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Yey 3 min backup timer team, haha

🤔 I like to see everything. But the idea of not seeing everything is interesting. Because then you don't get distracted.

@virtualriot

Applause to the content creator who expressed exactly how I feel, but in clear, concise English. I feel the same, but as a non-native speaker, I struggle to express my thoughts clearly. Thanks! WTF with their WaveShaper / Clipper? Its lacking of clarity stole years of production quality from me just because their built-in shaper/clipper sucks hard and I didn't even realize I needed it. Have you heard about virgin zones in Cubase? Yet another abandoned half-baked feature. OMG their forum is worse than Facebook. Damn Steve moderator, he is so cringe. About inserts - get Kilohearts Multipass and forget about those. It will never happen. In 2024 - still not there.

Personally, I don't think there is one DAW that does it all - I'm using three now - Cubase, Bitwig and Reaper - all have their strengths and failings. Cubase is (almost) unrivalled for composing although Studio One seems to be trying to take that one on but without any serious uptake so far.

I have been using Cubase since 20 years already,,, And I thing the reason why people still use it is ironicly the fact that it does not cheange to much... You see - The most creative Composers and musicians don't wanna lern to meny features coming out in a every next versions of DAW. The composing proces in so absorbing that simplycity wins this competition...I would be not interested if Cubase would change to much. Composing takes my atention and I only need few tools.. Globaly Ableton somehow killed creatyvity by introducing LOOPing culture of making music. I don't wanna become producer out of composer. My creative attention don't wanna be taken out to a diferent roles....

Smith Gary Lewis Brian Gonzalez John

Who knew Charles Manson was an expert on modern music technology ?? 😮

Great video. Love to hear what is bad about HS2

Wicked info B ! Thanks for so much energy/effort creating this. All the best ! Cheers from Toronto.

I hate that i cant resell the license for my SPITFIRE BBC SO library - props to NI for allowing that and making the process smooth

The most sensible advice I've come across re orchestral libraries 👌! Even as an amateur I'm at times tempted by Spitfire Audio and NI's marketing whizz-bang, looking for a nice choral library to add to BBCSO Core that I own. Thanks a ton, this will make me count at least to 100 before hitting any 'buy' button. Looking forward to seeing more of your videos!

I love Cubase used it since VST5 (2001). I agree though it has a problem with plugins causing it to crash/freeze. V13 seems even worse. A plugin from SSL or UAD should not cause Cubase to freeze.

I will confirm that EW Holiwood Strings is absolutely the most used string library in my deck. 20+years of music composing, the best bank out there. Kudos to Spitfire Albion, but EW wins.

I use Cubase since 1996. and Atari ST. It is/was integral part of my studio, and while I have Pro Tools, Nuendo and some special middleware I need for specific tasks, evolution of Cubase was so exciting to witness. Yes there are certain issues but I am still to find a DAW with as many features covering everything.

9:33 Performance Samples provide Demo patches.

I only occasionally buy intersting fairy dust type sample libraries now like Emergence Audio texture libraries

Just two words here: ICONICA OPUS... yummeeee! Not that hollywoodish "big", but absolutely real and very fun to work with.

Wanted to love Bitwig, but here I am trialing and learning about other DAWs like Cubase 😞

"We can tell when the product is great - and when it's not" Amen, brother. So many companies in so many different fields just seem to... not understand this. Beats me.

V.A.T. on a sample library ! really ? That gets me wondering. It's just sounds and not physical. V.A.T. on something you can't put your hands on, or have in a box. Then there's the expense of buying a large drive to back all your libraries on, and that's not guaranteed to be 100% safe.

Great video, thanks, with your ideas I did a macro that copy the global copy, then go to the end of the selection and then time paste it, then with just one command or a button do all the trick!

Thanks sir!! this is great!

I totally agree with you that being able to try a library before buying it would be a game changer. My very first Spitfire library was ... unfortunately ... the Olafur Arnalds library because I had no clue what I was doing. It was a pricey library and certainly for someone out there the exact right library but it was not so for me. I was beyond disappointed and used it only one or two times in my life. This experience kept me from buying any other product from Spitfire again because I am too afraid of spending money on the wrong product.

You’re a Cubase ninja! Lots of great info here. Following!

