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JAM on the Marsh
Великобритания
Добавлен 21 май 2020
JAM on the Marsh is a creative, dynamic, forward-thinking arts organisation, with new music at its core. Over the past 20 years, JAM has commissioned an immense number of works from some of the most important composer in the UK influencing the classical music repertoire in the UK and around the world.
JAM is a registered UK charity (no. 1096150).
JAM is a registered UK charity (no. 1096150).
JAM on the Marsh 2024 @JAMontheMarsh
JAM, a registered UK charity (no. 1096150), is internationally recognised as a creative, dynamic, forward-thinking arts organisation, with new music at its core. It embraces artistic risk-taking through contemporary innovation, exploration, collaboration and creation, that intentionally integrates high-quality performances and education.
Since 2014, over 2,000 people each year living on rural Romney Marsh, Kent take part in JAM's free community projects: community singing, playing instruments and creating art and various workshops. These projects would not happen otherwise. Our free-to-attend projects embrace people of all ages and backgrounds, driving skills, ambition, well-being and comm...
Since 2014, over 2,000 people each year living on rural Romney Marsh, Kent take part in JAM's free community projects: community singing, playing instruments and creating art and various workshops. These projects would not happen otherwise. Our free-to-attend projects embrace people of all ages and backgrounds, driving skills, ambition, well-being and comm...
Просмотров: 75
Видео
THE CANONISATION of DEREK JARMAN: Toby Anderson @JAMontheMarsh
Просмотров 1102 месяца назад
The Canonisation of Derek Jarman by Toby Anderson Libretto by Grahame Davies Premiered on 13 July 2024 at the JAM on the Marsh Festival Ceferina Penny · soprano Angelina Dorlin-Barlow · mezzo-soprano Benedict Munden · tenor James Emerson · bass Travis Bloom · piano John Frederick Hudson · conductor SYNOPSIS: Derek Jarman is sat in his garden at Prospect Cottage in Dungeness. While waiting to be...
CARAVAGGIO: Sam Buttler @JAMontheMarsh
Просмотров 2182 месяца назад
Caravaggio by Sam Buttler Libretto by Grahame Davies Premiered on 13 July 2024 at the JAM on the Marsh Festival Angelina Dorlin-Barlow · mezzo-soprano Benedict Munden · tenor James Emerson · bass Travis Bloom · piano SYNOPSIS: Based on Derek Jarman’s 1986 film of the same name, Caravaggio follows part of the life of the Renaissance painter, with this opera merging the love triangle from Jarman’...
WAR REQUIEM: Roseanna Dunn @JAMontheMarsh
Просмотров 912 месяца назад
War Requiem by Roseanna Dunn Libretto by Grahame Davies Premiered on 13 July 2024 at the JAM on the Marsh Festival Ceferina Penny · soprano Angelina Dorlin-Barlow · mezzo-soprano Benedict Munden · tenor James Emerson · bass Travis Bloom · piano SYNOPSIS: Derek Jarman's War Requiem(1989) integrates Benjamin Britten's piece by the same name (1962), Wilfred Owen's war poetry and real recorded foot...
WITTGENSTEIN: Jago Thornton @JAMontheMarsh
Просмотров 1512 месяца назад
Wittgenstein by Jago Thornton Libretto by Grahame Davies Premiered on 13 July 2024 at the JAM on the Marsh Festival Ceferina Penny · soprano Angelina Dorlin-Barlow · mezzo-soprano Benedict Munden · tenor James Emerson · bass Travis Bloom · piano John Frederick Hudson · conductor SYNOPSIS: 1916, the height of the Great War. Wittgenstein has left his comfortable academic life in Cambridge in orde...
