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Absolutly fault,people without lung can play brass instrument and modulate ,never figure out about one people ,learn factecheck , cognitive bias and science

Nice to discover the name and face behind the app!

It also helps stretching the notes downwards without letting it to snap to the note below. Starting at the middle G in F horn, and then half step lower, using all keys. Then repeat, also in F and for all combinations, starting in E then C, then low G and low C. It forces you to relax the embouchure otherwise you snap to the next note.

Claude Gordon taught anchor tonguing, i.e. keeping the tip of the tongue anchored behind the bottom teeth. TCE describes anchoring the tongue permanently on the bottom lip to control the resistance of the embouchure directly at rhe aperture. If you make educational videos, please make sure you use correct terminology. Your demonstration at the end has very little to do with your "tongue level" explanation before. All it proves is that the vibration of the upper lip is the most crucial in brass playing and that the lower lip functions mainly as a control of the embouchure rather than as vibrating surface.

You are an amazing communicator. What you say is not rocket science but somehow you communicate it so well. I am currently doing a difficult opera role and this helped me a lot.

Great stuff thanks man

Air Attacks can be helpful in conjunction with use "tongue hiss"/TCE

It was Jerry Callet who coined the phrase TCE, not Gordon. Bahb Civiletti contributed. And the tongue goes through the teeth, touching the bottom lip at all times, always forward in the mouth. Before his passing, he changed his pedagogy, moving away from TCE.. Other than that, you have the basics. Jerry used to say, CG was as close to getting it right as anybody, but missed by a fraction of an inch.

what horn are you playing?

Call it what you will, the work must happen INSIDE the mouthpiece. All the rest is support for the middle muscles focus... it's really just that simple. Nice high squeeks, but I have never had to play higher than a Bb above high F in a 60 yr carrier. Nice if you can do it...I guess. Nice video...

I'm sorry but what you're describing is not TCE. Claude Gordon's approach was very different from TCE. I'm glad that tongue level is working for you but it's worth checking the terminology that you're using.

Vocal temperament. The new millennium band instrument!!😂😂😂

TCE - tongue-controlled embouchure I believe we intuitively learn how to use our tongue to shape our mouth cavity to achieve the cleanest sound at different dynamics and registers. We also use it to create different timbres like cuivre or a broad open sounding tone. I don't see how this is the embouchure though as that pertains to the facial and lip formation. I do wonder how it is we can roll the edges of our tongue without affecting the sound very much.

Mars do you think you get that compression at the front of the tongue nesr the mp or mote at the arch near the molars of all along. I find that i tend to get my compression more at the molars so what i do with the front of the tongue has very little impact, even on trumpet above above a high C, unless i force my tongue to sit in front of the lower teeth like super chops style. But when i do the latter my feeling is that it shuts down the lower lip which seems wrong 🤷

Increasing the velocity of the air

This is excellent.

How do you record your French horn without saturating the sound?

Back in the day i was an accomplished professional horn player until i took some lessons from a major symphony player. Was told i had a lazy embouchure. Ruined my playing and my future. Never could get my embouchure to function again. Oh well such is life.

Baborak lets his air do the work. Sometimes he lets his chin go up depending on what type of sound he wants to make.

Method embouchures are a leftover from the 19th century when guys were trying to keep students coming back so they could keep making money. When guys "show" you stuff on YooBoob, all they're doing is showing what works FOR THEM. I don't subscribe to any method.

Hey Mars, I’m really curious if you use a Laskey mouthpiece at all? And what model do you use instead? I play a laskey 725g both American and European shanks depending on what horn I play at the time. Great work! Love the video on circular breathing!

I believe vocal temperament will in the future become industry standard.😊

Dizzy would be proud.

OK but why's no-one talking about that double B flat!!!!!!

My lowest note before continuing to watch this video is a pedal F#. Right now my double horn is broken so I can't play the F below it but I will keep trying to reach that F.

Did you just play 0:15 - 0:26 in one breath? Wow!

31:49 time stamp for the start of the note accuracy talk

Damn, you're sexy!

This sounds so simple, but it's bloody brilliant Mars. This thought instantly helped me to an incredible extent. I'm not going to lie, I'm going to ignore you recommendations at the end re progression, I seem to be able to apply it instantly. Thanks so much for this!

On a double horn

I love this!!! As a horn player of just under a year, I find this so inspirational and my incentive to keep playing. My goal is to play at this level, and I think the motivation this fuels me with will help me achieve that. Thank you :)

Good Morning, Mars, and thank you for this approach. Having just played a concert that included Tchaik 6 (without an assistant), I used a combination of pooching out my lips and opening toy mouth wide (almost like a scream) to reinvigorate my embouchure. I will try your antidote and let you know how things go. ~Avrum

Thank you for pointing out that we're all different and differences in embouchure can be ok. It sounds so simple but I realized I was fighting my own body when you said that.

Incredibly high range but what is with that background

Thanks!

Tounge is "doing it's job" you say. What "job" is that ?

What does tce stand for?

As long as the air flows inro the cup on each pulse "direction" is irrelevant. Attempting to manipulate the "direction" changes the lip posture and therefore the frequency of pulsation.

Is that Messi ?

"I just need to know the piece, rhythms and tricky passages" I think this summarizes any complex piece😅 Good idea I'll trying singing through the horn whole practicing 👍

Interesting - have had the exact same coaching point made for singing!

Very cool - my friend and fellow alphorn player from Vacaville

forsen

some parts sound like that bit in variations on korean folk song

Balanced Embouchure by Jeff smiley

Looks like sorcery to me... I am a violinist)

What is that mouthpiece?? Looks somewhat familiar. Stork?