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cambizDOCS
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Добавлен 31 авг 2020
Cambiz Amir-Khosravi
is an award winning video producer.
His works have won prizes at various
film festivals and broadcast both in the US and abroad.
His films are also part of the permanent collections of major museums and libraries such as
the MoMA, (Museum of Modern Art) and The Kitchen, NYC, as well as in
collections at Yale, Harvard, and Columbia Universities.
is an award winning video producer.
His works have won prizes at various
film festivals and broadcast both in the US and abroad.
His films are also part of the permanent collections of major museums and libraries such as
the MoMA, (Museum of Modern Art) and The Kitchen, NYC, as well as in
collections at Yale, Harvard, and Columbia Universities.
ECONOMIC DEMOCRACY
Economic democracy, proposes to shift ownership and decision-making power from corporate shareholders and corporate managers to a larger group of public stakeholders that includes workers, consumers, suppliers, communities and the broader public. Proponents claim that modern property relations externalize costs, subordinate the general well-being to private profit and deny the polity a democratic voice in economic policy decisions. In addition to these moral concerns, economic democracy makes practical claims, such as that it can compensate for capitalism's inherent effective demand gap.
Wikipedia
Wikipedia
Просмотров: 443
Видео
EVERYONE COMES TO RICKS-TRAILER
Просмотров 1814 месяца назад
Story behind the play that went on to become one of the most beloved films.
CASABLANCA UNPACKED-(tm) TRAILER
Просмотров 19410 месяцев назад
In 1992, I produced a documentary on Howard Koch, the co-screen writer of Casablanca. My primary goal then was to deal with The House Committee on Un-American Activities (HCUA), since Howard Koch was blacklisted. I had mainly used the lure of Casablanca to draw in viewers. Now in retrospect I wish I had asked Howard more about the film, especially about its unusal ending. Michael Cristofer, the...
FOOD NOT DRUGS
Просмотров 52Год назад
Food not Drugs, (Official Selection of The Woodstock Film Festival, 2004.) Community uproar on losing Woodstock's local Grand Union supermarket to the takeover by the CVS drug chain, and how various local town official reacted differently to this dilemma
YOU DON'T KNOW ME...
Просмотров 85Год назад
Premiered at the Woodstock Film Festival, 2001. Shown at Upstate Films and featured in the 2002, Human Rights Project Film Series, Bard College, NY. “Best documentary in this festival.” Zachary Sklar, a writer, known for JFK (1991), nominated for eight Academy Awards. The hour long film, tells the story of Dewin Vargas, who was 18 when he fatally stabbed Glen Trapanese on Jan. 23, 1999. The tit...
10 MOST MEMORABLE LINES
Просмотров 1,3 тыс.Год назад
PLEASE LIKE AND SUBSCRIBE! PLEASE LIKE AND SUBSCRIBE! Thanks! CASABLANCA: Behind The Screen-Part 2. A Journey with Cambiz A. Khosravi. Casablanca is a 1942 American romantic drama film directed by Michael Curtiz, and starring Humphrey Bogart, Ingrid Bergman, and Paul Henreid. Filmed and set during World War II, it focuses on an American expatriate (Bogart) who must choose between his love for a...
Casablanca: Behind the Screen. PART 3 A Journey with Cambiz A. Khosravi.
Просмотров 6 тыс.2 года назад
PLEASE LIKE AND SUBSCRIBE! PLEASE LIKE AND SUBSCRIBE! Thanks! CASABLANCA: Behind The Screen-Part 3. A Journey with Cambiz A. Khosravi. Casablanca is a 1942 American romantic drama film directed by Michael Curtiz, and starring Humphrey Bogart, Ingrid Bergman, and Paul Henreid. Filmed and set during World War II, it focuses on an American expatriate (Bogart) who must choose between his love for a...
CASABLANCA: Behind The Screen-Part 2
Просмотров 25 тыс.2 года назад
PLEASE LIKE AND SUBSCRIBE! PLEASE LIKE AND SUBSCRIBE! Thanks! CASABLANCA: Behind The Screen-Part 2. A Journey with Cambiz A. Khosravi. Casablanca is a 1942 American romantic drama film directed by Michael Curtiz, and starring Humphrey Bogart, Ingrid Bergman, and Paul Henreid. Filmed and set during World War II, it focuses on an American expatriate (Bogart) who must choose between his love for a...
JOHN CAGE 4'33".
Просмотров 2402 года назад
The premiere of 4′33″ was given by David Tudor on August 29, 1952, in Maverick Concert Hall, Woodstock, New York. Kyle Gann, composer, critic and author ( "No Such Thing as Silence: John Cage's 4′33″ ) will be our guide.
