- Видео 46
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Miguel Reyes
Добавлен 7 апр 2013
Видео
PLAYA DE LIMA (35MM)
Просмотров 1511 месяцев назад
Realizador: Miguel Reyes Playa de Lima es un proyecto audiovisual experimental que explora la relación entre lo analógico y lo digital, lo real y lo virtual, lo cotidiano y lo extraordinario. El proyecto consiste en mostrar escenas de la vida diaria en la costa limeña, pero con un toque artístico y creativo: las imágenes se capturan con una cámara de video digital, se reproducen en una pantalla...
Teaser - The Portrait of Loneliness in Quarantine | Short film (2020)
Просмотров 1923 года назад
Teaser - The Portrait of Loneliness in Quarantine | Short film (2020)
te faltaron la I(Ioanna) y la K (Karolus)
What about his photography lenses?
Great video
I don't take photos anymore, but I still love my lenses and I won't sell them. I always had a thing with lenses, not the images
Yo soy un robot jakakakka, me quedo tieso de los nervios
Deberían respetar el escudo original está muy mal.
Joe Dunton, had a rental house as well, was the man to see in those days, as well as Optex and Sammies. I shot my first feature film in 1984, Dark Summer, as writer/producer/director/DOP/editor on an Arri 2c, 60% of the time it was blimped (an 80lb caste iron jacket that enclosed the camera to stop the noise of motor and film). It was a zero budget film, film stock came out of a skip but we tested every roll before using. It was one of only two films shot in anamorphic 35mm SuperScope that year in UK. Film was theatrically release in UK and ended up being distributed and sold through Mel Gibson’s Company Icon and Majestic. The rushes and prints were done at Rank Laboratories, thanks to Chester Eire, the technicians used to call me Little Kubrick, as I was such a pan in the arse about my rushes and prints, they were all step printed! That name was not a complement! 😂
También subí videos del operador que esta del otro lado ¡¡¡¡ videos educativos para los q lláman, que si van a llamar sepan bien que es lo que quieren, que tengan ahí mismo donde anotar, para que no se vayan 5 minutos a buscar con q anotar, que no repregunten si no hay necesidad, ect, ect.
La modernidad no puede borrar la originalidad. Por lo tanto, ese escudo para mi, no representa el escudo "real", o creado en su momento histórico por allá en el siglo XVI
That last lens..a 90mm.
So, why is it when they shot the large Discovery model in a camera pass, with an aperature of f64, that there was no diffraction that the rest of us get when shooting at f16?
Wonderful, thank you!
Did he just said Nasa project in a video about stanley kubrick?
Correct the lenses do make the pictures. They are your paintbrush to your pallet.
He really loved his wide lenses. What a legend!
Don't see many authentic zoom shots in many films nowadays. The ones in Barry Lyndon are beautiful.
Me gusta, solo quisiera que las aves tuvieran las alas un poco más abiertas y la mirada diferente y creo q sí pasa como escudo oficial jaja puede ser ah
Lo fue una vez
Me gusto mucho. Gracias
a proper nerdy presentation
Where's the POV fisheye used for Hal?
The eyebrows on this geeza are epic!!!!!
Thanks so much
ruclips.net/video/fb7Meqaz7Aw/видео.html did he just give away the moon landing job then ?????????????????????????????????????????????????
I like the one he did the fake moon landing with..
where's this canon 35mm1.4 hiding ? there's no trace on the web ???
This is the history that I want to learn
Exactly
"ok, send me please ten 135mm Zeiss lenses and I'll let you know which one I'll keep" _ it can't get more Kubrick than that
And the Production pays for every one of them, which he keeps afterward. Peter Jackson started Weta Digital that way too. He Bought a couple of Silicon Graphics workstations and a 35mm film printer for "Heavenly Creatures" and kept them for other things.
I heard that Zeiss would send new lens designs to Kubrick for his feedback. Not sure if this is true.
Merci. C'est passionnant. Je crois qu'il y a une erreur de traduction : "prime lens" = focale fixe.
Where does this interview live, for which film was this a supplement?
