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Hey there, great video! Quick question, do you know which transformers has this 1608-II on the stereo master bus?? cheers

Hello. I have a question about the video system. How low is the latency? Is it low enough to have musicians communicate through cameras while performing? For example; isolating the drummer from another musician tracking near the API. Or would the audio hit their headphones first and the image be delayed?

🙂👍

THIS WAS GREAT!!! Very thorough! Thanks for making this available!

This is such a good breakdown of the signal flow. Does your school have other consoles?

A long time ago, I had the pleasure of working on the design of the original 1604. The signal flow is so easy to understand. Nice to see that the legacy continues.

Sometimes my solo button on my api doesn't always engage? Tips?

Hello, I loved the video. As someone else said, I was searching and searching for a video on the 1608 before purchasing it for my studio and yours is perfect. I learned the difference between the aux sends versus summing bus sends. Well done! Thank you! 🚀🔥

Have you done so much to record how the quartet is out of tune? 😂

S U P E R ..... Nice work

this is fantastic what a good way te learn every single thing in the studio

Cool thanks

Perfect!

College is good

33:19 solo in place correctly explained: it routes Solo signal not only into Control Room monitors, but also into PGM bus, indicated by all mute buttons being red

Its very peculiar to watch and listen to Jack Reacher reviewing an API device 🙃

Nice work. I bought a 1608 over the summer for a project i'm doing out of my house in Berkeley. I've worked on a lot of consoles, but each is unique and the 1608 def has some specific settings. I had just about given up finding a video of someone doing exactly what you did here. Thank you for the walk thru and I def learned a few new things about the 1608. Nice going and good luck!

“Dr?” 🤣🤣🤣😂ok (just teasing.)

Great Video 👍 very well explained

Good Job... 🙏🙏

You're a good teacher man. This makes me want to go to college.

👍i LoVe ! 💙⚪❤

Thank you Dr Roessner..

Great series! Please make more videos!

Great video Dr. Roessner! I wish we had this when we were in school.

Thanks. Appreciated 👍🏼. The music choice ost the point of feedback guitar made for challenging discernment. Something more like Steve Reich Clapping Music would be better suited for room noise ID.

Right around 40:00 minutes I started getting meta vibes with multitakes about recording 😂. God bless that I get the opportunity, the patient crew and artists, and exceptional budget to use this information. Thank you VERY much for taking the time you have to share this. I have stumbled over routing in different boards in the past. Fingers crossed 🤞🏽 I get more opportunities on this and different boards.

Just a small correction, at 1:03:10 when you introduce tube mics you say a u87 is a tube mic, which it is not. It looks like you have a u67, and that is probably what you meant. Cheers!

fantastic

lolol I’ve vacuumed up Channel 1 on my 1608 and dug into the vacuum bag to retrieve it more times than I’d like to admit publicly…

Great stuff to learn and very well explained.

Oh yeah, Normalizing a console. When I worked at NBC-TV in Washington DC. If you did not normalize your console. At the end of the production you were doing. There would be hell to pay. You would not hear the end of this. You would be on everybody's bad list. It was screw other engineers up. You would damage their reputation. They would not like you. And so Normalizing is something you do before you leave. You don't leave until you have, normalized, everything. And you double check. Of course if you don't get your patching right. You might be like this, Masters guy from Berkeley school of music. Personally had a Sony Baby Oxford at home and at work. And I had no experience on that digital audio console. When I was hired by him as a temp. When he went on vacation from the US Postal Service,, Recording Studio. So he's playing me some music tracks he had, produced and engineered. In the control room he designed and built. And it sounded nice. It was professionally recorded and mixed. That was obvious. Then he wanted to hear some of my stuff. Which I am always happy to play for people. I am proud of it. As he was, his. And as is playing. He thought it sounded really nice and impressive. I thought there was a problem. Yes there was a serious problem. He was playing my tracks back in Monaural in mono. Not stereo. We have, Meyer HD-1's in his control room. And it's definitely mono. And I tell him. My stuff is playing back in mono. He said no it's in stereo. I sit it is absolutely not in stereo. He thought I was nuts. I knew nothing about this Sony D-100 or whatever it was? So I look at the audio console carefully. Not knowing anything about this beast. He's owned one now for 2 years. I twist a selector and press a button. And suddenly. I am hearing my tracks played back in stereo.. Needless to say he was shocked. He hadn't heard stereo in this control room he put together 2 years earlier. And the one he had at home. That was identical. He has been listening to mono now for years. And he has a Masters in the Recording Arts & Sciences.. And he didn't know the difference. He was clueless.. He was shocked. His mind was blown. He was chagrined. He was dumbfounded. But that's why he hired me. To replace him for the next couple weeks. In the end. He had terribly over equipped this US postal facility recording studio. For doing high-end, high resolution, multitrack music productions. When all they had with some old ladies and old men. Doing some horrible narrative voiceover. How to put a letter into an envelope. Really great dynamic stuff. And so you don't also need, eight, API 550 A cover equalizers. You don't need additional, high-end, vacuum tube,, microphone preamps. You don't need a full roster of Manley vacuum tube, equipment. For recording voiceover narrative tracks of US postal service, instructional recordings. I don't know if I said something or did something? Those couple of weeks I was there. I heard he got fired shortly after his return. And he was a nice guy. And I feel bad. But he sure did spend a lot of our taxpayers money on something they certainly did not need. As a Mackie mixer and ALESIS 3630 limiter would have been fine. |They didn't need a $100,000 control room. A $1000 control room would have been more than adequate. But no. He had a Masters. I'll never forget how surprised he was. When I suddenly made that Sony digital audio console. Play my tracks back in stereo. And to think. He got a Masters a couple of years earlier. And had never figured this out. How is that possible? So let me know when you figure out the speakers you are listening to our in negative absolute polarity, also. Because there's a 90% chance they likely are. And you'll never realize it. Because you really don't know what you're listening to. Or how it should sound. How it's supposed to, sound. Because when everybody gets a simple thing wrong. And adopts that simple wrong thing. Virtually throughout the entire industry. It makes me realize. Homo sapiens are likely in the early throes of going, extinct. We are going, extinct. When you believe you are right about something. And everybody must adopt that. When somebody proves, it's wrong. We know what happens. It's Jesus Mania. But I proved that Jesus did not know, how to connect the speakers correctly. Because it's an easy mistake to make. And 90% of everybody has made it. Particularly those with college degrees. That's like a religious cult. And which religion? Yale religion? Harvard religion? University of Southern California religion? How about Ku Klux Klan University? Mein Kampf College. Third Reich school of Law. The Richard M Nixon justice committee. I just want a hamburger from McDonald's. Whenever they start making them again. RemyRAD