12 minutes to say "samples suck, libraries are expensive, just $$$ musicians"

Do not you use your Open Stage Control setup anymore?

I can't find the link to this . I've looked in your bio.

Is AI going to make all this hand wringing over sample libraries irrelevant? "Epic" scores just a function of well-chosen prompts?

I’m satisfied with EW composer cloud ☁️

Possible silly question. If the track box were to move to another part of the screen would the mouse click not work since the window is now a different spot?

Man, especially for someone that is beginning in this world, the idea of trying out a library is the best! Like, for someone starting, spending 300, 400, 500€ into a library + Kontakt is a big no no. Thank god for free libraries

I believe that the main resource that these companies should be looking for is a way to have these libraries with the same or even better competence, but, mainly, occupying much less space in our SSDs and consuming less RAM and processing power. That would be a huge advance. Physical Modeling as it has a gigantic potential, and SWAM has demonstrated this. Nowadays these libraries are gigantic, they require a huge heap of memory and processing, making it impossible for independent composers to assemble their mockups in order to compete with the big ones in the market.

Neural DSP has a 14-day free trial on all of their plugins and it’s a banger

Maybe the solution is for composers to form a union in solidiarity with orchestras? Get studios to pay for the real thing?

Im surprised none of these orchestra vsts have made a plugin with an automatable conductor yet...

I wonder how the strings built into Logic Pro X compare with Hollywood Strings 1? Has anyone done a side by side comparison? Logic seems to have most of the articulations covered: so I don't see why I should buy another strings library?

Hi, Brian, I tend to disagree when you say that even a poorly played cello does better than a virtual one. Yes, there is the richness, the multi layer details, all the nuances, etc. But, well, if you don't have at least a decent performance, a virtual tool may offer better results. Thanks for sharing your thoughts and experience.

Weird. When you talked about budgets getting smaller, and deadlines getting shorter... I felt that. See, I'm a CG Animator. And it's fucking brutal for us right now. Everyone wants to exploit us to the moon then immediately fire us. Pixar just had a great purge of employees right as they're promoting Inside Out 2. I'm a working guy with a family, and I'm getting by working for corporate places like Dell and Microsoft. But it's not just us, all us production artists (composers are Absolutely artists in my opinion) are having to compete and learn to work so damn fast, on our toes with fire leaping at us in order to stay in the game. But we do it because we love it (and also that means having to take a massive paycut if I wanted to quit and get a "real job") SO... At least for me... I'm fucking stuck whether I want to be or not. So I gotta learn, quickly and fast, and always change with the times. At least I enjoy that.

I watched whole video because you are hilarious but you are crazy as a coconut. No need to spend all that time and money and learn so many new softwares watch videos read manuals etc. Just use hollywood strings vieana or any top orchestral library and when project budget allows it record few live musicians also in the mix to make it feel more organic and thats it. Stop buying any new libraries🤣

About to buy 8dio

I completely agree with you. I've used EastWest for more than a decade. I bought the Strings2 library. So blah. I am using BBC more often.

Whats your thoughts on OPUS?

I am still using Project Sam Samples

Musio is great, especially for a broke musician like me. Also 8DIO is a great value 🎹🎹😎😎

Incredibly expensive indeed. Most libraries cost more than what they are actually worth, and the fact that i can't ask for a refund most of the time is just another kick in the nuts. Just download vital and make all the sounds yourself. Best alternative.

I'm just a hobby musician and as long as that's the case, I would never spend so much money for those libraries. Not because I think they don't deserve it or the product isn't worth that, but I just can't invest so much if I'm not even sure I'll use it that much. So for me personally, the EW subscription is an amazing alternative! I'm still thinking about getting very niche libraries, like Orchestral Tools Grimm or insanitysamples Haunted Strings 2

Simply stop buying stuff you don't need

Cool - Honest, insightful

As a part time shopaholic I have to say that Spitfire Symphony Orchestra at 280 euros (50% sales) is the best deal. In addition Musio 1 perceptual licence at 200 euros (50% sales every 2-3 months) is a great addition… So with 500 euros you could do what was impossible a few years ago. The WOW factor these days is the price and not the libraries themselves. For me, best purchase I ever made is Vflutes from Acoustic Samples. I also own Vbrass and saxes and I have to say I’m pretty impressed and inspired by the level of performance of these libraries.