- Видео 19
- Просмотров 14 705
Gonzalo Pérez Cañas
Испания
Добавлен 2 ноя 2016
Músico / Musician
Chopin. Four Ballades | Orchestration (Revised)
Chopin. Four Ballades | Orchestrated
Ballade no. 1 in g minor, Opus 23 (1835) [00:00]
Ballade no. 2 in F major, Opus 38 (1839) [10:07]
Ballade no. 3 in A-flat major, Opus 47 (1841) [17:36]
Ballade no. 4 in f minor, Opus 52 (1842) [25:25]
• Composer •
Frédéric Chopin (1810-1849)
• Arranger / Orchestrator •
Gonzalo Pérez Cañas (b. 1992)
• Edition •
MuseScore 4
Muse Sounds
Ballade no. 1 in g minor, Opus 23 (1835) [00:00]
Ballade no. 2 in F major, Opus 38 (1839) [10:07]
Ballade no. 3 in A-flat major, Opus 47 (1841) [17:36]
Ballade no. 4 in f minor, Opus 52 (1842) [25:25]
• Composer •
Frédéric Chopin (1810-1849)
• Arranger / Orchestrator •
Gonzalo Pérez Cañas (b. 1992)
• Edition •
MuseScore 4
Muse Sounds
Просмотров: 2 119
Видео
Beethoven. Sonata No. 31 in A-flat major, Opus 110 (Orchestral Version • Muse Sounds)
Просмотров 5553 месяца назад
Sonata in A-flat major, Opus 110 (1821) I. Moderato cantabile molto espressivo (00:00) II. Allegro molto (06:12) III. Adagio ma non troppo - Fuga. Allegro ma non troppo (08:34) • Composer • Ludwig van Beethoven (1770-1827) • Arranger / Orchestrator • Gonzalo Pérez Cañas (b. 1992) • Edition • MuseScore 4 Muse Sounds
Beethoven. Sonata No. 32 in c minor, Opus 111 (Orchestral Version • Muse Sounds)
Просмотров 4914 месяца назад
Sonata in c minor, Opus 111 (1822) I. Maestoso - Allegro con brio ed appassionato (00:00) II. Arietta. Adagio molto semplice e cantabile (09:48) • Composer • Ludwig van Beethoven (1770-1827) • Arranger / Orchestrator • Gonzalo Pérez Cañas (b. 1992) • Edition • MuseScore 4 Muse Sounds
Chopin. Ballade No. 4 in f minor, Opus 52 (Orchestral Version • Muse Sounds)
Просмотров 7556 месяцев назад
Ballade in f minor, Opus 52 (1842) • Composer • Frédéric Chopin (1810-1849) • Arranger / Orchestrator • Gonzalo Pérez Cañas (b. 1992) • Edition • MuseScore 4 Muse Sounds
Chopin. Ballade No. 3 in A-flat major, Opus 47 (Orchestral Version • Muse Sounds)
Просмотров 6537 месяцев назад
Ballade in A-flat major, Opus 47 (1841) • Composer • Frédéric Chopin (1810-1849) • Arranger / Orchestrator • Gonzalo Pérez Cañas (b. 1992) • Edition • MuseScore 4 Muse Sounds
Chopin. Ballade No. 2 in F major, Opus 38 (Orchestral Version • Muse Sounds)
Просмотров 5037 месяцев назад
Ballade in F major, Opus 38 (1839) • Composer • Frédéric Chopin (1810-1849) • Arranger / Orchestrator • Gonzalo Pérez Cañas (b. 1992) • Edition • MuseScore 4 Muse Sounds
Beethoven. Sonata No. 8 in c minor, Op. 13: II. Adagio cantabile
Просмотров 1018 месяцев назад
Composer Ludwig van Beethoven (1770-1827) Arranger / Orchestrator Gonzalo Pérez Cañas (1992)
Beethoven. Sonata No. 2 in A major, Op. 2 No. 2: II. Largo appassionato
Просмотров 888 месяцев назад
Composer Ludwig van Beethoven (1770-1827) Arranger / Orchestrator Gonzalo Pérez Cañas (1992)
Beethoven. Sonata No. 8 in c minor, Op. 13: I. Grave - Allegro di molto e con brio
Просмотров 1578 месяцев назад
Composer Ludwig van Beethoven (1770-1827) Arranger / Orchestrator Gonzalo Pérez Cañas (1992)
Beethoven. Sonata No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro
Просмотров 739 месяцев назад
Composer Ludwig van Beethoven (1770-1827) Arranger / Orchestrator Gonzalo Pérez Cañas (1992)
Beethoven. Sonata No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro
Просмотров 1559 месяцев назад
Composer Ludwig van Beethoven (1770-1827) Arranger / Orchestrator Gonzalo Pérez Cañas (1992)
Beethoven. Sonata No. 15 in D major, Op. 28: III. Scherzo. Allegro vivace (Orchestral Score)
Просмотров 265Год назад
