- Видео 7
- Просмотров 46 212
Grayson Frazier
Добавлен 20 сен 2015
"Temporal Resonance" by Grayson Frazier
"Temporal Resonance" is an original composition by Grayson Frazier. It is a piece about how the passage of time cannot never take away the memories which resonate through our lives. Dedicated to Pat Frederick and those who have been part of my life.
(Song starts at 3:00ish)
Performed at the 2017 Geneva Jazz Dinner.
(Song starts at 3:00ish)
Performed at the 2017 Geneva Jazz Dinner.
Просмотров: 91
Видео
"Sweet Potatoes" by Grayson Frazier
Просмотров 1137 лет назад
"Sweet Potatoes" is an original composition by Grayson Frazier, dedicated to Domenique Frazier (his awesome mom). The piece was performed at the 2017 Geneva Jazz Dinner. Hope you enjoy! Saxophone- Grayson Frazier Piano- Carrie Ostergard Drums- Evan Fenne Bass- Lucas Lisznianski
Chris Potter- "All Blues"
Просмотров 1,5 тыс.8 лет назад
Chris Potter performs "All Blues" Jamey Aebersold Jazz Workshop 2016
"Afternoon in Paris" by No Strings Attached
Просмотров 1208 лет назад
"Afternoon in Paris" by John Lewis Performed by No Strings Attached Tenor Sax- Grayson Frazier Bass- Brad Geneser Drums- Evan Fenne Like Us on Facebook! NoStringsAttachedCombo/
"The Saga of Harrison Crabfeathers" by No Strings Attached
Просмотров 2168 лет назад
"The Saga of Harrison Crabfeathers" by Steven Kuhn Sax- Grayson F. Drums- Ryan H. Bass- Brad G. Piano- Adam N.
"Sing, Sing, Sing" performed by Geneva Jazz I
Просмотров 4168 лет назад
"Sing, Sing, Sing" by Louis Prima, Arranged by Mike Lewis Clarinet Solo by Grayson Frazier Drum Solo by Ryan Hicks 2016 Geneva Jazz Band I
Chris Potter: "It Could Happen to You"
Просмотров 44 тыс.8 лет назад
2016 New Trier Jazz Festival Chris Potter with the NIU Rhythm Section
1:18
1:57
2:35
lmao you know whats good
LOL I was transcribing this a year ago! @@saldanaagael
Yessir, I was there!
looks like a rather uncomfortable learning process for the rythm section. The lack of challenging response from the other three seems to leave chris poter a little uninspired, going through the motions. But hey, even when he is just going through the motions he is such an amazing voice.
he wasn't trying to be mean, but I see where you're coming from martin. chris potter is just THAT advanced, he makes everyone playing around him seem less superior
Inasmuch as it's a pickup rhythm section, they back Potter competently enough, while he shows off his rather frightening chops. If it was a whole set, one might have heard more musical back and forth. But your comment reminds me of a Lee Konitz date I heard years ago, with a young local backup trio that was more inspired by the modal stylings of McCoy and Trane. That was a very bad fit, and didn't gel at all.
That pianist is embarrassed I know how he feels this tune is steep (like many Van Heusen tunes)thats why he doesn't jump in and plays so short and scrambles through his solo and the bassist just plays the melody .
What do you mean by "steep"?
@@blueyedboymrdeath ah the chord changes makes alot of demands harmonically on the improvisor.
@@paxwallacejazz I don't think the pianist is "embarrassed." I can hear that he clearly knows his way around this standard, but considering that Potter is a featured guest soloist, the pianist doesn't feel it's necessary to take 8 or however many choruses himself, as did Potter. Granted, he may not have as much to say as Potter, who is a beast. As for the tune, it's not a particularly "steep" standard at all IMO, compared to something like George Shearing's "Conception" or Coltrane's "26-2". A nice contrafact on "It Could Happen to You" is Dexter Gordon's "Fried Bananas", by the way.
@@blueyedboymrdeath fried bananas tad dameron?
@@babinm Dexter Gordon
this was a sick concert
Is it Dave Frank at the πano?
Looks like it.
looks like it, doesn't sound like it though
Oh!! I wish "it could happen to me" :)
It could
Christ Potter!
i was there!!!!
SAME!