adamrapa
adamrapa
  • Видео 20
  • Просмотров 96 437
1. (Kryptonite for) Anxiety & Ego
Video #1 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing)
English transcript available on: www.AdamRapa.com
You can watch the full series there, and find lots of other goodies!
Some key take-aways from this video:
"Breathing can be both active or passive. And it's a revolving door, the link between breathing and our emotional state. And you can either use your breathing to affect your emotional state, or you can also see a situation where your emotional state affects your breathing."
"...to make sure that you have the self-control, the emotional self-control to roll with the punches as they come at you, and to stay in a healthy enough frame of mind to still respond p...
Просмотров: 5 860

Видео

2. Improve Your Technique with Meditation2. Improve Your Technique with Meditation
2. Improve Your Technique with Meditation
Просмотров 3,1 тыс.3 года назад
Video #2 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "So it's a meditation on the sound and the physicality that is going into producing that sound." "I consider it a meditation because there is nothing but ...
3. It's About The VIBE!3. It's About The VIBE!
3. It's About The VIBE!
Просмотров 1,9 тыс.3 года назад
Video #3 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "Krishna Das says ‘It's not about the music; it's about the vibe. The music is too close to our ego; the vibe is about others’”. "...and that might just b...
4. I'M A SLOW LEARNER4. I'M A SLOW LEARNER
4. I'M A SLOW LEARNER
Просмотров 2,4 тыс.3 года назад
Video #4 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "I don't learn anything fast. I'm not very physically coordinated. I'm usually the last one in a group of people to get something... Whatever it is, I'm p...
5. Practice Partners (Are Essential!)5. Practice Partners (Are Essential!)
5. Practice Partners (Are Essential!)
Просмотров 1,4 тыс.3 года назад
Video #5 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "That's where you start with a practice partner. You establish your goals; you figure out something that you both want to work on; something that's import...
6. Food Groups (A Wholistic Approach to Your Routine)6. Food Groups (A Wholistic Approach to Your Routine)
6. Food Groups (A Wholistic Approach to Your Routine)
Просмотров 1,6 тыс.3 года назад
Video #6 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "I don't have a daily routine. I have a priority list - a shit-list if you will - of things that ‘suck the most’ and I tend to those things. But it doesn'...
7. Limited Practice Time? (Try THIS!)7. Limited Practice Time? (Try THIS!)
7. Limited Practice Time? (Try THIS!)
Просмотров 4,8 тыс.3 года назад
Video #7 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "I would make sure that that whole 'well-balanced diet' that I just spoke about was being tended to in those 20 minutes. And that means just picking a few...
8. FISH FACE! (How to Build a Stronger Embouchure)8. FISH FACE! (How to Build a Stronger Embouchure)
8. FISH FACE! (How to Build a Stronger Embouchure)
Просмотров 30 тыс.3 года назад
Video #8 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "I feel the way I interface with the horn is by observing how far away from my teeth I'm pushing the mouthpiece." "...‘fish face’ is the action of buildin...
9. Changing Your Embouchure? (Be Kind to Yourself)9. Changing Your Embouchure? (Be Kind to Yourself)
9. Changing Your Embouchure? (Be Kind to Yourself)
Просмотров 11 тыс.3 года назад
Video #9 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "Embouchure problems make people absolutely f'ing neurotic; turns perfectly good, reasonable, happy people into miserable shadows of themselves. Because, ...
10. Trumpet Players' Secret Weapons (Overtone Singing & Dan Moi)10. Trumpet Players' Secret Weapons (Overtone Singing & Dan Moi)
10. Trumpet Players' Secret Weapons (Overtone Singing & Dan Moi)
Просмотров 5 тыс.3 года назад
Video #10 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "Dan Moi... So no air; you don't have to exhale through this thing. It gives you kind of like an audible - it's like an audible X-Ray, where you can hear...
11. Optimize Your Playing (Using Your Tongue)11. Optimize Your Playing (Using Your Tongue)
11. Optimize Your Playing (Using Your Tongue)
Просмотров 4,6 тыс.3 года назад
Video #11 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "There's a syllabalic range - there's like a spectrum of pronunciation that gets you the most resonant overtones in your vowels." "And the English words ...
12. The Outrageous Benefits of Half-Step Bending12. The Outrageous Benefits of Half-Step Bending
12. The Outrageous Benefits of Half-Step Bending
Просмотров 7 тыс.3 года назад
Video #12 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "Half-step bending is something that I use to open-up my sound." "And that gets me down into the sweetest, fattest, juiciest part of the note." "Any time...
13. Is There An Ideal Embouchure?13. Is There An Ideal Embouchure?
13. Is There An Ideal Embouchure?
Просмотров 4,7 тыс.3 года назад
Video #13 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: [“How would you define ideal lip position to the cup?”] "I don't know, I'd have to see your teeth, you lips, and your cup. I don't mean to be dismissive,...
14. Note Targets & LOTUS Mouthpieces14. Note Targets & LOTUS Mouthpieces
14. Note Targets & LOTUS Mouthpieces
Просмотров 3,4 тыс.3 года назад
Video #14 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "People talk about note targets as if it were hitting bull's-eye in the middle of a circular dartboard. But for me, I see notes as much more - in 2D, as ...
15. Active Listening (How & Why?)15. Active Listening (How & Why?)
15. Active Listening (How & Why?)
Просмотров 1 тыс.3 года назад
Video #15 of 18 in the series: Up Your Mental & Emotional Game (for Trumpet Playing) English transcript of available on: www.AdamRapa.com You can watch the full series there, and find lots of other goodies! Some key take-aways from this video: "...beautiful examples of the music that you wanna hear. Beautiful players who embody the sound - something about their voice really speaks to you; somet...

