Can u imagine if Master Dowland could have the technology of today to make music. I would like to think he wouldn't be degenerate like 70% of today's music is. What a lost talent.
I pray to Almighty God that the people of Ukraine remain forever free. I hope, selfishly, that these people are safe so that when the time comes, they can make music again.
Відео з концерта ренесансного ансамблю VERMELL, присв'яченого пам'яті засновника Фестивалю давньої музики у Львові Романа Стельмащука, з програмою "Сім Сліз" (Лютневі пісні, Павани і Ґальярди для п’яти віол Джона Дауленда). артисти: Тарас Драк - керівник, лютня, віола; Ірина Дуброва - спів, віола; Вадим Вайнштейн - віола; Матеуш Ковальскі - віола; Анастасія Радько - віола; Катя Кісельова - тар. Джон Дауленд (1563 - 1626) творив здебільшого в жанрі лютневої пісні, змішавши елементи балади, танцювальної музики та мадригалу. Велика частина його музики (а це також багато сольних лютневих творів) заснована на танцювальних формах: Павана, Гальярда, Алеманда, Джига. Знаменита на всю тогочасну Європу п'єса Дауленда - це Pavana Lachrimae (Слізна Павана), на тему якої згодом ним була написана пісня Flow, my tears. Збірник п’яти-голосих творів Джона Дауленда «Pavana Lachrimae: Seven Tear’s» знаменує перехід від побутової функціонально-танцювальної до абстрактної інструментальної музики. В книгу входять здебільшого Павани та Ґальярди, в тому числі на мелодії своїх пісень. У передмові до збірки автор пише: "... назва обіцяє вам сльози - небажаних гостей, але це не звичайні сльози печалі, це світлі сльози, які проливає Музика ...
Because we must have the lyrics. Now, O now, I needs must part, Parting though I absent mourn. Absence can no joy impart: Joy once fled cannot return. While I live I needs must love, Love lives not when Hope is gone. Now at last Despair doth prove, Love divided loveth none. Sad despair doth drive me hence, This despair unkindness sends. If that parting be offence, It is she which then offends. Dear, when I am from thee gone, Gone are all my joys at once. I loved thee and thee alone, In whose love I joyed once. And although your sight I leave, Sight wherein my joys do lie, Till that death do sense bereave, Never shall affection die. Dear if I do not return Love and I shall die together, For my absence never mourn, Whom you might have joyed ever. Part we must, though now I die. Die I do to part with you. Him despair doth cause to lie, Who both lived and died true.
Львівський Музичний Цех. Тарас Драк - керівник, лютня, віола да гамба; Ірина Дуброва - спів, віола да гамба; Вадим Вайнштейн - віола да гамба; Матеуш Ковальскі - віола да гамба; Анастасія Радько - віола да гамба; Катя Кіселева - тар.
I hear hints of Greensleeves. Which would make sense as it was registered in 1580, Dowland would have been a teenager when he heard it and probably incorporated it into this work either knowingly or subconsciously.
NOW O NOW I NEEDS MUST PART Lyrics Now, o now, I needs must part Parting though I absent mourn Absence can no joy impart Joy once fled cannot return While I live I needs must love Love lives not when hope is gone Now at last despair doth prove Love divided loveth none Sad despair doth drive me hence This despair unkindness sends If that parting be offence It is she which then offends Dear, when I from thee am gone Gone are all my joys at once I loved thee and thee alone In whose love I joyed once And although your sight I leave Sight wherein my joys do lie Till that death do sense bereave Never shall affection die Sad despair doth drive me hence This despair unkindness sends If that parting be offence It is she which then offends You might also like Boll Weevil Song Eddie Cochran Cuando Menos Lo Espera GULEED & Morad Can She Excuse My Wrongs John Dowland Dear, if I do not return Love and I shall die together For my absence never mourn Whom you might have joyed ever Part we must though now I die Die I do to part with you Him Despair doth cause to lie Who both lived and dieth true Sad despair doth drive me hence This despair unkindness sends If that parting be offence It is she which then offends
Так, ми вже розуміємо. Та ми були молоді, а фестіваль давньої музыки у Львові (у якому ми мали участь) проходив у таких залах. Ми тоді співали ще і пісні, присвячені Діві Марии з кодексу El Libre Vermel. Можливо тому нам це не здавалося святотатством.
