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Orig Media
Добавлен 22 окт 2018
Orig Media is a full service production company based in Hawaii. We help companies and nonprofits with their videos needs. We leverage our expertise in filmmaking, storytelling, sales, and marketing to help you create videos that work for you.
Using AI for VFX shots in our movie
I used Runway to attempt to create some VFX shots for our movie.
This is the AI used in this video: runwayml.com/
#runwayml #ai #vfx
This is the AI used in this video: runwayml.com/
#runwayml #ai #vfx
Просмотров: 12
Видео
Using AI for VFX shots in our movie
Просмотров 5311 месяцев назад
I used Runway to attempt to create some VFX shots for our movie. This is the AI used in this video: runwayml.com/ #runwayml #ai #vfx
How filmmakers elevated Italians to Heroic status
Просмотров 2311 месяцев назад
This is a quick video on how Italians raised their station in American culture. Link to New York Times article: www.nytimes.com/interactive/2019/10/12/opinion/columbus-day-italian-american-racism.html
7 Filmmaking Hacks in 77 Seconds
Просмотров 1911 месяцев назад
These are 7 filmmaking hacks we use all the time. If you want a roll of gaffers tape, we have used this brand for years. amzn.to/3R4mS2a (affiliate link - we appreciate you using it) #filmmaking #filmmaker #tipsandtricks www.OrigMedia.com for our corporate work www.OrigEntertainment.com for our fun stuff Music is licensed through Motion Array Shot on Sony A6600 and Insta360 Go 3 Edited on FCPX
3 Writing Hacks that Changed My Life
Просмотров 411 месяцев назад
3 writing hacks I learned from amazing teachers.
Switch from Final Cut Pro X to Davinci Resolve? It's full of pros and cons.
Просмотров 54211 месяцев назад
Here we take a deep dive into the pros and cons of switching from Final Cut Pro X to Davinci Resolve.
Is editing BRAW in FCPX any good?
Просмотров 384Год назад
This is a quick review of the BRAW Toolbox plugin. You can get it on the app store and learn more about it here brawtoolbox.io/
How to edit BRAW in Final Cut Pro X
Просмотров 1,5 тыс.Год назад
With the BRAW Toolbox plugin, you can now edit BRAW clips from Blackmagic Design cameras. You can buy the plugin on the app store. And learn more about it here: brawtoolbox.io/
Hawaii Self Storage Commercial
Просмотров 514Год назад
@hawaiiselfstorage4408 IG: origentertainment IG: waikikipd Facebook: origentertainment Facebook: waikikipd Tik Tok: www.tiktok.com/@origentertainment? TikTok: www.tiktok.com/@waikikipd? Our Websites: www.origentertainment.com www.waikikipd.com www.origmedia.com Thanks for Watching! Like and Subscribe!
Hawaii Self Storage - Garajah
Просмотров 64Год назад
Follow and subscribe to our channel! Follow us: IG: origentertainment IG: waikikipd Facebook: origentertainment Facebook: waikikipd Tik Tok: www.tiktok.com/@origentertainment? TikTok: www.tiktok.com/@waikikipd? Our Websites: www.origentertainment.com www.waikikipd.com www.origmedia.com Thanks for Watching! Like and Subscribe!
Mango Tree Fitness
Просмотров 39Год назад
Follow and subscribe to our channel! Follow us: IG: origentertainment IG: waikikipd Facebook: origentertainment Facebook: waikikipd Tik Tok: www.tiktok.com/@origentertainment? TikTok: www.tiktok.com/@waikikipd? Our Websites: www.origentertainment.com www.waikikipd.com www.origmedia.com Thanks for Watching! Like and Subscribe!
FCPX's roles are very powerful, and Resolve is starting to add more of those features over time. It would be great to see more procedurally based editing paradigms like tagged media auto sorting and faster methods for scaling timeline tracks up and down. Loved seeing your posts on the forums, keep them up! The Cut page could use so many improvements. I will mention there is a shortcut to enable the clip swap ripple mode like FCPX vs the default overwrite on the edit page. When you click to drag a clip and hold command + shift it will allow you swap clips when you click and drag them to the next edit point. Command + Shift + < or. > will also swap selected clips to the left or right respectively. The cut page does do this by default too, but you need to click and drag to the edit point and "ripple on" needs to be enabled. If you click and drag the middle of a clip it will overwrite, but dragging to the edit point, and the edit point turns blue and highlights it snaps it will ripple and swap like fcpx. FCPX and Resolve are different, just like FCPX is different than every other nle, where overwrite is by default on all NLE's vs FCPX default for being non destructive. Most NLE's and a lot of editors are used to dragging clips to overwrite others, even if that seems unintuitive, but its burned into most editors brains. Also look at the Audio Track Layers system, it operates in a very similar way from a UX/UI interface way to fcpx's clips getting out of the way. For the Source Monitor, Media Pool, Program and Inspector you can see all four with a higher resolution monitor. If on a macbook, just change the desktop resolution to a higher one and it will scale to allow for more panels. Having more clip metadata could be awesome. Its an extra button press, but hitting "x" on any clip will select that clips in and out points, so you can then read the duration in the program monitor.
Color Finale Transcoder 2.0 is been released today. It allows you to edit natively without transcoding in Final Cut as this app. It'd be great to see a performance comparison.
