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another question, are you on pinterest? you might be able to gain more audience through pinterest maybe? let's also worship the yt algorithm lol 🙏

I'm 18 and i have an upcoming entrance exam in a few months, after which i plan to pursue art alongside uni, and your videos really give me the motivation to keep going. And, judging by your sketchbooks from literally 7 YEARS AGO, you've always been so good, I'm def taking inspo from your channel once i have the time to indulge in sketching n painting. Also, did i mention that the faces you draw look so chic and defined ✨ I'm just so mad as well as surprised that your channel hasn't blown up yet 🤷

excuse me why is 00:30 so freaking pretty 😭 also, thanks for filming the process, makes me feel like i could sketch like that too (And you writing looks so classy and elegant you're underrated fr ✋)

Hi everyone, welcome to today’s video! I did some minimal sketching and decided to film the process of how I sketch shoes. Decided to upload this first as I’m still on the process of filming & editing 𝘈𝘷𝘦𝘤 𝘔𝘰𝘪 𝘕𝘰. 2. Hope you’ve enjoyed watching, please let me know if you did 💜 Here are the supplies I’ve used: Fabriano Classic Artist Journal, Platinum Dip Pen DP1000, Pentel Art Brush Pen, Kaweco Brass Mechanical

i loved the video! it feels like a documentary, with minimal style editing! waiting for your channel to blow up 🤍

Hi everyone hope you’ve enjoyed the video. Took a bit of time to get this video up as I procrastinated. Please let me know if you enjoy this video format where I make it more personal. Even though I make illustrations my ultimate goal is to start my label and I’m working towards making that a reality. I really enjoyed filming this. I want to share more of my creations with you and hope you stay to discover. Thank you 💜

Hello. I just came across one of your videos and i think you're amazing 😊

❤❤❤

Hihi! Since there’s no music, here’s some songs that I think will go nicely with this video. If you’re viewing this tour on desktop I’ll recommend playing these in the background! Thank you all for watching and your support! Have a great day ahead LAMP - Yume Utsutsu ruclips.net/video/AJdTBPuZkHU/видео.html ZHU - Cocaine Model ruclips.net/video/q1HW6DdBCKw/видео.html

That's so cool! It's hard to find interesting sketchbooks on youtube

( Summary ) I made a video couple years ago detailing these tips and I thought to share them again and provide clarity and my references :) 1 Expand your visual library For concepts and Imagination Novels: 1984 George Orwell (my all time favorite, this book ‘solidified’ my perspective) 1Q84 Haruki Murakami (imaginative and surreal, this was probably the fastest I’ve ever completed a book) Films: 2001: A Space Odyssey by Stanley Kubrick Raging Bull by Martin Scorsese Blade Runner by Ridley Scott A Single Man and Nocturnal Animals by Tom Ford YSL Documentary “5 avenue Marceau. 75116 Paris” (this always gets me dreaming) Anime: Magnetic Rose from a series titled Memories by Katsuhiro Otomo Paprika by Satoshi Kon (I love anything by Satoshi Kon) Films by Wong Kar Wai (Color and the nuance of life) Angel’s Egg (Atmospheric & abstract) Recently watched Neon Genesis Evangelion not bad Art Books: Love Looks not with the Eyes: Thirteen Years with Lee Alexander McQueen Any Fashion Catalogues Japanese graphic/advertisement archives (sometimes you can find interesting concepts) Art of - books are also great Digital: Atlas of Places Rarebooksparis on instagram How to improve draftsmanship + proportional sensitivity by Scott Robertson on youtube I do love looking at designer archives 2 Practice Try not to compare Trajectory of improvement is not a steady positive Sometimes improvements are not prominent over a short period of time but don’t be discouraged Keep a sketchbook, find something light and comfortable - it will help cultivate a sketching habit I like to browse for inspiration at anytime of the day and save the images for easy reference when I’m in the mood of immediately jumping into sketching 3 Medium Finding the right materials for you Quality > Quantity Explore second hand options for good yet affordable supplies or look for discounts, I like using Carousell (SE Asia marketplace, please read reviews before anything!) Supplies: - Bottle of black ink (feels like it last forever) + I like to add water to increase its longevity + a dip pen (you can achieve more strokes without having multiple pens with different nibs = saving $) - Winsor and Newton Cotman Watercolors (I started with a couple of these, thought they worked well just lack transparency as there’s more binder in these paints) - Holbein watercolors (Nice quality paints, I think they’re considered artist quality but their prices are on the lower side) - Daniel Smith watercolors (Artist quality, slightly pricier but really high quality and beautiful) I recommend getting a good watercolour brush, with proper care they last a lifetime. I like silver black velvet! That should be all! If you have any great recommendations please share them with me too! Thank you for watching!