CASABLANCA: Behind the Screen- Part 1
Просмотров 31 тыс.3 года назад
PLEASE LIKE AND SUBSCRIBE! PLEASE LIKE AND SUBSCRIBE! Also please watch:CASABLANCA UNPACKED vimeo.com/885419526 CASABLANCA: Behind The Screen-Part 1. A Journey with Cambiz A. Khosravi. Casablanca is a 1942 American romantic drama film directed by Michael Curtiz, and starring Humphrey Bogart, Ingrid Bergman, and Paul Henreid. Filmed and set during World War II, it focuses on an American expatria...
A Masterpiece for a Six-pack?
Просмотров 2013 года назад
In 1983 the Woodstock Times published an article titled: "A Masterpiece for a Six-pack? This article featured John Ernst and his wife the poet, Pearl Bond. This was the impetus behind this documentary. The couple and their daughter Della were living a marginal life, with John suffering from alcoholism, Pearl's cancer and Della's medical condition. This documentary illustrates how humans under a...
Woodstock In Search of Utopia. Trailer
Просмотров 644 года назад
Woodstock In Search of Utopia. Trailer
CHINUA ACHEBE:The Importance of Stories
Просмотров 14 тыс.4 года назад
CHINUA ACHEBE:The Importance of Stories
Inspiration
So wonderful getting to see all those people in one of the best movies ever made. Takes me back to those better times.
😊all of the😅m ❤
Me too 😊
Nice if you can achieve it 🎉
Good one..
🙏 please share and subscribe.
Just completed:CASABLANCA UNPACKED vimeo.com/885419526
Just completed:CASABLANCA UNPACKED vimeo.com/ondemand/451436
Just completed:CASABLANCA UNPACKED vimeo.com/ondemand/451436
genius
Excelente documental sobre el gran maestro Chinua Achebe, muy alejado de la tradición hispana debido a la barrera del lenguaje pero completamente necesario en un mundo cada vez más polarizado. GRACIAS POR COMPARTIR EL VIDEO
In the comments on the ‘quotable’ lines from this movie, I wonder if there is one more that is overlooked. When Ugarte is accosted by the French Moroccan police at the Roulette table, he asks them if he could ‘Cash in his Chips’. I wonder if this line is meant to forecast his inevitable fate with the police. Was this film dialogue the origin of this phrase or was this already a cliché at the time?
Good take. Since there was up to 5 writers it’s hard to say. You might want to check out my documentary on Casablanca: vimeo.com/885419526
Play it again, sam
what a brilliant man!!! .....a genius and a great writer 💌💌💌
Yes. Best, most perfect movie ever.
Thanks! How about: (On Nazis invading London and New York.) Ask me when you get there . and There are certain parts of New York, Major, that I wouldn't advise you to try to invade.
AR9, nothing else meter
A man ahead of his time.
I loved this movie very much, So I made many clips from it, Which are still on my channel.
I fell in love with the art of cinema with this movie.
‘Casablanca’ is renowned and is justly acknowledged as one of the most romantic films of all time but it is much more than the tale of a love triangle. Of course, it shows that the power of love can affect the human psyche, as demonstrated by Rick’s metamorphosis. This film has so many levels to it that it takes many viewings to appreciate them. The main theme is not romance but self-sacrifice as the film’s message to the world at war is to give up the personal agenda for the common cause. It reminds wartime audiences, many of whom have loved ones fighting abroad, that their situation is the same as that of Rick, Ilsa and Victor. The screenplay is so intelligently written. It is a masterpiece of complexity, containing subliminal political opinions and messages all carried along on a thrilling plot with brilliant one-liners and memorable quotes, comedic elements, together with contemporary, social commentaries. Basically, the film is politically motivated because it is a plea to America to join the war. Please note that the action takes place in pre-Pearl Harbour, December, 1941. This is the the first non-musical movie to use music almost as an another protagonist, (which Tarantino does now). For example, ‘As Time Goes By’ is a valuable recurring theme and, in Paris, Rick and Ilsa dance to ‘Perfidia’ which means untrustworthiness. ‘Love for Sale’ is played during the dialogue when the Bulgarian girl tells Rick about her ‘offer’ from Renault. Michael Curtiz’s direction is multi-faceted: Documentary, Film Noir, German Expressionism, Flashback etc. He is the master of creating the plot via seamlessly connecting a series of rapid-fire vignettes. There is subtle direction and cinematography. For example, Ilsa wears black and white clothes and is cast in shadows and in a mirror which symbolise the ambiguity of her role. POINTS OF INTEREST AND NOTES FOR SUBSEQUENT VIEWINGS. Rick’s initial selfishness, (I stick my neck out for nobody’), is a metaphor for USA indifference. It must be remembered that the events and politics are hard to comprehend and put into perspective for current audiences than for those living through WW2, not knowing who the victors would be. The script can be considered as a 'State of the Union' address, both for home and foreign policies, in which there are references to Civil Rights, as embodied in Sam and, of course, the debate about America’s involvement in the conflict. Each character represents a country e.g. Two Japanese plotting; the Italian on the tail of the German; American indifference; French