Видео

*In the case of the complete BWV614 Suite (three reverbs) go directly from the minute 12:56 to 32:55. You see, maybe tomorrow of the CP80 or Piano version only, maybe I'll insert a slightly slower version, and as for the images, also some with Edward Artemiev, the arranger of Bach's pieces in Tarkovsky's films and who died a few years ago, precisely on December 29th, 2022 (among other things the same day of Tarkovskij's death, even if him on 1986: would say a day that marked the fate of their collaboration even more). It's not certain that I'll do it but I think that in this case the operation is simple. The videos are already ready, so I should upload it tomorrow. It would just be a matter of slowing down the speed and inserting these other images. Slow down the speed because I like Bach even much slower than perhaps the original tempo of that given composition. But in general I always like to experiment with this and other things even with other pieces, not necessarily by Bach, or rather "the supreme" as I've been calling him for some time. Anyway, the important thing is this main Video. The speed here is in Artemiev style as in the film or as other musicians or performers perform it. About Batman: yes, let's say it's a first of some very backward interpretations that, having given precedence to many other videos uploaded so far, I have never managed to edit again /this interpretation, track Molossus, specifically dates back to the end of December 2023). In this case in honor of the 20 years (and 15 years for The Dark Kinght, 2008) of the film. So only now am I getting to work on it. In any case I don't know if anyone remembers but last June 17th on the occasion of my reaching the same number of consecutive Weather Reports (850) as Mr. Lynch I uploaded or to celebrate that day (which by the way is also the same day I created the Weather Report for David Lynch, precisely June 17, 2021) I inserted a complete version, albeit prepared or edited very quickly, of "Why Do We Fall?", a track from the last chapter of the Trilogy, that is The Dark Kinght: Rises (2012). I wanted to insert the Preview here too but then even more time accumulated in the video to reach BWV 614 in CP80 and Piano more quickly (consider the Warm Pad Solo as an extra, it doesn't really count), which is actually what we're interested in here. So if you're interested, this is that interpretation of Why Do We Fall? (ruclips.net/video/I3sU_91cvVk/видео.html ) on which I will also build a Suite in the future. In fact, even in that case when I filmed the interpretation I always filmed it playing it with different sounds etc... as I've been used to for some time now and as you've learned by now. In the sense that this is now my way of building videos, together with reverbs and other things. Unfortunately or fortunately, I don't like short things, I mean yes, but it seems like I was born to do "complex" or longer things. At the beginning (2020-2021) I inserted let's say short videos (but for me still long haha). Then over time I developed this tendency. But in general I'm really a person made for long things. As you can see, even when I write I never write things in just one sentence. I am made that way. I know that it can bother some people or maybe they are too patient to read everything but that's how it is. My Weather Reports are like that too. Anyway, later maybe I will add more information about other things (in that case, however, also refer to the video duration, there is always the essential information on the various clips of the video or my videos in general). So in the utopian and extremely remote case you were ever interested, come back later for this additional information.

Bravo ❤❤❤Maestro🎉🎉🎉

Bravo ,Marstro❤❤❤

insane

1) 1) Given that it is now New Year's Eve, I recommend this video of mine from December 31, 2020 (it has nothing to do with Scarface, but you could certainly have a laugh (we are talking about the New Year's Eve medley taken from the first Fantozzi film from 1975, a very well-known comic saga here in Italy): ruclips.net/video/zE-ItJ_9VBM/видео.html, I suppose that for me this is the last video of 2024. So in case happy 2025 to everyone. This was a tentative, in fact something not really planned, of new versions (even if I mean more the Suite or Video 1 because this Video 2 it's additional) of this masterpiece for the anniversary of Scarface's release in the States on December 9th, 1983. In the utopian so as extremely remote case someone might be interested in the isolated full Tick Sawtooth Versions (that is the really important for me because it's the real new thing in this video) go directly from minute 10:22 to 29:44. About the explanation of the asterisk near not really planed I refer you to the the Point 2 of this comment. See that in the Suite 1 (ruclips.net/video/PvxuAnKfdyQ/видео.html ) I inserted also the Preview of Gina and Elvira's Theme. Among my three past interpretations from the movie (in addition to it there were Tony's Theme and End Credits, all dated December 2020 for that anniversary of the film's release) it is / was the one with the most "views". I say it in quotes because we are not talking about millions of views haha ​​but it is still the most viewed of the three as well as being in the top 50 of my most viewed videos (to be precise it is currently at 39th). For me the numbers are not everything, especially in music, but if we have to talk from a general point of view regarding this interpretation they say this. In any case, in addition to having already inserted it in the cards within the video in case I will also insert the link here: ruclips.net/video/KqDf8faCt2Q/видео.html. 2) Important, yes this is the explanation of this "not really planned" for this so as in many other past videos: For various reasons, mostly for all the commitment related to the videos, for having given precedence to many other videos and obviously always thinking about the commitment of the Weather Report for David Lynch, I still have to upload some interpretations dated almost a year ago, one (which are actually two), even beyond, that is September 2023. Sooner or later I will surely have to try to edit these videos and then upload them. But even Tony's Theme is precisely unscheduled for this reason just explained. I have lost count of how many unscheduled interpretations I have interpreted so far. Maybe since the time of Mount Doom last March, maybe even before. In any case it is important for me to know this, that there are these interpretations (taken from two-three different works) back that I have not yet uploaded and sooner or later I will have to do it, also because I wasted time filming those videos anyway.

*Qualche aggiunta per il pubblico napoletano ed in generale italiano: non so a voi ma a me questo coro ed in generale questa canzone fa venire dei brividi incredibili, non penso di poter descrivere precisamente le emozioni che mi provoca. Poi, nel caso qualcuno fosse interessato a mie altre interpretazioni (sono un interprete un po' particolare) invito a farsi un po' un giro tra le mie playlist. Lì ci sono un po' tutti i pezzi che ho interpretato finora, principalmente da film d'autore, in particolare le musiche dai film di un regista, uno dei miei preferiti che è David Lynch. Riguardo questo video di ogni versione potete considerarla finita a 2 minuti e 30, visto che tanta è la durata del pezzo originale. Il resto sono aggiunte perché volevo creare una versione un po' più estesa, anche se c'è comunque da dire che in queste parti estese eseguo diversamente l'accompagnamento alla mano sinistra o per esempio nella versione per Chitarra non ci sono anche i violini in sottofondo. Diciamo che queste differenze si possono cogliere ancora meglio nella sola parte strumentale di questa Suite, cioè dal minuto 27:38 a 53:45). Inoltre verso la fine del video (precisamente dal minuto 53:45 alla fine) c'è anche una versione, seppur un po' arronzata perché fondamentalmente improvvisata (l'ho inserita così, nel senso non era veramente prevista all'interno del video ma poi ho deciso di inserirla lo stesso) della nuova sigla finale di Tifosi Napoletani di Gennaro Montuori. Il suono è il CP80 ed è uno dei miei preferiti presenti su questa mia mitica tastiera.

*Simple Version from four days ago, Only Instrumental in CP80: ruclips.net/video/enaPnBKaLas/видео.html. December 21: birthday of Naples, my city, born on that day in 475 b. C. Let's say that this song (composed and sunged by Christian Vollaro, an ultra fans of Napoli Football Team and dead on last March) it's mainly related to the Napoli Football Team (obviously I'm a fan of it) but for me it's valid also in general for the City. August 1st in the song it's the date of the foundation of the team, in fact on August 1st, 1926. However here are the lyrics: "1st of August it rained... On Sunday it was… A wool sweater and a balloon and love was born. From the blue of the sky, Vesuvius as a backdrop And the white is known, and its integrity... And of mud and sweat, sacrifice and passion And the history is known of our city… Naples belongs to the people, the past and the present And in the future it is known it will find us here. Because we adore you Without you we don't live GO PARTHENOPE MY HEART IS WITH YOU. (3 times) LALALA... GO PARTHENOPE MY HEART IS WITH YOU".

*December 21: birthday of Naples, my city, born on this day in 475 b. C. See or read the very important comment or description in ENG under the Italian comment. Molto importante: Vedete che per il momento questo video lo mantengo, ma più tardi o meglio diciamo massimo tra due-tre giorni potrei eliminarlo. Nel senso innanzitutto se l'ho caricato è perché sono riuscito a caricarlo quanto è più possibile vicino alla giorno della fondazione di Napoli, il 21 Dicembre e 475 avanti Cristo come saprete. E poi perché era quello che appunto potevo caricare più velocemente per una questione di dimensioni del video e non troppe pause effetuate durante le riprese. Considerato ciò allora ho filmato anche altre interpretazioni con il Tablet (il mio nuovo Tablet dopo il precedente che ho utilizzato per oltre tre anni) che certamente per quanto riguarda la qualità del video sono migliori (per capire la differenza rispetto al cellulare, che sicuramente si sarà un po' consumato nel corso del tempo, fino a qualche mese fa i video che ho filmato dal cellulare si vedevano ancora bene; vedasi ad ogni modo l'ultimo video che ho caricato per capire la qualità del video del Tablet rispetto al cellulare negli ultimi tempi; Suite 1, non veramente programmata, su Tony's Theme di Giorgio Moroder da Scarface ruclips.net/video/PvxuAnKfdyQ/видео.html&t ). Ma più che questo, perché comunque la qualità delle riprese conta fino ad un certo punto (per come la vedo io) e che solo con il Tablet ho filmato altre due versioni con altri due suoni, una con la Chitarra Classica e l'altro Warm Pad + Strings: quest ultimo è, insieme al suono con cui interpreto il pezzo qui, cioè il CP80, uno dei miei suoni preferiti da questa mia mitica tastiera. In più vedo anche se riesco ad aggiungere la mia voce e cantare così il coro. Anche per quanto riguarda il riverbero in queste altre versioni inserirò anche un riverbero più ampio, direi da stadio considerando il contesto ma più in generale da sala cinematografica diciamo. Operazione che comunque ormai eseguo già da molto tempo. Quindi ripeto nel caso in cui qualcuno s'imbatta nel video facciamo che al momento questa è una versione provvisoria. Se comunque mi accorgo che va bene la mantengo lo stesso, mentre appunto per i motivi appena citati la potrei anche eliminare quando poi caricherò queste altre tre versioni, credo ce la dovrei fare massimo nel giro di tre giorni. Per cui magari se siete interessati a queste altre versioni (comunque con questo suono, il CP80, ne ho filmata una anche col Tabet) iscrivetevi al canale per restare aggiornati o comunque segnatevelo. Anche se non è detto dobbiate farlo per forza perché credo comunque che sono l'unico interpete del pezzo, visto che non mi pare di notare altri musicisti che l'hanno interpretato, e che quindi in tal senso dovrebbe essere facile che il mio video compaia sotto i video del coro cantato allo stadio o quello originale (intendo quello con le varie immagini del Napoli, dello stadio e di Napoli). Poi per il resto nel caso qualcuno fosse interessato a mie altre interpretazioni (sono un interpete un po' particolare) invito a vedere un po' le mie playlist. Lì ci sono un po tutti i pezzi che ho interpetato finora, principalmente da film d'autore, in particolare le musiche dai film di un regista, uno dei miei preferiti che è David Lynch. Sempre Forza Napoli e ripeto nel caso dovrei caricare queste altre versioni tra qualche giorno. Very important: You see that for the moment I am keeping this video, but later or let's say in two days at the latest I could delete it. In the sense that first of all if I uploaded it it is because I managed to upload it as close as possible to the day of the foundation of Naples, December 21 and 475 BC as you know. And then because it was the one that I could upload most quickly due to the size of the video and not too many pauses made during the shooting. Considering this then I also filmed other interpretations with the Tablet (my new Tablet after the previous one that I used for over three years) which certainly as regards the quality of the video are better (to understand the difference compared to the cell phone, which will surely have worn out a bit over time, until a few months ago the videos that I filmed from the cell phone were still visible; in any case see the last video that I uploaded to understand the quality of the video of the Tablet compared to the cell phone in recent times). But more than that, because the quality of the shots counts up to a certain point (as I see it) and that only with the Tablet I filmed two other versions with two other sounds, one with the Classical Guitar and the other Warm Pad + Strings: the latter is, together with the sound with which I interpret the piece here, that is the CP80, one of my favorite sounds from this legendary keyboard of mine. In addition I also see if I can add my voice and sing the chorus. Also regarding the reverb in these other versions I will also insert a wider reverb, I would say stadium-like considering the context but more generally cinema-like let's say. An operation that I have been doing for a long time now. So I repeat in case someone comes across the video, let's say that at the moment this is a provisional version. If I realize that it's good I'll keep it anyway, while for the reasons just mentioned I could also delete it when I upload these other three versions, I think I should be able to do it in three days at the most. So maybe if you are interested in these other versions (in any case with this sound, the CP80, I also filmed one with the Tablet) subscribe to the channel to stay updated or at least mark it. Even if you don't necessarily have to do it because I still believe that I am the only interpreter of the piece, since I don't seem to notice other musicians who have interpreted it, and therefore in this sense it should be easy for my video to appear under the videos of the chorus sung at the stadium or the original one (I mean the one with the various images of Naples, the stadium and Naples). Then for the rest in case someone is interested in my other interpretations (I'm a bit of a particular interpreter) I invite you to look at my playlists. There are a bit of all the pieces that I have interpreted so far, mainly from art films, in particular the music from the films of a director, one of my favorites who is David Lynch. Always Forza Napoli and I repeat in case I should upload these other versions in a few days. Here are the lyrics: "1st of August it rained... On Sunday it was… A wool sweater and a balloon and love was born. From the blue of the sky, Vesuvius as a backdrop And the white is known, and its integrity... And of mud and sweat, sacrifice and passion And the history is known of our city… Naples belongs to the people, the past and the present And in the future it is known it will find us here. Because we adore you Without you we don't live GO PARTHENOPE MY HEART IS WITH YOU. (3 times) LALALA... GO PARTHENOPE MY HEART IS WITH YOU".

