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Gary D Lloyd
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Добавлен 4 сен 2011
Teacher, arranger, composer and transcriber,
Theory: Hemiola, the "America" Trick
The word hemiola is used to describe a musical illusion. Something is written in 3/4 times or 2/4 time and it most commonly sounds like either two measures of 3/4 time or three measures of 2/4 time. But in actual music it can have any number of measures of either time.
It is a lot like the famous ballerina illusion where a lady can be seen rotating clockwise or counterclockwise. It is all in your head as to what you see. And a hemiola is all in your head about what you hear.
It is a lot like the famous ballerina illusion where a lady can be seen rotating clockwise or counterclockwise. It is all in your head as to what you see. And a hemiola is all in your head about what you hear.
Просмотров: 70
Видео
Five Different Ways to Play I, IV and V
Просмотров 1437 часов назад
I, IV, and V are everywhere you look. These three chords get used more than any other chords. In music theory add they are called primary chords. That should give you an indication of their importance. Hundreds of thousands of songs revolve around these three chords. Any one of these chords can be major or minor. None of them can be a diminished triad. There are eight different combinations of ...
Gary D Lloyd: Rescue Me Too!
Просмотров 5916 часов назад
Today I wrote the darkest, the most depressing, the most soul crushing music I could think of. I shaped it carefully to create a mood that is about no hope, about utter defeat, about death. Then I took the music for this mood and transformed it into something peaceful, optimistic, hopeful and hopefully life affirming. This is how I feel when I watch videos about people making a difference. Ther...
Gary D Lloyd: For Andrew
Просмотров 90День назад
I wrote this for my grandson, Andrew. My first theme in the minor section of this waltz is quite chromatic. And this is typical of anything written in minor that is not modal. This theme is very similar to one of Dvořák's Slavonic Dances. It is called "Starodávný", which means "From Long Ago" in the Czech language. ruclips.net/video/n-h8Ry-PVdw/видео.html
Gary D Lloyd: German 6th Waltz Adventure
Просмотров 52День назад
This started out as an exploration of German 6th chords. I started with three of them in a row, which is very chromatic. Then I settled into B flat major. I used three more German 6th chords, and this time I end up in G major. I stay in G major for a long section. This is almost diatonic, but not quite. Everything after that developed from that German 6th chord exploration.
Theory: Circle of 5ths
Просмотров 4914 дней назад
Where Angels Fear to Tread One of the first things I made when I started my RUclips channel was an instructional video about the circle of 5ths. But I was displeased with my attempt so I removed it. So I'm trying to fill this gap right now.
Mendelssohn Song without Words Op 30 No 03
Просмотров 5514 дней назад
Felix Mendelssohn wrote many "Songs without Words" during his lifetime. He wanted listeners to experience the music without some kind of expectation due to a title. While this may be a very good idea artistically, it makes it very difficult to describe the music because there is no handy label.
Song without Words Op 19 No 01
Просмотров 3614 дней назад
Felix Mendelssohn wrote many "Songs without Words" during his lifetime. He wanted listeners to experience the music without some kind of expectation due to a title. While this may be a very good idea artistically, it makes it very difficult to describe the music because there is no handy label.
Bach: Em Prelude BWV 941: 12 Little Preludes
Просмотров 3121 день назад
This little prelude is from a collection that someone put together from some of Bach's easier preludes. The idea was to group together easier music by Bach for students. However, although this little prelude is only 22 measures long., because there are not very many notes and nothing impressive is going on technically, it has taken me a lifetime to begin to understand what can be done with such...
Scarlatti : Sonata in E Major K531 L430
Просмотров 4821 день назад
The numbering system for Scarlatti Sonatas is quite confusing. There are K numbers and L numbers. These are two completely different attempts to catalog all of the music of Domenico Scarlatti. He wrote more than 500 of these sonatas, and this one is one of my favorites. Generally pianists play both the A section and the B section exactly the same way as they repeat them. I did not do that. My A...
Theory: Musical Homonyms
Просмотров 2621 день назад
English: Homonym Español: Homónimo François: Homonyme This video is about how language and music is very similar. When the same chord can be written several different ways, they are very much like words that are homonyms.
Theory: Jazz Theory vs Traditional Theory
Просмотров 4321 день назад
Theory: Jazz Theory vs Traditional Theory
Theory: 7ths - Why Students Get Confused
Просмотров 3321 день назад
7ths - Why Students Get Confused Let's cover the words major and minor and see why they are such confusing words. They are used for two completely different concepts. It turns out that the most frequent use of the words major and minor is about chords. All of my students understand major and minor chords. They recognize them when they play them and they can label them in their music. These same...