collaborators; the British robbed by foreign policy. Even the Balkans are mentioned via the Bulgarian couple. Quite evidently, Rick’s actions symbolise the USA in its change in policy from isolationism to participation and ‘….the beginning of a beautiful friendship…’ is the USA and Europe joining forces to fight Nazism. The significance of Letters of Transit is a metaphor for the might of America’s power and resources and must be delivered to the right side. The ‘La Marseillaise’ scene is the pivotal moment in which both Ilsa and Rick realise that saving Victor is more important than their own personal relationship. It also comes in just as Rick and Victor are about to argue over Ilsa but both drop the issue when they hear the music. This scene is rousing now but imagine how it must have felt for audiences right in the middle of the war when Germany seemed invincible and modern viewers need to put it in perspective in terms of world events full of Nazi and Japanese domination and when the outcome looked very bleak. The facial close-ups used throughout the film speak a thousand words: but particularly note Ilsa during ‘La Marseillaise’ when her expressions show her admiration of Victor’s power and her realisation that this must be preserved at all costs. In any case... there is so much alcohol!!!! POINTS TO WATCH ‘It’s December, 1941 in Casablanca: what time is it in New York?... I bet they are asleep all over America’. PEARL HARBOUR ‘Even Nazis can’t kill that fast’ CONCENTRATION CAMPS ‘I don’t buy or sell human beings..’ CIVIL RIGHTS The Bulgarian couple keep appearing as symbols of hope and determination. In the bar room fight over Yvonne, Rick attacks the German only and not the Frenchman. Captain Renault dumps the bottle of Vichy water to represent his rejection of the Nazi- collaborating French Government which was located in Vichy. Just one example of the excellent and complex scriptwriting occurs immediately after the roulette scene. The girl thanks Rick for letting her husband win and Rick replies, ‘He’s just a lucky guy’, which, on the face of it, refers to the gambling, but, in Rick’s mind, means that the husband is ‘lucky’ because his partner truly loves him.
Well put.
I am giving a talk in October at the Transylvania County Library in Brevard on Casablanca and its wonderful that the points you made about the film is very much what most of my talk is centered on. The ethos expressed by the film are now missed by so many of us; that for me it's one of the reasons people gravitate to it. Kudos
Hi, and thanks for the reply. I would love to receive a transcript of your lecture. @@cambizdocs8092
‘Casablanca’ is renowned and is justly acknowledged as one of the most romantic films of all time but it is much more than the tale of a love triangle. Of course, it shows that the power of love can affect the human psyche, as demonstrated by Rick’s metamorphosis. This film has so many levels to it that it takes many viewings to appreciate them. The main theme is not romance but self-sacrifice as the film’s message to the world at war is to give up the personal agenda for the common cause. It reminds wartime audiences, many of whom have loved ones fighting abroad, that their situation is the same as that of Rick, Ilsa and Victor. The screenplay is so intelligently written. It is a masterpiece of complexity, containing subliminal political opinions and messages all carried along on a thrilling plot with brilliant one-liners and memorable quotes, comedic elements, together with contemporary, social commentaries. Basically, the film is politically motivated because it is a plea to America to join the war. Please note that the action takes place in pre-Pearl Harbour, December, 1941. This is the the first non-musical movie to use music almost as an another protagonist, (which Tarantino does now). For example, ‘As Time Goes By’ is a valuable recurring theme and, in Paris, Rick and Ilsa dance to ‘Perfidia’ which means untrustworthiness. ‘Love for Sale’ is played during the dialogue when the Bulgarian girl tells Rick about her ‘offer’ from Renault. Michael Curtiz’s direction is multi-faceted: Documentary, Film Noir, German Expressionism, Flashback etc. He is the master of creating the plot via seamlessly connecting a series of rapid-fire vignettes. There is subtle direction and cinematography. For example, Ilsa wears black and white clothes and is cast in shadows and in a mirror which symbolise the ambiguity of her role. POINTS OF INTEREST AND NOTES FOR SUBSEQUENT VIEWINGS. Rick’s initial selfishness, (I stick my neck out for nobody’), is a metaphor for USA indifference. It must be remembered that the events and politics are hard to comprehend and put into perspective for current audiences than for those living through WW2, not knowing who the victors would be. The script can be considered as a 'State of the Union' address, both for home and foreign policies, in which there are references to Civil Rights, as embodied in Sam and, of course, the debate about America’s involvement in the conflict. Each character represents a country e.g. Two Japanese plotting; the Italian on the tail of the German; American indifference; French collaborators; the British robbed by foreign policy. Even the Balkans are mentioned via the Bulgarian couple. Quite evidently, Rick’s actions