Jay Sweet
Jay Sweet
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  • Просмотров 1 493 061
Naomi Moon Siegel on New Album, Gender Bias in Music, and Upcoming Tour | A Jazz Real Book INTERVIEW
Naomi Moon Siegel is an award-winning trombonist, improviser, composer, and educator committed to creating a positive, transformative music culture beyond conventional genre norms. Her original musical vocabulary draws on the richness of various global musical traditions.
Siegel explores the trombone as a vehicle for sonic expression with breath, spit, and physicality on their new record, "Shatter The Glass Sanctuary." A longtime collaborator with Wayne Horvitz, Siegel has performed with luminaries such as Jessica Lurie, Matthew Golombisky, Carmen Staaf, March Fourth Marching Band, Allison Miller, Julian Priester, The California Honeydrops, Martha Scanlan, Stuart Dempster, Skerik, and Thio...
Просмотров: 18

Видео

November 19, 2024
Просмотров 1712 часов назад
November 19, 2024
Warren Wolf on "History of the Vibraphone," Influences, & Education | A Jazz Real Book INTERVIEW
Просмотров 28День назад
Warren Wolf’s "History of the Vibraphone" pays tribute to 11 legendary vibe players, including Lionel Hampton, Gary Burton, and Dave Samuels, presenting a deep dive into the vibraphone’s jazz legacy. Starting in classical music under his vibraphonist father’s guidance, Wolf trained on vibraphone, marimba, xylophone, drums, and piano from a young age in Baltimore. Influenced by his dad’s extensi...
Donovan's 1966 Psychedelic Folk Hit, "Sunshine Superman" | 30 Albums for 30 Years (S3, E11)
Просмотров 178День назад
"Sunshine Superman," released in 1966, marked a significant evolution in Donovan's sound. The album, peaking at No. 4 in the UK and No. 11 in the US, showcased his transition from folk to folk-rock and psychedelia. The title track, "Sunshine Superman," became a chart-topping hit, embodying the psychedelic rock movement of the 1960s with its surreal lyrics and intricate instrumentation. Notable ...
Count Basie & "Alright, Okay, You Win" | The Jazz Real Book (EP. 13)
Просмотров 129Месяц назад
"Alright, Okay, You Win" is a jazz standard composed by Sid Wyche and Mayme Watts. Recorded in 1955 by various artists, Count Basie's 1958 version gained some recognition. Born in 1904, Basie's early life in Harlem and immersion in Kansas City swing influenced his iconic big band. His leadership from 1935 on and his collaborations with vocalists like Joe Williams left a lasting impact. The song...
Charlie Burnham | A Jazz Real Book INTERVIEW
Просмотров 61Месяц назад
Charlie Burnham is an accomplished American violinist, singer, and composer celebrated for his imaginative and eclectic style. Burnham traverses multiple genres, including bluegrass, folk, free jazz, blues, classical, and chamber jazz. His innovative use of the wah-wah pedal on the violin adds a distinctive flair to his performances. Burnham first gained prominence through his contributions to ...
Kurt Rosenwinkel on "Live At Smalls 1996", New Book, and Current Tour | A Jazz Real Book Interview
Просмотров 341Месяц назад
Kurt Rosenwinkel, a Philadelphia-born jazz guitarist, is renowned for blending genres and using guitar effects innovatively in jazz. His latest release, The Next Step Band (Live at Smalls, 1996), revisits the music from his acclaimed 2001 album The Next Step and features longtime collaborators Mark Turner, Ben Street, and Jeff Ballard. In addition to his album, Rosenwinkel has published Kurt Ro...