Las obras de Dowland poseen una modernidad sorprendente. Y el oficio y la calidad de estos intérpretes consiguen facinarnos con las obras y sus ejecuciones.
Compare........if you will........the experience of hearing this music........to the feeling of the eternal blackest, most silent darkness without life. This illustrates how this music adds color and warmth. Hearing it makes life worth living if for no other reason than simply being able to hear it. Searching throughout the endless silent black void, for an infinity of time, then one day way off in the distance, very faint at first, but getting a bit clearer and louder the closer I get to it, all of this wonderful colorful warmth pours again into my heart! Thank you! ❤
How often did the peasants of the time get to hear this.....not in their everyday lives. It would have been a special occasion.....a street performance or maybe before a play. We take for granted our access to the best music ever created in every genre imaginable right at our fingertips.....
Дякую эа гарну музикую. Now, O now, I needs must part, Parting though I absent mourn Absence can no joy impart: Joy once fled cannot return. While I live I needs must love, Love lives not when Hope is gone. Now at last Despair doth prove, Love divided loveth none. Sad despair doth drive me hence, This despair unkindness sends. If that parting be offence, It is she which then offends. Dera, when I am from thee gone, Gone are all my joys at once. I loved thee and thee alone, In whose love I joyed once. And although your sight I leave, Sight wherein my joys do lie, Till that death do sense bereave, Never shall affection die. Sad despair doth drive me hence, etc. Dear, if I do not return, Love and I shall die together. For my absence never mourn, Whom you might have joyed ever: Part we must though now I die, Die I do to part with you. Him Despair doth cause to lie, Who both liv'd and dieth true.
How many different sizes of viol are there? Also, why the different way of holding the bow? Intrigued because i wouldn't have thought you could achieve as much pressure as with the way cellists etc hold their bows?
Yes, but... at that time you most certainly would not be able hear this piece. A dutch writer who writes historical novels about the dutch colony in the east (being of mixed ancestry) once was asked if he would have liked to live during that time, he vehemently said "No!" I would have been a coolie!"
IN that time you would not have heard the song or danced the dance unless you were wealthy. Now people all over the wotld can hear ..... I would like to see the dance, it must have been vigorous!
Slava Ukraine. X
SUPERB
Beautiful performance
Can u imagine if Master Dowland could have the technology of today to make music. I would like to think he wouldn't be degenerate like 70% of today's music is. What a lost talent.
Perfect voice for this music!❤❤❤
Would love to hear these performers in person! What joy!
My God. Such a voice sweet and the delivery
the rhythm is right for the lively dance of the galliard.
Great music; foolish sentiment.
I pray to Almighty God that the people of Ukraine remain forever free. I hope, selfishly, that these people are safe so that when the time comes, they can make music again.
