap imitations of the original, but there’s really more nuance to these discussions. We were really hoping to get that point across with this video. Thanks so much for your comment, as always!

    • @thomaslowry7410
      @thomaslowry7410 5 дней назад

      Everything is a remix. As an individual, one can't help but be inspired by others. And one also can't help but draw from those influences. That's just life.

    • @drewdittmann3275
      @drewdittmann3275 3 дня назад

      Totally agree - this was an especially insightful video imo

    • @acidpandatv
      @acidpandatv День назад

      lol love that you referenced that line in TSN. Never heard it mentioned by anyone else until now. Made my day.