Hi everyone, I’ve just added timestamps so you can skip ahead if you’ll like, it will be easier for reference as well. Have a good one!

Eres la mejor, me parece genial todo lo que haces te deseo un feliz año 2024.🖌️❤️🎉

Where can I buy this?

In Lovee with this!!! Wish I could go to Japan too

I love your videos! Giiiiiirl don’t ✨vanish✨ pls 😂

Hello Fernxlynl, luv your videos so much, you deserve more views gurl

thank you for sharing this!! i ordered my own brass palette a couple months ago from la petite palette, and it will likely take a few more months to arrive, so i've been tiding myself over by watching brass palette videos haha. it was also a delight to see your sketches! your linework is beautiful and i loved seeing the soft variations in your washes of color <3

Hiya, hope you've all been well! This video took me a little while to edit as the original working file was over 20gb and my laptop kept crashing. Hopefully my blabber made sense as I didn't really make a script to cover all of what I wanted to say, any additional thoughts will be on the screen. This sketchbook took me a little longer to finish as I kept going back to edit the pages...would like to slowly allow myself to be more easygoing with the way I use my sketchbooks. I introduced more colors in this sketchbook which was something I set myself out to do as my previous sketchbook had more black & white sketches which is great. Tried new mediums and did more sketches of horses which was something I wanted to get better at for a long time. Some of the sketches are still wonky but improvement happens when you try. Thank you for watching, hope you enjoyed this video. Do let me know if you have any thoughts! Take care and stay safe 💜

i love your videos so much. i watch them everyday. they're also my background noise so thanks for that❤❤❤

Beautiful very nice......

I LOVE these sketchbook tour! I feel so inspired to sketch daily now

Woaaah can u do a tutorial please for features please🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏

Top 💖

love this ❤️

She looks a little like Cara 😍

Wow amazing What brand did you use?? Material and stuff

love your video so much! very beautiful!!

what is the black pen brand please?

wow this is a mini museum woahhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

