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Nice!!👍

Bravissime! Contessa strepitosa!❤

A lovely work and a lovely production. The two old ladies played by tenors even have a cat-fight!. The orchestration (German) is rather like a symphony with opera voices (Italian), except at the end where it is pared right down. Wolf-Ferrari was a genius and luckily quite a lot of his works including the opera "Sly" are on RUclips. Gervase Hughes "Composers of Operetta" 1962 spots a bitter-sweet quality. This can't be due to personal trauma unless it's his parents' nationalities at war (1914-17).

Thank you for this. It made my night.

What is the language of the subtitles??

Yes, Anna is as brilliant in comic as in tragic operas... Pity that for bigger voices composers mostly composed tragedies...

Mi ha fatto lasciar une lacrime🥲

Ta ruska szmata kompletnie się do tej roli nie nadaje!

1:15:39

Why is she breathing so noisy? Screaming? No... Though her breast is impressive.

Veramente eccezionali!

Qué maravilla

Un vrai délice que cette production !

Meraviglia ❤

What a great pleasure to see what I assume was something of a "legendary" production; I would hope that a video of higher quality exists somewhere (this looks like the standard home-video camera stationed in the balcony). But it's great to see a film of ANY quality! This is a DIFFERENT performance from the one released on Fonit Cetra CD. Too bad this one wasn't used for the commercial CD, because the performance is tighter..especially the orchestral playing. But the brilliance of Wolf-Ferrari's art comes through splendidly; the cast is filled with fantastic actor/singers, each of whom is dynamic, yet subtle in their role. What's more, that unique bittersweet quality that belies the surface simplicity of Wolf-Ferrari's music is lovingly projected in this production.The delightful Act 2 quintet "Ve femo reverenza" (54:57) ..beautifully staged here, and the servant's dance (58:54)..for all of their charm and appeal, I find very touching and sad, in a personal way that's difficult to explain. How interesting to read of Wolf-Ferrari's own comments on the subject of comedy..."the INFINITE MELANCHOLY THAT CONSUMES ME..." ; YES! That's exactly the way the music strikes me, and I imagine the superb cast of this production felt the same way; you can sense their connection to the music throughout. I would hope that any of the cast members (from 31 years ago) who check out You-Tube might read this, and know that their wonderful performances have touched at least one listener (me) in a very deep and meaningful way. LR

💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💗💗💗💗💗💗💗💗💗💗💗💗💗💗❤❤❤❤❤❤❤❤

Я бы на такое смотреть не смогла, да и слушать трудновато, неуровновешенно

Röschmann is perfect. She is the reason I have listened to this opera so many times. Such passion and anguish. I love her non apologetic female power. She is no elegant lady tolerating measured regret. She is a force of nature. Bring it Röschmann! Don't let the haters take an inch off that passion! Thank you for a marvelous kick-ass performance!

Brilliant

Превосходно! Шедевр! 🎉

Es y será fantastica👏👏👏

This is where I think Netrebko should have remained.

Roeschmann!!!!

👍👍👍

Röschmann is terrible.

La contessa e' un po' sguaiata per essere una contessa. Ho visto interpretazioni assai migliori

Happy weekend of love for Opera shows fans, let them gifted performers entertain you some more

Strange interpretation. She looks like she's losing her mind at the end of the aria.

Più che nomina sembra un'invasata, e poi non gioca con i colori...ormai canta sempre con un forno in gola, tutto indietro

Putin’s nightingale strikes again and badly this time 😂😂😂

And yes Putin’s nightingale is at it again!

Уже тогда плохо пела

I dislike Dorothea Röshmans' interpretation, sorry. This is not Puccini, is Mozart. She is not singing the score, all pianissimi and legatti desapered here, only interest in shouting which is not the sense of the aria. Think Röshman has a good vocal instrument but she doesn't know how to sing the Countess (I think she is not the sort of voice for the and she may not be able to sing it properly). I suggest Lucia Popp one of the most perfect interpretations of the aria also Te Kanawa. The Royal Opera House version of Röshman was a bit more restrained this rendition instead is strongly more vulgar. This is also a conductor's fault Harnkourt was supposed to be specialized in Bach and Mozart I don't understand why he admitted such an inappropiate and anachronistic rendition. This of course is just my opinion based on my studies I don't inted to set the last word on the subject and respect the taste every one has on the rendition of the artist. Thans anyway Mauel on your posting.

Elle se croit dans puccini la comtesse ? Ou dans la cavalleria..... forcément après ça galère pour la suite ......

Bravo, bravísimo.

EXQUISITE ROSCHMAN

Необычная трактовка, избыточный драматизм и в этом есть своя изюминка!

Awesome! Flawless!

Gran interprete

Echt prachtige stemmen en wondermooie muziek

Bravo

🌹💖🌹❤🌹💖👏

Qué belleza. Voces puras.

Netrebko ardently supports Putin and his barbaric invasion of Ukraine. While she defends Putin, she lives in luxury and freedom in Austria. What a hypocrite! Her husband should join the Russian army.

I miss this Netrebko......

Voci meravigliose, amo le opere di Mozart, sono le mie preferite.

Merci Manuel pour ce chef d'oeuvre absolu. M. Kwiencien est à lui seul un bonheur à entendre - le meilleur baryton de notre époque, pour moi - et bien sûr, Anna est toujours inégalable, au sommet de son art. La très belle musique est aussi étonnante pour une scène voulue comique.

UNA DELICIA

Ecco il genio mozartiano.

magic