Composer Ludwig van Beethoven (1770-1827) Arranger / Orchestrator Gonzalo Pérez Cañas (1992)
Beethoven. Sonata No. 25 in G major, Op. 79: III. Vivace (Orchestral Score)
Просмотров 225Год назад
Composer Ludwig van Beethoven (1770-1827) Arranger / Orchestrator Gonzalo Pérez Cañas (1992)
Beethoven. Sonata No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace (Orchestral)
Просмотров 128Год назад
Composer Ludwig van Beethoven (1770-1827) Orchestrator / Arranger Gonzalo Pérez Cañas (1992)
Chopin. Ballade No. 1 in g minor, Opus 23 (Orchestral Version • Muse Sounds)
Просмотров 7 тыс.Год назад
Ballade in g minor, Opus 23 (1835) • Composer • Frédéric Chopin (1810-1849) • Arranger / Orchestrator • Gonzalo Pérez Cañas (b. 1992) • Edition • MuseScore 4 Muse Sounds
Chopin. Etude in a minor Op. 10 No. 2 (Orchestral Version)
Просмотров 191Год назад
Chopin. Etude in a minor Op. 10 No. 2 (Orchestral Version)
Chopin. Etude in C major Op. 10 No. 1 (Orchestral Version)
Просмотров 180Год назад
Chopin. Etude in C major Op. 10 No. 1 (Orchestral Version)
Beethoven. Sonata No. 2 in A major Op. 2 No. 2 (Orchestral Version)
Просмотров 333Год назад
Beethoven. Sonata No. 2 in A major Op. 2 No. 2 (Orchestral Version)
Beethoven. Sonata No. 1 in f minor Op. 2 No. 1 (Orchestral Version)
Просмотров 775Год назад
Beethoven. Sonata No. 1 in f minor Op. 2 No. 1 (Orchestral Version)
genius sounds like my old fbo-1 sound generator
thank you!!
omg i love this!! it just randomly got recommended to me
Hmmmm idk what is weird about this... but like it changes between several instruments on all places where it goes up. Sounds just like you've thrown it into an algorithm and just seen what comes out.. But yea sounds kinda interesting for sure Especially the 2nd ballades start was quite interesting. Curious how you did it
First of all, thank you for comment and for taking your time on listening to this. I would like to make clear that I did this completely by myself from beginning to end. I don’t find interesting to use an IA or another technology device which facilitates all the work through. I prefer much more enjoy the results when I am conscious about all the choices, all the knowledge I tried to put on it (distribution of pianistic designs into different instruments characteristics, textural changes, voice leadings on different orchestral families and in general, even the structure of the piece, etc…) It’s true that I wrote this on a computer, using a score editor (MuseScore 4), but I would find it pointless to miss all the slow process of learning, creating the whole thing. With my own mistakes, there may be multiple possibilities and versions of the same pieces on their translation into the orchestral idiom. Even the instrument and its colour has helped me to evoke certain “feelings” (for example, to me, the oboe in the first ballade section playing the melody, can be understood like nostalgia about distancing from homeland, just as Chopin experienced on his lifetime when writing this, and its absence on the last reprise, makes the music even more dangerous and menacing, omitting an element that was recognisable before, infusing even into fear, just before the dramatic coda). Also on the fourth ballade I employed the duality of the flute and oboe on the main theme and their interchangeability into the first variation, to show through tonal changes, their possible contrast and different shades, combining both musical parameters. I could comment or quote more examples about what I had in mind in several passages. It’s just, work on your own fantasy and instincts (and your technical knowledge) and trying to reinvent or restore this with another musical medium, the orchestra, and enjoy the possible results.