Gary D Lloyd: Dark Castle
Просмотров 6221 день назад
Dark castle is very Slavian in nature, and very traditional. It is in C minor with a contrasting section in the middle that is an E flat major. Then the end moves to C major.
Gary D Lloyd: Sensuous Tango
Просмотров 5628 дней назад
The tango evolved about 1880 in lower class dance halls in Argentina. It started out as a fast, sensual, naughty dance. In fact, George Harrison's naughty chords fit very well in a tango! The Spanish tango was a light-spirited variety of flamenco. But then it merged with the milonga. It may also be linked to the Cuban habanera. In the early 1900s the tango became socially acceptable and by 1915...
Theory: Mastering Major Scales Using the Rule of 7
Просмотров 78Месяц назад
Theory: Mastering Major Scales Using the Rule of 7
Theory: Do This to Master Inversions of Chords!
Просмотров 43Месяц назад
Theory: Do This to Master Inversions of Chords!
Theory: White Music and Why We All Love It!
Просмотров 331Месяц назад
Theory: White Music and Why We All Love It!
Theory: The Shapeshifter Diminished 7 Chord
Просмотров 1,9 тыс.Месяц назад
Theory: The Shapeshifter Diminished 7 Chord
Grieg: Homesickness (an exploration of Lydian mode)
Просмотров 25Месяц назад
Grieg: Homesickness (an exploration of Lydian mode)
The Captain Obvious G7 Chord Is Not Really Obvious!
Просмотров 224Месяц назад
The Captain Obvious G7 Chord Is Not Really Obvious!
Test Yourself: The Two 7 Chords Students Confuse the Most
Просмотров 165Месяц назад
Test Yourself: The Two 7 Chords Students Confuse the Most
Just to clarify Dorian has a major IV chord
And there it is IVm, add instead of IV. I can fix it in a couple minutes but I would have to re upload the video with that correction and then I would lose all the views. That's such a stupid mistake but I played it right:) Thanks for pointing that out!
Smoke and mirrors. Makes for a very engaging sound, one cannot resist trying to keep up (as a listener.)
Smoke and mirrors is a good description.
Gary D Lloyd, cool video I loved it
Thank you for the feedback. This kind of feedback is very helpful point :)
Dear Gary, you have spent a great deal of time on the different Chords and Chord Theory, of which I am grateful. My limited knowledge of Piano indicates a Contemporary and Classical path, disregarding Jazz. Just how critical and important are the Chords if endeavouring to follow a Classical styled pathway. Regards John
When you write "Classical" with a capital letter, it means around the time of Mozart. Not earlier and not later. I think you are talking about classical music. If I have not yet convinced you how important chords are for all kinds of music then I am frankly wasting my time.
@@garydlloyd7718 Dear Gary, you are certainly not wasting you time, I value your input. In regard to Classical, not just the Classical period but music from the Masters of years ago. In regard to the Chords, would it be unusual to see the Chords represented as block Chords, but rather as broken Chords. If the Chords are presented as broken, would not the score be played as Sight Read, similar to the rest piece with little attention paid to the three or four fingered Block Chord representation. Just curious.
This was by far one of your darkest. The gradual brightening as the story progresses works very well.
You can't overestimate how powerful major and minor chords are for establishing moods. Minor plus chromaticism usually equals dark.
The change in mood from despair to hopefulness in the music was very effective to go along with the story. I also love happy endings.
I think all of us can tolerate a lot of darkness when there is hope at the end.
Very thoughtful and expansively played, but avoiding becoming mannered. I very much like the balance you struck.
It never ceases to surprise me that Mendelssohn gets less attention today. I had initially planned to play a whole bunch of these Songs without Words but I gave up because I got almost no viewership.
Really pretty, with information of where you are going and from where you have been. I suppose there is a story behind the graphics, hmm.
ruclips.net/video/aOn7lkUr_eM/видео.html This is not exactly what I did but it is close. I originally thought about calling this tribute to Dvorak. It is also a waltz so that is why I picked pictures of people waltzing.
This is one of loveliest things I've heard in a while. Wonderful.
I'm glad you enjoyed it.
This is lovely, a joyful listening experience.
I had a lot of fun writing this.
A rose by any other name ....... That's oversimplifying, but I get it.
I have no idea what this is about.
A delightful little waltz. I like the "Ta Da" ending.
I think this works well for nailing down what a German 6th chord is.
As I understand, "morph" refers to semitone movement. A whole tone movement would not be called a "morph".
Did I say something wrong?
@@garydlloyd7718 I was checking for confirmation.