Комментарии

  • @pontusmutka7408
    @pontusmutka7408 23 дня назад

    Adam, is this ok to do in public? 😂

  • @davidrodrigues8677
    @davidrodrigues8677 Месяц назад

    hey adam, what's up? i only start to feel a little burn after like a minute, is that normal? and i've been doing the cat anderson whisper middle G with the teeth closed, for 20 min, and i think i'm starting to get stronger, could u share some thoughts on that exercise pls? Hug!

  • @forsythia33
    @forsythia33 2 месяца назад

    This is so helpful. I quit singing after seven years because I was in a state of near panic over my technical difficulties (which of course destroyed any possibility of simply relaxing and improving slowly, because tension is the death of singing). And after a month off I decided to just give up singing altogether and learn trumpet instead. And because it just doesn't matter if I figure out how to play the trumpet or not, I can just noodle on the thing and experiment and try to figure out how to make the sounds. It's fun. It's hard. It's weird. But it's fun! Singing was so wrapped up in being 'good' that it lost all its fun, and I never could 'play' - it was always just work. What might be possible is that after learning to 'play' again on the trumpet I can go back to singing and just noodle, and find the fun in it again... who knows? I figure at least the trumpet is a wind instrument, so it will maintain my breath control... This video was great advice!

  • @CanadianDivergent
    @CanadianDivergent 4 месяца назад

    This is "Fight Club 101. “You are not your job, you're not how much money you have in the bank. You are not the car you drive. You're not the contents of your wallet. You are not your fucking khakis. You are all singing, all dancing crap of the world.” ~Tyler Durden~

  • @tonyd3192
    @tonyd3192 4 месяца назад

    Great advice on how/when to rest. I have to hear so many times that when the embouchure starts to fail, get to something restful rather than "powering through" with excess mouthpiece pressure. Such a great reminder. Thank you!

  • @butda_fast
    @butda_fast 5 месяцев назад

    나진짜이형너무좋아ㅋㅋㅋㅋㅋ

  • @tonyd3192
    @tonyd3192 5 месяцев назад

    Wow! I really needed this today, thank you

  • @RandomUsername34
    @RandomUsername34 7 месяцев назад

    The weird thing with all these execicies. I can play mots of these 'tricks'. Being half note bending, pedal tones etc... I can do it all. But range and endurance? nope.

  • @alexcarter8807
    @alexcarter8807 7 месяцев назад

    What a neat exercise. It is NOT easy to do for someone who's not done it before.

  • @alexcarter8807
    @alexcarter8807 7 месяцев назад

    I never thought about this. You've inspired me to get a trumpet again and get back into playing.

