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Thanks so much! I’m not sure about cuisine but I almost always set my Pam’s flex parameter to 15% or 25% swing! I find 15% works with sequencer modules that usually freak out with heavy swing. Pam’s is the best 😎

Cuisine does not have a swing feature as swing can really easely be acheive using one track to internaly clock the other ones, offseting to taste one beat out of two. You could get a dynamic swing changing along you pattern or even have a "groove pool" and swap between those different grooves by just changing your clocking track pattern.

There are a few bits. The breaks chain that comes in at the end is Mum m8 into BX preamp. (ALM). I have sub mixes of stuff also going into Apollo View Rabbit Hole -> Cunsa as well. And then for the beat repeat the drums go through the verbos multi delay!

Thanks for the chops as always bud!

So cool to see you back. I use the Verbos sequencer, it's really immediate but flexible enough, and I personally only need 5, 7 or 8 steps anyway :=) For drums, it's either Pam's or Steppy.

@@vinylarchaeologist Voltage Multistage? I use that one for sequencing breaks - it's super fun. I still have my Steppy but just end up using one channel for kicks now 😅 When I first started - Pams Pro sequenced pretty much everything - such a great module.

Thank you 🙌🏽

Yooooo! I feel you - dr alimantado def wasn’t messing with eurorack ;) so in this session, I have a bunch of dry tracks - dry synth stabs, dry break beat, dry bass. I’m manually throwing them through separate delays and reverbs to basically perform the audio live. That’s my understanding of what made the legends of dub so special - they took dry stems and brought them to a new place in outer space! It’s a studio technique that blurs the line between production and performance. In terms of the eurorack gear to check - with the right filters the Make Noise Mimeophon and Erbverbe can be used to create some fairly stereotypical dub textures!

Thanks! Been pumping out stuff like this lately so there should be some more of it 😂

Thanks for the cuts my man!

The legend himself folks! 👏🏽

Delicious module! 🙌🏽

Oooo ok! Chroma Polaris and Prophet 6 time maybe?

Thanks so much! 🙇🏽‍♂️ I hope so 🤣

Hell yes! Glad this one inspired a bit. And yeah - 2 Octatracks is the move! I still miss mine 🥲

Ahhhh I definitely should have touched on that. I’ll do a video on that when I’m mixing down my next album for sure! So glad you’re enjoying it it was a learning experience 😂 I consider the atmos mix the definitive mix - the lack of a master bus went from a nightmare to a dream - escape from the loudness wars!

Thank you! 🙌🏽

Yooo thank you so much Sam! This RUclips 💩 is tough lol

Yeah I think of “don’t be lazy” more in the sense of “learn your craft” - that may have been a better title. But honestly if I’ve learned anything - it’s that you just have to get in there and put in the work. So often I’ve not been in the mood or thought what I was making was crap but then suddenly make a breakthrough and it’s a track I’ll release!

😅😅😅 the truth will set you free

Yeah things became so much clearer when I stopped worrying about using a modular case to fulfill other people’s expectations and figured out how to use one to serve my own goals! Thanks for the kind words - anything else live performance related you’d be interested in seeing? Considering a pt 2. 😅

@@BrailleSounds Yeah I can relate to that... It's not just that though, it's also figuring out what the right configuration for yourself is. That means exploring all the functions of the modules (and combinations of modules), figuring out which ones to use and use not. I get lost in the forrest sometimes... And in the end I want to use all those functions to do justice to al the expensive modules, which results in not committing to a specific workflow that will provide musical results. I think that's a challenge with synths and gear in general, but particularly true for modular. I don' t know if you can distill a subject for a vid about that, but these are me thoughts about the subject 😎

​@@LuctaeMusic I can seriously relate to this. Sometimes I feel guilty that I don't constantly redo my system but then I remember that it results in lots of music made, even if I'm not necessarily using each module to its fullest. I'll definitely try and incorporate some of your thoughts into an upcoming "how to get into modular" series I've been planning!

Yeah I find it hard not to add new chords or melody which really take a song in a new direction. Love that you also like pushing a remix pretty far from the original! Definitely don’t need modular to do a similar thing 🙌🏽

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thanks Noah!!! never say never 😅

😂😂😂 thanks for the support homie

Master at work!

Can we get a sound effect and maybe a graphic every time P says 'filtered chords and bass' pls

@@noahnumberone I think he's on to something @schnoodlevideo

You and me both! I’m actually trying to use this channel to force me to learn new things and use underused gear more often! 😅 Next week is a Moog Matriarch feature from a woefully underused corner of the studio 😂

Yeah it helps give you options to arrange later!

Yo! I'm so happy you found some bits of inspo in this one.

This video def needs more cowbell 😂🙌🏽

Awesome! Let me know how it goes. I’m going to have some follow up notes on how to do this with midi / vst instruments in Ableton soon.

Phew! 😅😅😅 I love this thing man - amazing work. Really feels like an instrument.

@@BrailleSounds too generous my dear... it's just a box coming from mine most cruel obscure imagination, nothing can go wrong, right?

That’s what I’m here for! 🙏🏽

I’ll take it! 😂

You’re moving!? 🥲 Safe travels and thanks so much for the kind words Frederick! 🙇🏽

Hmmmm the mono poly sounds better for bass sounds imo. Voyager > Mono Poly > Matriarch for bass. Matriarch > Voyager > Mono Poly for versatility imo! I’m actually working on a matriarch related video right now and will try and tie in the Mono Poly thanks for the great idea 🙌🏽

Thank you! 🙏

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