Un raffinement extrême et une inspiration inépuisable pdt cette période de la renaissance anglaise , un grand merci aux interpretes
Відео з концерта ренесансного ансамблю VERMELL, присв'яченого пам'яті засновника Фестивалю давньої музики у Львові Романа Стельмащука, з програмою "Сім Сліз" (Лютневі пісні, Павани і Ґальярди для п’яти віол Джона Дауленда). артисти: Тарас Драк - керівник, лютня, віола; Ірина Дуброва - спів, віола; Вадим Вайнштейн - віола; Матеуш Ковальскі - віола; Анастасія Радько - віола; Катя Кісельова - тар. Джон Дауленд (1563 - 1626) творив здебільшого в жанрі лютневої пісні, змішавши елементи балади, танцювальної музики та мадригалу. Велика частина його музики (а це також багато сольних лютневих творів) заснована на танцювальних формах: Павана, Гальярда, Алеманда, Джига. Знаменита на всю тогочасну Європу п'єса Дауленда - це Pavana Lachrimae (Слізна Павана), на тему якої згодом ним була написана пісня Flow, my tears. Збірник п’яти-голосих творів Джона Дауленда «Pavana Lachrimae: Seven Tear’s» знаменує перехід від побутової функціонально-танцювальної до абстрактної інструментальної музики. В книгу входять здебільшого Павани та Ґальярди, в тому числі на мелодії своїх пісень. У передмові до збірки автор пише: "... назва обіцяє вам сльози - небажаних гостей, але це не звичайні сльози печалі, це світлі сльози, які проливає Музика ...
Because we must have the lyrics. Now, O now, I needs must part, Parting though I absent mourn. Absence can no joy impart: Joy once fled cannot return. While I live I needs must love, Love lives not when Hope is gone. Now at last Despair doth prove, Love divided loveth none. Sad despair doth drive me hence, This despair unkindness sends. If that parting be offence, It is she which then offends. Dear, when I am from thee gone, Gone are all my joys at once. I loved thee and thee alone, In whose love I joyed once. And although your sight I leave, Sight wherein my joys do lie, Till that death do sense bereave, Never shall affection die. Dear if I do not return Love and I shall die together, For my absence never mourn, Whom you might have joyed ever. Part we must, though now I die. Die I do to part with you. Him despair doth cause to lie, Who both lived and died true.
This was a big hit in Shakespeare's day.
You were there, then ?
No1 Aye
No information about the Musicians, the location?
Львівський Музичний Цех. Тарас Драк - керівник, лютня, віола да гамба; Ірина Дуброва - спів, віола да гамба; Вадим Вайнштейн - віола да гамба; Матеуш Ковальскі - віола да гамба; Анастасія Радько - віола да гамба; Катя Кіселева - тар.
@@Nataliadrak Спасибо из Атланты!
太好听了！原始的乐器，朴实无华的歌声，再现经典的巴洛克，这些优美的旋律让我知道巴罗克除了巴赫、亨德尔，还有英国的约翰道兰、亨利普赛尔等！
Very beautiful rendition. Thank you.
Just lovely. Love to be there to hear it live.
I hear hints of Greensleeves. Which would make sense as it was registered in 1580, Dowland would have been a teenager when he heard it and probably incorporated it into this work either knowingly or subconsciously.
💖🌺 Sublime 🌺💖 Many, MANY thanks and best wishes ❤️ 👌 🙏
Lviv? I hope and pray you are all well? What church was this in?
Дякуємо, усе добре. Це храм святого Лазаря на Коперника, 27.
Priceless!
Such a hauntingly beautiful voice. My oh my how God blesses us with such delightful sound.
Why secular music in a church???!
Outstanding. Is this group still together? If so, do they ever tour? Would be amazing to hear this music live.
superb !
NOW O NOW I NEEDS MUST PART Lyrics Now, o now, I needs must part Parting though I absent mourn Absence can no joy impart Joy once fled cannot return While I live I needs must love Love lives not when hope is gone Now at last despair doth prove Love divided loveth none Sad despair doth drive me hence This despair unkindness sends If that parting be offence It is she which then offends Dear, when I from thee am gone Gone are all my joys at once I loved thee and thee alone In whose love I joyed once And although your sight I leave Sight wherein my joys do lie Till that death do sense bereave Never shall affection die Sad despair doth drive me hence This despair unkindness sends If that parting be offence It is she which then offends You might also like Boll Weevil Song Eddie Cochran Cuando Menos Lo Espera GULEED & Morad Can She Excuse My Wrongs John Dowland Dear, if I do not return Love and I shall die together For my absence never mourn Whom you might have joyed ever Part we must though now I die Die I do to part with you Him Despair doth cause to lie Who both lived and dieth true Sad despair doth drive me hence This despair unkindness sends If that parting be offence It is she which then offends
Beautifully sung and performed ... bravo! 😀
what are you doing?performing dowland in a church...in a church?are you cfrazy?