THE LARK ASCENDING: Vaughan Williams with AKI BLENDIS @JAMontheMarsh
Просмотров 6232 месяца назад
The Lark Ascending by Vaughan Williams 12 July 2024 at the JAM on the Marsh Festival Aki Blendis · violin JAM Festival Orchestra with the London Mozart Players Ruth Rogers · leader Michael Bawtree · conductor ABOUT AKI BLENDIS: Aki Blendis, now aged 16, started learning the violin aged 4 with Elisabeth Waterhouse at Lauderdale Suzuki. He was a pupil of Felicity Lipman for six years, then studie...
CAPRIOL SUITE: Warlock @JAMontheMarsh
Просмотров 1112 месяца назад
Capriol Suite by Peter Warlock 12 July 2024 at the JAM on the Marsh Festival JAM Festival Orchestra with the London Mozart Players Ruth Rogers · leader Michael Bawtree · conductor www.jamconcert.org
SYMPHONY NO.1: Beethoven @JAMontheMarsh
Просмотров 9582 месяца назад
Symphony No.1 by Beethoven 12 July 2024 at the JAM on the Marsh Festival JAM Festival Orchestra with the London Mozart Players Ruth Rogers · leader Michael Bawtree · conductor www.jamconcert.org
CONCERTO for FLUTE and CHAMBER ORCHESTRA: Biles-Liddell with DANIEL SHAO @JAMontheMarsh
Просмотров 4272 месяца назад
Concerto for Flute and Chamber Orchestra by Cameron Biles-Liddell 14 July 2024 at the JAM on the Marsh Festival Daniel Shao · flute JAM Sinfonia Igor Yuzefovich · leader Nicholas Cleobury · conductor Concerto for Flute and Chamber Orchestra, dedicated to the composer’s mother, was premiered in February 2023. In his Concerto, Biles-Liddell explores the musical relationship between soloist and en...
SYMPHONY NO.4: Mahler @JAMontheMarsh
Просмотров 3282 месяца назад
Symphony No.4 by Mahler 14 July 2024 at the JAM on the Marsh Festival JAM Sinfonia Felicitas Wrede · soprano Igor Yuzefovich · leader Nicholas Cleobury · conductor www.jamconcert.org
JAGO THORNTON on the Composers' Residency @JAMontheMarsh
Просмотров 242 месяца назад
Jago Thornton 2024 Participant in the Composers' Residency at the JAM on the Marsh Festival The COMPOSERS’ RESIDENCY at the JAM on the Marsh Festival is an immersive experience for dynamic composers, wishing to take their skills to the next level. This course, in collaboration with the Royal College of Music, focuses on writing for opera. World-class tutors on this course included international...
ROSEANNA DUNN on the Composers' Residency @JAMontheMarsh
Просмотров 382 месяца назад
Roseanna Dunn 2024 Participant in the Composers' Residency at the JAM on the Marsh Festival The COMPOSERS’ RESIDENCY at the JAM on the Marsh Festival is an immersive experience for dynamic composers, wishing to take their skills to the next level. This course, in collaboration with the Royal College of Music, focuses on writing for opera. World-class tutors on this course included international...
SAM BUTTLER on the Composers' Residency @JAMontheMarsh
Просмотров 182 месяца назад
Sam Buttler 2024 Participant in the Composers' Residency at the JAM on the Marsh Festival The COMPOSERS’ RESIDENCY at the JAM on the Marsh Festival is an immersive experience for dynamic composers, wishing to take their skills to the next level. This course, in collaboration with the Royal College of Music, focuses on writing for opera. World-class tutors on this course included international c...
TOBY ANDERSON on the Composers' Residency @JAMontheMarsh
Просмотров 182 месяца назад
Toby Anderson 2024 Participant in the Composers' Residency at the JAM on the Marsh Festival The COMPOSERS’ RESIDENCY at the JAM on the Marsh Festival is an immersive experience for dynamic composers, wishing to take their skills to the next level. This course, in collaboration with the Royal College of Music, focuses on writing for opera. World-class tutors on this course included international...
