Видео

@@Dahkkloudmusic Thanks so much!

Specially the one next to the Peterson :) and the last one!

I didn’t use any of the pedals in this clip, but I think the lineup was a Swart treble booster, Fulltone ultimate octave, a phaser pedal called a Whetstone by a brand I can’t recall, and a Maxon AD999 delay.

@@darksparklermusic thank you man! love your channel by the way :)

Thanks so much! The second (faster) function generator is pulling notes from the same sequencer, but it's being addressed by a few different factors. A random voltage that is getting triggered on stage 1 by the first function generator on the MARF, and that is going into the external input of the second function generator. The first function generator is also sending it's all pulses output into the strobe input of the second function generator so it kind of acts like a reset trigger, but it resets to the stage that the current random voltage dictates. I then add the second function generator's internal clock to sequentially advance through the stages at a rate that is faster than the first function generator's clock. I also use another random voltage to vary the speed of the internal clock on the second function generator.

@@darksparklermusic Incredibly clever! Thanks for the explanation. I need to rewatch your MARF videos. I'm a MBV fan as well, excellent cover BTW!

I am using the MARF's 4 programmable pulse outputs to trigger 4 envelopes.

Thanks hiwattbob! I've been a fan of your channel for a long time.

@@darksparklermusic mutual-I just sub’d! But you’ve been in my algorithm stream for a while.

Thanks so much! There’s another 4 channel Buchla sequencer down below (out of the shot) that is feeding the MARF the 4 notes of the chord, and the MARF is arpeggiating through those notes and advancing the 4 channel sequencer through it’s chords.

Thanks for listening!

Haha. I'll take that as a complement😅

They are mostly Buchla 200 series clones.

Yes, it’s just the sound of the two oscillators from the 259 blended in the 296 filter. I demo this concept in an episode of the podcast we did on the 296. ruclips.net/video/QTQIBs059EA/видео.htmlsi=KBzfab5da4lNjrEu

Very impressive to learn how many sounds can be had from a single source. I guessing the combined sound of the both oscillators is complex waveform rich in harmonics??? Thanks for sharing 🎉🎉🎉

By the way, what is that module to the left of 292???

@@precarious333music Thanks so much, and it's a custom module that I will hopefully be able to share more about in the future.

@@darksparklermusic Cool! Fingers crossed it's an octa-function generator! 🤩

@@precarious333music😊

@@darksparklermusic

Thanks Kent!

Thanks Todd! And the MVP is always in play🤘

@@darksparklermusic 🤩💥♥️

Thanks so much!

Thanks Sean!

It’s the Programmable Pulse Matrix thehumancomparator.net/PPM%20Manual.pdf

Thanks!

Thank you!

Thanks so much!🙂

Thank you!

Thanks dude!

Hell yeah! It's all about the journey.

Thanks!😊

Thanks buddy. Good to hear from you!

@@darksparklermusic Likewise my friend! 🤗 Did I see that correctly on LinkedIn that you aren't in the Seattle area any more?

⁠@@JohnLRice No, I’m still around. The people at LinkedIn are high.

@@darksparklermusic 😆👍 Maybe it was me . . . I don't get high, but I compensate often by being stupid! 😊

@@JohnLRice Sheesh man! Go easy on yourself.

Thanks buddy!

Thanks so much! I usually lean towards more functions, so I would probably get the “modern” option because of the really useful CV processing it has on its power “module” and the extra module space to allow you to expand into things like more sequencing, filters, function generators, random, effects, or cv processors.

@@darksparklermusic thanks for the reply!! Really helpful especially from someone who is such an easel connoisseur! It’s hard because the retro sure looks nice with the zero type case. Beauty vs function I guess!