- Видео 28
- Просмотров 65 577
Sasha Beresovsky
Добавлен 14 окт 2011
George Gershwin - Rhapsody in Blue (solo piano)
Sasha Beresovsky, piano (live November 2024)
Просмотров: 454
Видео
Schumann's Davidsbündlertänze, op.6, I to VII
Просмотров 4065 лет назад
Sasha Beresovsky, piano Oxford, UK December, 2018
Schubert: Musical Moment No 6
Просмотров 1116 лет назад
from a recital in Alexandria, VA - summer 2015 Sasha Beresovsky, piano
Shostakovich - Prelude and Fugue in F# Minor
Просмотров 1366 лет назад
Sasha Beresovsky, piano Recorded: 2012
Beethoven - 6 Bagatelles, Op.126
Просмотров 1967 лет назад
Sasha Beresovsky, piano Recorded live at The Lyceum in Alexandria, VA June 25, 2017
Lev Naumov teaches Scriabin's Op.42 No 5 étude in C# Minor
Просмотров 54 тыс.7 лет назад
Lev Naumov (1925-2005) was a student of H. Neuhaus.
Scriabin's Etude Op.42 no 3
Просмотров 3528 лет назад
Sasha Beresovsky, piano 2016. Recorded live in Alexandria, VA.
Edmund Battersby plays Schumann's Waldszenen, Op.82
Просмотров 4158 лет назад
Edmund Battersby, piano Recorded live in Auer Hall, IU Jacobs School of Music, 2014.
Edmund Battersby plays Schubert's Musical Moment No. 2, D.780
Просмотров 2188 лет назад
Edmund Battersby, piano Recorded live in Auer Hall, IU Jacobs School of Music, 2004
Edmund Battersby plays Scriabin's Etudes Op.42: 5, 4
Просмотров 4748 лет назад
Edmund Battersby, piano Recorded live at Recital Hall, IU Jacobs School of Music, 2011.
Edmund Battersby plays Brahms' Variations on a Theme by Robert Schumann, Op.9
Просмотров 3358 лет назад
Edmund Battersby, piano Live in Auer Hall, IU Jacobs School of Music, 2006.
Edmund Battersby plays Andante con moto from Beethoven's Fourth Concerto, Op.58
Просмотров 2168 лет назад
Edmund Battersby, fortepiano Indiana University Classical Orchestra, conducted by Stanley Ritchie IU Jacobs School of Music, Auer Hall, 2013.
Edmund Battersby plays Chopin's 3rd Sonata, op.58
Просмотров 1 тыс.8 лет назад
Edmund Battersby, piano Recorded live at Auer Hall, IU Jacobs School of Music, 2006.
Edmund Battersby plays Schumann's Bunte Blätter Op.99
Просмотров 5418 лет назад
Edmund Battersby plays Schumann's Bunte Blätter Op.99
Beethoven - Piano Sonata Op. 110, Movements 3 and 4
Просмотров 17011 лет назад
Beethoven - Piano Sonata Op. 110, Movements 3 and 4
Alexander Scriabin - Sonata No. 9, Op. 68 "Black Mass"
Просмотров 56911 лет назад
Alexander Scriabin - Sonata No. 9, Op. 68 "Black Mass"
Beethoven - 15 Variations and Fugue, Op. 35
Просмотров 70512 лет назад
Beethoven - 15 Variations and Fugue, Op. 35
J.S. Bach: Chaconne from Violin Partita No. 2 in D Minor (Arranged for Piano Left Hand by J. Brahms)
Просмотров 2,2 тыс.12 лет назад
J.S. Bach: Chaconne from Violin Partita No. 2 in D Minor (Arranged for Piano Left Hand by J. Brahms)
Ludwig van Beethoven: 32 Variations in C Minor
Просмотров 33712 лет назад
Ludwig van Beethoven: 32 Variations in C Minor
Robert Schumann: Fantasy in C, Op. 17
Просмотров 47313 лет назад
Robert Schumann: Fantasy in C, Op. 17
J.S. Bach: Chromatic Fantasy and Fugue in D Minor (BWV 903)
Просмотров 32513 лет назад
J.S. Bach: Chromatic Fantasy and Fugue in D Minor (BWV 903)
Alexander Scriabin: Sonata No. 2 (Sonata-Fantasy) in G# Minor, Op. 19
Просмотров 69113 лет назад
Alexander Scriabin: Sonata No. 2 (Sonata-Fantasy) in G# Minor, Op. 19
Rachmaninov - Musical Moments Nos 3, 4
Просмотров 42313 лет назад
Rachmaninov - Musical Moments Nos 3, 4
That was in my home on my mother's piano ... It was one of the MOST extraordinary experiences of my life!! It was what she wanted from her dear instrument! - Thank you, Sasha!!