This was so helpful. I been trying to figure out how to connect files from the black magic (Braw) and Sony as a Multicam. Will try this soon. One issue that I’m having is when editing 15 plus minute videos from black magic footage into Final Cut Pro the footage doesn’t play back quickly and does a lot of rendering, Glitching etc do you know a way to fix this?
Unfortunately no. It is a bit glitchy. We have been using DaVinci Resolve a lot more. Which is my way of saying this is probably a less glitchy solution though far from perfect. I am hopeful that with Blackmagic's NAB announcement they mentioned that they would be putting more resources into their cut page. I also posted a message on their message board on improving their multicam. I find it odd that they have world class switchers yet the multicam feature in DaVinci is terrible. Sorry this is a tangent.
@@origmedia9168thank you for your help and response just got a new subscriber. I agree with you hopefully this can be fixed as it is very time consuming to have to wait hours for a 13 min video to bounce from Final Cut Pro plus the glitching effects and other errors. I will try and reach out as well. All the best
Great suggestions! Many have been already made in the Resolve forum but it can only help to have more voices asking for these things. I’m betting when you dive in to the Edit Page you’ll have a similar list to bring it up to the level of FCP7. Or even Premiere for that matter.
Coming up next: someone who will explain, step-by-step, just how incredibly simple it is to import BRAW files into Final Cut Pro! One can dream…
Thanks for the heads up! I was considering purchasing this plugin in hopes to take advantage of final cuts render speeds but the cons seem to outweigh my overall usage goal. I will stick with using Davinci Resolve. Thanks again.
It is worth having for super simple projects but if you want fast render times, I think Davinci Resolve seems faster for a final export (I haven't done side by side export tests). In terms of rendering effects on the fly, FCPX is still faster and better at that. In my opinion, Davinci is kind of bad at rendering effects on the fly. Hopefully that makes sense.
Wow, you really took the time to list out great features davinci should implement. You should definitely send them your feedback. Nice video.
This really echos my experience with this plugin. For everything it does well, it has several problems. It really just feels more like a novelty than anything that can realistically be used professionally. It kills me that blackmagic has made some of their best cameras to date with the Ursa12k, Broadcast G2, and the FF6K, but locked them behind BRAW only codecs.
Maybe a blessing in disguise but I really like Davinci Resolve now because the BRAW plugin sort of exposed me/us to using BRAW in the first place. You may consider checking out Davinci Resolve. Again, the cut page and multicam are bad but there is a lot of great things in there. Plus, I think the Davinci team is much faster at implementing changes and requests.
That’s crazy I was considering to use the micro studio 4k g2 for multicam live and wanted to record in 1080 ProRes LT for quick multicam edit with fcpx … but there is only braw rec…
Same here, I was going to open a request in their forums and see if it's possible to add a Paid Upgrade/License to install Prores in the new cameras. I know Panasonic does this and avoid extra costs to some users and I'll be more than happy to pay whatever for the License and keep working with Prores most of the times. On top of that, many of my clients request Prores when I have to deliver the rushes, most of the agencies and big brands require that. I was in contact already with the support team and the encouraged me to open that request. However, I asked in a Blackmagic forum and I was about to get killed by the fanboys.
Same here, I was going to open a request in their forums and see if it's possible to add a Paid Upgrade/License to install Prores in the new cameras. I know Panasonic does this and avoid extra costs to some users and I'll be more than happy to pay whatever for the License and keep working with Prores for most of the projects. On top of that, most of my clients request Prores when I have to deliver the rushes, most of the agencies and big brands require that too. I already was in contact with the support team and they encouraged me to open that request. However, I asked in a Blackmagic forum about this possibility and I got almost killed by the fanboys.
😜 "Promo sm"
Yes it's really good ❤. I have been doing this with MJ inpainting feature bro 🎉
Thanks Elon
Just give us a double play head that hovers throughout. We shouldn’t be forced to use the speed editor to smoothly scroll across the timeline rather than holding the play head exactly from the top of it in order to navigate. Also stop nuking clips once you retime a clip in selection mode. I always find myself zooming out and moving clips to an entirely different track just to make sure I don’t nuke clips next to it. Editing to audio is audibly not as good as Final Cut
Agreed. I did happen across one of Sam Kolder's videos and he apparently has a bunch of keyboard shortcuts that help speed up editing. The full list is behind a paywall which I haven't gotten around to paying yet. But with the examples he showed, it seemed really interesting. He wasn't trying to remap it to FCPX or Premiere but rather try and find the most efficient way to edit in Davinci. ruclips.net/video/BjLCw-TxwbI/видео.htmlsi=VuRvKa6N6qbepbff&t=358
@@origmedia9168 My understanding is that it's mostly just the ripple trim to end and start of playhead, and the split key. It's very simple, and all tools FCPX has. It works well on simple timelines, but without clip connections you have to do more manual work to ripple.
If the Braw is being applied as a LUT then does the footage keep its RAW qualities or is the footage baked in?
I am not sure if I understand your question fully but I just did some tests. If you shoot BRAW and apply the LUT to the file (in the 3rd menu of the Record menu of the Blackmagic Pocket 4K), then the LUT is applied in FCPX. But you can easily turn it off by going into the BRAW Toolbox effect or plugin and change the setting on LUT Source from embedded to disabled. Hopefully that helps.
How would you say it performs when you use it in a more complex project?
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#EndTheLockdown The Virus is Fear. It is NOT good science. It is Blind adherence to Dubious Authority.
COOL
Would have been better off with an NON EV prius. WHY. Because electric rates are so so so high. EV's get 37MPG. Look it up. FACT