*A tentative, in fact something not really planned, of new versions of this masterpiece for the anniversary of Scarface's release in the States, on December 9th, 1983. In the utopian so as extremely remote case someone might be interested in the full Suite, go directly from 14:47 to 01:02:51. About the explanation of the asterisk near Suite 1 in the title in case you read the Point 2. 1) Important: this is the explanation of this "not really planned" for this so as in many other past videos: For various reasons, mostly for all the commitment related to the videos, for having given precedence to many other videos and obviously always thinking about the commitment of the Weather Report for David Lynch, I still have to upload some interpretations dated almost a year ago, one (which are actually two), even beyond, that is September 2023. Sooner or later I will surely have to try to edit these videos and then upload them. But even Tony's Theme is precisely unscheduled for this reason just explained. I have lost count of how many unscheduled interpretations I have interpreted so far. Maybe since the time of Mount Doom last March, maybe even before. In any case it is important for me to know this, that there are these interpretations (taken from two-three different works) back that I have not yet uploaded and sooner or later I will have to do it, also because I wasted time filming those videos anyway. About the increase version of the piece from the End Credits there's a connection with the end of the video in the last 12/13/24 Weather Report for David Lynch, exactly from 01:10:33 to the end. 2) Gina and Elvira's Theme as the first preview because among my three past interpretations (in addition to it Tony's Theme and End Credits, all dated December 2020 for that anniversary of the film's release) it is the one with the most "views". I say it in quotes because we are not talking about millions of views haha ​​but it is still the most viewed of the three as well as being in the top 50 of my most viewed videos (to be precise it is currently at 39th). For me the numbers are not everything, especially in music, but if we have to talk from a general point of view regarding this interpretation they say this. In any case, in addition to having already inserted it in the cards within the video in case I will also insert the link here (video present only on the main keyboard channel): ruclips.net/video/KqDf8faCt2Q/видео.html. Also regarding End Credits I am thinking of reloading it with the volume increased (as I decided to do here in this video at least only for the Tony's Theme part; let's say that the BIS is an introduction to the Suite, I really like that version of the masterpiece in the End Credits, I don't know about you, I really think so). I'm not sure but I'm thinking about it. Then regarding the new interpretation, or at least the attempt I managed to make, I filmed another video in which I play the masterpiece with another sound which is the Tick Sawtooth (basically the one you hear in the first round of the End Credits, obviously I mean my version). In fact it's a sound that I like and that in the past I also used for interpretations of some other pieces and let's say that inside me I felt like trying to do this further version too. So I would like to try to upload this one too but at the moment I don't know. In the sense that it already took me about ten days to build this whole video, so the operation was demanding (as for most of my videos), but let's see. Maybe it will be easier because we are only talking about one sound (but the versions could be 2 or 3 because I filmed them according to this number and performed in different ways). The important thing however is this Suite 1. My Suite 2 in some cases, like this one, are additional. Let's see if I can insert it in a few days. Let's say if more than a certain number of days pass (I think 10 days limit) then I won't upload it anymore. I'll try, let's see what happens.

Qualche informazione in italiano: anche se questa come da titolo non è proprio una versione ufficiale ho cercato di caricare in qualche modo per onorare del giorno in cui fu lanciata per la prima volta in Cinematografo di Marzullo, cioè l'11 Novembre dello scorso anno. Nei giorni, forse meglio settimane successive, dovrei cercare di caricare la versione ben montata ma prima la Versione con la Base e gli altri suoni, quindi in sostanza la versione strumentale per orchestra dell'originale. Altresì ricordo che per lo scorso compleanno (25 Luglio) di Marzullo già ero riuscito a caricare solo la parte della Sigla. Quindi riguardo questa parte nell'utopistico quanto estremamente remoto caso qualcuno fosse mai interessato è possibile raggiungerla tramite le schede nel video o la schermata finale. Inoltre per il compleanno dello scorso anno interpretati anche la sigla estiva.

Grazie

Official Release here in Italy was on November 6th, 2014. Main quote is first two verses from "Do Not Go Gentle Into That Good Night" by Dylan Thomas but there's also "We used to look up at the sky and wonder at our place in the stars, now we just look down and worry about our place in the dirt" from 02:25 to 02:50 and 06:45 to 07:31. I would like to remember that in this same period, November 17th, here it came out The Little Mermaid, so now 35 years since it. In this sense see that this video is in some way conneted to my Weather Report for David Lynch of today. In case here's the video: ruclips.net/video/ULn3lMvjhBo/видео.html. Cover pic of the video it's taken from last 11/16/24 Weather Report for David Lynch (on the specific channel: www.youtube.com/@nikolajstavroginsweatherreport ).

1) Saying that I refer you also to the Suite 1 and 2 (the Suite 1 ruclips.net/video/RMWtt1PirZQ/видео.html more for the videomessage or Weather Reports extract related to those two photos of mine; while the Suite 2 ruclips.net/video/Wd8gSDBvuKg/видео.html more for the Keyboard interpretations because are better, or better in general I prefer those Versions with CP80 e Warm Pad + Strings) this version, prepared very quickly, of the "best part" (at least for me) from this beatufiul piece, I truly recommend the full original (here in Italy in a certain sense aka "Sunday Posteponements Football Matches" from QSVS Sport Channel (one of the channels of Telelombardia / Lombard TV), in fact as you can notice from the video they generally use it, the first 5-6 seconds of the "best part" before they start the live broadcast of the Sunday evening late matches (8.45pm) of the Serie A Football hampionship) it's for my Three Uninterrupted or Consecutive Years of Weather Reports for David Lynch, from November 10th, 2021 - November 10th, 2024 (in the utopian so as extremely remote case someone might be interested this is the specific channel dedicated, Nikolaj Stavrogin's Weather Report for David Lynch: ruclips.net/channel/UCD7qR8CzQzfkbNAzue3zkMg ). *You see that about the photos regarding my Weather Reports maybe in the next few hours I will select some from these three years (in the case here there's the specific channel Nikolaj Stavrogin's Weather Report for David Lynch www.youtube.com/@nikolajstavroginsweatherreport ), I think 5-6 photos and I will publish them in the "community" section. In truth I always wanted to include them in the video but I was a bit undecided about which ones. So I repeat, watch out for the community section. It is not certain that I will actually do it but watch out. 2) I interpreted this extract a little because I often hear - see the short break used by this TV because it is a channel that I follow and therefore I discovered this music here. But I also interpreted it because I like it (I recommend the complete original, it is really beautiful) and for the meaning of the title itself which can certainly be linked to my Weather Report channel and to the fact that three years ago I would never have imagined that I would never have stopped even a day with Weather Reports for David Lynch. I don't know if we realize: I have never stopped or skipped even a day and I still haven't stopped. I still don't know when I will stop, sooner or later I will have to or I feel that in some way it will be inevitable. But as long as I can still continue I will continue. And so the fact of the title is to say that I went "against all odds". I could never have thought three years ago that I would have gotten this far. This is, excuse me, a damn fine record. Then about the rest, for other information as soon I have time in the next few hours I should write something else. So in the case in case you come back later or in the next few days for more informations / explanations.

1) November 10th, 2024 - November 10th, 2021: Three Uninterrupted or Consecutive Years of Weather Reports for David Lynch (in the utopian so as extremely remote case someone might be interested this is the specific channel dedicated, Nikolaj Stavrogin's Weather Report for David Lynch: ruclips.net/channel/UCD7qR8CzQzfkbNAzue3zkMg ). 2) Saying that I refer you also to the Suite 1 (the Suite 1 ruclips.net/video/RMWtt1PirZQ/видео.html more for the videomessage or Weather Reports extract related to those two photos of mine; while here in this extra video there's also another short Orchestra version: ruclips.net/video/b3lnaUObMNQ/видео.html&t ) this version, prepared very quickly, of the "best part" (at least for me) from this beatufiul piece, I truly recommend the full original (here in Italy in a certain sense aka "Sunday Posteponements Football Matches" from QSVS Sport Channel (one of the channels of Telelombardia / Lombard TV), in fact as you can notice from the video they generally use it, the first 5-6 seconds of the "best part" before they start the live broadcast of the Sunday evening late matches (8.45pm) of the Serie A Football hampionship). I interpreted it a little because I often hear - see the short break used by this TV because it is a channel that I follow and therefore I discovered this music here. But I also interpreted it because I like it (I recommend the complete original, it is really beautiful) and for the meaning of the title itself which can certainly be linked to my Weather Report channel and to the fact that three years ago I would never have imagined that I would never have stopped even a day with Weather Reports for David Lynch. I don't know if we realize: I have never stopped or skipped even a day and I still haven't stopped. I still don't know when I will stop, sooner or later I will have to or I feel that in some way it will be inevitable. But as long as I can still continue I will continue. And so the fact of the title is to say that I went "against all odds". I could never have thought three years ago that I would have gotten this far. This is, excuse me, a damn fine record.

November 10th, 2024 - November 10th, 2021: Three Uninterrupted Years of Weather Reports for David Lynch (on the specific channel: ruclips.net/channel/UCD7qR8CzQzfkbNAzue3zkMg ). Many informations are already in the running time of the video. See that perhaps of this mostly improvvised or in any case prepared very quickly music (that it's an extract, the best part for me, from a piece called Against All Odds by the Israeli musician Tiko Tiko also known as Kutiman) tomorrow or maximum the day after tomorrow maybe I should upload also a version with the CP80 and the Warm Pad + Strings (as someone know probably the two most favorite sounds from my keyboard). But In this case I think only the executions because the main video is this one. However, these performances should be slightly different, let's say a little more in my way as regards the left hand part.