Bravo! Thank you very much for beautiful play!
It says "teaches" but you have to already know it before being instructed like this!! I don't know, maybe education or pedagogy people could find a better word, other than "teaches":
Terrific sound effects !! Change the microphones
For Scriabin interpretation, two words... Vladimir Sofronitsky.
Фантастика! Зачем вообще играть,если не ТАК!!!❤❤❤
love it
Julian BATTERSBY is a violent sexual predator who prays on nice women he uses abuses them and then trashes them and their name and reputation he will beat them unconscious he has harmed women permanent damage broken teeth on women broken jaws on women he is a bad man
Yeah keep protecting the violent sexual predator just keep doing it that’s he is a very enabled person that’s why he keeps getting away with it because of the enabler’s like you delete the comment
His son Julian beat a girl unconscious while she was giving him a ride in her car. She had to pull over because he was freaking out screaming because he was drunk. When she did he took the aluminum water canister and beat her across the face with it which broke her teeth and busted her jaw. She is permanently damaged. She sued him for $7000 because $4000 of it was because he refused to get his stuff out of her storage unit which she continue to pay for him $400 a month because he kept threatening her that if she didn’t he would say that She was trying to steal it. She did not want his stuff nor to pay for it she just wanted him to pay for her broken teeth and take ownership of his actions and then his mother stepped in and said sue her and make it look good so then you don’t have to pay the money back and so that’s what he did. He is a dangerous violent sexual predator he just hasn’t been caught yet. Because he is a brilliant liar. And that’s why the girl was so-called helping him anyway because he had lied about all the things that it happened to him and got her to feel sorry for him when it was all a lie. Basically all the things that he says are the things he did but he says that that happened to him but he is a narcissistic liar and so is his mother. He goes from woman to woman about 3 to 6 months at a time uses them and abuses them and then trashes them and their name to all their friends and the court system. He is a dangerous violent man so is his father actually he learned from him sorry to say that but it’s true
I'm studying now this piece and I think the main problem of this etude is quite clear: it's fucking hard to have a complete technical control of every note at that speed (it's should be faster than in the video as Scriabin wrote 84 = dotted crotchet which is crazy). If you still focused and worried to hit clearly every note you can't think about dynamics, rubato, strong bass and everything. And just when you think you really succeded in learning it...that's never enough!
IMO, Evgeny Kissin's interpretation of this etude is one of the best: ruclips.net/video/-RwqTKuRX8s/видео.html
Когда встречаются гениальный педагог и гениальный ученик, способный слышать и понимать мастера, то получается Султанов, но это происходит крайне редко, к сожалению
As many times I have listened to this magnificent piece, I have never heard it with as many melodies being dissected out of it as clearly as this. What a true master!
I’ve watched this video numerous times hoping to be able to play this piece soon. No better interpretation of this piece exists.
Sometimes he says something interesting, but most of the time he`s just disarraging the student`s interpretation (95% of the teachers do the same). I guess when we criticize other musician, we must pay attention to the great line, how one part interact with each other and see if this makes sense. if we cut the piece, it becomes a frankenstein.
Most students IMITATE famous pianists' interpretations thinking their teachers will be in awe...but they can't possibly hear or know what an experienced teacher can.Look for a professional teacher with no ego.
This teaching is really magnificent. He encapsulates, so simply and directly, what Scriabin was obviously striving for.
Thank you so much for sharing this video, and for the subtitles.
This piece unfailingly makes me tear up
G video
Космический комар
Do we know who the student is?
No
Thank you very very much.....
Словно вчера всё это было, и Лев Николаевич сидел у нас на экзаменах в консерватории...
Абсолютно гениально!!!
Очень интересно, спасибо ! Неужели такой высокий уровень профессионализма в прошлом ? Теперь Мацуев образцовый пианист?
Fascinating! Really makes me appreciate the Horowitz recording of this.
watched this several time in awe....
