![Prince George Film Association](/img/default-banner.jpg)
- Видео 3
- Просмотров 79 839
Prince George Film Association
Добавлен 15 мар 2017
Criss Cross - Strangers On A Train (1951).
A great scene from Alfred Hitchcock's Strangers On A Train released in 1951.
Просмотров: 6 249
Видео
Une Femme Coquette - Jean Luc Godard (1955). W/Intro & English Subs
Просмотров 72 тыс.7 лет назад
Une Femme Coquette, the second short film directed by Jean-Luc Godard. It’s a nine-minute Guy De Maupassant adaptation he shot on 16 mm in Geneva in 1955, using money earned from the sale of Opération Béton, his first short film. Une Femme Coquette is the most elusive rarity of the French New Wave, and possibly the most difficult-to-see film by a name filmmaker that isn’t believed to be irretri...
Punch Drunk Love - Paul Thomas Anderson (2002). Barry Meets Lena In Hawaii.
Просмотров 1,4 тыс.7 лет назад
One of the best scenes from Paul Thomas Anderson's 2002 film Punch Drunk Love Starring Adam Sandler and Emily Watson.
crap
This actually works.
İt’s a old short movie but the scenario is like so fresh ,like coming from present . thats my first godard movie but i’ll keep watching because i like it .
rewatching this every day i feel like this woman
C'est vraiment dla merde le cinéma de Godard!
non ça va
@@bcxbonvivant bha moi j'y suis complètement hermétique en plus Godard était humainement une merde doublé d'un fou.
@@maximeHECTOR3 je suis pas d accord
@@bcxbonvivant ok
Owen eating popcorn while watching this scene.
Beautiful long remembering to Luc , daring and futuristic master of cinema, farewell to the stars
Throw momma from the train brought me here
Me too
Agnès, uma jovem burguesa de Genebra, escreve uma carta para uma amiga contando como acabara de trair o marido. Fascinada pelos gestos e atitudes adotados por uma prostituta para atrair seus clientes, Agnès decide imitá-la e seduz o primeiro homem que vê, em um banco de jardim. Segundo filme e primeira ficção de Godard, este curta-metragem é uma adaptação livre do conto O sinal, de Guy de Maupassant (1886) - relato que o cineasta retomou na década seguinte em Masculin féminin (1966). Jamais lançado comercialmente e dado como perdido durante anos, o filme é uma obra de formação que traz motivos e traços estilísticos que o cineasta desenvolveu posteriormente. Rodado em poucos dias com atores amadores, este curta de aprendizado já estabelece uma relação intertextual com a literatura, um dos motivos mais presentes na filmografia godardiana. Além do relato de Maupassant que serviu de base, a história é narrada pela voz off da jovem (que escreve e lê a carta), um procedimento literário encampado pelo cinema moderno. Outro motivo recorrente na obra do cineasta já presente aqui é a prostituição, trabalhada em filmes futuros como metáfora das relações sociais, metáfora da troca numa sociedade capitalista, relação comercial despida da impostura idealizada do discurso amoroso. Ao apresentar o desembaraço da prostituta e a admiração perturbadora que desperta em Agnès - que menciona na carta “a maneira graciosa como [a profissional] exercia esse ofício ignóbil” -, o cineasta designa as engrenagens da prostituição. A persona cinematográfica de Godard - presente em muitos de seus filmes, de A bout de souffle (1959) a JLG/JLG. Autoportrait de décembre (1994) - nasce neste curta, praticamente junto com o Godard diretor, que aparece na pele do cliente da prostituta que decide ir ao apartamento dela. Não sem humor, o personagem se certifica de que tem dinheiro na carteira antes de subir as escadas. A câmera na mão que segue Agnès pelas ruas - caminhando ora resoluta, ora hesitante, com uma gestualidade muito particular que indica a intenção de dar livre curso ao seu desejo -, a montagem desenvolta que dá agilidade à narrativa e a liberdade de tom com que conta a história são outras características de estilo que fazem parte da identidade cinematográfica do diretor, estabelecida ao longo de sua trajetória. Alexandre Agabiti Fernandez
Is this French new wave??
This movie, made after 1993: - You know what will trip you up? "DNA evidence"
Alphard Hickock was a brilliant writer !!!
This is the whole movie or just a part of it?
He’s so funny. That scene where starts choking the old lady. 😂
wow the Bach music for Brandenburg makes zero sense there
is there a YT channel for short films?
Thanks
Skip the video until it actually start and it is at 1:43
thanks so much for this. I dig the early Godard films. Contempt is one of my 12 favorite films.
That's cool. What are other 11?
@@nl3064 Murnau's Sunrise, Dr. Mabuse the Gambler, The Rules of the Game, The Flowers of St. Francis, I Walked with a Zombie, Kiss Me Deadly, Touch of Evil, Vertigo, Shoot the Piano Player, Demy's Lola, (Guess I've only got 11 as of now)
Thank you for sharing that.
I love it
curiosity caught u in fire
The dreadful music disturbs me.
I love the silhouette of them when they connect, and then all the other people walking by (maybe too many people were used?)
context? So to my perception, without knowing anything about this work, beyond my own biases, this seems to touch on the horrible treatment of women, and also on the idea of associating smiling at a man with sinful shame. It's 1955 in France...based on Maupassant's story from an even earlier time (1880s). So I am looking with a New Yorker's eyes in 2018. To me, a prostitute is nothing other than a human being in need of help and healing, but certainly not some object who, having sinned against some vaunted moral diety (I again show some personal bias) can expect nothing less than (deserve) mistreatment. And a woman, though not a prostitute, might expect such a violent response as well, should she borrow that smile...the more I write, the more interesting this little piece seems. In the description it said "hard-to-watch". I assume it meant it's hard to see the painful content, not that it is difficult to find the film. Thoughts anyone?
Orange Betsy My thoughts are exactly like your's, i think Godard wanted to show that human simpathy, independently of the person, human simpathy might be lost in society of this past ages because if the tittles we have given to women, tittles like "she can't smile to me because she IS nice or friendly, if she smiles to me she must be flirting with me and wants to have sex" Maybe she IS like the character writes, maybe she was curious about how that would work and if men really think with our instincts, but to rape a woman is the one of the most brutal ways to insult a person, to be in that person without the consentment of the person is not only an humilliation but an act of hate, maybe the woman wanted to fuck, but if she was just smiling to see what happens she got what she feared the most
That is art.. You dont know what he was thinking exactly, and you get different interpretations..
What do you need it's a good laid.!
The description doesn't say "hard-to-watch", it says "difficult-to-see", because of it's rarity. The film is not at all hard-to-watch, it's actually quite charming.
@@devindevon ah yes you're right!
Ahhhhh merda l'ho ritrovato io questo cortometraggio, vergognati!
Hi, I'm writing a thesis on Godard and was hoping to use this as a source. Is there any way you could let me know where you got this from? Thanks
I will be happy to read it. When it's done. Im interesting on Godard works
lol film school
if you have your thesis, I would be happy to read it
I'd also be happy to read your thesis.
Sane, I’d love to read your thesis
Can anyone tell me the name of the piece played in the background by Bach?
YES PLEASEE
Brandenburg Concerto No. 3 in G major, BWV 1048
@@adriaticoboy pretty badly played pitch-wise lol
second short film? i though it was the first one
Chuck Person His first short movie was called "Opération béton" (Operation concrete). After working on a Dam he decided to make a short documentary on it which they bought off him for advertising purposes.
sorry for the late reply. he made operation beton first but it didn't release until 4 years after it was made in those 4 years he made and released this. so this is his first released film but the second one he made