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Group of 7 Comics
Канада
Добавлен 25 дек 2020
Comic creators Chris Sanagan and Jason Lapidus infuse what they love into the comics they create. While their newest books are in production, they have also been exploring the superhero phenomenon 'X-Men' though the essential run of comics starting in 1975. The weekly livestream 'Previously...In X-Men' airs Tuesdays 9pm EST, and features special guest cartoonists, publishers, collectors, and more.
Group of 7 Comics is an action-adventure, historical fiction comic book series filled with secret tales of daring and danger. Featuring real historical figures who find themselves in fictional, extraordinary circumstances, the series is infused with a love of adventure, history, and popular culture. What started as a cool idea between two friends has become an acclaimed ongoing series, and a rewarding creative partnership.
Chris and Jason also go live on Instagram most Fridays around 5pm EST (@groupof7comics). The door’s always open, so please join in the conversation.
Group of 7 Comics is an action-adventure, historical fiction comic book series filled with secret tales of daring and danger. Featuring real historical figures who find themselves in fictional, extraordinary circumstances, the series is infused with a love of adventure, history, and popular culture. What started as a cool idea between two friends has become an acclaimed ongoing series, and a rewarding creative partnership.
Chris and Jason also go live on Instagram most Fridays around 5pm EST (@groupof7comics). The door’s always open, so please join in the conversation.
MUTANT MASSACRE!! Previously...In X-Men e140 with our special guest, writer Anthony Falcone
Hosts Jason Lapidus and Chris Sanagan welcome comic book writer Anthony Falcone as a special guest, as they read through Uncanny X-Men 211! This issue reveals the murderous MARAUDERS as they maraud for more than just ears (Tribe, yo), and intend to destroy the mutant population.
Written by Chris Claremont, penciled by John Romita Jr, Bret Blevins, inks by Al Williamson, cover date of November 1986.
This series of livestream videos chronologically reads X-Men comics through the lens of the top-selling Marvel series, the generational 90s animated series, the ground-breaking Fox film franchise, heaps of action figures, X-Men '97, and the future of the Marvel Cinematic Universe.
You can check ou...
Written by Chris Claremont, penciled by John Romita Jr, Bret Blevins, inks by Al Williamson, cover date of November 1986.
This series of livestream videos chronologically reads X-Men comics through the lens of the top-selling Marvel series, the generational 90s animated series, the ground-breaking Fox film franchise, heaps of action figures, X-Men '97, and the future of the Marvel Cinematic Universe.
You can check ou...
Просмотров: 112
Видео
GIANT-SIZED X-MEN #1 read-through ep1ch3, with comic creators Chris Sanagan and Jason Lapidus
Просмотров 123Год назад
GIANT-SIZED X-MEN #1 read-through ep1ch3, with comic creators Chris Sanagan and Jason Lapidus
GIANT-SIZED X-MEN #1 read-through ep1ch2
Просмотров 230Год назад
GIANT-SIZED X-MEN #1 read-through ep1ch2
FIRST WOLVERINE X-MEN, first appearance of Storm, Colossus, Nightcrawler, and Thunderbird! ep1 ch1
Просмотров 150Год назад
FIRST WOLVERINE X-MEN, first appearance of Storm, Colossus, Nightcrawler, and Thunderbird! ep1 ch1
Group of 7 Comics Process e01: Peregrines Inking Session
Просмотров 513 года назад
Group of 7 Comics Process e01: Peregrines Inking Session
Group of 7 Comics Teatime e07 (mental health, artistic creation and finding your characters' voice)
Просмотров 303 года назад
Group of 7 Comics Teatime e07 (mental health, artistic creation and finding your characters' voice)
Group of 7 Comics Teatime e06 (Jim Shooter era Marvel, Death of Superman & pushing our boundaries)
Просмотров 344 года назад
Group of 7 Comics Teatime e06 (Jim Shooter era Marvel, Death of Superman & pushing our boundaries)
Completely agree about Gambit. I've never understood the popularity, he's always felt very one note to me. Plus this 'cool' guy with mop hair in a long coat, throwing playing cards (meh!), weirdly just doesn't fit with the rest of the misfits, nor works with a superhero suit. With Sinister, I often thought he fit the shift that happened with what I group as the 90's villains (Apocalypse, Omega Red etc) where it looks like they've tried create the epitome of evil as appose to the more corrupt or misguided souls of 80's villains. Claremont's explanation was great though, thanks for that - made me think of Sinister in a new light.