The pianos are very good. Very well maintained Hamburg’s
"Contrary motion like in Tchaikovsky" Love the Russian pride there😀 It's like a castle where Bach hasn't arrived yet.
I think only those who believe in resurrection can take pleasure in this music.
Scriabin was a loony bin
@@ciararespect4296 As are we who adore him.
@@zippymax1 haha agreed
Why ?
@@veganworldorder9394 Because of the undercurrent of anguish at the beginning, the passionate and glorious war against despair throughout, and the merciful death at the end. How can the war against despair and inevitable death be glorious if there is no resurrection and reward? I think Trifonov's version is what convinced me of this.
Ой как я Вас благодарю за это видео ! ❤️🙏🏻 Как же их не хватает сейчас этих великих учителей русской фортепианной школы. 😔
Thank you so much for posting this! It's a privilege to be able to listen to a professor from Russian conservatory. Needless to say, his remarks are profound and create a precious scenario for the students who are going to study the piece.
Да,Лев Николаевич гениальный педагог и чистейшей души человек,только по прошествии стольких лет понимаешь,с кем рядом судьба разрешила быть.
14:12 there's no "deathly", it's "confusion"
Что требует и просит душа Мастера, то неукоснительно выполняют его живые, чувственные пальцы! Это по - настоящему потрясающе!!! Спасибо за такую возможность почувствовать и насладиться настоящей МУЗЫКОЙ!!! НАСТОЯЩЕЙ ГЕНИАЛЬНОСТЬЮ КОМПОЗИТОРА И ПЕДАГОГА С БОЛЬШОЙ БУКВЫ!!! БРАВО... ДО СЛЕЗ....
О, господи, как благословенно! Какие чувства!!! Какое мастерство Льва Наумовича!!!
What a brilliant teacher and musician
Что за люди ставят дизлайки? 1)Либо сами двух нот сыграть не могут, просто из вредности, 2)либо могут преподавать значительно лучше. Скорее всего первое. На мой взгляд, очень вдохновенно, с большим душевным подъемом, профессионально в вопросах динамики, музыкальной формы и т.д. Незаметно время пролетело, и хотелось ещё)))
Совершенно верно. Мне тоже посчастливилось присутствовать на его уроках.
Beautiful, Sasha! 🧡 I look forward to hearing you play XVIII live someday - one of my favorite musical moments. 💎
Long time ago I had a masterclass with him in France. He was one of the last great Russian teachers. And really nice and human.
@Ragnvald David wow salty much
I taught him years ago
@@ciararespect4296 doubt.
😍😍😍😍😍😍😍😍😍😍
ruclips.net/video/RfJPNABU54Y/видео.html Andrei Gavrilov was one of his students: a genius!
Да, так нас и учили .... I was so lucky
Здорово
Потрясающе!!!🎹🎵🎶🤓😍
А я в нём чувствую сверх-вдохновенный порыв сумасшедшего.))Но никак не не боль... Удивительно, что у каждого могут быть настолько полностью противоположные образы.
It's so interesting that I find all his technical insights make perfect sense and are inspiring even though his interpretation on an emotional level is the complete opposite of the way I relate to the piece. This has always been a deeply romantic piece to me.
Agree. It's like a build up to calling for someone, and a passionate yearning to be together. It would be interesting to discover what was in Scriabin's mind when he composed it.
I think his interpretation fits the affannato marking better
Yeah, I've heard of so many ways to interpret and feel this etude. Mine is actually more on the mystical, waves of the unknown. A bit in the line of his belate works
7:48 C natural,not C#)
Yes, thats what the professor said. The English subs were wrong
9:42 “It takes colossal mastery. Really, it does.” 😂😂😭
i never figured out how to play this section :D. Its one of the most difficult passages ever. I'll stick to playing la campanella. Much easier
Ale xander No need to flex on us 😭
@@AnoNym-fz9me nah easy when you know
@@AnoNym-fz9me For me, one possible solution or an expediency for me would be to play the top note very heavy and loud, while keeping pedal down as long as possible so that the sound effect are not too messed-up. In some sections, I think it's just impossible to do the finger holdings exactly as the original score writes.
The inner tenor pedal tones are offbeat and irregular. Takes some crazy hand-foot coordination. Same thing happens in Chopin Op 10 no 6 but it's much slower. It's like my tap dancing skills are inadequate.