Brian Bromberg on Scott LaFaro, New Record, and Upcoming Performances | A Jazz Real Book INTERVIEW
Просмотров 237Месяц назад
Brian Bromberg, a virtuoso bassist, honors the legacy of Scott LaFaro with his latest album, LaFaro, and a series of live performances. LaFaro, who tragically died at 25, was a groundbreaking bassist with the Bill Evans Trio, inspiring Bromberg's tribute. Initially reluctant to take on the project due to the pressures of honoring a jazz legend, Bromberg eventually embraced it after realizing La...
How John Coltrane Recorded a Jazz Masterpiece in ONE TAKE | 30 Albums for 30 Years (S3, E10)
Просмотров 4152 месяца назад
John Coltrane's Ascension stands as a landmark in the evolution of jazz. It marks a bold departure from traditional structures toward free improvisation by a major jazz star, thus giving further credibility to the free jazz idiom. With its unconventional approach and boundary-pushing solos, the album challenges listeners while showcasing the immense talent and exploratory nature of Coltrane and...
Vietnam Veteran Mike Torres on the Impact of Music During Wartime | 30 Albums for 30 Years INTERVIEW
Просмотров 1482 месяца назад
Mike Torres is a guitar student of host Jay Sweet and a Vietnam veteran (Air Force). In this discussion, Mike talks about the impact of music during the war and the songs that meant the most to him. Be sure to like, subscribe, and hit the notification bell to keep the music alive with us! Mike's List of Songs: 1. Sky Pilot by The Animals 2. After the Gold Rush by Neil Young 3. Longer Boats by C...
Buster Williams on "Bass To Infinity" Doc, & Upcoming NJ Jazz Festival - A Jazz Real Book Interview
Просмотров 1172 месяца назад
Buster Williams, a legendary jazz bassist, composer, and instructor, has played on numerous records with iconic musicians like Herbie Hancock, Chet Baker, Art Blakey, and Stan Getz, among others. Known for his work as both a sideman and a bandleader, Williams continues to inspire audiences with his performances and compositions. On September 28th, he will perform with his quartet at the Middles...
Alvester Garnett on Central Jersey Jazz Festival & NYC Jazz Scene | A Jazz Real Book INTERVIEW
Просмотров 603 месяца назад
Alvester Garnett is a top-tier jazz drummer celebrated for his swing, passion, and professionalism. His career began in Richmond, Virginia, where early influences included Ellis Marsalis and the jazz program at Virginia Commonwealth University. After moving to New York, Garnett quickly made a name for himself, working with legends like Betty Carter and Abbey Lincoln. He was the only drummer fro...
How Frank Zappa & The Mothers RE-INVENTED Rock Music | 30 Albums for 30 Years (S3, E9)
Просмотров 2243 месяца назад
Frank Zappa and the Mothers of Invention's debut album, "Freak Out!" showcases Zappa’s brilliance as a composer and satirist. The album defies genre conventions, blending rock, blues, doo-wop, and avant-garde elements. Tracks like “Trouble Every Day,” "Hungry Freaks, Daddy," and "Who Are the Brain Police?" deliver biting social commentary, while experimental pieces on record two challenge liste...
Dizzy Gillespie & "All The Things You Are" | The Jazz Real Book (EP. 12)
Просмотров 3,2 тыс.4 месяца назад
"All The Things You Are" is a popular jazz standard by Jerome Kern and Oscar Hammerstein II, which gained popularity through artists like Tommy Dorsey and Artie Shaw. Its 36-bar form combines simplicity and repetition in the melody with harmonic intricacy. Trumpet legend Dizzy Gillespie, born in 1917, played a pivotal role in jazz's evolution and bebop's emergence. His 1947 version of the song,...