👏👏👏

La Notte (The Night) by Roberto Polisano and Agatino Mannino e Gianni Stellavato respectively about lyrics and music: CP80 Vers. 1 not well edited, in some way uploaded only in honor of the day of its release in Cinematografo Show, exactly on November 11 of last year (Video filmed on last May 25). See that I inserted ENG lyrics in the video and at the end of this Comment. Very important: asterisk means that this is a Full CP80 version but not edited to the best, in fact uploaded only to completely honor the day it was launched a year ago in the Marzullo's Cinematografo Show, in fact really on November 11 of last year. I really cared about this date because I have a thing about trying to upload, where really possible, certain interpretations on days related to anniversaries (if I have to think of a recent interpretation, a bit like I did for Mount Doom by Howard Shore that somehow I managed to upload on the very day of Sauron's defeat, March 25th as fans like me know). And then I add that when I discovered this opening and end intro song (which is basically the theme or intro song of Autumn until Spring) in the show, it literally bewitched me. You can't explain, or at least I can't really explain, the beauty, the power of this song, which in reality I think it's also reductive to call that. For me it's a work of art. In any case I'm not saying it's a provisional version but as soon as I have more time in the next weeks I should edit it better, as well as the original style version with the base and the other sounds. Also for last year's birthday of Gigi Marzullo (the host of the show) I had also interpreted the Summer theme song (as you can see towards the end cards of the video) and which was if I'm not mistaken towards the end of 2021 until in fact November 11th of last year when then The Night was introduced until last June 1st. Then return to the previous since last June 8th until last opening week of this September. Lyrics, Verse 1: In the most beautiful dream there is you, you are the emotion, the poetry, you are the wind that makes me fly away, you are the dawn in the morning.. And I delude myself that you are still here, I still feel the breath. Refrain 1 (Opening Intro of the show, here in this video from 01:06 to 01:35): I think of you at night and I relive the moments with you. And I look for you at night even the darkness speaks to me of you. I invent the night for you and you appear more beautiful than ever. And I want you at night. Verse 2: I breathe the air and there you are. You are like a song of joy. You are like a wave that carries me away and pushes me far, far from you. Refain 2 (for Closure or End Credits, here in this video from 02:06 to 02:37): I see you at night and you light up my imagination. And I listen to you at night your voice is a melody. I touch you at night and I feel you sweeter than ever. And I want you at night, at night… Orchestral break Refrain 3: I love you at night because melancholy rises. And I hate you at night because after love you go away. And I cry at night if I call you and you're not there.. I forgive you at night. And I thank the night because it started from here.. I curse the night, in the end it ends like this.. I close my eyes at night and I see you more beautiful than ever. And I dream of you at night...The night.

Better this one but I uploaded the Suite 1 (mostly filmed with the New Tablet; I think that for me the audio from the cell phone is superior to that of the tablet) really on the day of his birthday (October 15th only for those who don't know) and at the same time Michel Foucault (at the end of that Suite there's also the preview of my past interpretation, dated December 2020, from Béla Tarr's Turin Horse (2001), so the intepretation of its track theme composed by Mihály Víg: ruclips.net/video/1Ye8rSknXEc/видео.html ). Which we say is now a sort of "external theme" with which I identify the philosopher and a sort of ritual music for him because I happened to share it several times in my Weather Report for David Lynch (from the specific channel www.youtube.com/@nikolajstavroginsweatherreport ) every time in these 3-4 years since I've been a creator the anniversaries of Nietzsche's birth or death have occurred. So on these occasions in general I have always shared the Preview of my interpretation of Turin Horse. In any case I also insert it directly here (nothing special in any case, like all my interpretations by the way: ruclips.net/video/fqCc5hXCGYk/видео.html.

1) Born on October 1st (so today) 1930 - dead three days ago on September 29th, 2024. Short interpretation based only on the music just before the puppet takes over and what we fans of master Dario Argento know happens. Even if so short for the full interpretation (but a remix of 3:07 minutes) go from 05:04 to 10:26. It's always me who says "Giordani" in background. Yes, let's say the video (I mean the only 33 seconds remix in that scene and from Death Dies) is a total unscheduled. In fact I learned very quickly in a few hours these 33 seconds "taking advantage" of the fact that exactly three days ago this great actor (first of all of theater and then of Cinema as I suppose someone know) died three days ago while today he would have turned 93. So I understand if someone does not like the performance: I uploaded the video more for the small thought towards this actor than for the interpretation itself. In my small way I tried to remember him in some way. In fact, in this sense, I don't think I'll do Part 2 in the scene because I think it would take me a bit longer than I did to basically improvise this one, considering that I had other interpretations scheduled (taken from other films) to upload from now to the following weeks and months. I could even try but I repeat, I don't think so, compared to other past occasions relating to other pieces in this case I don't think it's possible for me. I mean, on the one hand, I would also like to but I also have to think about the other pieces (I have two interpretations that are dated even over a year ago, which by the way had already happened to me last December with a piece whose interpretation in that case dated back to the end of November 2022). Anyway, beyond everything, I hope someone might have enjoyed it anyway. Furthermore, in a certain sense this is also a test of the new device for making videos (which I should alternate with the mobile phone, the one from Weather Report that I have had since May 2021): it is a new Tablet (in fact I signed many videos with the old one that I have always had since May 2021 and which, starting from the end of July, seems to have broken) whose video quality certainly seems superior to all the devices I have had so far but perhaps the audio seems a bit clogged. So I am also trying to understand if I can eliminate this problem, because as I said, the video quality seems really very high. In any case, it is a sort of self-gift that I gave myself for my birthday a few weeks ago haha. Unfortunately or fortunately, when I speak or write I am very precise and detailed because I have always been like this, I don't like to leave things half done. I know that this can be both a great advantage and a defect (in this regard as if on purpose, on this point relating to my very long comments, descriptions or answers, see the comment or answer I wrote to a user a few days ago under my interpretation, dated May 2020, of Meditation by Edward Artemiev from Stalker (1979) one of Andrei Tarkovskij's masterpieces: ruclips.net/video/a547Cqyw_k4/видео.html; that is, I don't know if you read my answer, I do, but in case you don't I think it depends on your accounts or your options). 2) It's not certain but maybe later I'll add some more information or explanation. In any case, regarding the other interpretations from the film (which here are just "side dishes" because we are always talking about the same film) in the case of the complete versions I refer either to the specific playlist dedicated to my interpretations of the music from Dario Argento's films (here ruclips.net/p/PLeeWEBa1VOUocQ7cdtvwKIH2joSOQJ2ck ) or in any case I have inserted some of them in the top right cards or final screens in the video. As for the final part after the two minutes of a few words for Glauco Mauri, you can certainly skip the part about the birthday wishes (September 28) from Naomi Watts. It's about the specific fourth channel Nikolaj Stavrogin's Weather Report for David Lynch, but here I inserted the Preview in the utopian and extremely remote case someone was ever interested in seeing the continuation (nothing special, like all my videos), in that case here: ruclips.net/video/_LogWffTeVg/видео.html.

In the case go directly to 03:22 for the Full version or even better to 05:06. If in the utopian and extremely remote case someone stumbles upon my channel for the first time and, always in the utopian and extremely remote case, someone appreciates the interpretation (in general the video) I say that for me it is not so haha. In fact as I always repeat when someone appreciates or comments on my videos: "My interpretations are absolutely nothing special so as I'm a mr. Nobody. To use a more noble language, Latin, my interpretations and I are the most total nothingless. The only thing is that I just try". This is more or less the way I always open my answers. After all, it's the truth. One only tries to do something, remaining totally humble. However I explained the main reason of this new not really planned version in the first part of a Comment of mine under the first rough Preview of the first part of masterpiece by the legendary Rob Dougan in turn inserted only in the Weather Report for David Lynch of last 9/16/24: "After having inserted only some new Piano Parts from the piece uploaded a week ago (ruclips.net/video/pw5UOYAEY4w/видео.html ) for Keanu Reeves' 60th birthday (September 2nd), I am now trying to also assemble the new complete version after the one from May 2021, in that case interpreted for the anniversary of the film in Italy. Meaning of the asterisk in the title: if I am doing or however try to do it, this new full version, it is because of the compliments I received a few weeks ago from a user who told me that the May 2021 cover is beautiful but stained by those mostly television noises or however other noises in the background. He commented not on the main channel but under the video on the third channel (if you can believe it here's the link ruclips.net/video/csXf3uQMakc/видео.html ). In any case, I had already talked about this thing in the Comment under the video relating to the solo piano parts. So in case someone does not believe this thing, I have inserted the link of the 2021 interpretation from the third channel through which you can then reach the comment". Anyway, as soon as I have a moment of time (always consider the commitment with Weather Report for David Lynch www.youtube.com/@nikolajstavroginsweatherreport) I think I will add something else, I would say from a technical point of view (audio). I am a perfectionist but there is certainly always something wrong or in any case some lack, as in fact also in this case.

Only for those who don't know: birthday two days ago, September 22nd. 00:53 to 02:48 for the Special Misty Mountains Cold (The Hobbit: An Unexpected Journey, 2012) with my brother (who sang) from January 21st, 2018. This video doesn't count at all, considering that at the same time I was / am busy with the final editing of the new (even if not really planned haha) Clubbed to Death (Matrix 1999) by the legendary Rob Dougan. Since I remembered Bilbo's birthday it was just a special insertion that I managed to do in a few hours. Let's say that I give a little more importance to that improvvised Misty Mountains Cold (sing by my brother) since it's a new video (even if it was dated January 21, 2018). The rest let's say is a small mix of parts of tracks that I have interpreted in the past (in this case I only made some volume increases to some of them, Farewell Dear Bilbo and Gollum) connected to the character and that acts as a background, such as from the title of the video.

1) *Premise or note: if someone outside the channel comes across this video and thinks that based on this preview they might like the full version, they can subscribe to stay up to date. Then you can certainly skip the Weather Report preview part. In practice I had thought of inserting this Preview before yesterday's Weather Report but then I didn't do it anymore and I uploaded the simple version without this Preview. While waiting for the complete version and therefore the elimination of this Preview, this was Preview 1: ruclips.net/video/aRyZnzIcJfU/видео.html. Important: I'll delete this video as soon as the full version or video is ready. I say in three days, but I think more like 4-5. Let's see. That's why I added this Preview, because it still takes a while. So while waiting for the full version (not planned anyway, read below because I thought about making this new version anyway) I thought about inserting this preview (which for all those who know this masterpiece, apart from the intro, we are talking about the second part after the first with only piano and strings). Also having said that these parts will not be exactly as you see here, in the sense that there are still some sounds or something else to insert as well as further changes to the volume, after all it is still a work in progress. I explained the main reason of this new not really planned version in the first part of the Comment under the Preview of the first part of masterpiece by the legendary Rob Dougan in turn inserted only in the Weather Report for David Lynch of last 9/16/24: "After having inserted only some new Piano Parts from the piece uploaded a week ago (ruclips.net/video/pw5UOYAEY4w/видео.html ) for Keanu Reeves' 60th birthday (September 2nd), I am now trying to also assemble the new complete version after the one from May 2021, in that case interpreted for the anniversary of the film in Italy. Meaning of the asterisk in the title: if I am doing or however try to do it, this new full version, it is because of the compliments I received a few weeks ago from a user who told me that the May 2021 cover is beautiful but stained by those mostly television noises or however other noises in the background. He commented not on the main channel but under the video on the third channel (if you can believe it here's the link ruclips.net/video/csXf3uQMakc/видео.html ). In any case, I had already talked about this thing in the Comment under the video relating to the solo piano parts. So in case someone does not believe this thing, I have inserted the link of the 2021 interpretation from the third channel through which you can then reach the comment". 2) That one minute pics at the opening clearly was for Sophia Loren 90th birthday, happened two days ago, among other things same day of Asia Argento, 49th birthday, to whom I also dedicated something in Friday's Weather Report ruclips.net/video/rXEXQ1JqO2o/видео.html&t ). Being Neapolitan and for her importance in history of Cinema, obviously above all in the Italian one, it was impossible for me not to remember that September 20th, in addition to Asia Argento's birthday, was also Sophia Loren's 90th. At the opening of last Saturday Weather Report for David Lynch instead of that one min pic I wanted to insert a clip that they dedicated to her at the beginning of a program dedicated to Cinema that I always watch here on Saturday night but unfortunately I was unable to download the link. Among other things recently I interpretated the refrain version of the new Intro (or better used from last half of November until last June 8th and now once again since the last Episode, yesterday) of this Cinematografo Show that I watch since some years for the birthday (July 25th) of the host, Gigi Marzullo. This piece it's called La Notte ("The Night") by Roberto Polisano. In the case it was here: ruclips.net/video/kSTBJwzjYiM/видео.html&t. In the coming months I will try to upload the full version of this beautiful piece. While waiting for the complete version and therefore the elimination of these Previews, in the utopian so as extremely remote case someone might be interested, this was Preview 1: ruclips.net/video/bj1xvc3LxJg/видео.html&t; These were only new Piano Parts dedicated to the 60th Birthday of Keanu Reeves (September 2nd): ruclips.net/video/K4vNHdhj8DA/видео.html; This was the old full version from May 2021 (in that occasion interpretated for the release anniversary of the movie here in Italy): ruclips.net/video/z6Yz3_1Y1Pk/видео.html; Inseatd here on September 2021 I inserted always the Old Version + Furious Angels and Chateau (always by this legend who is Rob Dougan and both from Reloaded, the second movie as you know much better than me) for the 50th birthday of Neo, September 13rd, 2021: ruclips.net/video/XbClMxGMYVU/видео.html;