ST PAUL'S SUITE: Holst @JAMontheMarsh
Просмотров 1492 месяца назад
St Paul's Suite by Holst 5 July 2024 at the JAM on the Marsh Festival London Mozart Players Simon Blendis · leader Nicholas Cleobury · conductor www.jamconcert.org
MURMURATIONS: Jago Thornton (world premiere) @JAMontheMarsh
Просмотров 2042 месяца назад
MURMURATIONS: Jago Thornton (world premiere) @JAMontheMarsh
INTRODUCTION and ALLEGRO for STRINGS: Sir Edward Elgar @JAMontheMarsh
Просмотров 1392 месяца назад
INTRODUCTION and ALLEGRO for STRINGS: Sir Edward Elgar @JAMontheMarsh
TWO AQUARELLES: Delius @JAMontheMarsh
Просмотров 592 месяца назад
TWO AQUARELLES: Delius @JAMontheMarsh
THE NIGHT'S UNTRUTH: Tarik O'Regan @JAMontheMarsh MUSIC of OUR TIME
Просмотров 1117 месяцев назад
THE NIGHT'S UNTRUTH: Tarik O'Regan @JAMontheMarsh MUSIC of OUR TIME
MY LOVER SPOKE: Jonathan Woolgar @JAMontheMarsh MUSIC of OUR TIME
Просмотров 587 месяцев назад
MY LOVER SPOKE: Jonathan Woolgar @JAMontheMarsh MUSIC of OUR TIME
THIS SHINING NIGHT: Christopher Churcher @JAMontheMarsh MUSIC of OUR TIME
Просмотров 1457 месяцев назад
THIS SHINING NIGHT: Christopher Churcher @JAMontheMarsh MUSIC of OUR TIME
RASP: Anselm McDonnell @JAMontheMarsh MUSIC of OUR TIME
Просмотров 1207 месяцев назад
RASP: Anselm McDonnell @JAMontheMarsh MUSIC of OUR TIME
DAWN: George W. Parris @JAMontheMarsh MUSIC of OUR TIME
Просмотров 977 месяцев назад
DAWN: George W. Parris @JAMontheMarsh MUSIC of OUR TIME
ILLUMINATION: Isabelle Ryder @JAMontheMarsh MUSIC of OUR TIME
Просмотров 1597 месяцев назад
ILLUMINATION: Isabelle Ryder @JAMontheMarsh MUSIC of OUR TIME
THE EARTH WAS WITHOUT FORM: Marisse Cato @JAMontheMarsh MUSIC of OUR TIME
Просмотров 1277 месяцев назад
THE EARTH WAS WITHOUT FORM: Marisse Cato @JAMontheMarsh MUSIC of OUR TIME
PSALM 150: Donald Wetherick @JAMontheMarsh MUSIC of OUR TIME
Просмотров 837 месяцев назад
PSALM 150: Donald Wetherick @JAMontheMarsh MUSIC of OUR TIME
FIRST LIGHT: Steve Richer @jamon@JAMontheMarsh MUSIC of OUR TIME
Просмотров 2087 месяцев назад
FIRST LIGHT: Steve Richer @jamon@JAMontheMarsh MUSIC of OUR TIME
FLUX: Toh Yan Ee @JAMontheMarsh MUSIC of OUR TIME
Просмотров 537 месяцев назад
FLUX: Toh Yan Ee @JAMontheMarsh MUSIC of OUR TIME
Looking at this for gcses
Haha this is great and informative. Way to keep us in our place! I hope to write pieces not that the audience love but the players adore playing.
Amazing. Don´t get it how it is possible to play with the hands and the feet at the same time.
Muy buena interpretación, la musica de Lauridsen siempre llega al corazon.
What's the Bach piece with the double pedal part?
Ok, now I want an organ.
What is this music? ruclips.net/video/zWNQYuO1g1I/видео.html
THATS MY GERMAN TEACHER ❤❤❤❤❤
A young violinist to watch!
I'm in it
Ik
Divino!
Wonderful music, beautifully performed.
