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nao esperava que fosse ser de tanta qualidade, vou acompanhar todos agora, mas me conta qual shampoo você usa?

nice man 👏🏻, bro pls give me tips for solo training and speed training, is too hard for me keep in training

So... palm muted pedal notes and chord stabs... Was a young guy back in the 80's... for some reason we all played that way.

Great advice 😊

Thank you James! 🤘🙂👍🎸

This pedal note approach is also good for modal riffs.

Glad this video popped up on my feed. About a year ago I was working on very similar concept then got sidetracked. I just subscribed to your channel!

Love it. Just subscribed. I knew there's got to be a simple explanation of how they did it. Thanks 🎉 😂

Cool lesson, thank you.

Thank You.

Is the first example an example of a Plagal Cadence or Plagal Sigh? Like where in In My Life it moves from a C major to a C minor? I use the Capo on fret 2 when I play it in my example.

Lovely sound👏👏👏

Nicely done

👍

Thats it bro. You got it down.

I liked the part when he went over the scales 😂

I appreciate your Canal from Brazil. How can i get acess to the lesson tabs? Tks!

I think the major pattern is much easier due to the symmetry while the minor pattern is a lot harder visually. Would mixing the major 3 notes per string pattern and the traditional minor pentatonic pattern work as well?

This was terrific, thank you. A bit more left hand instruction for lead would be nice. How to make the notes sound more inspired instead of merely going through the scale?

Great vid. Thanks for the 5 recommended songs. Gonna check it out immediately 🎉

I really needed this. Thank you!

Nice to see the Bogner Alchemist working hard ✨🤘😎👍

I view the fretboard is a similar way James. Basically I use 3 moveable chord shapes (A barre, E barre + D shape) to tell me where the root notes are in the scale over the fretboard. Clustered around the root note, the 7th, 3rd, 4th + the root form a square (offset one when going from the g to b strings) which are half step intervals, and the remaining are whole step. So the chord points me to the root and the root points me to the square, and the remaining notes 2nd, 5th and 6th are within easy reach of the square as whole steps. I found this really handy when playing modes as well, as I use the movable chord trick on the modal chord to get its root, but visualise the underlying ionian scale for the squares, e.g. F# phygian using whatever movable chord to give me the modal root, but D major for the key squares. I've only been doing this the last year or so, prior to that I was stuck in pentatonic boxes, it has really opened up my playing.

Awesome playing and demo, James. Thanks.

250k pots would darken tone. the bridge is actually a very good one I use them on my gibson guitars.

It does

No. Obviously it doesn't. Guitarists need to spend more time playing and learning to use eq.

This video is testimony to the fact guitarists will spend hundreds of dollars on guitar bits rather than use an EQ. "I want to darken things down a bit" - then use an EQ for gods sake. Nor has this video even really answered the question posed. You should have shown a clear A/B comparison with no effects and not in a mix. Sigh.

I changed the old roller bridge (1996 i think) on my Gretsch Tennessee Rose for a solid aluminium bar bridge. It made quite a significant difference - my wife noticed when i was playing acoustically so it wasn't just in my head! It rang out more clearly and had more sustain. I was somewhat apprehensive about intonation as the bridge is simply a solid bit of machined metal but just moving the floating bridge base so E and E are intonated was effective and it had been perfectly fine (no problems when recording with bandmates using individually intonated strings). I didn't miss any tuning stability from the rollers either as the bar bridge rocks on the bridge posts as it was designed to do in the '50s - much like a Jazzmaster bridge when set up well. I'm new to the channel, I'll check out a few more videos.

Thanks for the video James. I'm considering putting a Graphtech or Fishman piezo bridge on my '92 NY Standard at some point. That said, I'm happy with the stock tuneomatic. I had a roller bridge like that on another guitar once and had similar problems with sympathetic ringing. I'd guess the shallow break angle on the Eggle doesn't help.

On an electric guitar you turn the tone knob to 'warm up' the tone. Or.... Turn a knob on the amp. But feel free to waste money on nylon saddles.

The tremolo adds an interesting nuance to your specific playing. I would start trusting that system and maybe try some akin technology (I got a Stetsbar, which is an interesting concept).

Recently I changed the bridge on one of my NY standards too. The original Gotoh tunamatic was pretty worn, I'd guess it was the original one from 92 (I have owned the guitar since 07) and I was getting some buzz or overtones? when playing certain chords. I just replaced like with like and that seems to have quelled the problem. All my NYs have the same Gotoh tunamatic except for my 92 Anniversay model where a previous owner had changed it to a roller bridge.

i dont have a guitar but i do want one. do you have any other videos that could help?

I enjoyed the list format.

Jeff Bezos if he decided to pick up guitar:

It's always good to remind yourself at any stage of your journey about the basics and you have done that well here. Your kids are correct to a point,but we'd soon get bored of lists and miss your regular lessons after a bit. Well I would anyway as I'm quite old. Well according to my kids and Grandkids but I am in denial about that.

Great lesson!!! Thanks a lot!!! ❤

This is really helpful ! Thank you for sharing !

Really appreciate your review and wisdom !

Полезно....

I picked up a NOS ONE OF THESE ABOUT 4 years ago. I have an Gibson 335 as well. I am very impressed with the Hohner. Sounds great and very comfortable to play. I recommend that if anyone sees one, to give it a try. Very nice guitar.

Hi Jim, What an absolutely great lesson. Just as you stated I have knowledge of scales, Arpeggios , and chord tones. However I could not figure out how to start a solo and smoothly play over the chord changes. This lesson provides a great Road Map on how to go about doing that. I'm very Greatful for this lesson. You have a new subscriber as it seems you can read my mind. Thank You. Ken

Literally eh?

Too much talkin

Well explained my musical friend 💯🎶

Beautifully explained 👌🏻

...to add to my request...I wish you teach me how to get into the fast run and come out of it, during the solo.

I subscribed and hit the like button as well. I will go through other lessons from you now for sure.

The way you walked through the process taking the learner along deserves applause. Please please make another video in similar lines with a few more fast runs in between. I have never come across any videos deliberately teaching this thought process. Appreciated. Requesting again to make a similar video with a few more fast runs (burst of notes, picked or legato) in between.