Premise or note: if someone outside the channel comes across this video and thinks that based on this preview they might like the full version, they can subscribe to stay up to date. I'll delete this video as soon as the full version or video is ready. I say in three days, but I think more like 4-5. Let's see. That's why I added this Preview, because it still takes a while. So while waiting for the full version (not planned anyway, read below because I thought about making this new version anyway) I thought about inserting this preview (which for all those who know this masterpiece, apart from the intro, we are talking about the second part after the first with only piano and strings). Also having said that these parts will not be exactly as you see here, in the sense that there are still some sounds or something else to insert as well as further changes to the volume, after all it is still a work in progress. I explained the main reason of this new not really planned version in the first part of the Comment under the Preview of the first part of masterpiece by the legendary Rob Dougan in turn inserted only in the Weather Report for David Lynch of last 9/16/24: "After having inserted only some new Piano Parts from the piece uploaded a week ago (ruclips.net/video/pw5UOYAEY4w/видео.html ) for Keanu Reeves' 60th birthday (September 2nd), I am now trying to also assemble the new complete version after the one from May 2021, in that case interpreted for the anniversary of the film in Italy. Meaning of the asterisk in the title: if I am doing or however try to do it, this new full version, it is because of the compliments I received a few weeks ago from a user who told me that the May 2021 cover is beautiful but stained by those mostly television noises or however other noises in the background. He commented under the video here on this third channel (if you can believe it here's the link ruclips.net/video/csXf3uQMakc/видео.html ). In any case, I had already talked about this thing in the Comment under the video relating to the solo piano parts. So in case someone does not believe this thing, I have inserted the link of the 2021 interpretation from the third channel through which you can then reach the comment".

Would love an extended version!

1) Basically with asterisk on or for Video 1 I mean that perhaps I could insert the new complete version in a few days. I have not yet filmed the other parts but I should do it tomorrow. If it is actually something I will do, I would say that it is thanks to a user. In fact I was pushed by a comment from this user on the third channel who in fact a few days ago commenting on the Old Full Version from May 2021, month of the anniversary release of the movie here in Italy (ruclips.net/video/z6Yz3_1Y1Pk/видео.html ) from this third channel told me that the audio is a bit ruined (due to television noises in that other room and also to the keys noise I suppose) but that the cover was beautiful (if you can believe it: ruclips.net/video/csXf3uQMakc/видео.html ). So if I also do the full version it is also thanks to the "push" of this user's comment. Only I don't think I will wear the whole black clothes because it is still hot here, I think it is impossible. Maybe I could also insert only the audio a bit like I did with the new Opening Titles from Fire Walk with Me (where in fact I removed the old audio for the new) and still always put that green Clubbed to Death video from May 2021 at the same time as the new audio. I will see better as always. Anyway, considering that fortunately the temperature has dropped a bit by a few degrees and should do so further from Thursday - Friday, I think I'll be able to make the video anyway. In general, however, I don't know if I'll really do it, also because there are several covers certainly better than mine, of course. I repeat, the "push" was given to me more by this user. Also for those who don't know, I remind you that September 13th would also be Neo's 53rd birthday. In fact, three years ago, on the occasion of the 50th, I brought together in a single video my interpretations of that Clubbed to Death, Furious Angels and Chateau (both tracks always by Rob Dougan from Reloaded, 2003). In the utopian so as extremely remote case someone is interested the video was this: ruclips.net/video/XbClMxGMYVU/видео.html&t. 2) Consider that I also have some videos, all from non-Lynchian films, from a few months ago (but two of these videos or interpretations dated over a year ago) that I have not yet managed to upload in order to give precedence to many other pieces in all this previous time. And in fact I hope to start editing them and then upload them from this month onwards ("time swallows me up minute by minute" said Baduelaire in an his verse). So at this point I think more from October onwards, haha. Then, for the fact that you mustn't forget that this my main channels it's a channel that was born with a Badalamenti - Lynch setting, I would also say another thing about the track Montage from Twin Peaks: Girl Talk / Birds in Hell / Laura Palmer's Theme / Falling from FWWM (one of my favorite considering all Twin Peaks and in general considering all the compositions by master Badale). About this other masterpiece here're three interpretations of mine (in the utopian so as extremely remote case you're interested I refer you to the the specific playlist Twin Peaks: Fire Walk with Me ruclips.net/p/PLeeWEBa1VOUolg_PSyfVl7RzGLREYU0hT ) but what I want to say is that I would like to try to film the initial part (Girl Talk) in a new way, let's say also with the base as it is in the original and a Guitar, while the Strings in the background for what concerns Birds in Hell. As for the last piece of the montage, the Twin Peaks Theme, I would like to try to mix or insert one of my most recent versions of the Twin Peaks Theme dated April 2023. So basically all this should contribute to create my fourth version of Montage from Twin Peaks, which should be this sort of mix between past interpretation with these changes or additions of now. Now though it's definitely even if in this week we have less degrees in any case it's not that cool, for the moment it's not easy to record video now. But anyway, I'm already moving, I'm already preparing something. I've already filmed the new Girl Talk (or in any case in Montage we're talking about a part of it, being Montage in fact a "Montage" hahaha of four tracks), But if I ever manage to do this I hope not to go beyond the end of this month. I think I should be able to do it. And this always to try to then assemble and upload those pieces that were back months ago that I mentioned above. Then maybe in the comment of next video (that should be this full new Clubbed to Death) perhaps if I have time, I'll also reveal the titles of these back pieces. Nothing special but I think someone will like them anyway.

*1000 consecutive Weather Reports for David Lynch (on the specific fourth channel). This happened on last August 6th. In the utopian so as extremely remote case you're interested see or read the Point 2 of this comment for other informations / exaplanations. 1) Regarding the small preview part on Dario Argento (birthday on September 7th) I have not included the interpretations of the tracks from his most famous films, as you know Profondo Rosso, Suspiria (but perhaps I add also other two or however another to them, I think Inferno, 1980, and Tenebrae, 1982) because in the past, they celebrate previous birthdays, I have already had the opportunity to insert them in other Previews (or rather also these but I have always inserted these pieces with less prominence if I may say so). But anyway all my interpretations of tracks from his movies are here in the specific playlist "Dario Argento - Goblin". But as always I am keen to say nothing special because as I have been repeating for a long time my interpretations are never anything special so as I am a mr. Nobody. I just try". 2) The part related to the 1000 consecutive Weather Reports for David Lynch was already uploaded by me on the specific channel (www.youtube.com/@nikolajstavroginsweatherreport ) few days ago after the achievement on last August 13th. For a matter of time I upload it only now here. But also for various second thoughts or doubts of mine whether to upload it or not here too. Only that generally on special occasions I share the video in all the four channels. So even if after a long time I made the decision. I want to say that I inserted the interpretation (in case full: ruclips.net/video/7LiBJ4UaEJA/видео.html ) of this track not so much for the meaning related to the story of LOTR and the film and that scene but more generally for the sense of "climb" (and therefore as if it were a climb to reach the top of a mountain) that I made to reach the 1000 consecutive Weather Reports (last August 6th). Then, perhaps I will try to add other information later while this in quote it's a routine part in the Comment under the Weather Reports that I wrote until the achievement: " *Apparently a week ago I would have reached and overcame the actual 1000 consecutive Weather Reports after the "false" achievement of last April 6th. As soon I have time I will talk about a little better or I should upload a short special video about. This below in quote it's the description until day before the reaching: " -1 day to the real 1000 consecutive Weather Reports (started on November 10th, 2021) after those with a "small stain" happened on last April 6th and after the real achievement of the 950 ("record" of mr. Lynch) on last June 17th. *If it can be useful to anyone, after some time of this "Season 3" (which began last September 12th) I am now reporting here the scheme (which follows one another more or less regularly in this way, particularly since the last half of January) of the Weather Reports which are divided during the week: Monday: Normal (the good Nikolaj); Tuesday: identity Bad-Dark Nik / Mr. N (in our alas dead on May 5th, 2022 Kenneth Welsh / Windom Earle's cabine) vs the good Nikolaj; Wednesday: the good Nikolaj vs Bad-Dark Nik / Mr. N (in our alas dead on May 5th, 2022 Kenneth Welsh / Windom Earle's cabine); Thursday: Identity Nat Vens' Windswept by Johnny Jewel Weather Report or other times Normal Weather; Friday: the good Nikolaj Montage from Twin Peaks: Girl Talk / Birds in Hell / Laura Palmer's Theme / Falling or (although this hasn't happened for a long time) Reverse Voice but not the music (that in those cases generally it's Dance of the Dream Man normal or Solo Sax) Weather Report in Waiting Room or in the White Lodge; Saturday: Bad-Dark Nik / Mr. N (in the Convenience Store) vs the good Nikolaj; Sunday: the good Nikolaj vs Bad-Dark Nik / Mr. N (in the Convenience Store); The real or effetive "record" (in quotation marks because after all I don't know whether to really consider it an important thing) however record that consists in the real achievement by me of mr. Lynch consecutive Weather Reports (950) after a first with a "small stain" happened in the Weather of November 9th, 2021, reached on last February 17th, in the case to rescue two special short videos filmed by me in that occasion and in fact also for the 1000 consecutive Reports always with that "small stain" (see the Point 1 of the routine Comment just below but if you noticed past words or verbs it's obviously becase they were written by me in those periods February and April) has been equaled by me on last June 17th (among other things also the birthday (three years now) of this my fourth channel, since time considered by me also as a kind of "bridge" between my keyboard channels. For this occasion I uploaded a rough version of Why Do We Fall by Hans Zimmer from The Dark Knight Rises (2012) together or within with me in silence near the keyboard interpretation. In the case here's the link of the video: ruclips.net/video/I3sU_91cvVk/видео.html".

trinity.... get him out from there

Sound record is horrible, but the cover is beautiful.

August 13th, 2007. About the crime, yes, let's say that at the time (I was almost 12 years old) I was quite shocked mainly because of the slightly disturbing face of the alleged murderer: the blond boy you see in the images, is called Alberto Stasi and is now serving his sentence in prison. He was sentenced to 16 years with an abbreviated trial (it should have been 25 years). So he should be out for good in 2031. In essence he killed his girlfriend (Chiara Poggi, two years older than him) in her house. The motive seems to be the discovery of child pornography on his PC by his girlfriend the night before the crime. Although it has never been understood if this is really the motive, just as in general, even though he is serving his sentence, just as there are many certainties there are also many doubts about his guilt. In fact, even though 17 years have passed, I and other people are not completely convinced that he is the real murderer. It is certainly one of the most mysterious and still unsolved Italian cases along with others but in general for me it is one if not perhaps THE most disturbing, I can't explain exactly why. Those two girls would be the victim's cousins, but that is a photomontage made by them. And I believe that one of the two has something to do with this story). Anyway, for other details I think that if you search around a bit you will surely find other things.