  • @GregoryPearsonMusic
    @GregoryPearsonMusic 8 месяцев назад

    Thanks Adam, this seems like the missing piece in embrochure advice - really makes sense. It also makes a longer sound tunnel. Do you find yourself using less pressure as well with this strategy? And is tone improved?

  • @MarioSilva-jg5nh
    @MarioSilva-jg5nh 9 месяцев назад

    Amazing way to put it.

  • @lolofriend4701
    @lolofriend4701 9 месяцев назад

    wow this really hit hard

  • @Pm50077
    @Pm50077 9 месяцев назад

    Glad your honest and to the point

  • @yoisell154
    @yoisell154 9 месяцев назад

    Es una bendición poder sentir como esta obra de arte llena de amor, ilusión, esperanza, consuelo y alegria.. es lo que a mi parecer me ha dejado dentro de mi ser, al solo escuchar ( sin ver el video ) el tema completo. Me gusta cerrar los ojos y sentir la experiencia como si se tratase de una comida exquisita, deleitable al paladar saboreando las texturas de lo bello, hermoso, y bien hecho! Reciba bendiciones maestro Adam. Dios lo bendiga. 🙏🏻

  • @flavorchris4721
    @flavorchris4721 10 месяцев назад

    ❤❤❤❤❤❤

  • @flavorchris4721
    @flavorchris4721 10 месяцев назад

    Beautiful. I never heard of a teacher teaching this. ❤

  • @flavorchris4721
    @flavorchris4721 10 месяцев назад

    The video tutorial that i needed ❤🎺

  • @johannb2011
    @johannb2011 10 месяцев назад

    Practice slow this is important

  • @aleoscarbadia
    @aleoscarbadia 10 месяцев назад

    Gracias! este video me apareció en el momento indicado, voy a tratarme mejor a partir de ahora!

  • @adityatyagi4009
    @adityatyagi4009 10 месяцев назад

    Holy crap, I just KNEW you were going to say "fuck it" before you said it. Great video!

  • @crazyforbirds4262
    @crazyforbirds4262 11 месяцев назад

    Sir I'm from India. I started to play trumpet last 2 month. I want to become good trumpet player. How long I practice in a day?

    • @graemethies-thompson6308
      @graemethies-thompson6308 5 месяцев назад

      don't worry about how long, think how amazing can i sound right now, then how easy is it? the way to excellence is experimentation and commitment

  • @gamer-zm3bi
    @gamer-zm3bi Год назад

    Thank you very much for this helpful video. I noticed, that the muscles on the left side of my lips are much stronger than on the right side. Maybe because of a little incorrect mouthpiece position. Do you have an idea what the best way of fixing this problem is? Kind regards from Germany

    • @adamrapa1
      @adamrapa1 Год назад

      Symmetry isn't always a necessary goal with regard to the embouchure, but if you do notice a problem on one side of your face, the best medicine is paying constant attention to all the muscles of your embouchure by playing in front of a mirror. I'd recommend doing this -- 100% of the time -- for as long as it takes to develop the changes you're looking for. Minimum one month should be expected. If necessary, buy a mirror that you can put in a convenient spot where you like to play. Watching your muscles work gives you more control over how you're using them. It strengthens your awareness of what's happening, and helps you send stronger/clearer signals to them. If you're diligent with actively observing your playing in front of a mirror, you can quickly make changes/improvements to your embouchure, your posture, your breathing, etc. Just pay attention!

    • @gamer-zm3bi
      @gamer-zm3bi Год назад

      @@adamrapa1 Thank you so much for your answer. I will take the mirror! It would be a great pleasure for me if you would listen to one of my compositions. ruclips.net/video/jnjxHEg-mnc/видео.html Really love what your doing!

  • @user-ds3yv7hu9y
    @user-ds3yv7hu9y Год назад

    No other word other than AWESOME!

