Видео

Did anyone already say that just bring down an input on Neural DSP plugin?

I understand that you’re trying to reproduce the sound exactly between the plugin and the amp. My problem is the signal to noise ratio. If you’re leaving the input gain at zero, you’re going to get a lot more noise especially when recording the guitar into a DAW.

David - Your demo gives the impression that you're using the SEND and RETURN to patch in the Guv'nor through these in/outs. Are you in fact just using the Guv'nor prior to the input to the FM3? I'm using IN2 & OUT2 to patch in the Guv'nor after the cab.

Will buying the course includes the Solo App ? or we need to purchase separately :)

Hey David, thanks a lot for your video! When I set up my equipment with your method (Neural Cory Wong & UAD Apollo) I get a very clean recording, but it's very quiet and can't be recognized visually in Logic. 🤔

the correct interface gain will ALWAYS be the hottest signal without clipping. What you need to do after that is to trim the input gain (NOT THE GAIN KNOB) on the plugin. Doing otherwise is just stupid.

I have tried with many different audio interfaces, setups, etc. I cannot jam using computer. Latency and 150K config ruins the whole experience.

This is misinformation that I bought into as well. This is how you should do it ruclips.net/video/gJ59h7xfvdI/видео.htmlsi=pJnHcm0QTA2G9X92

Oh, no, another one... 😮 What about signal to noise ratio, man? C'mon! If you think the signal before the plugin is too hot, just decrease volume before it digitally on the box

Amazing tones! How do you like the overall experience of the Quad, comparing to Fractal FM3? Do you miss some tones that you were getting with Fractal? I'm having a hard time deciding which one of these two should I pick for live gigs.

0 input gain on your interface is just plain wrong, and it's rooted in a misconception about gain staging my dude. I'm not trying to shit on your video here, because it's well done but it's wrong. This video covers why more succinctly than I can explain in a comment: ruclips.net/video/gJ59h7xfvdI/видео.htmlsi=oAL5e1UoGUDPZxWD

Awesome playing and video!! Thank you so much for these captures/presets!!

If you want to employ that economy style that EJ does, you need to check out Rick Graham’s speed picking technique or Frank Gambale’s. Practicing their materials will give you that muscle memory to just do it naturally without even thinking about ut like EJ does. I know I do (from personal experience).

Fk yeahh!

Dude! Incredible playing as always. Great tones and superb production value...!

Hello. Thank you very much for the really good advice. However, I would like to know how to build the gain structure of guitar amplifiers in Logic.

Tom when are ypu going to update sølo on android ? We want to buy the course but if there is not update... no course.

@davidbeebee I also have come from Fractal the FM9, I would encourage you to checkout something like a midi baby which opens the QC up, it effectively allows you with a single click to not have all 8 switches for both stomp and preset mode which is quite better if you are used to fractal and you now have something similar to the OMF9 layout.

Sweet! Thanks David.

Lol at thumbnail title. But also hybrid picked EJ cascades sounding 🔥

I tuned in for the cheeky title, but stayed for the sublime playing! Excellent work, Beebs!

David what a unique and cool tone! Beautiful legato playing as always with a little EJ runs in there. Great analysis of the Quad Cortex.

Yeahh Beeb's ! I ve waited this one for a long time, since I spotted your BE50 in the back ground! Thanks mate and thanks for the discount from the previous video on Solo course, awesome but hard to program my old brain (especially the "compensated" cause the B string!)

Love the tone as always man! Would love to see you try to recreate the tone in Line 6 and compare them too.

Dude,... Great tones

I didn’t realise that you can’t share folder structures on Cortex Cloud, so you may not actually want ALL the captures as it could be a real mess to organise your side. The Stinky Opticians captures combined with Taupe Cornea and Spikey Mikey presets and captures should be plenty! However, if you really, really want all 50+ let me know 🤣 Have fun!

No ss frets? Lmao

Holy shit your lead phrasing is immaculate.

ruclips.net/video/gJ59h7xfvdI/видео.htmlsi=fv1mXQmUwB6wcl7b Ghost note audio channel: Answers all our questions regarding gain and Plugins. We were all wrong!!!

