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The samples aren't elevating the track by a lot.

I'm so certain I've got this. I must find the record. 😢

Me encanta esta melodía 😔

Heeere’s Kirby!

Thank you so much!!!❤

Bro I never even knew this movie existed and I’ve never watched it, but for some reason every time I listened to this song it was bringing up a hallway picture. An old hallway inside a library in Greece which reminded gold ancient times and simultaneously I felt a feeling of nostalgia and euphoria that cannot be explained. It’s like some memories have a taste of their own and by taste I mean a completely different kind of happiness . Different places for some reason are connected to different kind of happiness even though you cannot remember them that well or didnt play a big role in your life. It’s like they are a feeling on their own at a point that you doubt its happiness or not but its definitely a positive feeling. I’m not sure how to explain it bur I’d love to know someday if other people can be related and if so, up to which point? I feel it’s a shame if they dont because I literally live a different life, maybe for the better and its bad knowing that some people may be living worse quality lives without those kinds of ecstatic little details, or should I say colors.

that place is just so lovely.

Go on Bradley James! Love it!

Still waiting...

❤

Been a fan for a while first time listen here on 10-11-2023. Wild to listen to

The a is clearly lambda

YES I ACCIDENTLY FORGOT TO SAVE THIS AND I FOUND IT AGAIN THANK YOUUUUUUUUUUUUUUUUUU

"You've always been the caretaker."

Where’s this from?

I love this! On another video of this song, I commented that this song reminds me of the final shot in this movie where the camera zoom in on the picture of Jack and all the guests in the ballroom and the caption read “Overlook Hotel July 4th Ball 1921”

Does the song's title refer to Ngai, the Kikuyu deity?

Took me forever to find this track again. I forgot which of his 25 aliases this song was under. Forgot about Good Old Bradley till I looked up his discography again.

hi lloyd

cool video!!

Primo Sleazy track! Graci

Also named “Bradley’s Robot A1”

Great Video with this track! Well done to you. Thank you for this.

Twinning is winning

Track ID 15:28 - vic reeves chatting over

what name is this song

Reminds me of my dead father and the good times we had together.

Cornwall great

two mono tracks on the left and right channel, genius

im 15 and this is deepppp😔

The fact he turned down Madonna but asked a boy in Ireland to make his video gets a thumbs up from me.

Pretty much the only artist who's music I keep coming back to, and I discover something new every time, even when it's tracks I've listened to countless times. As far as I'm concerned, no other artist compares. His music speaks to me in a way no other has and I just can't explain why. There's just something magical about it, like I feel homesick when I listen to his music, but not for a home I've ever actually had. Probably sounds pretentious as fuck but who cares

Hurrian hymn

oh my god the first scene of the video is fucking haunting dear god

the part of the kid talking at the end kinda choked me up. richard champions the right people. great overview.

I think it depends of what music your in to in order to like the genre he makes and it sounds like Richard is into everthing thats why it all so eclectic.

Not feeling this one, but it might grow on me in time. Love that awesome track art.

Not a Dj dude.

What is the audio from?

Happy New Year!

11:51 does anyone have the track id for the song playing in the background

What is this video from?

Ok, Obviously people were working on things before Richard. Morton Subotnik for instance. John Cage, isn't the whole record he made basically referencing that? Also the whole mystery behind the aphex twin logo is from an Armin Hofman graphic design manual. Look it up.

Drukqs was an amazing album, one of my favourites.

3:10 ID?

. Luke Vibert - Spiral Staircase (AFX Remix) 0:00 2. Aphex Twin - 4x Atlantis Take 1-3 5:05 3. Aphex Twin - Nightmail 8:55 4. Aphex Twin - Soundlab20 13:59