  • @lefterislef5630
    @lefterislef5630 Год назад

    Such a good example for us to focus on our present while being kind to ourselves. Thank you

  • @dktrumpet65
    @dktrumpet65 Год назад

    If you - mr. Rapa - should ever stop playing music on your trumpet, then life-coach is the next level! The best words for me was that "defining yourself as xxxxx" and not at trumpetplayer (if one live from playing trumpet it is different). Tak care Adam!🇩🇰🌞

  • @lefterislef5630
    @lefterislef5630 Год назад

    You're videos are so honest!! It's so nice that you're relatable and make us think maybe someday we could become our best trumpet selves! I find it very interesting that you mention all these breathing based practices, I've been doing Wim Hof breathwork for the past 2,5 years and the affect it has on my physical and emotional aspect is always great! However, being kinda new on the trumpet and having asthma makes my improving such a hard task! But that's intriguing at the same time. Thank you for sharing your knowledge and shining light on our paths to improve!

  • @dktrumpet65
    @dktrumpet65 Год назад

    Man...is interesting to listen to you. Sad, that you are not longer with Danish Radio Big Band

  • @DPHMUSIC.
    @DPHMUSIC. Год назад

    I have struggled with this my entire career. Thank you for this advice, sharing this with my Studio!

  • @vidiupload4174
    @vidiupload4174 Год назад

    I notice that the corners of your embouchure move very little; almost all the movement happens with the lips.

  • @ChrisAndTheTrumpet
    @ChrisAndTheTrumpet Год назад

    Very well said all the way though!

  • @iustbarbara3762
    @iustbarbara3762 Год назад

    Grazie Maestro grandissimo 💪💪🎺🎺

  • @JVFBryant
    @JVFBryant Год назад

    Adam. First off thank for videos like this. I see what you are saying about pushing the lips away from the teeth, making the mouthpiece "connection" more cushioned against your teeth. This would work for me because I have thin lips & they do get beat up. Question though. You mentioned the word tunnel. Is your method similar to what Pops advocates when he talks about an aperture tunnel? Thanks for you advice & be well!!

    • @adamrapa1
      @adamrapa1 Год назад

      Hey, sorry, I'm not familiar with his teaching. But it's hard to imagine there being more than one way of interpreting the words "aperture + tunnel" so we're most likely describing the same thing. Of course, that's where any implied similarities probably end. I have no idea what he advocates regarding any other technical detail related to its formation or its use.

    • @JVFBryant
      @JVFBryant Год назад

      @@adamrapa1 Hello Adam & thanks for your reply. Yeah, I'm thinking both of you are well in the same church & pew. I've been trying the fish face for an exercise, & unfurling of the lips to play such as what Lynn Nicholson teaches as well. Seems to be working for me by providing a cushion keeping my thin lips from getting beat up.

  • @CharlesBallowe
    @CharlesBallowe Год назад

    You weren't kidding about feeling it after 10 seconds... (I'm coming back from like 20 years off!)

    • @alexcarter8807
      @alexcarter8807 7 месяцев назад

      Not feelin' the burn but I've been learning the shakuhachi for a year. Coming back to trumpet.

  • @pickleman7501
    @pickleman7501 Год назад

    I've been playing the trumpet for 7 years now and I feel like I have very poor embouchure. Everyday is kind of a hit or miss for me on the trumpet and I'm not quite sure where to start for Improvement and I think this video is the key.

  • @RandomUsername34
    @RandomUsername34 Год назад

    Embouchure ( and playing in general) is a very frustrating thing to me. I've had moments were a high C just felt as easy as a low C... I've had final chords were, in the moment, i heard the high G# in my head and it just popped out ringing like a bell without effort (I even had to check afterwords to see which note it was, thats how surprised i was) But for 99.99% of the time, it feels like hard work. I've been playing for 30 years (and having a blast on gigs and rehearsals etc) but that's what keeps me going and searching... these rare moments were you experience how easy it can actualy be. It must be heaven to be able to play that efficient all of the time.....

  • @michaelfoxbrass
    @michaelfoxbrass Год назад

    Is this exercise somehow related to the “balanced embouchure” techniques?

  • @Reikimaster_Healer
    @Reikimaster_Healer Год назад

    Man, I love this video. Thank you so much for that wisdom. I’ve been past my prime for many years and considered myself retired from playing the trumpet but you have inspired me to pick it up and try new techniques. I wish I would have gotten this instruction when I was in college.

  • @iustbarbara3762
    @iustbarbara3762 Год назад

    Grazie Maestro 🎺🎺🙋‍♂️🙋‍♂️

  • @kathyfry3396
    @kathyfry3396 Год назад

    I love this, well done for being so open and honest. You are so right, having recently returned to playing, I regularly use the phrase you expressed, it definitely works. I’m able to do far more now than I ever could as a younger player.