Mindi Abair on Early Influences, Touring, Wine, and Jazz | 30 Albums for 30 Years: INTERVIEW
Просмотров 1814 месяца назад
Mindi Abair is a Grammy-nominated saxophonist and vocalist renowned for her dynamic blend of contemporary jazz, rock, and blues. Raised in a musical family, her early influences included her saxophonist father and opera-singer grandmother. After studying at Berklee College of Music, she moved to Los Angeles, where she played with high-profile acts like the Backstreet Boys and Aerosmith before l...
Bob Dylan's Mysterious Intro to "Blonde on Blonde" | 30 Albums for 30 Years (S3, E8)
Просмотров 9114 месяца назад
Bob Dylan's Mysterious Intro to "Blonde on Blonde" | 30 Albums for 30 Years (S3, E8)
James Popik on New Album, Sourland Symphony, and Jazz Guitar | 30 Albums for 30 Years: INTERVIEWS
Просмотров 494 месяца назад
James Popik on New Album, Sourland Symphony, and Jazz Guitar | 30 Albums for 30 Years: INTERVIEWS
A Brief Overview of Wayne Shorter's "Speak No Evil" | 30 Albums for 30 Years (S3, E7)
Просмотров 995 месяцев назад
A Brief Overview of Wayne Shorter's "Speak No Evil" | 30 Albums for 30 Years (S3, E7)
Don Braden on "Jazz Goes to the Movies" and New Projects | 30 Albums for 30 Years: INTERVIEWS
Просмотров 295 месяцев назад
Don Braden on "Jazz Goes to the Movies" and New Projects | 30 Albums for 30 Years: INTERVIEWS
Sara Caswell & Joe Brent on 9 Horses' New Album, "Strum" | 30 Albums for 30 Years: INTERVIEWS
Просмотров 245 месяцев назад
Sara Caswell & Joe Brent on 9 Horses' New Album, "Strum" | 30 Albums for 30 Years: INTERVIEWS
Cole Porter & "All of You" | The Jazz Real Book (EP. 11)
Просмотров 2735 месяцев назад
Cole Porter & "All of You" | The Jazz Real Book (EP. 11)
Giorgi Mikadze on New Album, Georgia, and Jazz Composition | 30 Albums for 30 Years: INTERVIEWS
Просмотров 625 месяцев назад
Giorgi Mikadze on New Album, Georgia, and Jazz Composition | 30 Albums for 30 Years: INTERVIEWS
Billie Holiday & "All of Me" | The Jazz Real Book (EP. 10)
Просмотров 5766 месяцев назад
Billie Holiday & "All of Me" | The Jazz Real Book (EP. 10)
The Story Behind The Beach Boys' "Pet Sounds" | 30 Albums for 30 Years (S3, E6)
Просмотров 1046 месяцев назад
The Story Behind The Beach Boys' "Pet Sounds" | 30 Albums for 30 Years (S3, E6)
Aaron Irwin on New Album, Jazz Composition, & Music Education | 30 Albums for 30 Years: INTERVIEWS
Просмотров 546 месяцев назад
Aaron Irwin on New Album, Jazz Composition, & Music Education | 30 Albums for 30 Years: INTERVIEWS
Billy Mohler on Starting a Solo Career, GRAMMYs, & New Album | 30 Albums for 30 Years: INTERVIEW
Просмотров 506 месяцев назад
Billy Mohler on Starting a Solo Career, GRAMMYs, & New Album | 30 Albums for 30 Years: INTERVIEW
Ella Fitzgerald & "All By Myself" | The Jazz Real Book (EP. 9)
Просмотров 1466 месяцев назад
Ella Fitzgerald & "All By Myself" | The Jazz Real Book (EP. 9)
Miles Davis & "All Blues" | The Jazz Real Book (EP. 8)
Просмотров 2657 месяцев назад
Miles Davis & "All Blues" | The Jazz Real Book (EP. 8)
Stephane Wrembel on Django Reinhardt, Jazz Festival, & Gypsies | 30 Albums for 30 Years: INTERVIEWS
Просмотров 1677 месяцев назад
Stephane Wrembel on Django Reinhardt, Jazz Festival, & Gypsies | 30 Albums for 30 Years: INTERVIEWS
The Story of The Rolling Stones' "Paint It Black" | 30 Albums for 30 Years (S3, E5)
Просмотров 8107 месяцев назад
The Story of The Rolling Stones' "Paint It Black" | 30 Albums for 30 Years (S3, E5)

