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Diminished Seventh Chord

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Diminished Seventh Chord

Half Diminished Seventh Chord

E half-diminished seventh. This chord is made up of a diminished triad and a minor seventh. It is the chord that happens when you build a seventh chord on the leading tone (7th scale degree) of a major key.

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Half-Diminished Seventh Chord

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B half-diminished seventh. This chord is made up of a diminished triad and a minor seventh. It is the chord that happens when you build a seventh chord on the leading tone (7th scale degree) of a major key.

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Diminished Seventh Chord

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G-sharp diminished seventh. This chord is a diminished triad with a diminished seventh. It can also be thought of as being made up entirely of minor thirds.

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Diminished Seventh Chord

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B diminished seventh chord. This chord is a diminished triad with a diminished seventh. It can also be thought of as being made up entirely of minor thirds.

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Major Seventh Chord

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G major seventh (GM7 or GMaj7). This chord is made up of a major triad and a major seventh. It is the natural seventh chord that is built on the tonic note of a key with scale degrees 1, 3, 5, and 7

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Major Seventh Chord

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C major seventh (CM7 or CMaj7). This chord is made up of a major triad and a major seventh. It is the natural seventh chord that is built on the tonic note of a key with scale degrees 1, 3, 5, and 7.

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Minor Seventh Chord

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E minor seventh (Em7). This is a minor triad with a minor seventh, or a minor triad with an additional minor third added to the top.

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Minor Seventh Chord

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C minor seventh. This is a minor triad with a minor seventh, or a minor triad with an additional minor third added to the top.

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Dominant Seventh Chord

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F dominant seventh. This is the V7 chord in the key of B-flat major. The dominant seventh is the same as the major minor seventh (Mm7).

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Dominant Seventh Chord

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A dominant seventh. This is the V7 chord in the key of D major. The dominant seventh is the same as the major minor seventh (Mm7).

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Dominant Seventh Chord

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G dominant seventh. This is the V7 chord in the key of C major. The dominant seventh is the same as the major minor seventh (Mm7).

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Half Cadence (HC)

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Listen to a half cadence in the key of C. This one requires that you already have a strong sense of the tonic to be able to hear it well.

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Imperfect Authentic Cadence

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Listen to the imperfect authentic cadence in the key of C major. This is imperfect because the scale degree in the soprano for the tonic chord is "mi" instead of "do."