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I feel that! You're gonna love it here. 🌴

thanks bro

Bruh, Tell me about it, hard thinking of better locations

Congrats on pickup and mine have fading but I adding on some lens skin remedies rubber situation. alphagvrd.com/products/canon-ef-85mm-f1-2l-ii-usm-lens-skin?_pos=1&_sid=716d316e9&_ss=r

Appreciate you!

Glad it was helpful and last hope there's better deals from retailers towards end of year lol!

That's accurate and I updated the description right after upload few months back that's it's not weather sealed, thanks for watching!

100%, she's one of Kind

I guess with cameras greeting lighter I don’t need to lift so heavy 😂

Nawl bro keep it up !! That’s impressive!! 💪🏾💪🏾

I have the Audio "2 stops" to the right from zero but you have to be careful as you better audio quality from Mic closer to zero but if you unplug mic or battery dies you scratch audio is more than likely unusable.

Yes you do, it’s worth it!

Thanks and you're going to have blast when you get yours

FACTS!!!!

Coming from you! that means everything! 😍

You already know bro

If you're aiming for speed, consistency, and simplicity, Rec. 709 is recommended and for 99% of the time what I recommend currently but for the BEST you have to look at Rec 2020 and beyond. In effort to answer what I think you're inquiring about, is you want to shoot LOG on you're camera i.e. R6II flattest picture profile is Clog3 and on Canon Cinema cameras most have C-log 2 and this will provide you most flexibility in post production to Grade footage and if you're not great a grading Canon Provides Conversion LUTs for free which are designed for Rec 709 color space and this pretty much applies to majority of other camera manufacturers.

@@KamalJones I see, I record clog off in my R6 mark2.

The you’re doing the right way

@@KamalJones Thank you

You’re welcome and continue being great!

Yep!

Appreciate brotha and yes you'll be more than pleased with image from this 85

😂

Thanks for the heads up as I just verified that it's not so I'll be sure to add note

Ofc, Manu was a beast!!

Yeah I think you're going to probably get 70% people that love the design and 30% that don't but keep in mind what's different than previous generation C70 is that there's a multi function hot shoe so you can attach something like the Tascam Recorder to now get access to 2 additional XLR's inputs and most users are going protect camera with a Cage from Tilta, Kondor Blue, Bright Tangerine or Etc. so I think it's an improvement on C70 handle while understanding most were accessorized with a different handle if they really value improved ergonomics in that category.

The image will be better than C500MKIII but where you will really notice is at higher ISO levels where the Back Illuminated Sensor shines over Front especially with the Triple Base ISO, so shooting low light Beach videos with a base of 3200 or 12,800 will be where the it significantly out performs c500

@@KamalJones Excellent thanks so much for the Quik reply and informative video. I'm deciding between the C400 or R1, thank you

@@revealhawaiimedia808 you’re content is amazing and I think the DPAF2 and Triple Base would be assets to your content so a Canon C80 might be smarter option as it’s splits the difference but if photos is somewhat a priority than R1 or R5ii is the winner.

Appreciate the luv, Much Respect!!!

C80 as Acam and C70 as Bcam that's such a beautiful combo and that Low Light Performance and DPAF2 got me excited for you!!! Tech is on new level two cinema camera power houses that can fit in 1 camera bag, Fun Times!!!

@@KamalJones 100%! U got my sub bro love seeing more of us popping out. Keep killin it 👊🏾

Any time!

I respect where you coming from but always point out that perspective is important. C100 definitely not on fx6 level but out perform the FS5 in every area outside of resolution which is a more fair comparison. Fx6 is great camera with Low Light Capabilities and Full Frame Sesnor but the Image Quality of C70 is definitely more pleasing in terms of texture Not "Sharpness" as fx6 has 6K sensor and when you factor in 4K 120fps, Professional Audio inputs without Top handle and $500 price difference being applied to a focal reducer for full frame look I thing c70 & Fx6 are draw with user making more of a difference ... Yeah if Canon had the C80 out the time of C70 they would have a hold on the game in a different way, plus I would probably have atleast $6K plus in my bang account as I would own two c80 instead my C500 MKII lol!

Thanks for watching bro and definitely appreciate all the informative content you've being dropping 🙏🏽

Thank you and totally support you're decision to stick with C400 as if I didn't already have the C500 MKII it would be as well! I'm still going to probably end up getting the C400 down but currently the Dollar$ saved on getting the C80 can go towards RF 24-105 f2.8 Lens and that will be more beneficial at the moment since I already have a camera with the FULL XLR's, SDI and others features I'll be missing from c400 ... And Yes Canon has made the wait well worth it and RED/NIKKON has already waved a white flag with them prices cuts LMAO!!!

@@KamalJones Ha. Love it. I have the 24-105 2.8. It kicks ass. That par focal (sorta) makes for some cool quick rack shots. Just really clean and covers a ton. Good luck.

That Par focal is huge reason why I’m purchasing so I’m glad to hear you’re enjoying lens and thanks for feedback

@@KamalJones No white flag kamal... serious, Nikon/red waiting and prepared the war with Sony on the 2025. Endgame years of camera for real... it's better waiting before buy C80 and C400, the next year have surprises in store for us...

​​⁠Sony Burano was Dud!!! I love red but it’s going be some time before they get back up to level pre acquisition. I’d anticipate Heat from Panasonic and DJI before others as they’ve been Active. Fun times for us all as it’s easier on the bank accounts 😂

Much Respect brotha

Thank you! Will do!

