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The purpose of the video is to show how this technique works, of course i could spend more hours to fine tune it but i just wanted to show how you could get a good rough balanced mix without spending 5+ hours. There are a lot of productions out there that have 808 and reese bass at the same time. With proper eq and sidechaining you can glue it. I have a video on my channel, "Become A Pro At Mixing The 808 With Kick" where i talk about it more in depth :D Thanks for your feedback though

Illuminati alert 🧐🥶🤣🤣

@@AudioWavesAcademy. just $200 no soul selling 😂😂😂

It’s not only in the vocals, I already replied earlier on another comment that Final Cut has a bug when I exported the file. 🤷🏻‍♂️

I explained in a comment earlier, Final Cut has a bug when I import an obs recording. The raw recording was fine. I found a solution about it 🙌🏼

exactly, he needs de crackle

I was having this same issue with OBS and streaming. I wonder if its a similar bug​@AudioWavesAcademy.

@@BarrettJamesMusic I haven’t tried streaming yet, the bug comes from Final Cut, not from obs.

You can clearly see that at 4’ when I enable the eq, a light grey shadow appears….

Thanks man! I am really glad I could help! 😀 I find it better to have this pace when learning something so specific, it is important to take your time and understand imho 💪🏼

Thanks for watching! I have also some plugins in mind for the near future, do you have anything specific plugin that you want to learn?

@@AudioWavesAcademy.Ozone plugins man😅most of them just confuse me. If you can process vocals using only ozone plugins that would be cool

@@AudioWavesAcademy. Nothing in particular, maybe some mastering plugins etc.

Glad I could help 😎💪🏼

I will note it on my to do list 😅💪🏼💪🏼

First thing to do is learn the difference between stems and multitracks. You don't mix stems. Stems are already mixed.

@@Jg-be7it in case the stems are not leveled properly like melody around -5db is too much and doesn't leave room for vocals to sit properly. Even with a dynamic eq side chain won't make it work

@@emgodas You don't mix stems. Stems are already mixed. Unless you are a mastering engineer working with stems and the mix is a problem. In any event, what you are talking about are multitracks. Multitracks are the individual recordings of each element of a song. Multitracks are what a mix engineer works with. Stems are the already mixed groups of elements. For example: the mixed down of all lead and background vocals is the vocal stem, the mixdown of all the drums is the drum stem, and the mixdown of all the instruments is the instrument stem...etc. Stems are used for TV, movies, and commercials so the song can be manipulated. Some mastering engineers will work with stems of needed. You don't "level stems before you mix." If you haven't finished the mix, then you don't have any stems.

@@Jg-be7it I get what you mean and i appreciate the explanation, as i said i meant the stems, the whole melody bus stem, the drums stem, the fx stem etc. I dont need to mix anything i just want to be able to sidechain only the melody with the vocals and/or play with the levels of the stems to make the beat have more room for the artist.

Do you mean my voice or the vocal on the track? If you mean the vocal on the track, is because when I am playing the track, my mic is cracking because I am not using headphones (it is trying to pick the music from the speakers). Do you mind telling me in what minute u hear it?

@@AudioWavesAcademy. 4:09 5:44 its like mini cuts or cracking sounds indeed

@bigsantamane Yeah this is the problem that I mentioned, it comes from the mic or OBS. I am trying to solve this but still didn't find a solution... I don't like wearing headphones :D Edit: The raw OBS recording had no pops, something is wrong with the export from Final Cut Pro. I have googled it and some others had the same problem with this bug...

@@AudioWavesAcademy. Its the vocal on the track

@@AudioWavesAcademy. It's probably a CPU overload(low buffer) or audio device conflict.Try different different settings

There is so much potential if the producers really learn to use it properly on their advantage!

Yes and no! There is a big difference here with a multiband comp and this is the algorithm of different options like the balanced option or the loose option. Also in a multiband comp you have most of the times a ms time on attack and release. To sum up, you can have also a decent result with a multiband but if I had the option to use this plugin, I would go for it.

Well it’s a matter of taste at the end of the day 😅

I think a lot of people have the same problem as you. I believe you can give it a try by using dynamic eq or by using the soothe2 plugin. Soothe2 is really a problem solver!!!

Use modulations alongwith a saturator. Thank me later.

In this video I wanted to show what every plugin does, leaving all the plugins active might confuse some people. That’s why 🙂

This is a good question, i have found 3 good solutions about it. 1st is to buy stem packs aka construction kits, 2nd is to enter on remix contests (you will be provided with stems), 3rd is to look out for courses that offer a template project or at least the stems included. Hope i could help!

I can send u some unmixed “reference songs” np 💀 I got plenty of those

@@benjamindover8221 haha

If you have Logic Pro 11, there is an option for that.

If you have Logic Pro 11, there is an option for that.

I will give it a try this week maybe! Stay tuned :P

Unfortunately inside Ableton that is not possible at least for now. There are though a lot of stem separation websites(free) that can do that