Interesting note you make about Silvestri and the accessories he draws (like Logan's hat). It makes me think of Sean Phillips drawing his characters smoking to add a bit of motion/dynamism. It's cool to learn about common attributes of artists and whether there is a reason why they add/include specific accessories. Or maybe there is no profound reason! I get that it sometimes can just come down to design and wanting to make characters look cool!
Is Uncanny Xmen #158 worth buying for my PC?
Not sure this is the place to answer that…(let’s call it a) question.
Happy new year Guys.....thanks for this 😀
Our pleasure. And happy new year to you!
happy new year guys :)
Thank you, and happy new year to you too!
Do you know what the name of the channel that reads through the New Mutants?
I do not, sorry. But I’ll do a search to see what I can find.
Is issue of Uncanny Xmen #145 worth buying for a PC ?
I’m not sure I understand what you mean.
@ PC means my Personal Collection. I’m asking if I should pick up the physical copy of this book for my collection
Sorry I missed your read through; saw the x babies the other day in the thread and thought, I’ll sit this issue out. although I love the new mutants and featured in those new seemingly random costumes is cool. The x babies story is a fun annual idea but they stretch the idea a lot out before they go with Spiral and whatnot.
I read this issue so many times. The art was amazing 😅
Do y'all know how much is it worth?? Please and thank you
We’re not experts, by any means. Lots of variables impact the sale price, like the condition and even the venue for the purchase. I passed on a copy in a 2-dollar bin this week. But if it was a missing piece in a run and I was feeling pressure, I might pay $5-8 for it at a local shop or convention. I come across copies regularly around Toronto.
This was my first X-Men comic. This was a great listen, thanks for posting it.
Our pleasure. Glad you enjoyed it!
❤ this issue has the best WOLVERINE VS SABERTOOTH.
Alan Davis art is so well-suited for clear and dynamic action.
Love the new intro! Great episode too. It's interesting to read (or re-visit) this issue and see the ramifications of its tone across pretty much the rest of X-Men comics (up into the present day with Krakoa)
Thanks! Happy to hear you liked the episode and the opening bit. The Mutant Massacre was a pretty impactful moment in X-Men comics publishing, for sure.
Glad you guys got to this point it’s the best although I have always had a soft spot for the mutant liberation front and inferno. Love the oddness and creatures/goblins; so cool.
I am looking forward to rereading Inferno. I think I have those X-Factor issues, too.
I have this issue!😊
Paul Smith my favorite Xmen artist
It would be great if you could zoom in closer on each panel as you guys are reading them.
Ya, I would be easier to read along if we isolated the panels. On the other hand, we’d lose the view of the whole page, which is closer to how the work is intended to be read. Focus narrows, but the entire spread is visible this way.
Thanks again for having me, fellas! Always fun to do this with you.
Our pleasure, Dave. Looking forward to hanging out soon.
I love how Arcade basically has a sound effect associated with him. Wolverine has SNIKT and Arcade has SFLANNG 😂
The character is weird mash-up of elements from the time and place, I think. Arcade first appears in publication in 1978, and the musical Tommy film was released in 1975. The dramatic flare, white bell bottoms, and pinball motif keep me coming back to the character of the Pinball Wizard as an inspiration, perhaps mixed with the Batman ‘66 Joker.
Did you get my email
Yes, and we responded this morning
I can't find your email address
info@groupof7comics.ca
@@groupof7comics I still couldn't find it
If that email address doesn’t work for you, try contacting us through Instagram or our website.
Very cool watching you work on that cover, Jason! I've been scared to try a sketch cover myself. Looking forward to seeing the final result.