I really enjoyed this. I found it most relaxing. Playing among the audience is a lovely idea.
The music is quite beautiful!
Thank you. I will be looking at more of your videos. New subscriber. Can you tell me how you achieve microtones with the horn, say 1/4 tone. Do you use your hand in the bell to bend the pitch, or embouchere? or both depending on the amount of bend from the natural note. If writing microtones for horn should each microtone bear some kind of notation as to how that should be made? Also, when it comes to stops, you said if stop was written a horn player would know what that means. Were you saying that when a player completely stops the opening of the bell with their hand that is actually muting rather than stopping?...otherwise couldn't there be confusion about how much to cover the opening? I like the tip about a loudly played stopped note having that fuzzy or raspy sound...How loudly would you have to mark the score to achieve that quality. F or FF?
Can't agree about the key signatures. Everyone I ever played with had no problem reading key signatures. Having played both types, I found the scores that lacked key signatures to be a chore to read; my reaction was like "I know you're really in Eb, why won't you just admit it?". And it made it harder to catch mistakes in the score. When the engraver forgets one of the million accidentals, it looks exactly the same as deliberately going out of key, which a part with a key signature would make clear with an accidental.
What’s with all the swinging and swaying? I’m getting seasick.
they feel the music..
This piece goes so hard, sops have an amazing sound too
LOVE the intensity and soulfulness!!! AWESOME arrangement!
Absolutely GORGEOUS! You are one seriously talented musician.
Luckily, horn players can read key signatures. Just like Parisians actually CAN speak English
Brilliant, Brilliant, Brilliant ❤
Bravi to you all!
Its Beautiful😇
Sublime Merci pour ce moment de grâce
First time hearing their speaking voices. Great info!
Thanks for the masterclass, it is really helpful! I was unable to get the names of the String Quartets they were recommending to listen to (except Beethoven)... can someone list them please?
I was there to hear this live... that was experience but seeing my then 8 year old be apart of this was extraordinary 😊
Super helpful!! Thank you so much. I'm just writing a brass quintet and this is so perfect.
Your pedal is incredible awesome amazing The way your feet dance across the pedals Very enjoyable to watch
You're good at explaning and demostrating
Take a look at the attached PDF booklet with examples and you'll see the difference in the score. They were jumping from this C major chord to a high Eb major chord. (Andrea had to jump from E to a high Gb??) But this was funny. Voces8 are SO professional and serene in their manner that in all these 'bad' examples of this series they all remain ever so stoic. Only after Barney laughed a bit here did they break out in laughter for the silly writing.
Es una bella interpretación, me sorprende que tenga tan pocas visitas. Felicitaciones!
This has been very helpful thank you! As a studying composer whose main instrument is percussion, I’ve been struggling with the French horn but this helped a lot!
That was an inspirational performance of a brilliant piece of choral music. Thank you.
Whoever came up with the idea to do this series needs a raise
My register was terribly affected just by changing to a different bicycle seat
Look I felt genuinely concerned about the presence of Jabberwocks and was consequently rushed in getting the manuscript sent.
Mucho más claro! Genial
Very valuable material, thank you for that!
Lovely singing...but please, no swaying!
People have been swaying to beautiful music for a very long time. Get over it. I can’t believe you have been a choral singer (as I was for many years) and the do not feel the kinetic pulse of the music and even in the slightest movements respond to that glorious life-rhythm.
Great tips. Thank you both
Molly is really beautiful!
Great masterclass series! Really appreciative! As a guitar player who cannot play the piano and have no access to an organ, I can acknowledge how complex it is to write for such a grandiose instrument. I will stick to composing for orchestra and harpsichord.
Amazing your master class
You mentioned dynamic at the upper range (hard to play softly), what about down the bottom? It seems hard to play loudly down there.
Was für ein Monitor ist denn da angeschlossen?
Lovely work Jack 😊
What a beautifully presented video with excellent demonstrations, it was very informativefor me, thankyou.