*For the foreign subscribers: see that for all the video there're also the ENG subtitles inserted by me (in this video after the first 05:16 they're pratically the same also for the all the other repetition parts in the video) instead the ENG Comment it's just below this in Italian. ITA - Questa è una versione un po' più estesa solo dei ritornelli ma anche di quella che io definisco "best instrumental" part di questo pezzo, e con tagli rispetto alla versione caricata la settimana scorsa per il compleanno (25 Luglio) di Marzullo. Ho titubato un po' perché nel frattempo sto montando anche una nuova versione / interpretazione di un masterpiece di Angelo Badalamenti da Twin Peaks THE RETURN che ho interpretato nel passato e quindi non sapevo se dedicarmi solo a quello o ritornare anche su quest'altra versione de La Notte. Se non avessi titubato sarebbe stata pronta qualche giorno prima. Infatti diciamo che lì nel commento avevo detto che dopo alcuni giorni forse appunto avrei caricato questa versione un po' più estesa e con tagli anche rispetto alle parti della puntata in cui hanno inserito per la prima volta questo pezzo, cioè lo scorso 11 Novembre (mentre nella versione del compleanno è visibile anche l'ultima in cui è stato inserito, scorso 1 Giugno). Non era una cosa necessaria ma alla fine l'ho fatta. Poi nei mesi successivi dovrei caricare anche la versione proprio completa con forse anche altri due suoni diversi (operazione che ormai compio da diverso tempo) rispetto alla strumentazione simile all'originale con la base. Infatti gli estratti che si vedono qui sono presi daile riprese della versione completa che ho effettuato qualche settimana fa. Ma al momento questo è un discorso ancora un po' acerbo. Ad ogni modo questa ed altre cose già le avevo dette o scritte nel Commento del video della settimana scorsa. Quindi nel caso rinvio anche lì: ruclips.net/video/0vIcP2vFkpg/видео.html&t. Ripeto non è un video necessario, di questa versione solo Refrain l'importante era il video caricato proprio per lo scorso compleanno di Marzullo. Più che altro quest altro era per metter in risalto le immagini di qualche altro critico cinematografico oltre i principali. Ma essendocene anche altri oltre questi che poi ho inserito è un po' impossibile andare a recuperarli proprio tutti. In sostanza ho inserito quelli che si sono visti nei Venerdì più recenti. Inoltre per quanto io sia un tipo estremamente preciso purtroppo ho dimenticato di tagliere una o due pause. Inevitabile però pensando anche alla grandissima atmosfera infernale che ci sta accompagnando durante questa Estate. Ero convinto d'aver effettuato anche questi piccoli tagli di cui sto parlando ma invece mi sono accorto poco fa che mi sono dimenticato. Ma penso ci possa stare, capita ogni tanto. ENG - This is a slightly more extended version of just the choruses but also of what I call the "best instrumental" part of this piece, and with cuts compared to the version uploaded last week for Marzullo's birthday (July 25th). I hesitated a bit because in the meantime I'm also editing a new version / interpretation of a masterpiece by Angelo Badalamenti from Twin Peaks THE RETURN that I interpreted in the past and so I didn't know whether to dedicate myself only to that or return to this other version of La Notte. If I hadn't hesitated it would have been ready a few days earlier. In fact, let's say that there in the comment I said that after a few days perhaps I would have uploaded this version a little more extended and with cuts also compared to the parts of the episode in which they inserted this piece for the first time, that is last November 11th (while in the birthday version you can also see the last one in which it was inserted, last June 1st). It wasn't a necessary thing but in the end I did it. Then in the following months I should also upload the complete version with maybe two other different sounds (an operation that I have been doing for some time now) compared to the instrumentation similar to the original with the base. In fact, the excerpts that you see here are taken from the shots of the complete version that I made a few weeks ago. But at the moment this is still a little immature. In any case, I had already said or written this and other things in the Comment of last week's video. So in case I'll refer you there too: ruclips.net/video/0vIcP2vFkpg/видео.html&t. I repeat, it is not a necessary video, of this version only Refrain the important was the video uploaded just for Marzullo's last birthday. More than anything else, this other one was to highlight the images of some other film critics in addition to the main ones. But since there are also others in addition to these that I then inserted, it is a bit impossible to go and recover them all. Basically, I inserted those that were seen on the most recent Fridays. Also, although I am an extremely precise type, unfortunately I forgot to cut one or two pauses. Inevitable, however, thinking of also to the great infernal atmosphere that is accompanying us during this Summer. I was convinced that I had also made these small cuts that I am talking about but instead I realized a little while ago that I forgot. But I think it can happen, it happens every now and then.

For subtitles in case I refer to the video from the main channel. I can't insert them here at the moment. ITA: Detto che in primis vorrei ricordare che Roberto Polisano certo è il cantante di questa splendida canzone ma è praticamente impossibile non considerare anche gli autori del testo e della musica, rispettivamente Agatino Mannino e Gianni Stellavato, vedete che potrebbe darsi che questo video è provvisorio, nel senso che forse nella giornata di domani o comunque direi non oltre un due giorni potrei eliminarlo e sostituirlo con un altro diverso più che altro leggermente per quanto riguarda l'ordine delle parti (cioè la sigla seconda strofa alla fine dopo la sigla finale originale dal programma) e poi per quanto riguarda le immagini, inserendo cioè le immagini di altri critici ma non è detto. Di fatto, per chi segue il programma, quelli che si vedono qui sono comunque alcuni dei presenti fissi. Quindi con il dovuto rispetto per gli altri ma questi, appunto, sono coloro presenti quasi costantemente. Poi se non dovessi eliminarlo potrei aggiungere comunque quest'ulteriore versione, ma più breve credo (solo le interpretazioni e la sigla originale) con le immagini degli altri critici. Comunque se nel giro appunto del tempo appena citato non notate tale ulteriore versione di sicuro resterà questa. Dopodiché, poiché ho altre interpretazioni da caricare tratte da altre opere, la versione completa (che ho già filmato alcune settimane fa, questo infatti non era che un estratto) penso che la caricherò da metà Agosto in poi, penso più da Settembre, vedremo. Inoltre per il compleanno dello scorso anno avevo interpretato anche la sigla attuale (come si può notare verso la fine del video) e che è stata se non erro verso la fine del 2021 fino allo scorso 11 Novembre quando poi è stata introdotta questa fino allo scorso 1 Giugno per poi ritornare alla precedente dallo scorso 8 Giugno. Sì, poi aggiungo o per il momento chiudo: questo Commento probabilmente dovrei ulteriormente completarlo. Se non riesco a completarlo adesso lo farò domani, per cui nell'utopistico quanto estremamente remoto caso qualcuno fosse mai interessato ritorni domani nel caso. ENG: Having said that first of all I would like to point out that Roberto Polisano is certainly the singer of this splendid song but it is practically impossible not to also consider the authors of the text and music, respectively Agatino Mannino and Gianni Stellavato, you see that it could be that this video is temporary, in the sense that maybe tomorrow or in any case I would say no later than two days I could delete it and replace it with another one slightly different more than anything else as regards the order of the parts (that is the second verse theme song at the end after the original final theme song from the program) and then as regards the images, inserting images of other critics but it is not certain. In fact, for those who follow the program, those who are seen here are still some of those present permanently. So with due respect for the others but these, precisely, are those present almost constantly. Then if I were not to delete it I could still add this further version, but shorter I think (only the interpretations and the original theme song) with the images of the other critics. Anyway if in the space of time just mentioned you do not notice this further version this will certainly remain. After that, since I have other interpretations to upload from other works, the full version (which I already filmed a few weeks ago, this was in fact just an extract) I think I will upload from mid-August onwards, I think more from September, we'll see. Also for last year's birthday I had also interpreted the current theme song (as you can see towards the end of the video) and which was if I'm not mistaken towards the end of 2021 until last November 11th when then this was introduced until last June 1st then return to the previous since last June 8th. Yes, then I add or for now I close: I should probably further complete this Comment. If I can't complete it now I'll do it tomorrow, so in the utopian as extremely remote case someone is ever interested come back tomorrow in case.

Since the moment I went or inserted the keyboard in this other room, end of June 2021. This is a special extract or part not uploaded from the Weather Report of last Friday 7/19 for David Lynch: ruclips.net/video/Sy8aB4GkcEU/видео.html. As for few special occasions like this I share it on all the channels. I don't know if I have time to wrote the subtitles but pratically here below I wrote less or more the same things I say in the video: In practice the function of this paper, on which I also wrote the subtitles of that Report for David Lynch, is to prevent the red box from being scratched by that gray iron object, while the black object is a box containing a perfume that I someone gave me for my birthday of several years ago and that I never used haha. However both these last two objects are used to get the right inclination of the tablet or phone before starting filming. And finally I put all this armamentary on the bed.

ITA - L'asterisco nel titolo accanto a Polisano significa che detto che in primis vorrei ricordare che Roberto Polisano certo è il cantante di questa splendida canzone ma è praticamente impossibile non considerare anche gli autori del testo e della musica, rispettivamente Agatino Mannino e Gianni Stellavato, molto importante: in occasione del prossimo compleanno (25 Luglio) di Gigi Marzullo dovrei inserire una versione leggermente più lunga di questa con anche l'interpretazione della seconda strofa prima della best instrumental part o di quella che almeno io definisco così (in tal senso poco sotto spiego meglio). Quindi in sostanza più o meno proprio la versione Sigla. Dopodiché, poiché ho alcune altre interpretazioni da caricare, in primis una dedicata anche qui ad un "compleanno", il prossimo compleanno (22 Luglio) di Laura Palmer e che dovrebbe essere Half Heart Solo da Fire Walk with Me (1992), la versione completa (che ho già filmato alcune settimane fa, questo infatti non era che un estratto) penso che la caricherò da metà Agosto in poi, penso più da Settembre, vedremo. Inoltre per il compleanno dello scorso anno avevo interpretato anche la sigla attuale e che è stata anche inserita se non erro per le stagioni 2021-23. Nella versione leggermente più lunga che appunto come detto dovrei caricare tra una decina di giorni inserirò anche il preview di quest'ultima (che comunque è possibile raggiungere anche tramite le schermate finali o quelle in alto a destra quando compaiono). *"Best instrumental part" almeno per me o meglio, spiego: il pezzo, la musica è tutta molto bella ma questo stacco, come sa chi conosce la canzone prima della terza strofa che sale di tonalità e che comunque non è la musica della sigla (la musica della sigla periodo non vorrei errare da Novembre 2023 - Maggio o inizi Giugno 2024 come sapete è o la prima o la seconda strofa), è straordinario. ENG - The asterisk in the title means that having said that first of all I would like to point out that Roberto Polisano is certainly the singer of this splendid song but it is practically impossible not to also consider the authors of the lyrics and music, Agatino Mannino and Gianni Stellavato respectively, very important: on the occasion of next birthday (July 25th) of the host of this show, Gigi Marzullo, I should insert a slightly longer version of this one with also the interpretation of the second verse before the best instrumental part or what at least I define as such (in this sense I explain better below). So basically more or less exactly the Sigla version. After that, since I have some other interpretations to load, first of all one dedicated here too to a "birthday", the next birthday (22 July) of Laura Palmer and which should be Half Heart Solo from Fire Walk with Me (1992), the version complete (which I already filmed a few weeks ago, this was in fact just an extract) I think I'll upload it from mid-August onwards, I think more from September, we'll see. Furthermore, for last year's birthday I also performed the current theme song and which, if I'm not mistaken, was also included for the 2021-23 seasons. In the slightly longer version which, as mentioned, I should upload in about ten days, I will also insert the preview of the latter (which in any case can also be reached via the final screens or those at the top right when they appear). *"Best instrumental part" at least for me or rather, I'll explain: the piece, the music is all very beautiful but this cut, as anyone who knows the song knows before the third verse which rises in tone and which in any case is not the music of the theme song (the music of the theme song period I would not like to err from November 2023 - May or early June 2024 as you know is either the first or the second verse), it is extraordinary.

The last piece is a religious piece (not by me) from 2009 or 2010 if I'm not mistaken dedicated to the figure of Paul. A piece (of which perhaps I will upload the full version soon but I don't know when yet) that has the same initial structure as a round of chords of "UE" but that has nothing to do with this spectacular song (in the case full here ruclips.net/video/cLjXsVkPUPc/видео.html ) by the legendary Italian (like me) master Domenico Bini. In the sense that it is not a question of plagiarism or inspiration of one compared to the other, but of a purely random fact. That is, it's not a given that I will actually upload it (It's not just up to me) but I want to say that it was also composed with his guitar by a doctor, a doctor, very good man, who lived in my building and who died about a month ago at the age of 63. Here you can hear a part, let's say the first verse. The chorus is very beautiful but it is not present here. However these are the lyrics of the first part of UE by master Bini present here: "What's going on? The world is changing What's going on? There are too many catastrophes What's going on? with the hole in the ozone layer..."