  • @trumpetbrain7302
    @trumpetbrain7302 Год назад

    Hi, If I may ask, as I can't quite get this right yet; I've watched this (and several other explanations on acclimation) many many times, I include these principles every time I pick up my LOTUS equipment and I consider myself to be a fairly accomplished player, so what is causing my upper register to sit so sharp on LOTUS equipment? To get a full and good sound, whilst feeling comfortable and relaxed, the notes from the top of the staff up to high G all go increasingly sharp. When I try to sit lower or think downwards the note will quickly crack and fall down a partial, so I can't be sitting 'too high' for the slot, plus the sound (whilst sharp) is impressively big and resonant, so its not like I can be majorly tensing up or squeezing. This also seems to be the case from deep cups through to shallow (3XL2 through to 7S). It's a real challenge as I recognise the freedom and improvement in response and resonance on the LOTUS equipment, but the intonation is so wacky I'm finding I can't use it on the job right now. What do you advise and any suggestions (on top of my current load of soft and easy scales) to try and solve this? Is it something physical on my end or is there an equipment-based reason for this (the cup diameter feels great but maybe a bigger size like a 1 might help out the sharp high register?). Thanks for your help, eager to sort this out and reap the full benefits of the equipment. If you are able to offer a couple of quick suggestions for me to work at immediately, I'd also be happy to book in a zoom lesson to discuss further. Cheers Alex

    • @samneufeldjazz
      @samneufeldjazz Год назад

      Hey Alex! What trumpet are you playing on?

    • @trumpetbrain7302
      @trumpetbrain7302 Год назад

      @@samneufeldjazz Yamaha NY Bb, Yamaha 9636 Eb/D, Shires Piccolo, Bach Artisan Eb... etc etc

    • @adamrapa1
      @adamrapa1 Год назад

      Hi Alex! You're touching upon an important philosophical topic: Is it better for the mouthpiece's intonation to require us to push high notes upward because they're inherently flat, or should the mouthpiece be configured so that we never have to push anything up at all? The complicated thing is that we all - myself included - can easily start playing sharp with just the slightest bit of extra inward pressure, especially (but not only) when we become just a little tired. It's amazing how much variation in one's pitch there can be, even in the middle of doing reps of one pattern or something, as we make micro adjustments to our physicality. The slightest flex of a bicep muscle; the slightest decrease in outward pressure by the lips; a general change in posture - particularly the angle of the head; all of these things (and many, many more) can easily send our pitch upward by 25-30 cents. In that regard, some people feel they play more in tune when their mouthpiece inherently plays flat upstairs, especially if they pretty much always do one or more of these things. As a recovering Prana addict, I can say that my goal/expectation is no longer to actively push down on every note above the staff in order to play in tune, but I also DO NOT want to push anything up either. That, to me, is the greater of the two evils. In that regard, we've set the intonation of our mouthpieces so that under truly neutral conditions, the intonation should be such that you won't have any problem sitting down nice 'n comfy on high notes. When we released our Gen2 mouthpieces (with the pretty milling vs. flat angles on the bod) we configured the intonation to be a little more compressed than it was with our 1st Gen "Plus" mouthpieces, which were much more aimed at providing a good alternative for other recovering Prana addicts. ;-) We recently made some "firmware" updates to some of our mouthpiece models to compress the harmonics a little bit further as well, in order to meet even more folks where they are, regarding those aforementioned technical pitfalls. If you bought your mouthpieces more than 5-6 months ago, chances are good that yours are slightly less compressed than they are now - especially the XL2, M & S cups. I appreciate your taking the time to write your experience in such an eloquent and respectful manner (which is hardly par for the course these days) so I'm happy to test that possibility out. Write to Charley on our website, and he'll arrange to send you a replacement for the mouthpiece that's most important for your work. Then we'll see if the minor tweak we've recently made is enough to make your upper register feel "right", and go from there. Thanks lot for your interest and support. We're here for you!