A 9.8 mm is really wide. Like a fisheye lens. He know how to direct his camera and lenses are what make his films great.
Sorry, but a rectilinear ultra-wide angle lens is definitely not the same as a fisheye. The question is whether straight lines stay straight.
Muy buenoooo
Sir Stanley Kubrick is an institution, Sir Andrei Tarkovsky too.
this guys kinda adorable
This will be my 80th year behind the camera. I started filmmaking in 1946 with the 16mm Bell & Howell Autoload, as many did. I ended my career with a few documentaries for airlines and travel lecture business, which was killed by televison eventually. Stanley Kubrick is one of my heroes. Rembrandt ground his own pigments. Kubrick practiced the same fanatical attention to detail that made him famous. No, a tool is not just a tool. A superb, ingenious tool like a lens can enable you to share your inner vision and so enrich the whole experience of the visual arts. RIP Maestro!
Peerless sense of composition & focal lengths.
All the focal length mentioned in this video is about to use on s35 camera, right? Which means that the real full frame equivalent should be x1.5 crop factor?
Cinema has traditionally been Academy 35 and then s35 especially with tv work. Full frame that new people refer to is Vista Vision format or 8 perf photography which is the equivalent of 35mm stills. Digital people got used to Vista Vision with 5d cameras which became the norm for digi people. Traditionally speaking, cinema was always flat 35 or s35 except for some 65 and vistavision photography films.
The reliance on full frame as a reference point is purely a modern fad. The "real" focal lengths on any camera system is what is written on the side of the lens. You should not call a 35mm motion picture lens by the focal length you'd used on a FF / 135 stills camera to match AOV. Full frame equivalents aren't "focal lengths" - simply comparative angle of views. Cinema for 90% of its existence has been 3 or 4 perf film (or a sensor of a similar size) ... that is 35mm motion picture film. 8 perf (VistaVision) is close to the frame size of a "full frame" DSLR is simply a different format. You uses lenses 1.5x longer on FF / 135 (compared to S35) for the same AOV. But a 35mm lens on S35 "is" a 35mm lens... it's completely inaccurate to call it a 50mm lens.
A lens-list in the description would be nice.
I worked for a lighting company that had it’s own studio in west London, I started for the company after coming out the army. Any way that’s by & by, in a little corner of the yard was where joe operated his Camra department, at this time joe didn’t have much transport, so as a favour, on delivering our film lights to other studios, we would take Joe’s Camra gear with us, and I must say 50 years on you would never be lucky enough to meet a more genuine person. I went on to work on many major movies, and would run into joe here there, and he never changed on but an absolute gentleman/ jack white
Thanks for the video. What a truly mad genius!
Yay! Long lost relation...
After 3 years of doing a degree in Film Studies....my Dissertation was "Stanly Kubrick's use of the Colour Red".............it went right over their heads...and the Don of my college couldn't understand it. I dunno what to make of Stanley.....he was made from different stock, ......I can only compare him to cammile pissarro.....and this mans lens knowledge is breathtaking and I actually cried a little bit.....I love art and film.
35mm SLR + various focal lengths.
Amazing, thx! Has there ever been any other 'auteur' filmmaker who not only wrote and directed his own work, but was even his own cinematographer, and he was obviously a very sophisticated 'techie' well before Lucas did Star Wars!
Bravo! Thank you.
Nice lenses. Also, they killed Kubrick before the release of eyes wide shut revealing secretive elite society and their orgasm scene.
This is a great video I wish I could find some good film lenses for my movies.
Cooke were excellent lens designers copied by many, including Leica for their first Elmar still camera lens. I use Schneider Componon S lenses for my still darkroom enlargers. Awesome. Very interesting video. Thank you.
The Arriflex 2c, Stanley's personal camera, is right now on eBay. No shit.
2:57 "His favourite lens on this camera was an 18mm.." Subtitles: *19mm* You had one job!
you have a great eye
funnily enough it does kinda sound like he says nineteen
Yep, One job man.
Stanley is such a boss
Great content, man. Thanks for this.