*Today I would like to remember that are also 4 years since the legendary Ennio Morricone's death. In the utopian so as extremely remote case someone is interested in some pieces by him interpretated by me in the past see the specific playlist about him. 1) Having said that to upload and give priority to other videos in this period I have only now inserted this Suite 2 (which in fact should have followed immediately after Suite 1 in Original Style ruclips.net/video/606EqryPuzQ/видео.html when I uploaded it a few weeks ago), I remember (for those who don't know) that sound CP80 is one of my favorite if not THE favorite from my keyboard together with Warmd Pad + Strings and Warm Pad Solo and other few sounds. The intro first 01:45 was taken from the Suite 1. The first 15 seconds were a funny insertion for the victory of mr. Carlo Ancelotti 5th Champions League with Real Madird a few weeks ago. I inserted in the Suite 1 because as Italian and football fan I'm proud of Carlo (also ex coach of SSC Napoli): Emperor of Football in Europe. In fact this Saturday or three days ago mr. Carlo Ancelotti from Reggiolo (who during Season 2018-19 and until December 10th of the 2019-20 Season was also the coach of my SSC Napoli) with the victory of this Champions League by Real Madrid won his 5th cup as coach and 2 as player in the 80's: so a total of 7. He's a legend, he's really the Emperor of Football in the Europe. While Real Madrid team won his or their 15th Cup, absolute unaittable record. Among other things this Italian group who sand this song they're fan of the previous team (AC Milan) through which mr. Carlo won his first two Champions as coach. 2) Having said that I understand that the first version may perhaps be annoying due to the other guitars in the background (but in this case always play with the CP80) in this case there is also the second version which does not have them in the background, yes, these interpretations, I mean for both the Suites, were improvised by me during the end of last May and played for the woman protagonist of this very beautiful song too dear to me from 2003 by the Italian group Le Vibrazioni (The Vibrations). The song is called Dedicato a te (Giulia), "Dedicated to you (Julie)". In fact, Giulia is the name of the woman who died a few days ago, Giulia Tagliapietra to be precise and she was 46 years old. I confess that I still don't understand the cause of her death but I certainly know that the frontman of the group (Francesco Sarcina) had an affair, a lovestory with her when she was very young and that's why he wrote this song for her. Among other things, in the chorus there is a very beautiful expression that he uses for her: "shining harmony". This expression (beyond the fact that as a big Lynchian fan it personally also makes me think of Laura Palmer, at least the good side of Laura) for him but also for all the people who knew her meant that she was a beautiful and special person. In any case, if I'm not mistaken, with this death she leaves two children and her husband, as well as obviously other people dear to her, especially the singer. 3) In the case these are the lyrics of the song: Verse 1 You know... Sometimes it happens that There is a need to leave And leave everything to fate, Act like a tightrope walker, That about the world He challenges the collapse of his abilities Refrain But this is dedicated to you To your shining harmony You are immensely Giulia! Your name is like music, It fills me up and never tires me. Dedicated just to you (Only intro notes saying Giulia x2) Verse 2 But she close her eyes and wait for it My mouth comes to cheer you up She knows where, who knows how I would like to stop time To enjoy your fantasies And listen without interruptions But this is dedicated to you To your shining harmony You are immensely Giulia! Your name is like music, It fills me up and never tires me Dedicated just to you! (Only intro notes saying Giulia x2) + "Breathe slowly and listen to that" before the refrain for a last time Refrain But this is dedicated to you To your shining harmony You are immensely Giulia! Your name is like music, It fills me up and never tires me You are immensely Giulia... You are immensely Giulia... Your name is like music, It fills me up and never tires me... Dedicated just to you! (only intro notes saying Giulia x2)".

1) A part Adagio for Strings (reuploaed by me also on the second or only lynchian keyboard channel on January 2021 for the anniversary death of John Morris and John Hurt and through which I identify this channel being its trailer since some time but also other pieces reuploaded by me always also here for other occasions) all the original versions of the interpretations of these pieces come from the main keyboard channel. Yes, however for me that cell phone is now a kind of "precious heirloom". Saying that for the anniversary of Major Briggs / Don S. Davis' death (June 29th, 2008), although at the moment I think it will be ready a few days later we'll see, I should upload a Suite based on new versions of Theme (Audrey's Prayer Slow) from the scene "My Son Was Standing There" (legendary scene from Twin Peaks S2 Ep 1), filmed by me in the last days (among other things I realized that in the past version I got the key wrong but for the fact I slowed down the original or normal Audrey's Prayer that is in another key): June 19th, 2020 was the anniversary of my Full Heartbreaking (all the three versions; here in a form of preview from 02:30 to 03:31) by our alas dead (Dec. 11, 2020) master Angelo Badalamenti. In fact the fragment in which I speak was really filmed by me on last June 19th. I decided to uploaded this special "MacroPreview" video in which I show how I still preserved the Cell Phone through which I filmed the interpretation of that piece in particular but also other pieces along with those white headphones (visible from 09:46 to 09:53) through which I heard in depth with my ears (but in general this last it's an operation I always do since time and what I still do with others) them during those months. 2) Yes, continuing I would like to add that in truth I also kept the cell phone used when I stopped using that one because its camera was completely blurred, and therefore the cell phone I used from mid-October 2020 until practically April 2021, then this one too it's broken (or rather the display glass broke badly and I never repaired it); then from mid-April 2021 until the end of June 2021 I used yet another one, and this too broke (I don't remember exactly why now), while from the end of June 2021 to now I practically always shoot videos with a tablet ( very cheap) taken at the beginning of June 2021 sometimes alternated with a new mobile phone (very old model) which I always took in that period. Let's say that only in the last few months have I been shooting videos more with this mobile phone (as you can see from the shots of the videos of the last few months) while until a few months ago practically since July 2021 I have almost only used the Tablet. Now, it is clear that there are videos that are dear to me also with the footage taken from the tablet and mobile phone at the end of 2020 and several months of 2021 (in this case I am thinking above all of the interpretation of Profondo Rosso Piano Solo, Hook Rug Dance but also others) as well as the filming with the Tablet as mentioned, but there are some videos from 2020 that I consider to be true works of art. In fact, I don't know if Heartbreaking (All the three variants) is the absolute work of art but it certainly falls into a hypothetical top ranking. I don't believe in absolutes but that video and that performance took on a certain aura, I wouldn't say sacred but certainly authentic, I would also clearly say The World Spins, Dark Space Low, Musica Ricercata II by Ligeti. I don't make it a question of views but rather of the unrepeatable authenticity of the interpretations. Yes, in fact I believe that many of these are not replicable from the point of view of "interpretive beauty" if I may say so. As much as one can try to make new versions, some of these videos are now let's say untouchable, they have taken on a certain aura of authenticity as works of art. That is: I'm the guy who actually thinks that I don't mean shit, that I'm the least of the least important on the face of the earth, that in fact he certainly has very low self-esteem (although I don't think it seems like it, because I realize that, even from an astrological point of view, I have a complex character, not easy and overall not easy to read, so to others it may seem that I have a certain pride, that I would think of them etc.. I realize account) but this does not prevent us from saying that from an objective point of view this is the case, that is to say that some of those videos are now a sort of works of art that are there, I mean they will remain there in that way for eternity (even if I mean on the one hand eternity so to speak, because we can't know if in just ten years from now RUclips will still exist more or less, I really hope not but mostly for the fact that on the one hand, it were to happen, then unfortunately I will necessarily have to think that I will have thrown these years pretty much down the toilet since at that point everything will have been erased, and all that effort to create and edit the videos will have been useless; which therefore would certainly lead me to at least get a little annoyed while on the other hand I would certainly know how to start from another point of view, still having a degree in Philosophy but also in general independent of the latter). After all, I didn't invent certain comments, like one wrote to me under the interpretation of Heartbreaking (all the three versions) "this is perfection" or sometimes even that I would be a genius, that I have magic in the way I interpret, someone even told me "you are an extraordinary being" or lastly another just a few weeks ago that he "feeds on my art", that is, the way in which I would set up or create my videos, always clearly in connection with the interpretations keyboard. I don't know or will never understand people exactly what types of joints they smoke or what types of alcohol they drink when they express these judgments but at the same time if they express or think such things there will always be a positive reason. In any case, here perhaps I report the links of the interpretations dearest to me present in this video but in the utopian and extremely remote case someone was ever interested in the others too, as well as finding them in the specific playlists if from the main video screen you search for the videos "older" from the options you can find them all gradually, given that, apart from some that date back to 2019 but which I then uploaded in 2020 (because in fact I started uploading in 2020 even though I consider myself a full-fledged creator since September 2020 when I seriously decided to commit to RUclips): Actually always 1st most viewed there on the main (and most viewed instrumental on YT and second in absolute considering also the sunged covers with not much difference): ruclips.net/video/-L9n4dWMx58/видео.html; 13th most viewed there: Dark Space Low by our alas dead (on Dec. 11th, 2022) master Angelo Badalamenti (End Credits music from Twin Peaks THE RETURN / 2017; 13rd most viewed here): ruclips.net/video/shY5QvFyqhI/видео.html; 10th most viewed there: Solaris Theme ("Ich ruf' zu dir, Herr Jesu Christ" BWV639 and actually 10th most viewed here): ruclips.net/video/v1LsoebJ0w4/видео.html; 49th most viewed there: Musica Ricercata II by György Ligeti (as you know also track used in Eyes Wide Shut by the legendary Stanley Kubrick): ruclips.net/video/QTDtbV209Io/видео.html 5th most viewed there: Heartbreaking (all the three versions e 5th most viewed here), used in the "Santino Restaurant Scene", Part 11 from Twin Peaks THE RETURN / 2017, always by master Badalamenti: ruclips.net/video/QWpSBgTxzdg/видео.html; 23rd most vieved there: Montage from Twin Peaks: Girl Talk / Birds in Hell / Laura Palmer's Theme / Falling (from Fire Walk with Me, 1992), Ancient Version from April 2019 but uploaded a year later, always by master Badalamenti: ruclips.net/video/hJBzMmYHBpw/видео.html; 75th most viewed there: Shaved Vers. from September 2020: ruclips.net/video/lkG5vTlenvo/видео.html; Old Version of Accident / Farewell Theme (in Part 6 from Twin Peaks THE RETURN / 2017), always by master Badalamenti: ruclips.net/video/GNzyxd-wkys/видео.html; The First Dearest Version of In Heaven Everything is Fine (as you know legendary track or song from Eraserhead, 1977 by mr. David Lynch): ruclips.net/video/wzeSZelXp_0/видео.html 32th most viewed there: The Fireman (in the legendary Part 8 from Twin Peaks THE RETURN / 2017), always by master Badalamenti: ruclips.net/video/fJV3tebz-D4/видео.html; 4th most viewed there: Breaking the Waves End Credits ("Siciliana" from Flute Sonata No. 2 BWV 1031 - J. S. Bach) ruclips.net/video/17tsVh0Qx8g/видео.html. *As you can see there are almost all of them or rather these are certainly among the most expensive, I have omitted only a few, which in any case as mentioned in the case you can find them in the ways in which I told you above.