I love your art so muchhhhhhhhhhh! 😭😭❤

(cont) 2021 . My 2021 sketchbook will be rather monotonous. I took a break from sketching and to ease myself back into the routine, I used simple tools. I used a lot of ink and watercolors in this sketchbook. This sketchbook focuses on a lot of anatomy and silhouette. I used roughly the same tool to create these works. The introduction of a monotonous palette helps the viewer identify the elements better and is less distracting. Reference: Sarah Moon (15:07) . One of the first sketches using Art-graft’s water-soluble graphite. I have not formed a review since I do like to use and experiment with the supple for a while and understand its characteristics and the best way to use the material. Reference: Kate Moss (16:05) . A sketchbook does not need to follow any standards. Do what you like. You do not have to feel pressured to fill it up with strong conceptualized and well-executed works. It is just a vessel for you to improve, generate ideas, and have fun. I, myself do feel the urge to only have great art in it but I do make mistakes that are not documented as well. Reference: Michelle Behannah (16:18) . If you have been following me for a while, I always do these 101 Dalmatians backgrounds. It is a therapeutic practice for me, helps me get back into the zone of making art after a break. Sometimes I would switch up the colors to play around with the different moods. Reference: 101 Dalmatians (16:30) . I feel like I have grown to be more sensitive towards the linework and colors. Sometimes, I like to paint on tracing paper as it also brings a different touch to the work. Play with materials around you. Reference: Steven Meisel (17:04) . Mistakes happen at all skill levels and stages of creation. I rarely show my failures, the majority of people show works that are polished. But do know that we all still struggle as expectations grow and your ideations are never stagnant. Reference: Chanel No.5 (17:10) . I like to use water-based pens at times and add water to smudge the lines. This allows the medium to have its own input in your art. Sometimes it's successful and sometimes you have to try again. Reference: Prada (17:21) . I like to use traditional mediums over digital as I like the organic way materials work. The way ink and watercolors dry on paper are beautiful and I like thinking that supples also have a mind of their own. Reference: Bela Borsodi (17:27) . I still struggle with the side profile. It will be something that I will work on soon. Reference: Kate moss (17:33) . Adding water to dilute the ink of a marker creates a nice wash. An effective way to introduce more values with a single art supply. It saves you some money as you can use the supply a little longer. Reference: Herb Ritts & Erwin Wurm (18:00) . I think my silhouettes look more convincing. There is still room for improvement at all stages. Anytime you sketch, you are already making progress. Reference: Unknown & Olafur Eliasson (18:44) . I really like this painting. I find the silhouettes amusing. I am learning to convey emotions into my works. This might be the hardest thing to achieve as it is intangible. The architectural elements could be improved but overall I am satisfied. References: Boris Ignatovich (18:56) . For the piece on the left, I used the mental art brush and allow the water to rest organically. The result is a darkened spot at the tailbone. I attempted a similar pose in 2019. (18:59) . i like covering minor mistakes with a black cube. Could be drawn or cut from black paper. If you repeat it sometimes it becomes an accent in your work. Reference: Dmitry Maximov (19:36) . I am also currently learning to be more sensitive to the extra white space to make a piece come across as more balanced. Reference: Steven Meisel (20:10) . I really like this piece on the left. I feel like it makes sense and I am happy as I rarely draw arms swinging back. I like how the hair seems to be moving from the wind created by the jump. Reference: Elson for Prada (21:21) . The intention in this sketchbook was for me to improve on my anatomy to be more sensitive to where the lines meet and tonal values. I do think I achieved that. To some people, a lack of color might seem uninteresting, but I find it equal because your eyes start focusing on minute details and the balance with the white of the paper. reference: Robert Longo (21:57) . I find that I tend to get lazy towards the end of the sketchbook as I think I would start getting the mentality to just get it over and done with as I love starting new sketchbooks. I usually leave the last page empty as I do not feel necessary to fill it. Sometimes I would stick a loose work or I would write a reflection or quote/paragraph from an inspiration. I think it sums up the overall mentality I had while doing the sketchbook. Reference: Kristy Hume & Shalom Harlow (23:18) . End