Комментарии

  • @steveblease
    @steveblease 4 часа назад

    You hear that word in 100s of shows on Netflix and no one bats an eye.

  • @Outspoken.Humanist
    @Outspoken.Humanist 5 часов назад

    The lyrics are not offensive. If I am offended, it is my personal reaction to them. Words are simply symbols to carry meaning. If black people can say the 'n' word (You Tube didn't like me writing the word itself) without it being an issue, the word itself is not the problem. When we sanitise songs or other forms of information, we risk forgetting that such opinions once existed. And we must resist the urge to change "I am offended", which is an expression of personal feelings, to "It is offensive" which is an expectation that things must change because of an opinion.

  • @guitarcomet5
    @guitarcomet5 9 часов назад

    Hilarious!

  • @raylast3873
    @raylast3873 11 часов назад

    Isn‘t the original song with the second verse still lighthearted? Just in an extremely racist way.

  • @Triumph._.
    @Triumph._. 12 часов назад

    Okay so I remember bugs Bunny singing this song, specifically the first verse, and I thought it was just ad-libbed nonsense. Amazing to find those are actual lyrics to the song

  • @rodterrell304
    @rodterrell304 День назад

    Ha Ha Ha , well , it was ok for that time! Now this song is in my head and Oh boy, I'm ma get in trouble- Hey, some Rappers will be played 100 years form now and people will be saying the same things these comments!

  • @richardwalling845
    @richardwalling845 День назад

    bs

  • @leewhaley552
    @leewhaley552 День назад

    Nothing here offensive to me

  • @cbrock420
    @cbrock420 День назад

    You people will reach for anything to be victims or offended. Especially you blue haired, liberal fatties.

  • @adrianpasillas-z5z
    @adrianpasillas-z5z День назад

    Democrat puke progressives outing themselves one. more. time...

  • @alasdairwatson712
    @alasdairwatson712 День назад

    I’m a racist and even I think the second verse is racist.

  • @chesscomsupport8689
    @chesscomsupport8689 2 дня назад

    My English not very good, but this is my favorite American song. I still try to learn all of the words.

  • @scottycollins131
    @scottycollins131 2 дня назад

    You’re disgusting. The song is fine.

  • @colelitteral8369
    @colelitteral8369 2 дня назад

    Still beats rap music. Less N bombs and such

  • @DamonNomad82
    @DamonNomad82 2 дня назад

    The second verse wasn't even included in the version of "Oh, Susanna" that was in my grandparents' old Stephen Foster songbook, which was published in 1946.

  • @micheljenson7080
    @micheljenson7080 3 дня назад

    Funny how not a single RAP 'song' is racist. Anyone notice that ? And it's ok to be part of today's children's repertoire !!

  • @foxiflakes8245
    @foxiflakes8245 3 дня назад

    I mean this isn't that bad it doesn't anything explicitly raci- ope okay nevermind there it is

  • @CbSd994
    @CbSd994 4 дня назад

    The whole point of History is to remember it so the offensive parts are not repeated by future generations. The lyrics to "My Old Kentucky Home" are also offensive, complete with insensitive racial terms of the period. Only snowflakes want to erase History and unfortunately that's the type of mindset that will repeat it.

  • @GTH321
    @GTH321 9 дней назад

    😂

  • @hamilcarbarca8659
    @hamilcarbarca8659 10 дней назад

    So effin what? Get over it.

  • @NotSoDaftGamecraft
    @NotSoDaftGamecraft 11 дней назад

    So we're doing a Channel about music but we don't play the music? If it's a question of trademarks Etc isn't this considered fair use? You indicate you're about to drop the needle and then don't

  • @Ljoshan1
    @Ljoshan1 11 дней назад

    So only 1 word he said once? How butthurt are the sh!t-skins?

  • @briankleinschmidt3664
    @briankleinschmidt3664 12 дней назад

    I had no idea about the second verse until just now. - and I'm old. I was about to play "She'll be Comin' 'Round the Mountain", but now I'm afraid.

  • @Lauren-vd4qe
    @Lauren-vd4qe 14 дней назад

    Recently i was at a swap meet of miscellaneous household stuff; i bought an old 1800s piano songbook with hundreds of songs in it, plenty of plantation/black workers/masters etc type songs in it, some of them pretty shocking content, with black slave pidgeon english in plenty of the songs. very interesting indeed.

