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The Prelude in D Major, BWV 936, is a cheerful piece with a texture that we can find in several works by Bach, but also by Mozart and even Beethoven, among others. It brings to mind the Prelude in B Minor from the first book of The Well-Tempered Clavier, the Adagio from the Geharnischte Männer in The Magic Flute, or the second movement of Beethoven’s Piano Sonata No. 2, for example. Like the other preludes I’m recording, this one is also included in the Kleine Präludien collection. I recorded it using the lute stop because I liked the sound it brings to this contrapuntal texture. I hope you enjoy it!

nice

very cool!

The Prelude in D Major, BWV 936, is a cheerful piece with a texture that we can find in several works by Bach, but also by Mozart and even Beethoven, among others. It brings to mind the Prelude in B Minor from the first book of The Well-Tempered Clavier, the Adagio from the Geharnischte Männer in The Magic Flute, or the second movement of Beethoven’s Piano Sonata No. 2, for example. Like the other preludes I’m recording, this one is also included in the Kleine Präludien collection. I recorded it using the lute stop because I liked the sound it brings to this contrapuntal texture. I hope you enjoy it!

The Prelude in D Major, BWV 936, is a cheerful piece with a texture that we can find in several works by Bach, but also by Mozart and even Beethoven, among others. It brings to mind the Prelude in B Minor from the first book of The Well-Tempered Clavier, the Adagio from the Geharnischte Männer in The Magic Flute, or the second movement of Beethoven’s Piano Sonata No. 2, for example. Like the other preludes I’m recording, this one is also included in the Kleine Präludien collection. I recorded it using the lute stop because I liked the sound it brings to this contrapuntal texture. I hope you enjoy it!

D minor 😭😭❤️‍🔥❤️‍🔥

The Prelude in D Minor, BWV 935, is a piece within Johann Sebastian Bach’s educational repertoire. Included in the collection of Kleine Präludien, this prelude reflects Bach's genius in transforming technical exercises into deeply expressive music. It was likely composed during his time in Köthen (1717-1723). Written in 3/8 time, this prelude stands out for its rhythmic drive and imitative character. I hope you like it!

Gods I love this stupid tiny piano.

Again, bravo!

The Prelude in D Minor, BWV 935, is a piece within Johann Sebastian Bach’s educational repertoire. Included in the collection of Kleine Präludien, this prelude reflects Bach's genius in transforming technical exercises into deeply expressive music. It was likely composed during his time in Köthen (1717-1723). Written in 3/8 time, this prelude stands out for its rhythmic drive and imitative character. I hope you like it!

The Prelude in D Minor, BWV 935, is a piece within Johann Sebastian Bach’s educational repertoire. Included in the collection of Kleine Präludien, this prelude reflects Bach's genius in transforming technical exercises into deeply expressive music. It was likely composed during his time in Köthen (1717-1723). Written in 3/8 time, this prelude stands out for its rhythmic drive and imitative character. I hope you like it!

Bravo, Maestro, wie immer!

Again, Bravo!

Brillante Arbeit! Danke

💙💙💙💛💛💛 Ein wunderbares Stück

The Prelude in C minor, BWV 934, is part of the collection known as the Kleine Präludien (BWV 933-938), composed by Johann Sebastian Bach. These works were likely written between 1717 and 1723 during Bach's time in Köthen, although the exact date of composition is unknown. Written with pedagogical purposes in mind, these preludes served as teaching material for young musicians, helping them refine their instrumental technique and deepen their understanding of the fundamental principles of musical composition. I hope you enjoy this performance of a piece that, despite its brevity, captures the profound brilliance that defines Bach’s work.

Again, thank you, sir. I so appreciate your recordings. I have always loved J. S. Bach's work. Somehow, what you are doing here is more "approachable," even though I have been listening to Bach all of my life (I am 58). Someday, you'll offer your recordings as a collection, perhaps.

Muy buena música! Muy bien ejecutado.

The Prelude in C minor, BWV 934, is part of the collection known as the Kleine Präludien (BWV 933-938), composed by Johann Sebastian Bach. These works were likely written between 1717 and 1723 during Bach's time in Köthen, although the exact date of composition is unknown. Written with pedagogical purposes in mind, these preludes served as teaching material for young musicians, helping them refine their instrumental technique and deepen their understanding of the fundamental principles of musical composition. I hope you enjoy this performance of a piece that, despite its brevity, captures the profound brilliance that defines Bach’s work.

The Prelude in C minor, BWV 934, is part of the collection known as the Kleine Präludien (BWV 933-938), composed by Johann Sebastian Bach. These works were likely written between 1717 and 1723 during Bach's time in Köthen, although the exact date of composition is unknown. Written with pedagogical purposes in mind, these preludes served as teaching material for young musicians, helping them refine their instrumental technique and deepen their understanding of the fundamental principles of musical composition. I hope you enjoy this performance of a piece that, despite its brevity, captures the profound brilliance that defines Bach’s work.

My absolute favourite piece from Bach. I'm glad I found this video.

Thank you, Langsam ❤ What an engaging and vibrant piece! You played it very well!