I think the price is steep. But maybe worth it if you never need the pedal. If you have the pedal I think it’s way too much. I have an HX Stomp and Line 6 offered Native for next to nothing because I’d bought the pedal. The I look thing is a real put off for me. I have an account but think it’s a pain. As for the bugs, well for windows users there seem to be real issues - Cordy had big problems - and if the M based Macs are also a problem then £200 seems way too much to pay. And finally, the buying process is rubbish. The USA site has a 7 day free trial. The rest of us don’t get that. Hopefully they’ll address some issues with updates. Indeed maybe they have already. Time to do some diving on the forums.

And android!??? We are thousands

Fantastic video! Didn't know the Ice delay. I'm a hx stomp user and to achieve these kind of sounds i always use the delays in parallel to keep keep the clarity and also be able to use the dynamic split. To make things a bit a fair, Line6 should "compete" here with a Helix Native. I think it's worth it! In that case, i'd split after the adriatic delay to keep the first repeat clean. Also, the shimmery stuff... i think it can be achieved manipulating the Glitch delay without using the shimmer reverb. Maybe with an octave delay after the glitch... 3 delays always better than one! xD Btw! Have you used the Ventoux amp? It's my favourite HX Stomp amp by far. A mix between a Fender brownface amp and an Orange amp. Crisp, clean, mean and lots of personality. The HP filter is the key in that amp.

Great job dude!

What's rubbery slippage, do you mean digital clipping?

Great video!

On the Stomp I use 2 Heliosphere delays, dynamic hall reverb, and externally a Strymon cloudburst. Gives me all the ambient options I need.

Great video Beebs!

There are a lot of great legacy delays in the HX Stomp to swap out instead of the glitch delay to get different kinds of effects. Not more accurate to the Timeline, but cool nonetheless! Also I'd recommend on the first Adriatic delay to put the headroom all the way up to 12 Db, I find you can get clipping and other distortions sometimes depending on what's in front of it.

Always great to watch you make these.......and, as you say, if the Stomp doesn't quite make it, it IS amazing how close it gets.

🔥

No Timelines were harmed in the making of the stupid thumbnail! I’ve been in love with the Ice effect on the Strymon Timeline for years. I’ve never really found another delay that does what this is doing quite the same, and so I set about trying to get as close as I could with the FM3 and the HX Stomp. I think the FM3 version is pretty darn close, enough that the right vibe is there. It does ‘feel’ different to play still, but probably not noticeable in a big wall of sound. The HX Stomp is a bit further off the original , but still a pretty cool sound in its own right considering the DSP limitations. Do you guys know of any other delay/effect that nails the Strymon Timeline Ice sound out the box or with a preset? Thanks for watching! 🎸🐝🙏🏻

Getting Goosebumps ❤well done played 🎶🏆🎶

This clown is not educated and he has no basic understanding of music theory or fretboard theory.

Appreciate you David. Great topic! Timely too; presently going deep on the Grammatico on the Helix Floor. Respect too for looking into the UA Enigmatic. Greatest time ever for guitarists! Subscribed.

15:28 very dificult for me

Could you make a video on how to eliminate tension in both hands, and how much force to use in the right hand too?

Spot on! I have been doing this wrong as well. I have demo-ed 3 Archetypes at this point: Morgan, Rabea (OMG!!) & the Mark III (a note: so dead on at both my favorite things and most annoying things about my real versions!). I also think there is something psychological about what the printed tracks look like level wise. They can look weak - but they just aren't. After getting the input right, the next thing - not an issue with Neural, but with many plugin's (even native to the DAW), be mindful of the output level. It can create some unsavory qualities, too. Lastly or firstly: for those that say about input level: if it sounds good it is good. Be warned that in a mix, the issues with that can become impactful in ways that just hinder the clarity of the mix. Just 1 cats opinion this. Thanks for the vid. It needs to be part of Interfaces 101 for everyone!

The Litigator has been my favorite amp for some time now.

neural dsp USED to recommend setting your audio interfaces gain setting to right before it begins clipping, turns out this is wrong and as far as i know they do not recommend this anymore. all you’re doing is slamming your di signal with way more gain. the actual best option to do is set your audio interface to the instrument setting and leaving it at 0. any input gain you add should only be from the input section in the plugin itself. John Nathan Cordy has a pretty good video on this subject. Hope this was any sort of help!

I’d love a lesson on this and tone build on the HX stomp. BTW, I’m love fretboard visualisation course - slowly working my way through it. Thanks for all the great work!