  • @A_big_DEAL
    @A_big_DEAL 15 дней назад

    The song doesn't seem racist at all. That language is bad but wasn't bad at the time, and it just tells the story of a black man searching for his love. I get no feelings of bigotry at all. If anything, this probably brought awareness at the time

  • @beanpasteposts
    @beanpasteposts 15 дней назад

    Wow. That went from 0 - 100 real fast 😳

  • @Flavius-Timasius
    @Flavius-Timasius 16 дней назад

    I love it

  • @christophermckeon9030
    @christophermckeon9030 16 дней назад

    This is hardly a racist song, it's more a stereotypical song, telling a story in a stereotyped way based on common experience. Don't tell me blacks in the cities today don't still often replace their 'v' with 'b' quite often. I know I've heard it. It's not racist to hear that, nor is it ignorance to speak it as a dialect. Certainly no worse than some of the incomprehensible white dialects of the old South. The middle verse is the real meat of the story and tells how incredibly difficult and troublesome it was to travel such long distances and the crazy shit you see on the road...an electrical circuit apparently electrocuting 500 people swimming in a river (hyperbole for the song, but still). It certainly belongs in the song, one can always change key words. Dunno Foster's attitude toward blacks of the day, but the song is just a piece of stereotyping to tell a story.

  • @Mr.MikeBarksdale
    @Mr.MikeBarksdale 17 дней назад

    Oh, no!!! That's racist (to use the same words in 5 million rap songs)! When you are done feeling sorry about your white skin, maybe try growing a pair of gonads.

  • @pelumi4942
    @pelumi4942 18 дней назад

    Wow

  • @johnk3386
    @johnk3386 19 дней назад

    Do you feel better trying to shame a dead man for something he knew not as being bad? Little minded fools searching for hatred wherever they can find it

  • @ReasonablyBadActor
    @ReasonablyBadActor 19 дней назад

    Holy crap dude... maybe a little less flagellation of your white guilt in the captions would be nice. We all know... racist words... yup... you don't have to reiterate a million times about how this is bad speech. I swear when I see crap like this I am convinced we are doomed as a society.

  • @Dahcatrancher
    @Dahcatrancher 19 дней назад

    I'm not offended in the slightest. Shut down these fruitcake revisionists.

  • @bill091086
    @bill091086 19 дней назад

    GREAT SONG!!!

  • @ayush4677
    @ayush4677 20 дней назад

    Yooooooooooooooooooooooooooooo

  • @N-L3
    @N-L3 21 день назад

    "I come from Alabama" Yeah we know bud

  • @foller2electricboogaloo575
    @foller2electricboogaloo575 22 дня назад

    Wood Woody Woodpecker brought me here

  • @punisher831
    @punisher831 23 дня назад

    Uncle Is Black

  • @Morimori67io
    @Morimori67io 23 дня назад

    "It rained all night the day I left, the weather it was dry" could mean tears. "The sun so hot I froze to death" could mean the singer was freezing to death from the lack of love even though the weather was warm

  • @TM2TL
    @TM2TL 24 дня назад

    All things considered it's not that bad. It could have been WAY worse.

  • @rayunseitig6367
    @rayunseitig6367 25 дней назад

    that n-word was and is no big deal. - it wasn't always about prejudice.

  • @rayunseitig6367
    @rayunseitig6367 25 дней назад

    ok,

  • @carlosmunoz3089
    @carlosmunoz3089 25 дней назад

    what in the fuuuu

  • @kenlandon6130
    @kenlandon6130 25 дней назад

    Stephen Foster was not an abolitionist.

  • @Furious_retro
    @Furious_retro 26 дней назад

    The one who does not know history is doomed to repeat it, by censoring the original lyrics, they do hide it from us

  • @shinigamiphantom1391
    @shinigamiphantom1391 27 дней назад

    Give me the racism.

  • @pencilspianos8412
    @pencilspianos8412 27 дней назад

    I LOVE YOU AND YOU LOVE ME MIXUE ICE CREAM AND TEAAAA 🗣🗣🗣🗣🔥🔥🔥🔥

  • @ZacharyArjoon
    @ZacharyArjoon 27 дней назад

    1:03 whoever sung that song better be black

    • @fart3486
      @fart3486 27 дней назад

      oh they werent

  • @jamesthegamer5679
    @jamesthegamer5679 28 дней назад

    Im pissed of that good historical songs like these get changed but in rap they say the N-word 500 times and talk about doing it with women.

  • @cjmarshall0221
    @cjmarshall0221 Месяц назад

    Very good. This shows why it is very important to keep historical facts and documents uncensored, no matter how offensive they might be people in any current day-and-age. Yes, the second stanza is pretty hard to take, but without it, the song makes no sense. This is the first time I've heard the second stanza, and finally realize the true meaning of the song.