BWV 933 is one of the pieces included in the collection of Kleine Präludien by Johann Sebastian Bach. While the exact date of composition is unclear, it is believed to have been written, probably for educational purposes, during Bach's time in Köthen, between 1717 and 1723. The Kleine Präludium in C major is a compact piece with a two-part structure that demonstrates Bach's mastery of counterpoint. It is an example of Bach’s ability to create works that are both technically sophisticated and expressive, even within the smaller and shorter forms. Of course, there is a very good version of the prelude by Glenn Gould, but the version by Grigory Gruzman is the one I most recommend. I hope you enjoy it!

BWV 933 is one of the pieces included in the collection of Kleine Präludien by Johann Sebastian Bach. While the exact date of composition is unclear, it is believed to have been written, probably for educational purposes, during Bach's time in Köthen, between 1717 and 1723. The Kleine Präludium in C major is a compact piece with a two-part structure that demonstrates Bach's mastery of counterpoint. It is an example of Bach’s ability to create works that are both technically sophisticated and expressive, even within the smaller and shorter forms. Of course, there is a very good version of the prelude by Glenn Gould, but the version by Grigory Gruzman is the one I most recommend. I hope you enjoy it!

I’ve decided to record Bach’s pieces from BWV 924 to 930, which belong to the so-called Kleine Präludien. Several of these preludes have been attributed to other composers, and these works, along with many others by Bach and various composers, are compiled in the Klavierbüchlein für Wilhelm Friedemann Bach. Unfortunately, BWV 931 and 932 are incomplete, and their authorship remains uncertain.

I’ve decided to record Bach’s pieces from BWV 924 to 930, which belong to the so-called Kleine Präludien. Several of these preludes have been attributed to other composers, and these works, along with many others by Bach and various composers, are compiled in the Klavierbüchlein für Wilhelm Friedemann Bach. Unfortunately, BWV 931 and 932 are incomplete, and their authorship remains uncertain.

I’ve decided to record Bach’s pieces from BWV 924 to 930, which belong to the so-called Kleine Präludien. Several of these preludes have been attributed to other composers, and these works, along with many others by Bach and various composers, are compiled in the Klavierbüchlein für Wilhelm Friedemann Bach. Unfortunately, BWV 931 and 932 are incomplete, and their authorship remains uncertain.

I’ve decided to record Bach’s pieces from BWV 924 to 930, which belong to the so-called Kleine Präludien. Several of these preludes have been attributed to other composers, and these works, along with many others by Bach and various composers, are compiled in the Klavierbüchlein für Wilhelm Friedemann Bach. Unfortunately, BWV 931 and 932 are incomplete, and their authorship remains uncertain.

I’ve decided to record Bach’s pieces from BWV 924 to 930, which belong to the so-called Kleine Präludien. Several of these preludes have been attributed to other composers, and these works, along with many others by Bach and various composers, are compiled in the Klavierbüchlein für Wilhelm Friedemann Bach. Unfortunately, BWV 931 and 932 are incomplete, and their authorship remains uncertain.

I’ve decided to record Bach’s pieces from BWV 924 to 930, which belong to the so-called Kleine Präludien. Several of these preludes have been attributed to other composers, and these works, along with many others by Bach and various composers, are compiled in the Klavierbüchlein für Wilhelm Friedemann Bach. Unfortunately, BWV 931 and 932 are incomplete, and their authorship remains uncertain.

I’ve decided to record Bach’s pieces from BWV 924 to 930, which belong to the so-called Kleine Präludien. Several of these preludes have been attributed to other composers, and these works, along with many others by Bach and various composers, are compiled in the Klavierbüchlein für Wilhelm Friedemann Bach. Unfortunately, BWV 931 and 932 are incomplete, and their authorship remains uncertain.

The beginnings of "Adventures in Good Music II?" Just add some commentary to the piece you are playing. I love it.

Spoiler: Picardy third!

Maravilloso 👌

Muy hermoso.

Muy lindo

Lang Lang?

Ритм?!

Diese Triller sind doch eigentlich von Glenn Gould oder?

Thank you! Lovely piece. I was not familiar with it.

Sehr schöne Musik, danke!!

Für ein schwaches Schicksal ist es besser, den Bass mehrmals in der tieferen Stimme zu spielen.

Maravilloso

Muy lindo

I don’t know why a beat of around 40 or 50 works best for Bach. A poetic, lyrical beauty comes up that feels rushed if played faster than that. And seeing the art and architecture, his own writings, at least his famous one for the Margrave, and the cantabile aspect of the music, sought-for in this particular collection, makes me believe it was closer to this than not.

In a time of so much formality, of a kind of sacred choreography of life, any faster is ridiculous. We want to make these people as postmodern constructs as we are? Don’t think so,

Yes! The cantable thing! A mechanical playing when practically no machines existed? But when voice was instantaneously associated with keyboard playing? Give me “slow” (in truth, common-sense) Bach any day and I’m in.

The speed I like. Maybe a little faster I prefer, but the range is there. Czerny in whole beat was, to me, wrong (Marx I’m sure was thinking in this one when he objected Carl’s edition). In any case, apparently C and ₵ were interchangeable in the Inventions editions; so a melody to me in 16ths tells me it should be slower than what Czerny said, as a weighty alla breve, which by use of the 16ths halves the tempo, for pure alla breve is just 8ths. Thank you; beautiful playing.

Sounds different from what I've heard before. I guess it's because of the tempo. Doesn't run away from my thoughts. I like it! Keep going, it's a great experience to listen to your play.

❤ from india 🇮🇳 keep adding such great music