Thanks for watching

Absolutely! I'm glad you pointed that out

That's a great point and if they don't I might have to if someone else doesn't

You and me both

😂😂😂

For Shooters this is ridiculous but makes complete sense business wise as Canon try to sell off last of C500 mkii inventory which is a camera capable of those modes for anamorphic having an older, smaller and the slightly lower resolution than C400 6K when compared to C500 5.9k that some might laugh at but IMO 6K is perfect combination of resolution and file size. In short I’m confident these modes will be available in upcoming firmware update if not out box. I’ll also keep an eye for your disappointment when any cinema camera without built in ND’s, Triple Base ISO, Auto Focus and other features drop cuz clearly you’re going to let them know, fair game 😂

@@KamalJones canon & its business strategy are the best that’s why they survived, but there were no competition back then people had no choice but choose canon colours & interface or choose Nikon with its benefits, now there are options and that’s why we seeing canon falling down from being no.1 it’s sooo simple stop crippling cameras & make 1 perfect complete camera like z8 with mechanical shutter & lumix level video features that’s all it’ll need to be no.1 , all its camera 8bit video if not shooting log right ?? That’s nonsense if it’s true r6 ii too that’s shame

I hear you and agree with a lot of what you said but few things to address 1. Canon is still #1 and Similar to How U.S. Mens basketball team not having large margin of victory over international competition because everyone is evolving the same holds true hear. 2. You can shoot 10bit using HLG but Log is so user friendly even with beginners and in some NLE's like FCPX the Rec 709 is automatically added why not shoot Log and consumer products like Iphone & Action cams mostly have a 10bit log option so it's encourage for all levels of creators. 3. Trust me I hear you on let their be 1 camera but when looking at other brands like sony the have Burano, FX9, FX6, FX3, a7s3, ZV-E1 all in the same realm of the image you get out of camera so In full transparency my C500 MKII which is twice the price of c400, if it had an RF mount I'd probably wouldn't have the C400 on Pre-Order and would have more likely waited a month or so you pick up a used one. Yes, Sucks for me but I also understand it's the game and I'm happy that I'm not a RED Monstro owner for $50K that had to watch the release of Vraptor for Half Price $25K that's superior in every way!!! The game is the game we just got figure out the right play for us

@@KamalJones yeah I hear you too.. but then I am planning to jump system c500 no anamorphic 4:3, 6:5 c300 mk III no 12bit raw in high frame rates again they just keep Not adding these small things c500 with our dgo sensor c400 no dgo sensor, I am not awar that any of those do true 48p in 24 cinema frequency,. so clearly they want people to buy more of their stuff which is great marketing strategy leading but the market has changed income of professional in this field is not same CGI, AI imaging power, other camera like lumix giving almost everything in one body & people have many many options

@@dushyantbhatt9345 I know you’re not at war, we having Bar talk and I as well have Canon gripes. I just think strategy is making cameras specifically for different end users. C500 dropped prior to first RF cinema camera and currently there’s no Full frame cinema camera with DGO sensor as tech is NOT up to par yet to remedy the horrible Rolling shutter that would result from how sensor works. Finally every company has its strategy, when I think of Panasonic who probably have best bang for bucket in Lumix series providing internal Raw pro res, anamorphic modes, new phase detection that on flip side they using old sensors which is why when shooting high frame rates there’s a crop on sensor. The strategy is Canon wants to make better budget alternatives than Arri & RED, $85K Alexa LF >$50K Monstro > $16K C500mkii ….. Alexa Mini > Red Gemini or Komodo > C300mk3 or C70 …. In that viewport I’ll say Canon doing very well but Sony, Panasonic, Black Magic and Soon Nikon with Acquisition they are successfully pricing and Spec”ing” to out leverage Canon. Game is Game!!!

100% ... So much more to the C400

Thanks bro and you're not going to miss with this camera

Awesome! This C400 is exactly what we've been waiting for Jimmy

🤣🤣🤣

So Impressive!!! In person going to have you baffled.

Yes Sir

Appreciate it the recognition, Thank you!

@@Julianpgriggs You’re right, never such an amazing work

Thanks brotha and I 100% agree a variety of Focal Lengths is clutch especially when movement is limited

I appreciate the support bro 🙏🏽 ... I only shoot 4K because normally after I edit the footage I archive footage in 4K H.265 10bit file that's comparable to the native 1080p but with that said I think you can continue to shoot with FHD and perfect you work flow as some many editing softwares now have Resolution Upscalers where you can turn well shot 1080p into 4k or even 8K if needed. I'd advise sticking with Full Frame mode as it should introduce less noise and provide more shallow depth of field but if you're on vacation and shooting outdoors with alot of like and don't need shallow depth of field and extra reach in Crop mode helps I think that will be great choice.

@@KamalJones thanks for the reply! Can you explain me please what Exactly are you doing with the 4k footage to store it after editing and save space? Maybe it can help me for organising my work?

@@User04143No problem, I’ll drop a video this weekend to illustrate but whether you’re using Final Cut or Resolve saying footage in H.265 mp4 format should reduce file by 1/3

@@KamalJones so you export them all together in one sequence as a long video?

@@User04143no as individual clips 95% of time but on rare occasions if I have noisey footage and I’m using neat video I might combine all broll into 1 clip but Aroll always individual