1) *Normal / Room Reverb version e no pics really uploaded on June 17th: ruclips.net/video/-b3xk-sIkVI/видео.html . If you want invite you to read all the comment. After four months (February 17th) since a first achievement with a "small stain" happened on November 9th, 2021, this is the real (November 10th th, 2021 - June 1th, 2024 while mr. Lynch from May 11th, 2020 until December16th, 2022). See that also on the Weather Report channel there's the full interpretation but in that case with no pics and with the full speech ruclips.net/video/dTL8hNn7a24/видео.html, even if you can understand more from the Comment under the video or better more I think from the routine Comment under the normal Weather Report of 17/6 from: ruclips.net/video/GuNEiwsxIs0/видео.html Let's say that this version is important for the fact that I managed to upload it on June 17th, which is in fact the day of reaching or equaling the "record" of mr. Lynch consecutive Weather Reports, if not exceeding it. The days are 949 or 950, it depends on whether we count the days in which it started or ended. If we don't consider the days in which it started and finished and today that would be exactly 950 while if we also count them 951, while in the case of yesterday if we consider them they were already 950 (and therefore it was already exceeded). I consider the actual days of mr. Lynch 949 because there are 950 if we also calculate the end and start days. So in this sense let's say it's already Sunday that I would have equalized the number. In my head, since yesterday was the birthday of the Weather Report for David Lynch, I found it more suggestive that the absolute overtaking occurred yesterday than today. I also add that if I also reach the real 1000 consecutive Weather Reports (it should be on next August 6th after the first with that "small stain" on last April 7th) I think I could upload a similar video adding a better version of Why Do We Fall + or if not only two other different pieces of music, one of which should be a new piece that I have performed in recent days and which would be dedicated to a man, a doctor from my building who I knew as well as everyone here and who has died a few days ago at the age of 63. Let's say that this song, a religious song, was also composed by him. But now it is still early for this. We'll see. 2) Furthermore, it must be said that today's real video is another and I should upload it either in a few hours or at the latest on the night of the 19th. It is a video lasting more than an hour in which, in honor of the anniversary of the 10 years since the death of the legendary Jimmy Scott, after a very long intro lasting I think about 15 minutes in which there are also Miss Twin Peaks and Dark Mood Woods which act as a preamble, practically all my versions from when I am the creator (about four years) of what I consider the "best part" of Sycamore Trees and that is from the moment in which after a few seconds with the organ the Sax then enters and Jimmy Scott sings in a more powerful way "And I'll see you..." until "in the breeze". And so yes, overall it should last more than an hour, there should also be a version (taken from the summer Weather Reports from three years ago now) in which I am shaved and singing Sycamore Trees for about a minute under some trees in a villa a few minutes walk from my house where I have been sunbathing for about 5 years now (if I were to go again this year it would be the fifth year) more or less from the end of July and all of August, sometimes even the beginning of September. In any case, yes, this would be today's real video and I'm basically uploading it a week after the anniversary of Jimmy Scott's death. This is because the video, like many of my videos, was quite challenging to create and edit and then because clearly, as you know, between the Weather Reports and the editing of my keyboard interpretations, time really flies by. As Baudelaire says in some of his verses "Time swallows me up minute by minute": that's exactly what it is. Nothing less, so far I have lived this experience on RUclips with so much intensity that it can be said that I found myself from being 24 and a half years old shortly after my degree in Philosophy (February 19th, 2020) to being practically 29 (next September) in a touch, as if nothing had happened. Of course, in my opinion, for anyone who is a man involved in culture, perhaps even more so for artists, for them (I won't go into it because I have no pretentions to truly consider myself such) time is eternal, it doesn't really exist. And yet on the other hand we certainly cannot deny that there is still an objective time marked by objective moments which tells us that we are inevitably still objectively moving forward with our years. This is inevitable. Note: as already said the running time the interpretations (plural because as always there're plus versions with other sounds) of Why Do We Fall? by Hans Zimmer from The Dark Kinght Rises (2012), come from last November 21th and in this case it's the version with Warm Pad + Strings version. They were part of other pieces (another from Rises and one also from Batman Begins) I filmed in that period, better between last December and January in particular for the 15th years of The Dark Knight, two-three pieces from it. Even if the better versions of all these pieces I think we'll talk in the next months. I selected this only for this occasion that happened. Of course, when the time comes for this piece too, I will upload the normal Suite based on Why Do We Fall? as I have been doing for some time now with all my interpretations. So we could say that this video is also a sort of preview of what this Suite will then be. Curiosity: the shirt of the keyboard interpretation is the same of the Weather Report video but I didn't do it on purpose, I didn't choose the piece on purpose, I assure you.

After four months (February 17th) since the achievement with a "small stain" happened on November 9th, 2021. Full words part ruclips.net/video/dTL8hNn7a24/видео.html but better, all the details, I think the Comment under the Weather Report of yesterday ruclips.net/video/GuNEiwsxIs0/видео.html so as the Point the end part of Point 1 of the routine Comment under the Reports. Then, very important: I invite you to read all the Comment and here I add only that if. If I can upload that slightly different version (about the audio of this rought Why We Do Fall?) let's say no later than tomorrow OK (I think of yes but we'll see), while if not then only this remains. Premise: later I could delete this video to replace another in which let's say on the one hand the video could or should be practically the same but with a slight increase in volume compared to this already high one and different reverberation, and also with an image where there's Christopher Nolan and Hans Zimmer together and some other stuff from that scene in Dark King Rises. It's not a given that I actually do this thing but generally when I think of something I rarely realize it. Let's say that this version is important for the fact that I managed to upload it on June 17th, which is in fact the day of Mr. reaching or equaling the "record" of consecutive Weather Reports, if not exceeding it. Lynch. The days are 949 or 950, it depends on whether we count the days in which it started or ended. If we don't consider the days in which it started and finished and today that would be exactly 950 while if we also count them 951, while in the case of yesterday if we consider them they were already 950 (and therefore it was already exceeded). I consider the actual days of mr. Lynch 949 because there are 950 if we also calculate the end and start days. So in this sense let's say it's already Sunday that I would have equalized the number. In my head, since yesterday was the birthday of the Weather Report for David Lynch, I found it more suggestive that the absolute overtaking occurred yesterday than today. However, it could also be that I could not delete this video but that I would still add to it this slightly different version that I mentioned at the beginning where in my frame in which in Weather Report for David Lynch style I am silent close to the interpretation to the keyboard I could also add two other different pieces of music, one of which should be a new piece that I have performed in recent days and which would be dedicated to a man, a doctor from my building who I knew as well as everyone here and who has died a few days ago at the age of 63. Let's say that this song, a religious song, was also composed by him. But it is still early for this, in the sense that in reality this is something that I could do perhaps more if I also reached the real 1000 consecutive Weather Reports, which should fall on August 6th (while the apparent achievement occurred last April 7th). Anyway, let's see, I repeat, maybe the version with only Why Do We Fall slightly modified, wait for later too. Furthermore, it must be said that today's real video is another and I should upload it either in a few hours or at the latest on the night of the 19th. It is a video lasting more than an hour in which, in honor of the anniversary of the 10 years since the death of the legendary Jimmy Scott, after a very long intro lasting I think about 15 minutes in which there are also Miss Twin Peaks and Dark Mood Woods which act as a preamble, practically all my versions from when I am the creator (about four years) of what I consider the "best part" of Sycamore Trees and that is from the moment in which after a few seconds with the organ the Sax then enters and Jimmy Scott sings in a more powerful way "And I'll see you..." until "in the breeze". And so yes, overall it should last more than an hour, there should also be a version (taken from the summer Weather Reports from three years ago now) in which I am shaved and singing Sycamore Trees for about a minute under some trees in a villa a few minutes walk from my house where I have been sunbathing for about 5 years now (if I were to go again this year it would be the fifth year) more or less from the end of July and all of August, sometimes even the beginning of September. In any case, yes, this would be today's real video and I'm basically uploading it a week after the anniversary of Jimmy Scott's death. This is because the video, like many of my videos, was quite challenging to create and edit and then because clearly, as you know, between the Weather Reports and the editing of my keyboard interpretations, time really flies by. As Baudelaire says in some of his verses "Time swallows me up minute by minute": that's exactly what it is. Nothing less, so far I have lived this experience on RUclips with so much intensity that it can be said that I found myself from being 24 and a half years old shortly after my degree in Philosophy (19 February 2020) to being practically 29 (next September) in a touch, as if nothing had happened. Of course, in my opinion, for anyone who is a man involved in culture, perhaps even more so for artists, for them (I won't go into it because I have no pretentions to truly consider myself such) time is eternal, it doesn't really exist. And yet on the other hand we certainly cannot deny that there is still an objective time marked by objective moments which tells us that we are inevitably still objectively moving forward with our years. This is inevitable. *My interpretations (plural becasue as always there're plus versions with other sounds) of Why Do We Fall? by Hans Zimmer from The Dark Kinght Rises (2012), come from last November 21th and in this case it's the version with Warm Pad + Strings version. They were part of other pieces (another from Rises and one also from Batman Begins) I filmed in that period, better between last December and January in particular for the 15th years of The Dark Knight, two-three pieces from it. Even if the better versions of all these pieces I think we'll talk in the next months. I selected this only for this occasion that happened. Curiosity: the shirt of the keyboard interpretation is the same of the Weather Report video but I didn't do it on purpose, I didn't choose the piece on purpose, I assure you.

1) July 3rd 1883 - June 3rd, 1924. I say that this musical motif is entirely my own, I wasn't inspired by any music, I simply thought of "something absurdly and disturingly labyrinthine from which one is aware that it is impossible to escape". I don't know if this feeling comes to others too, but I was guided by it while I played these notes. Then we have a part of "crying" so to speak, always aware that we cannot escape the absurdity that exists in the world, but somehow with a faint hope of being able to save oneself from this total nonsense, otherwise I wouldn't have structured this part the way it feels. It's sure that I consider that as my favorite part. Here's the effective running through which you can hear it in all the three versions: Vers. 1 from 01:41 to 02:28 (but if we want even up to 02:41); Vers. 2 from 06:49 o 07:38 (but if we want even up to 07:53); Vers. 3 from 12:04 to 12:41 (but if we want even up to 12:56). 2) As for that sentence in the top right pic (that you also can see in its normal form along with two other images from the film in the ending of the version Weather Report for David Lynch ruclips.net/video/9bdIN7ZYQew/видео.html&t ; essentially a video that served as a preview of the complete versions of the piece that you can listen to here but above all in which on the very day of the anniversary of his death, June 3rd, I remembered the great writer through a few short words showing two books by him that I read a few years ago, The Castle and The Process) it's the final sentence (a sentence taken from The Process) inserted in the movie Investigation Of A Citizen Above Suspicion (1971) by Elio Petri. So if anyone has already seen it, I think everyone if not many, already knows what it is, OK. While in case anyone has never seen the film this is the translation of the sentence in the case here's the English translation: "Whatever impression he makes on us, he is a servant of the law, therefore he belongs to the law and escapes human judgment".

1) July 3rd, 1883 - June 3rd, 1924. I say that this musical motif is entirely my own, I wasn't inspired by any music, I simply thought of "something absurdly and disturingly labyrinthine from which one is aware that it is impossible to escape". I don't know if this feeling comes to others too, but I was guided by it while I played these notes. Then we have a part of "crying" so to speak, always aware that we cannot escape the absurdity that exists in the world, but somehow with a faint hope of being able to save oneself from this total nonsense, otherwise I wouldn't have structured this part the way it feels. It's sure that I consider that as my favorite part. Here's the effective running through which you can hear it in all the three versions: Vers. 1 from 01:48 to 02:35 (but if we want even up to 02:47); Vers. 2 from 06:54 o 07:44 (but if we want even up to 07:58); Vers. 3 from 12:10 to 12:47 (but if we want even up to 13:02). 2) As for that sentence in the top right pic (that you also can see in its normal form along with two other images from the film in the ending of the version Weather Report for David Lynch ruclips.net/video/9bdIN7ZYQew/видео.html&t ; essentially a video that served as a preview of the complete versions of the piece that you can listen to here but above all in which on the very day of the anniversary of his death, June 3rd, I remembered the great writer through a few short words showing two books by him that I read a few years ago, The Castle and The Process) it's the final sentence (a sentence taken from The Process) inserted in the movie Investigation Of A Citizen Above Suspicion (1971) by Elio Petri. So if anyone has already seen it, I think everyone if not many, already knows what it is, OK. While in case anyone has never seen the film this is the translation of the sentence in the case here's the English translation: "Whatever impression he makes on us, he is a servant of the law, therefore he belongs to the law and escapes human judgment".

*As it was a sketched version of few days ago that I did everything to upload right on the day of his death, in the case for the full better complete versions see directly the keyboard full versions: ruclips.net/video/Vk2IzQmH0Xk/видео.html (Normal / Room Reverb); ruclips.net/video/3vlB2qFULMk/видео.html (Deep Dream / Eco Reverb). 1) July 3rd, 1883 - June 3rd, 1924. Obviously this isn't the Weather Report but an additional video from four days ago. I say that this musical motif is entirely my own, I wasn't inspired by any music, I simply thought of "something absurdly and disturingly labyrinthine from which one is aware that it is impossible to escape". I don't know if this feeling comes to others too, but I was guided by it while I played these notes. Then we have a part of "crying" so to speak, always aware that we cannot escape the absurdity that exists in the world, but somehow with a faint hope of being able to save oneself from this total nonsense, otherwise I wouldn't have structured this part the way it feels. It's sure that I consider that as my favorite part. Here's the effective running through which you can hear it in this preview version (which we could also define as reduced) Weather Report: from 01:45 to 02:48 or from 04:00 to 04:26. 2) As for the final sentence (taken from The Process) it's a sentence inserted in the movie Investigation Of A Citizen Above Suspicion (1971) by Elio Petri. So if anyone has already seen it, I think everyone if not many, already knows what it is, OK. While in case anyone has never seen the film this is the translation of the sentence in the case here's the English translation: "Whatever impression he makes on us, he is a servant of the law, therefore he belongs to the law and escapes human judgment".

