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And he’s equally 6P’able

Intended, trust

if you block flick you can take your turn btw

​​@@drasticgrayMy intention is not to come across as rude here, but I do not see how I can take my turn back when a Potemkin user is flicking any gaps in my pressure/gatlings or even 2D. I play in Celestial, and you rarely see a Potemkin player use flick in neutral - unless they do not understand the Asuka match-up. When doing that, they are essentially asking to be countered with 5HS or Submicron - if the Asuka user has meter...

Lmao I think I was the last one you faced(if you use the same username as here) and fyi every special excepting change test case and recover mana are air ok, even chant without a spell in that slot(a not very useful air stall for baiting 6p ig)

@@brycebutler7855 lol yea if you faced a guy with my user it was probs me; I haven't encountered any doppelgangers. Thanks for the tips!

It’s one of the only reasons to keep the DP unfortunately, using it in the air is kind of the safest way to use it

I could’ve done that, but I don’t use full order to begin with. If I did use it I’d be fishing for a continuous mana and auto import and run offense in testcase 1. I was drawn to Gobou’s exodia playstyle when I started playing Asuka, but soon after that I didn’t really feel like it was the playstyle for me, I enjoy enforcing mix on people.

​@@zikradvd I feel you. I wish you well on your TC1-2 advancement, and I hope I'll get to see some more solid clips

3 major misinputs and a dream. But nah, I hadn’t played the game for 2 days and this was almost my first game on, it can’t be helped. On a sidenote, I’ve been playing against so many Dizzy’s, and she is surprisingly weak to superjump in the same way Asuka is. It’s quite winnable :D.

If you look up “XRD Slayer Announcer Gamebanana” on the net, it will be one of the first things you find. neat little Slayer announcer that changes every system voiceline

sounds like slayer... maybe ported over from Rev 2?

You’re invited, welcome to the party

nahh far from it. Comparing Asuka to Ino is an overstatement, Asuka has nowhere near mix as unreactable or viable. As for Tc2, it goes unchanged in terms of gameplan, it just got a lot easier to manage resources.

You talk about skill but 90% of Asuka's gameplan is just practice at avoiding resource management blunders. Besides that, Ino takes more finesse because Asuka can just throw spells in neutral as long as the opponent doesn't high jump over them.

⁠​⁠​⁠​⁠@@lucymaycry7218yesn’t. Neutral is far from free if the opponent knows where their 6P or 2P button is. The skill floor isn’t that low. A major part of Asuka is indeed resource management, though not at 90% I’d estimate it somewhere around 70%

We’re chillin’. It’s not too bad

Thank you!!

fr though

Asuka doesn’t look like the type of character you can just “autopilot” though…

@@NoolaGaming-noolrThat’s true, but it is quite doable

Asuka, as a character, can't auto pilot.He forces you to do multiple things in different matches.

A REAL WIZARD DUAL

WIZARD WAR

It’s so over, omw to dodge every pot I find in S4

depends a good lot on how good or bad the Asuka is at the game

I meannnn… I main Tc2😭

yes, real Asuka with the colors of fake Asuka vs fake Asuka with the colors of real Asuka

The Asuka mirror is such a beautiful amalgamation of knowledge checks

I was infact the Asuka

shii, I’m sorry for the I-NO community’s loss

yes it is quite awful

this is one good dub

@@zikradvd GARFIELD! ARE YOU /J OR /SRS???

@@MTS2279I fw it

@@zikradvd if ur going with derpy and stupid sounding then go off

One of the best colours ngl

shhh I’ve worked on it, now I can do it

truly the Axl matchup strategy

stop watching cool asuka vids and come back to bed pookie i miss you

@@clink7427 SHUT UP BOZO 𓂛 𓂲 𓂳 𓂴 𓂵 𓂶 𓂷 𓂸 𓂹 𓂺 𓂻 𓂼 𓃤 𓃥 𓃦 𓃧 𓃨 𓃩 𓃪 𓃫 𓃬 𓃭𓅆 𓅇 𓅈 𓅉 𓅊 𓅋𓈔 𓈕 𓈖 𓈗 𓈘 𓈙 𓈚 𓈛 𓈜 𓈝 𓌕 𓌖 𓌗 𓌘 𓌙 𓌚 𓌛 𓌜 𓌝 𓌞 𓂼 𓃤 𓃥 𓃦 𓃧 𓃨 𓃩 𓃪 𓃫 𓃬 𓃭𓅆 𓅇 𓅈 𓅉 𓅊 𓅋𓈔 𓈕 𓈖 𓈗 𓈘 𓈙 𓈚 𓈛 𓈜 𓈝 𓌕 𓌖𓏳 𓏴 𓏵 𓏶 𓏷 𓏸 𓏹 𓏺 𓏻 𓏼 𓏽 𓏾 𓎢 𓎣 𓎤 𓎥 𓎦 𓎧 𓎨 𓎩 𓎪 𓎫 𓎬 𓎭 𓎮 𓎯 𓉴 𓉵 𓉶 𓉷 𓉸 𓉹 𓉺 𓉻 𓉼 𓉽 𓈴 𓈵 𓈶 𓈷 𓈸 𓈹 𓈺 𓈻 𓈼 𓈽 𓈘 𓈙 𓈚 𓈛 𓈜 𓈝 𓌕 𓌖 𓌗 𓌘 𓌙 𓌚 𓌛 𓌜 𓌝 𓌞 𓂼 𓃤 𓃥 𓃦 𓃧 𓃨 𓃩 𓃪 𓃫 𓃬 𓃭𓅆 𓅇 𓅈 𓅉 𓅊 𓅋𓈔 𓈕 𓈖 𓈗 𓈘 𓈙 𓈚 𓈛 𓈜 𓈝 𓌕 𓌖𓏳 𓏴 𓏵 𓏶 𓏷 𓏸 𓏹 𓏺 𓏻 𓏼 CURSE OF RA