Only saw this today for some reason. Instant recognition visually - for D half dim vs. Dm7, I don't know if I would have recognized them individually, but for "which is which", the Dm7 "heard itself" in my ear as an F chord (major sound) with D underneath. Maybe a quirky ear. ;)
That's pretty quirky.
thank you grandfather I truly appreciate this
You are very welcome, Andrew. I thought Labor Day was a good time to do this!:)
I have a new understanding now. Thank you!
Great!
I might be bad at remembering stuff but you have a really good way of explaining music theory!
That's a really nice thing to say and thank you.
Jazz white?
I don't understand your question.
Really enjoyed this presentation. Always interesting to hear a different perspective, well done
I don't know why most explanations of the circle of fifths goes in the opposite direction to the way we usually hear it in music.
Beautifully played.
Many thanks!
Not to mention the French violin clef; Treble G on the 1st-line of the stave.
It blows my mind that these older composers confluently read all these different clefs,
A lifelong question has been answered.
:)
This was such a captivating piece!
I have always absolutely loved this sonata.
Can you make a video about his Rondo Capriccioso?
It's a virtuoso piece and so many top pianists play it so well that there would be no point.
Taking it very slowly, exercising those poor old fingers and painstaking sight reading.
Just keep going.
I enjoyed listening.
Good.
I too need to master intervals.
I am trying to master teaching them.
Very interesting. I firmly believe in the importance of context.
It is very important
Nice presentation.
I am going to build on this idea.
Just noting that my "like" is registering as a black thumb and 0 likes.
You can't trust anything on youtube.
An excellent analogy throughout. By pure coincident, we just had a conversation about pare, pair, and pear - right in sync with this video. I like how you also gave a use for both systems.
This is something I'm going to be able to use more and more in the future.
I see it
I don't know what you mean by that comment but I very much enjoyed visiting your channel and hearing your music.
When you explained this I was expecting the chords Queen used in this movie, but I'll take this too! The chords of which There Can Be Only One!
If only we could link each inversion of each chord to just one tune!
A nice change from the boring method books.
As you know the huge challenge is to write music that people can play that doesn't bore them while they are learning.
So this is where that tune comes from.
I guess so :)
Great presentation. I like playing the scales using octaves. As you said, no need to worry about fingering, just concentrate on the notes. I also find it very helpful to use the Rule of 7.
It is great to be able to visualize scales as a unit without worrying about the fingering.
At 0:37 , there is a mistake. A diminished triad always contains two MINOR thirds.
Thanks Gary. Important correction! The diminished seventh is a tower of minor thirds, of course, like an octave pie cut into 4 equal pieces then used to model a skyscraper
@garydlloyd7718 : " *A diminished triad always contains two MINOR thirds.* " This is absolutely correct, and an important clarification. It's how I keep things straight in my head when I start to get confused -- string two minor thirds together in sequence and voila! you have your diminished triad. Thanks Gary.
time 0:37 should be 2 minor 3rds? :-)
You are right and unfortunately after several hundred views no one pointed that out. A diminished triad always contains two minor thirds and a diminished 5th!
I thought music for violas was written using the alto clef. Or has that changed?
I'm not a viola player but as far as I know you are correct.
Viola is called “Alto” in French
When we were talking about these last lesson, I thought it was really funny and that made it a lot easier to remember!
That's a win win for me if something helps you remember it quicker and it also makes you smile!:)
Joseph Haydn, Beethoven, Michael Haydn----everybody used it back then.
My main concern at the time that I made this video was about when it was used for a keyboard music.
I like the analogy to "dictionary definition", and playing all inversions rather than getting stuck with only snowman. Highlander?
I am about to post a video about the idea of Highlander Chords.
I switched how I "knew" keys via key signatures the day I considered random scales on the piano and how nuts the order was. B major: F# C# G# D# A# .... but if I play the scale, the sharped piano keys are C# D# F# G# A# rather than bouncing up and down like a wacko ping pong ball. I like the octaves method because it solves several things and I love "double your money" (double results for your effort).
The idea of doubling your money is a good one.
Dear Gary, may take a little time to digest, but thank for this perspective.
It may change how your mind processes the concept of key signatures.
I have found it very helpful to use this way of learning inversions of 7 chords.
Excellent!
I have seen J. S. Bach's manuscripts online for some organ works where he used treble clef for the top staff instead of soprano clef.
Apparently he was so flexible that he could read just about any clef with no problem.
I listened. A little too fast for me.
I did not write this one for students, although I would be very pleased if a student can play it.
This one sounds intriguing.
I had to rewrite it to make it work for me.
I remember working on this (standard notation ofc). It is a pleasure to hear it played so musically.
I think it is an amazing romantic fugue.
Love it! The humour and the point.
I think in general humor is undervalued in teaching.