Thanks, Dave! The biggest obstacles for me feel like adjusting to the small paper size, the paper stock, and the perceived absence of a safety net. Sketchbook drawings are care-free, and digital drawing is endlessly revisable. Live drawing, especially on a sketch cover, has that fun danger and excitement of uncertainty. When I see the abandon with which other artists approach the drawings, it reminds me that we’re all just kids messing around with crayons. Go have some fun and play.
Classic. Among some of the first comics I collected. Started an interesting time with Magneto trying to fill Xavier's role. The long Absence of Professor X and the growth of the New Mutants.
💕🖤 LOVE IT 💜💕
💕🖤 LOVE IT 💜💕
💕🖤 LOVE IT 💜💕
The poster of the 1950s film The Astounding She Monster served as the basis for Phoenix on the cover.
Cool! It’s fun to see artist’s references and inspirations.
👍
I think cyborg has had a difficult time bc the better part of two decades contemporary culture has been highlighting the character as a Teen Titan. So I think that notoriety works against the character’s public perception.
I always felt power pack was better suited to the Pixar treatment idk why we as an audience got BIG HERO 6;instead
There’s room for both, right? So let’s have that Pixar Power Pack!
@@groupof7comics just figured when Disney bought marvel power pack would be one of the first properties out of the gate and especially bc of the comic origins being simplified and reiterated in titles such as this bringing a cultural relevance for contemporary audiences to latch onto. It’s easier than taking an even more obscure property, I.E; BIG HERO 6 and trying to make that well known and marketable.
As I recall, they were playing a long game of “what will my brother think if he ever discovers my powers” with Ilyanna. It was more prominent in the New Mutants if memory serves. With several members gone (Cyclops, Kitty and Wolverine), it made some amount of sense to have a story that would require that they call in some reserve help. By being a magic-based enemy, it let the Amanda/Kurt relationship get some attention and finally broke the tension of Ilyanna revealing herself to Peter. The wraiths weren’t a perfect enemy, but they used this to tie together two concepts that had been separate. From the beginning of his comic, Rom’s weaponry didn’t kill the wraiths; it banished them to a “Limbo” dimension via technology. The “Limbo” where Belasco kept Ilyana was an unrelated place when introduced. Combining those two Limbos into one became an interesting expansion of her dominion and made the marvel universe seem more richly interwoven. I enjoyed it at the time, but “being there” probably helped.
Makes sense to me! Cheers
Chris's Banshee is my cognac 🙌 Great episode gentlemen!
Promo SM 😍
The thing I love is that she basically realizes that she loves gambit more than Magneto but by the time she figures that out, it's too late. Gambit is my favorite X-Men and he finally lived up to his full potential and they actually knew what to do with him to make an impact.v
It was a great moment, Aaron. Easily Gambit’s best!
For who ever chooses Logan… I dare you to actually watch the old cartoon x-men. Wolverine is a punching bag throughout the show.
Dare accepted, and dare completed! It takes a special kind of cool confident hero to be a punching bag. This episode title is specifically referring to the version of Wolverine in 1982 with the Australian accent that says ‘hiya doll, want a piece of fruit’. Or maybe the comic featured in this video. Either way, Logan is the champ.
Swear; “FORGE” was never drawn better!
I am surprised that 2 Canadians didn’t accuse Wendigo of “High Sticking”.
Well, he did catch Wolvie with a twig to the chin! Ref missed the call, but the good guys still won!
I wish one of the X-men would have taken a detour to England. Since it is Halloween 1980, Tom Riddle is about to do something awful that night.
Time to sharpen them pencils and get drawin’, ‘cause that sounds like a fun idea for a spin-off!
On Professor X's description of Doug being "Really good at languages: Having read a lot of Marvel around this time, there's this weird thing where you get side stories in less main line books where it really feels like they don't quite know what a mutant is. I remember reading one where a guy who's good at the violin is a mutant because he's just so good at it, but never like inhumanly good.
That sounds like a very grrr-oovy mutation. Kind of like when First Class Xavier tells the woman at the bar that she’s a mutant because of her two differently coloured eyes. Perhaps exhibiting a mutation or talent could be distinguished from being a mutant.