Так, ми вже розуміємо. Та ми були молоді, а фестіваль давньої музыки у Львові (у якому ми мали участь) проходив у таких залах. Ми тоді співали ще і пісні, присвячені Діві Марии з кодексу El Libre Vermel. Можливо тому нам це не здавалося святотатством.
Las obras de Dowland poseen una modernidad sorprendente. Y el oficio y la calidad de estos intérpretes consiguen facinarnos con las obras y sus ejecuciones.
Compare........if you will........the experience of hearing this music........to the feeling of the eternal blackest, most silent darkness without life. This illustrates how this music adds color and warmth. Hearing it makes life worth living if for no other reason than simply being able to hear it. Searching throughout the endless silent black void, for an infinity of time, then one day way off in the distance, very faint at first, but getting a bit clearer and louder the closer I get to it, all of this wonderful colorful warmth pours again into my heart! Thank you! ❤
How often did the peasants of the time get to hear this.....not in their everyday lives. It would have been a special occasion.....a street performance or maybe before a play. We take for granted our access to the best music ever created in every genre imaginable right at our fingertips.....
The guy on the treble viol is great.
Дякуємо! Це виіола да гамба. Грає Вадим Вайнштейн (народився у Санкт-Петербурзі, останній рік живе у Казахстані).
Wow, just wow. So well done.
Absolutely beautiful and heart touching❤
Дякую эа гарну музикую. Now, O now, I needs must part, Parting though I absent mourn Absence can no joy impart: Joy once fled cannot return. While I live I needs must love, Love lives not when Hope is gone. Now at last Despair doth prove, Love divided loveth none. Sad despair doth drive me hence, This despair unkindness sends. If that parting be offence, It is she which then offends. Dera, when I am from thee gone, Gone are all my joys at once. I loved thee and thee alone, In whose love I joyed once. And although your sight I leave, Sight wherein my joys do lie, Till that death do sense bereave, Never shall affection die. Sad despair doth drive me hence, etc. Dear, if I do not return, Love and I shall die together. For my absence never mourn, Whom you might have joyed ever: Part we must though now I die, Die I do to part with you. Him Despair doth cause to lie, Who both liv'd and dieth true.
So beautiful, thank you.
This is easily the best rendition of this piece. Is there a CD or download? I love this consort!!!
How many different sizes of viol are there? Also, why the different way of holding the bow? Intrigued because i wouldn't have thought you could achieve as much pressure as with the way cellists etc hold their bows?
The legato vocal style is wonderful!
Absolutely wonderful 😊
The older I get, the more I want this world rather than the present one.
Yes, but... at that time you most certainly would not be able hear this piece. A dutch writer who writes historical novels about the dutch colony in the east (being of mixed ancestry) once was asked if he would have liked to live during that time, he vehemently said "No!" I would have been a coolie!"
@@ranranshi I wasn't thinking of politics and healthcare.
@@SonicPhonic you would have some body, and live somewhere.
It would be wonderful to visit these places of the past, but I'd like to come and go..like another posted: what about health care?
IN that time you would not have heard the song or danced the dance unless you were wealthy. Now people all over the wotld can hear ..... I would like to see the dance, it must have been vigorous!
No capes.
Io avrei omesso le percussioni: poco elisabettiane
👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Beautiful voice ❤ beautiful acoustics. Love the period instruments and room.
Amazing. Have shared with a violinist friend - we were talking about viols today 😊
This is sublime.
Superb!
Dowland would be proud.
Beautifully done...bravo!