You're certainly not very consistent about your power. You leave the audio console, laptop and a few other items on. But you leave all of your, ancillary processing gear, off. Let me tell you why that's not good. Of course everything is transistorized. It requires no warm-up time. Right? Wrong. In fact. As a highly skilled, studio designer and technician. Having worked in some of the US's, finest recording studios. Not schools. I discovered a couple of things. I had over five, original, UREI, Rev D and H, 1176 limiters. And you've heard. That, no 2 work or sound the same. That is correct. From incompetent technicians. That don't know those units well. As those transistor, 1176 units. Take over 4 hours. Before they come to proper operating temperature. Before they should ever be, calibrated. And the secondary mistake people make. Before calibrating them. Even if they allow them to come up to temperature. Is to remove the lid. And not calibrating it, immediately. If you follow my recommendations. You should have no problems. Getting all of your 1176's in any revision variety. To virtually all work, function, respond and sound, the same. When you pay attention and follow my, recommended calibration procedures. Strangely enough. I discovered my pair of, $36,000 each, Ampex MM-1200-24 track analog recorders. Also took nearly 1/2 a day to come up to operating temperature. Before you should ever try to align or calibrate that machine. And this is true of many others. So when you're trying to save a buck. Leaving your equipment off. Until just before you are ready to use it. Oh dear…… Yeah it's not going to be calibrated right. It's not going to be working right. For at least the next 4 or so hours. Because it takes that cool running transistor stuff. Much longer for the chassis to come up to proper operating temperature and everything to stabilize. And everybody's in to, too big and important a rush. To do anything correctly anymore. To do anything, competently anymore. They think they are. They are missing knowledge and experience. But they have their college degree they can wave in your face. And tell you they are supposed to know something and this proves it! Yeah no. They are unfortunate rude idiots. There is an even more serious, Pro Audio, major blunder. And it is the Absolute Polarity of your, monitor speakers. You are convinced you have them wired correctly. Because you have followed your instruction manuals. More than one. That have showed you how to connect everything. And you have gotten your speakers connected one or percent correctly. And you can prove it.. Yeah no. You don't. They are in phase together yes.. They are also in phase together but both are in 180 degrees of negative absolute polarity. Though they could be considered in positive, religious extremist, correct, polarity. If you are convinced you have the right Jesus. And I have the wrong Jesus. Yeah no. I got it right. And they haven't figured out yet Jesus is actually dead. And he's not coming back anytime soon in anyone's lifetime on this planet. But they don't understand that. Like so many of those Karen's we see busted on RUclips. And they are a sorry excuse for Homo sapiens. Chimpanzees are better mannered. Even if they poop on your living room floor. They just haven't gotten that sphincter control down, yet. We might have to wait a few more thousand years. Maybe 50 or 100,000 years? Maybe more? Before they start talking like us. I meet we saw them in the movie. So we know it's going to happen. In the future. In our lifetimes. And won't we be surprised? I've talked of monkeys before. It did me no good. I still got a ticket.. RemyRAD

Student loans funded that.

Many of the concepts are surprisingly similar to my Audient 4816SE console, except that the Audient is an in-lne console

Fruity Loops ---- would that be a bit of reference to us Reaper users?

articulate and organized.

We call it "zeroing" a console as to not confuse with patchbay normalling...

Just a crazy thought. Zeroing out a console could also help folks dig in to spinning knobs and take note. Just the act of spinning knobs fast and moving around a console. They might start to notice that some of the knobs are pinned and take the time to look what was on the channel.

How do I use my ears to power on?

Wondering what you have there for ADDA conversion?

Hanging the tube mic upside down is a good idea so the heat from the tube doesn't damage the capsule.

Awesome video, this was the most in depth video i have seen about consoles and how to use them. I wonder what the API sound is, what makes API so different compared to SSL ? When i mix in the box I usually reach for Neve and SSL plugins, but I love API Eq's for their more gentle sound i seems, just like the 2500 compressor which has a more gentle knee and thrust setting. Is that what API has been from the beginning, to make solid state sound more ''like'' analoge desks?

Muy bueno!

🙌 Promo`SM

Fantastic video! I had trouble understanding the manual and how everything was connected, but this video is pretty detailed and easy to understand.