    • @trumpetbrain7302
      @trumpetbrain7302 Год назад

      @@adamrapa1 Hi and wow; what an awesome response! Thank you very much for taking the time to write that, and I think I'll have to get these words laminated up and placed in my case for every time I practice. I think I own about 10 or 12 Lotus mouthpieces, and most of them should fall within the updated firmware batch (interestingly, I had noticed a slight improvement (for me) on the most recent ones although I'd previously assumed that was just in my head), so I shall take the time to focus on your words and advice before making any (further) contact with Charley. It'll continue to be a long journey of experimentation and reflection; but one I am eager (with the available spare time I have) to pursue, as I recognise there are clear benefits to the equipment- just so long as I can start to get a handle and understanding on when, what and why causes my intonation to push so sharp. Thanks again for your time, big kudos to you for your reply! Alex

    • @adamrapa1
      @adamrapa1 Год назад

      @@trumpetbrain7302 Sounds like a plan! Also, one further data point to add for your exploration: I used to tune my middle C in such a way that I really needed to press down (or open up) into the bottom of that slot in order to be in tune. While the phrase "Better sharp than out of tune" does contain some wisdom (from the listener's perspective) it's also a slippery slope from there to constantly being sharp. In more recent times, I've started setting my tuning slide so that it's possible to play flat on my middle C unless my air is moving fast enough ("supported" enough) which is significantly lower in pitch than before. That also helps a LOT in terms of avoiding being sharp above the staff. As it is, your trumpet makes it inevitable that the G on top of the staff WILL be sharp. Better to minimize the amount by tuning the middle C to a place where lazy air is maybe 10 cents flat, and well-supported air is spot on, so that a high G - which even under those conditions can still easily be 10 cents sharp - won't turn out to be 25 cents sharp. Ya dig?

  • @AComplexMex
    @AComplexMex Год назад

    As someone who recently just got off the conventional mouthpieces, I recently bought a monette mouthpiece so how hard would it be to transfer from monette to lotus?

    • @adamrapa1
      @adamrapa1 Год назад

      Certainly shouldn't be an issue at all. Of course, there are many, many factors that are hard to say without being with you in person, but for the vast majority of players, easier is simply easier. And easier is definitely our design goal.

  • @slidegrease
    @slidegrease Год назад

    i think this video will be helpful to most every trumpet player. thanks.

  • @seancorby6732
    @seancorby6732 Год назад

    Brilliant

  • @patrickzimba6545
    @patrickzimba6545 Год назад

    Wonderful, really helpful, that I want start serious practice

  • @terrenceharrington9454
    @terrenceharrington9454 Год назад

    Perhaps this lesson extends to a whole lot more than the 🎺

  • @da11king
    @da11king Год назад

    Embouchure and tongue arch remains an enigma to me 😥🎺 Thanks for your philosophical answer

  • @kevinelliott5823
    @kevinelliott5823 Год назад

    The “Fonz” did lip-ups against a pinball machine, those would definitely help! Lol

  • @josueo5652
    @josueo5652 Год назад

    teacher I come from a Bach 10c, what do you recommend? I played a genre called popular, I have had problems with the register and resistance

    • @adamrapa1
      @adamrapa1 Год назад

      Perhaps you can try our 7L2. That is a reasonable alternative. If you find it too wide, write to Charley on our website (www.lotustrumpets.com) and he can help send you the appropriate replacement.

  • @Ostiosti
    @Ostiosti 2 года назад

    How about bending upwards, like from c to c sharp or to d? I find it much harder than bending downwards. But the really good setting you get from it is very rewarding.

    • @adamrapa1
      @adamrapa1 2 года назад

      Very good question. I really don't like bending upwards at all. I know some people enjoy it as a tool for gaining better control onsite level, but I find no personal benefit in bending up on notes where all you find is a lower-quality sound, and usually, increased aperture tension. For me, making a big, rich sound sound is the #1 most important thing, and bending upwards goes in the complete opposite direction.

    • @magiking96
      @magiking96 Год назад

      @@adamrapa1 I'm not sure what upward bending is, but I did half tone bends down for a long while but I replaced that with "upwards bending" meaning I was on a G and then played G but with 23 (so basically a G# half tone bended into a G). It is easier and more revealing if you have perfect intonation in your bend or not, and also the feeling of keeping the good sound you have with your correct fingering before you do the bend. Is this what you mean with upward bending?