3 Years, 3 Sketchbooks 2019 . (Paragraphs) My way to fill up page 1: -Date your sketchbooks, it helps to track your progress -If you want to fill up but are afraid of messing up, leave and come back to it when you feel comfortable. . Back in 2018/19, I was still in my comfort zone, only drawing what I am familiar and good with. In the later half of the year, I decided to gather references and draw subjects I want to get better at. Tips: -Gather references ahead of sketching so you can get straight into it -Stick to a selection of supplies -Go easy on yourself . Europe trip journal entries Sometimes adding in entries help me loosen up my sketchbook . Start of the referenced phase Photographs I took from the trip . One of my favorite works in this sketchbook. Reference: Margiela by Mark Borthwick For me, finding references ahead of the time of sketching greatly improves my commitment and momentum. This applies to my materials as well. . I used a lot of different mediums in this sketchbook which you will see that my 2021 sketchbook lacks. Colors and textures will add interest that sometimes does make works more forgiving because there are many elements to take into consideration and divides the attention of the work. . These next spreads are heavily painted with gouache. All of these have relied on references. Reference: Marco Ovando (03.36) . I would go on to simplify my materials in my next sketchbook probably because of the break that i took and i wanted to ease myself back into sketching. Using complicated materials might stifle one’s momentum if you are unfamiliar with the medium. However, experimentation is always great for artists. (03:50) . Reference: Matt Damon (04:06) . My silhouettes are not very refined. However, it still looks like subjects. (04:31) . These were really fun to paint. A change in scenery is good for refreshing your creativity. (04:58) . Quick references sketches Single material Pen directly on paper Trains your eye and hand coordination Mistakes happen to everyone so go easy (05:35) . Quick references sketches Single Material Acryla gouache directly on paper Most of the time if I messed up. I would cover the page up with another completed sketch (06:15) . 2020 . Sometimes a bad art on the first pages could hinder your excitement to fill the rest of the sketchbook. There is no rule to fill a sketchbook, do what is comfortable for you. (07:02) . I find myself doing this often. Revisiting either similar or same references after some time and attempting them again. Sometimes they get better sometimes worst. ! Growth is never an upwards trajectory. ! (07:30) . You can see the lines running through to re-emphasize the structure. This was a more dynamic pose for me to draw hence apprehension was visible in my shaky linework. I do however enjoy the looseness of the sketch. (07:43) . Shaky lines and disproportioned. These could actually be a style but that was not my intention. I still do to today mess up proportions. I do recommend directly drawing your sketches with a pen. Even though the results might be sloppy in the beginning, it helps you to understand your skills better and allows you to gain confidence in your lines. (08:26) . These are easily achieved with 2 supplies. A black pen and a black marker. With no other elements to interfere, you will see the quality of your linework and know what to improve on. (08:55) . This kraft paper works beautifully with a white pencil. Gives the works an extra depth. (09:27) . Mistakes are inevitable. Try again next time. (09:46) . Black is a forgiving color. (10:02) . Dynamic poses are fun but are difficult to accurately depict. (10:09) . I really love the sketch on the right. I vary the tone by dipping my marker into the water to lower the value. Reference: Alexander Rodchenko. (10:17) . I enjoy the intensity of the print Two pens can create an impact. Choose materials that are versatile and easy to use. (10:35) . I love keeping markers that are slightly dry I like using them for fabrics Try to find ways to fully utilize your supplies I like the movement of the woman on the right. (11:07) . Fabriano classic artist journal This is my favorite sketchbook I find it very comfortable to work with. Initially, I struggled with the thickness of the book. However, it has grown on me. The white and kraft paper taking turns is very refreshing. I find it very versatile. The paper is thin yet it holds up well against most of the mediums I use. (11:18) . I found this pose slightly challenging. I like to block out areas with black to cover up shaky lines. This work seems slightly muddled since I worked the white marker while the black was still wet. (11:36) . I often revisit the same references. It is great to see an improvement or to re-create it using another medium. When you are lacking in ideas. You can always revisit your old sketchbooks to find works that re-spark your interest. This is one of my favorite works thus far. Reference: Denise Grunstein. (12:11) . I like to block out mistakes using black ink or paper. There are times that I do not want to give up on a sketch and I would salvage it by covering the areas that I messed up with black ink or paper. Towards the back, you will start seeing me use black squares. I found myself adding it sometimes where there isn’t a mistake The aesthetic grew on me. (12:45) . A great way to learn is by referencing not only photographs but works from great illustrators/artists. Learning their techniques also helps you to understand your supplies and what you create with them. The color combinations they use can also help you form a better aesthetic. References: Jean Paul Goude & Rene Gruau. (12:51) . These are some rough sketches of a horse. I still have trouble accurately depicting the movements of a horse. Practicing something over and over again by default allows you to improve. the longer you observe something the more you understand its form. (14:05) . One of my favorite spreads in the sketchbook. Reference: Josef Sudek & Erich Angenendt (14:17) . I like to leave the last page of my sketchbook empty as well. Reference: Drew Vickers (14:29) .

Luv from Saantube xd

plz make more sketching of the body video along with the clothes 🙂

😍😍😍😍

She looks like brunette Natasha Poly

Son beutiful

Is this a Jojo reference?

your fashion illustration has some old school Vogue-ish vibes with all of these autumn-winter corporate high fashion couture-like sample looks

Beautiful as usual

love it!

Mind blowing .