Cool to hear the dancer talking. I found myself at an Aphex gig back in the early to mid nineties. It was some old club in London.. I think I was there on my own. I'd taken a microdot not knowing how strong it was going to be. Also knew nothing of Aphex at the time, just vaguely remembered one ambient type track I liked. What transpired was one of the most memorable nights ever from my rave/ jungle days. I ended up tripping so hard I had to escape the crowd, go upstairs and found a lovely mostly empty upper level that looked down on the stage. I could sit in a comfy chair with my feet up on a small ledge and trip out in peace. The stage was basically a set of giant curtains. No DJ, no performer in sight. Somewhere there was a sound system. There was this crazy music, you know what I'm talking about, no need to describe. I was instantly being taken on a thrill ride and it was one of those situations where you had to just sit down and take it all in. Believe me I loved dancing, but this was not a dance moment. Then this guy appears on the stage. I can only describe him as a big viking punk type dude. shorts, spikey hair, big boots, angry looking. He was absolutely thrashing around on that stage like a lunatic but obviously loving every mad beat in that music. He was doing the dancing for us. He was translating the sound to physical movement. He owned that stage. I just could not tell if he was from the crowd below, a performer or what. He was mesmerising. I could not work out anything that was going on! Where was the sound coming from? Who was this dancer dude? Who the heck is Aphex Twin? Where's the music coming from? Has anyone else noticed?! That guy danced for us for the entire set. It wasn't till some years later that I found out this was normal for an Aphex gig. To me it was just a really special moment, lost in time, that I experienced totally alone, no other w itnesses to reminisce with. Just a bunch of anonymous RUclipsrs to share it with now in my 50's. Cheers to Richard, his dancer and all of you fans 🤙

This is a great audio doc, as is John Doran’s video lecture about his trip to Cornwall to visit the locations and delve into the lore Richard has referenced throughout his career. Tho, to this day, I still find it difficult to understand how people came to the assumed conclusion he’d retired to the country, decided releasing music had become a chore, and wasn’t sure the public cared about him anymore. I mean, he always considered releasing music as a chore. And we all wondered if and when he would come back with an official major label Warp release. However, Analord anyone? The Tuss? Not to mention he was touring far more frequently back then, and it’s those tours that started his professional relationship with weirdcore leading to him being solidified as Richard’s longest running collaborative artist and the weirdcore element of his shows becoming an essential part of the live afx experience. Doran is well versed enough with the afx story to understand this. I’m sure he’s well aware of his rather consistent output over this time, albeit without the corporate backing of Warp. His hiatus was merely a commercial one. And he’s made it clear enough that the discontent that led to his hiatus was more to do with his struggles regarding the cult of personality element of fame. The pedestal placing, the expectations of living up to the greatness he never believed he he was yet was thrust upon him. The growing elitist toxicity within the fan community that came about from the pedestal he’d been placed on that projected him as an almost Devine being, literally at times depicting his image with religious iconography. They literally put him above others. Almost more than human. A higher being better and more worthy than the majority. And that projection of him by parts of the community resulted in an element of superiority. That they were better and more worthy for understanding and appreciating his material. But he has never put himself above anybody. He found the high end adoration overwhelming. The couldn’t relate with being labeled a genius and it made him extremely uncomfortable. His hiatus was because he was no longer able to cope with what everyone else made him. He never even wanted to share his music with his friends initially. So he stopped it in its tracks. His own way. Took a while. Almost 13 years to be precise. But he never stopped being the artist he always was. He just did it on his own terms for a while. The Tuss was a direct message to the community about his feelings about it all. And it kinda worked a little too well. Literally divided the community. So much so that some hostility on the subject still remains to this day. And when the caustic window kickstarter happened, it moved him significantly. he also felt extremely guilty about how the Tuss thing all went down. So he decided to release Syro. Come clean on the Tuss. Learned how to deal with the elements that bothered him and embraced everything good about his community. And the good always outweighed the negative. The negative was just louder. His return to the mainstream was far more significant than him coming back after an extended hiatus. He never actually went away. He just took a long time learning how to properly accept how he’s perceived by embracing how he wants to be perceived, all the white maintaining his integrity as an artist on his own terms and for his own reasons in his own way. His return was a personal statement of acceptance and new found strength and confidence to be Aphex Twin how he dictates it. That’s why the blimp was so perfect. Grandiose. Bold. Yet absurd and satirical. An arrogant and egotistical statement from a man who possesses no arrogance and rejects ego I feel like John should have been all over that. He knows everything that lead up to it….

He reminds me a lot of Zappa. The seriousness of the music, tempered by the big lump of humour and sarcasm...a phenomenally talented musician.