symbolise the USA in its change in policy from isolationism to participation and ‘….the beginning of a beautiful friendship…’ is the USA and Europe joining forces to fight Nazism. The significance of Letters of Transit is a metaphor for the might of America’s power and resources and must be delivered to the right side. The ‘La Marseillaise’ scene is the pivotal moment in which both Ilsa and Rick realise that saving Victor is more important than their own personal relationship. It also comes in just as Rick and Victor are about to argue over Ilsa but both drop the issue when they hear the music. This scene is rousing now but imagine how it must have felt for audiences right in the middle of the war when Germany seemed invincible and modern viewers need to put it in perspective in terms of world events full of Nazi and Japanese domination and when the outcome looked very bleak. The facial close-ups used throughout the film speak a thousand words: but particularly note Ilsa during ‘La Marseillaise’ when her expressions show her admiration of Victor’s power and her realisation that this must be preserved at all costs. In any case... there is so much alcohol!!!! POINTS TO WATCH ‘It’s December, 1941 in Casablanca: what time is it in New York?... I bet they are asleep all over America’. PEARL HARBOUR ‘Even Nazis can’t kill that fast’ CONCENTRATION CAMPS ‘I don’t buy or sell human beings..’ CIVIL RIGHTS The Bulgarian couple keep appearing as symbols of hope and determination. In the bar room fight over Yvonne, Rick attacks the German only and not the Frenchman. Captain Renault dumps the bottle of Vichy water to represent his rejection of the Nazi- collaborating French Government which was located in Vichy. Just one example of the excellent and complex scriptwriting occurs immediately after the roulette scene. The girl thanks Rick for letting her husband win and Rick replies, ‘He’s just a lucky guy’, which, on the face of it, refers to the gambling, but, in Rick’s mind, means that the husband is ‘lucky’ because his partner truly loves him.
I remember every detail. The Germans wore grey. You wore blue. Classic Bogart.
Great
The greatest Film ever made. Ive known it for more than half a century
I know Americans don't have much of a love affair with Facts. But the Facts prove that Florida exit polls showed that 3 out of every 5 Nader voters responded they would not have voted for anyone else, 1 of 5 would have voted for Gore and 1 of 5 would have voted for Bush. But the bigger Fact of that election revealed once the recount was finally concluded, after being blocked in progress by the nascent Fascist Supreme Court now in full Fascist bloom was that Gore won Florida. And you can effing look it up, Kovel.
The closest I ever dared to get to being Bogie in public was to call the girl who became the Love of my life "Kid".
My favorite is all of them. Each one is a classic.
yea, I also like the film plenty, except for its one damning flaw - that is the character of Sam, who is portrayed as docile and subservient to his 'boss' Rick in what echoes master-slave relationship and racist tropes that were still profligate at the time. It was no accident that Hollywood and the writers of this screenplay propogated the stereotype and pandered to white, racist sentiment. Otherwise, but for this one big, brazen exception, the movie is great.
You are wrong. Rick and Sam are friends. There are many instances to prove this. You need to watch it again.
Conrad Veidt's character always ranks as one of the worse screen villains to me...
I don't know how many times I have seen Casablanca. OMG. Is the best movie I have seen...
no to Rick będzie pił przy tej muzyce...😊👍♥️♥️♥️♥️
For me, 1st, "Of all the gin joints..." 2nd, "I'm shocked! Shocked!" 3rd, "I was misinformed", tied with "Round up the usual suspects!" Then, the whole script.
I watched Casablanca 6 days ago and I'm still struggling to move on. I remember Ilsa and Rick every day with as time goes by music in the background. Greatest movie of all time.❤️
I have a number of his works.
The GREATEST MOVIE EVER❤
Here's looking at you!
Great work.
Thanks David.
Kultfilm. Es lebe Casablanca. 👍👍
Kudos..
Great films have a great theme tune
Thank you for posting this incredible interview!!
"We'll always have Casablanca ..."
Casablanca is a gay love story. Rewatch it and listen to every word Claude Rains says, see how he manipulates the situations around Rick, how the plot depends on his actions. The entire film leads up to two men going off together -- the start of a beautiful friendship.
I jokingly told this to Howard Koch; he didn't agree.
You are crazy.
@@calliejinx4675 That may be true yet listen to what each man says about the other, how Claude Rains is positions himself between Rick and others, invites himself to join in, keeps trying to get rick's attention...
Here's looking at you kid
We'll Always have Paris.
Here's looking at you kid.
Although he was missing from the movie poster, Dooley Wilson who played an iconic role as Sam sang "As Time Goes By" should be recognized. He was one of my favorite characters.
Rick's nanny. Everybody loves nannies no matter their race.
Bogie had to be standing on a box in that final scene
Michael Walsh wrote a book where he reunited lisa and Rick
Thanks for the info.
YAY
good morning
Great analysis, thank you!