1) Saying that in the next few days as usual I do since time with my interpretations I should insert also anoter Suite, a Suite 2 in this case with or only in CP80 sound. In fact I always remember that sound CP80 is one of my favorite if not THE favorite from my keyboard together with Warmd Pad + Strings and Warm Pad Solo and other few sounds, as Italian and football fan I'm proud of Carlo (also ex coach of SSC Napoli): Emperor of Football in Europe. In fact this Saturday or three days ago mr. Carlo Ancelotti from Reggiolo (who during Season 2018-19 and until December 10th of the 2019-20 Season was also the coach of my SSC Napoli) with the victory of this Champions League by Real Madrid won his 5th cup as coach and 2 as player in the 80's: so a total of 7. He's a legend, he's really the Emperor of Football in the Europe. While Real Madrid team won his or their 15th Cup, absolute unaittable record. Among other things this Italian group who sand this song they're fan of the previous team (AC Milan) through which mr. Carlo won his first two Champions as coach. 2) Yes. This interpretation is improvised by me few days ago and played for the woman protagonist of this very beautiful song too dear to me from 2003 by the Italian group Le Vibrazioni (The Vibrations). The song is called Dedicato a te (Giulia), "Dedicated to you (Julie)". In fact, Giulia is the name of the woman who died a few days ago, Giulia Tagliapietra to be precise and she was 46 years old. I confess that I still don't understand the cause of her death but I certainly know that the frontman of the group (Francesco Sarcina) had an affair, a lovestory with her when she was very young and that's why he wrote this song for her. Among other things, in the chorus there is a very beautiful expression that he uses for her: "shining harmony". This expression (beyond the fact that as a big Lynchian fan it personally also makes me think of Laura Palmer, at least the good side of Laura) for him but also for all the people who knew her meant that she was a beautiful and special person. In any case, if I'm not mistaken, with this death she leaves two children and her husband, as well as obviously other people dear to her, especially the singer. 3) In the case these are the lyrics of the song: Verse 1 You know... Sometimes it happens that There is a need to leave And leave everything to fate, Act like a tightrope walker, That about the world He challenges the collapse of his abilities Refrain But this is dedicated to you To your shining harmony You are immensely Giulia! Your name is like music, It fills me up and never tires me. Dedicated just to you (Only intro notes saying Giulia x2) Verse 2 But she close her eyes and wait for it My mouth comes to cheer you up She knows where, who knows how I would like to stop time To enjoy your fantasies And listen without interruptions But this is dedicated to you To your shining harmony You are immensely Giulia! Your name is like music, It fills me up and never tires me Dedicated just to you! (Only intro notes saying Giulia x2) + "Breathe slowly and listen to that" before the refrain for a last time Refrain But this is dedicated to you To your shining harmony You are immensely Giulia! Your name is like music, It fills me up and never tires me You are immensely Giulia... You are immensely Giulia... Your name is like music, It fills me up and never tires me... Dedicated just to you! (only intro notes saying Giulia x2)". 4) Imoprtant techincal note: certainly there will be some errors in the background parts relating to the secondary instruments. Let's say that as regards the first version, which is precisely the one where all the sounds are present, I tried to enrich it as much as possible in this sense. I tried to capture all the actual notes played by the various instruments, I think I succeeded but not completely, for example I think that in the refrain part the bass plays only one note compared to the two I played. Let's say that in truth I also did it a bit on purpose to make the interpretation slightly different from the original. But surely these possible "errors" were also due to the little time available. As I said at the beginning, the piece was improvised by me practically in one day, even though I already knew it, I listened to it again about ten days ago only for a few hours the day after I learned of the death of the protagonist Giulia. So I think in that sense it's sort of a miracle that I managed to get the version of the song together in its entirety for this Suite 1.

Beautiful. Can you find me a link to a original video "PEACE" on David Lynch Theatre RUclips Channel beacause I can not find it. Thanks!

1) Important: as the title suggests, this is just a preview but we could also define it in a certain sense as a "short dedication RIP version". I don't know how the complete version will turn out (in the sense that I would also like to add the bass and the notes of the electric guitar towards the end; but it's not certain, in case I can't insert the audio parts of all these things then the version in the various parts will remain let's say "simple" as you hear in this preview) and I should upload it in a few days. As for the rest, that is a preview of my Weather Report by David Lynch from yesterday: ruclips.net/video/Dwqf5OKWDpo/видео.html&t. This is because I inserted this same Preview even before the complete Weather Report from yesterday. Let's say that this is a habit that I have generally had for some time, that of inserting Previews of my pieces on the Weather Report for David Lynch channel. Those who have been subscribed to that channel for a longer time know that it is a practice that I follow every now and then just before inserting the complete versions of my pieces. Then, in the following point I explain why I interpreted the piece these days. 2) Yes. This interpretation is improvised and is dedicated to the woman protagonist of this very beautiful song from 2003 by the Italian group Le Vibrazioni (The Vibrations). The song is called Dedicato a te (Giulia), "Dedicated to you (Julie)". In fact, Giulia is the name of the woman who died a few days ago, Giulia Tagliapietra to be precise and she was 46 years old. I confess that I still don't understand the cause of her death but I certainly know that the frontman of the group (Francesco Sarcina) had an affair, a lovestory with her when she was very young and that's why he wrote this song for her. Among other things, in the chorus there is a very beautiful expression that he uses for her: "shining harmony". This expression for him but also for all the people who knew her meant that she was a beautiful and special person. In any case, if I'm not mistaken, with this death she leaves two children and her husband, as well as obviously other people dear to her, especially the singer. However, in a few days I hope to upload the full version, perhaps I could already upload this form of Preview to the keyboard channels but I don't know yet. Surely, even if I had already played the piece in the past, it was still a very improvised thing. However, I tried to capture a whole series of nuances, such as the notes of the bass, the final notes of the electric guitar (things that clearly cannot yet be noticed in this slightly rough or preview version). In the case this is the first verse of the song: "You know, sometimes that happens There is a need to leave And leave everything to fate Act like a tightrope walker Which challenges the world to collapse Of his abilities" Refrain: "But this is dedicated to you To your shining harmony You are immensely Giulia Your name is like music It fills me up and never tires me Dedicated just to you".

Wow you are amazing! Thanks for doing this for such an old game I thought was long forgotten from my childhood!

Beautiful Dolores O'Riordan my favorite singer sang on that song! Goosebumps and Chills

*W in the title means "with". If someone had already seen the video a few hours ago sorry but then I added another little part at the end (dedicated to Sergio Leone and pratically the end of Weather Report of yesterday. This because April 30th is the day of Lars von Trier's birthday and Sergio Leone's anniversary of death, and in these days I dedicated my Weather Reports to them with the insertion of my some interpretations of the past, April-May 2021, related to their movies and also in that occasions played by me for their anniversaries). 1) In the case you're interested for all the parts in which there're words put the subtitles written by me. Saying that the docufilm about the 3rd Scudetto was released just recently but that I haven't had the chance to see it yet (it's called Sarò con te, "I'll be with you" directed by Andrea Bosello and obviously produced by Filmauro, that is president Aurelio De Laurentiis house of production) for those who don't know: that my interpretation of Lascia ch'io pianga has almost 243.000 views on the third keyboard channel (even if I confess it stopped for several months) ruclips.net/video/Aa_xMHK9RRA/видео.html but only for luck, sure haha. In the case see the last point to the routine description in the video to the deepen thing (in the case I reported it to you in quote also at the end of this comment). I also add that this yellow and black sweater for me now has a sort of "sacred" aurea really for this reason haha. No let's say in general is a sweather that I like but I cannot deny that however it took on a different value also by virtue of that video or interpretation. 2) However I also would add that as regard the Weather Report version or in general the Weather Report of yesterday it was Day 5 of those Weather Report music tribute to Lars von Trier's 68th birthday and Sergio Leone's 35th anniversary death (April 30th both the things). It should continue for other 2 days I think, today and tomorrow. All those keyboard interpretations you'll see in them are dated April-May 2021, pratically dedicated for that year ranniversaries (65th and 32 in that case) of the two directors. About Sergio Leone in fact in the Weather of yesterday (towards the end as you can notice also in this video) I inserted the interpretation of Main Theme from Giù La Testa (1971). In the case here's the full Weather Report: ruclips.net/video/SvO23zrMlSE/видео.html&t. "3 - this Third Keyboard Channel, called "NikolajStavrogin'sKeyboard 3 (No Lynch)", the exact opposite of the second (that is, the one in which I never load the interpretations of the music from David Lynch's films but those relating to pieces by Angelo outside the world of the good David yes, and in which, even if I haven't been a believer for a long time and the study of Philosophy, in which I graduated in case someone didn't know or if they forgot, influenced me a lot on this) I was "miraculously healed" haha by San Gennaro, Patron Saint here in Naples, for the fact that my interpretation of Händel's aria Lascia ch'io Pianga from Rinaldo reached 10,000 views September 19th of 2022, and on February 7th of last year (among other thing on the day of my mother's birthday and also that of the legendary Italian singer Vasco Rossi) it reached 100,000 views (now it's going to 243000 even if I confess it stopped for several months, it had a certain exploit it seems to me until June-July last year, I was convinced it could have reached at least 500,000 views but now I find it hard, but I already consider myself lucky like this, I don't it's something that happens to everyone). Video then uploaded May 3rd of last year (but originally dated the year before, so 2021) on the occasion of the birthday of the great Danish director Lars von Trier, who has his birthday on April 30th and this year he turned 66; this is because, and I always assume almost everyone knows it here, Lascia ch'io pianga is practically the musical theme of his masterpiece, and which Lars von Trier film is not a masterpiece, Antichrist, from 2009): ruclips.net/channel/UCYLgwmii0RUGzPRbJNz5x9g".

👍 good job bubby

"Theme" at least by me, in my view (if someone is interested in the normal keyboard version I also inserted the ENG lyrics). You may consider this video or better interpretation not as a real or actual video, but somehow I uploaded it anyway. In fact even if I interpretated this piece almost two years and almost an half ago when she died I uploaded only the 1 hour loop version of it ( ruclips.net/video/z0cqHYKBMnY/видео.html&pp=ygUzaWwgcGluZ3Vpbm8gaW5uYW1vcmF0byBkZWRpY2F0byBhIG1pYSBub25uYSBwYXRlcm5h ). So I just thought I'd upload the version with the normal length but still remembering the birthday, so this is the reason. About the paternal grandmother and two words on the song: yes as I was saying just before she died on Dec. 18th, 2021 and on last April 18th she would have been turned 91 years. That in the pic in the first part of the Report it's the entrance part of a palace, that is the palace of my paternal grandparents. Or better this is the lower part because then continuing there are stairs that go to their door. Having said that every two Sundays I do the Weather Report from there when I go to my grandfather when I go to visit my grandfather for one or two hours, (perhaps if someone watch my Weather Reports every day could know this). Maybe someone who has been subscribed to the channel since the beginning already knows this: that the song, called Il Pinguino Innamorato (eng "Penguin in Love") by Trio Lescano is an old song from 1941 that she sang to me and my brothers when we were little and she even started reciting/dancing to the verses while she sang. So this thing, as I believe my brothers, has always remained imprinted on me, indelible in my memory. As I had already said in the past if I had to make a little comparison this memory for me is a bit like the Hook Rug Dance scene in Twin Peaks (as you know much better than me Season 2, Ep. 8). Perhaps If I had more time I would have tried to get a photo of her and put it in but I didn't make it in time or in any case I didn't have any photos saved here on the PC. In reality I think another reason is that it also bothered me because I'm basically someone who cares a lot about privacy anyway.

How did you have the energy to play for 12 hours or even 24 hours? That is a long time and did you eat or drink?