Nice review my dudes! Vegetative state?
Haha I don’t know what I was stumbling over. I’m just getting old!
@@groupof7comicsare you guys reviewing the show every week because that third episode was pretty cool?
I disagree with the take regarding issue one. When I first read it, that issue sucked me in. I was there with Kitty every step - I felt tired, lost and overwhelmed and it really built up to the anticipation and pay-off of Wolverine's arrival. And yes, Kitty had experienced so much by that point BUT she was the normal one of the team, the everyman. It's right that being stranded in a foreign city should still prove a trying circumstance for her - like it would for anyone of us (especially in the 80s). Anyway, love your book discussions guys!
Thanks for sharing your love of this comic. I wonder if I would have liked it more in the context of my youth. Regardless, I love the premise and have been thinking about it a lot for weeks!
@@groupof7comics My pleasure. Yeah, reading it younger *may* have helped, but then perhaps you still wouldn't have enjoyed the issue. I also just generally really dug Claremont's smaller X-Men stories.
Such a big book back in the day. The lead up to 137 (back then) kind of reminds me of the feeling leading up to End Game. That double issue climax was something. Byrne and Shooter were at a convention in June '81 and I had them sign several of my books and Shooter wrote in my 137 "and she shall stay dead -Shooter". Back then, you could have as man books signed as you wanted (within reason).
That’s an awesome thing to sign on Shooter’s part. Perhaps a change of leadership wasn’t good for X-Men comics.
I feel like most X-fans have a before-and-after moment of realization after reading Lifedeath for the first time. Barry Windsor-Smith is so special, and it's on full display here. Great episode! I hope you have an absolute blast at Angouleme :)
Agreed, Anthony. What a comic! Thanks so much for the good wishes!
I always thought that the cover and it's other takes were loosely based on the sculpture of Pietà by Michelangelo. Great video.
Thanks, Rick! I imagine a lot of figure art in comics is influenced by classical art. It would cool to see a video or Zine about that in-depth.
Fun episode! I'm glad you're not covering Secret Wars in any form because I read it in full for the first time recently...what a slog!
I hear ya, Anthony. As a kid, I only had issues 1 and 12, and I was pretty sure I didn’t miss too much. That being said, seeing how Mike Zeck manages a hollow story with tight deadlines and still comes up with some cool drawings never ceases to amaze me!
Very true regarding Mike Zeck. There are some great/fun panels in which he channels Kirby as well!
Sorry I missed the live guys! That's what you get for skipping a week. "With quarter neither asked nor given" is said here for (I think?) the first time. 44:45. It becomes a biiiig Claremontism.
Yes! A staple of Claremont’s writing! I didn’t even realize this could have been the first usage. Thanks, David!
A rare epic comic book that really was an Event! I think I still have like 10 copies of that one shot!
It’s a beauty!
I bought 5 of them when I was a kid. A big spec book back in the day.
I missed out on it as a kid. It was a wall book in comic stores here, but I’m happy to have one now.
Was the big wavy hair on women in comics a fashion trend of that era?
Yes. Yes it was. Glorious perms of feathered locks and hair spray.
@@groupof7comicsI want to know where the main comic of x-man has been updated? I haven’t watched it since Cyclops and Professor X parted ways (the platform is not updated)🤩
I’m not sure I understand what you mean.
@@groupof7comics Um, okay, it seems my English was taught by my math teacher😑
That’s ok. My English teacher taught me math! Please try your question again in a different way, and I’ll try my best to answer.
Those accents are impressive
We have fun playing with those voices, especially Chris as Nightcrawler, Colossus, and Rogue. Hope had a laugh, too!
This was the very first issue of Uncanny X-Men I ever bought, right off the newsstand at a market near my house in Streetsville, Mississauga. Chris Claremont's writing is perfect, and Paul Smith's lines are elegant, sublime and obviously informed by his work in animation. If aliens descended upon us and asked me to provide them with the best example of comic books as a medium, I'd hand them this issue without a second's hesitation.
Well said. And shout-out to Mississauga, Ontario!