hearing that main theme at 25:50 in ballade 4 orchestrated really highlights its strangeness. Great work by the way, these being played by a real orchestra is something i really hope is recorded in my life time.
😂😂😂😂😂
I love the first Ballade coda, the woodwinds go really well although i think the Melody in the left hand could be Amazing counterpoint with the Strings if you orchestrated it to the Horns, like two melodies fighting or dancing?, idk, the work you did is amazing by itself, and i Think the Fourth ballade could have a little bit more Brass too, I always thought of Chopin as the Mahler of the Piano, in the sense that his pieces are really powerful and inventive, orchestrated with a bit more of trumpets and trombones in the darkest passages and some Chords like somebody already pointed out could work amazingly, i dont want to critize btw, is just a little observation, after all you are the one who took all this work on your shoulders and your results are amazing, Again, the use of woodwinds in certain passages are really coloristics, maybe a Cello solo in a few stand alone melodies could work amazing too, like for example after the middle climax of the first ballade, after the descending itself recalling the melody, i always pictured that as a Cello part if i ever were to arrange this. the second ballade coda is amazing though, and the third one is so beautiful orchestrated!, many pianist rush the third ballade coda which is a big mistake in my humble opinion, i think it should be paced and really show the slight tonal changes as well as melodic shape, anyway, Love your work thanks, keep it up!
Also the last Calmed chords before the fourth ballade coda could be completely for Woodwinds, giving it more contrast if you after add Brass and even percution for the final passages but i dont know which kind of instrumentation you are using, if you want to be fateful to Chopins time then it makes sense a rather Classical approach with String oriented sonority but i think this music deserves as much color as that of Ravel or Mahler.
Great work! My one thought would be there might be more space to incorporate the brass section, particularly to hold some of the lower register chords and give them a little umf. Right now, the brass seems to be pretty minimal in a lot of passages, at least from what I can hear, you could get some good use out of them. Overall, very impressive! I enjoyed listening to this and thinking about how you orchestrated it, and the creative solutions you employed.
Thank you very much for your words and your attentive listening through it, sharing with me your advices. I’m happy to know you enjoyed it.
@@gonzaloperezcanas I hope you publish these and get them performed!
I would lengthen that final c major chord 35:27 cause its the climax point and that previous chords would be better if you could make the strings do pizzicato. I know that you are using a informatic programme, but you can perfecten some things. Anyway, good job, that's a lot of work!
@@hugomusicpianog Those seem very useful and detailed suggestions you made. We can always revisit a work or arrangement and reconsider how to make a passage sound, in this case, an orchestration. There’s always so much to learn in these processes, specially when I started to orchestrate about a year ago, so I could still consider myself a beginner. I really enjoy this immersive experience into the world of the composer, and I appreciate, foremost, the time you took listening to it and to share some observations to make it even better. Thank you.
nice work
@@cloverisfan818 I’m glad you enjoyed it. Thank you!
Do you have the midi file for this? 🙏
Can i have it?
Broo. I need it in Spotify
Great work btw
Buenísimo
Orchestral version but made by computer
@@gonzaloperezcanas But you could at least write SAO on the title at least
@@gonzaloperezcanas nevermind
do the first scherzo of chopin slow lullaby its super
do the first scherzo of chopin slow lullaby its super
do the first scherzo of chopin slow lullaby its super
tome mi suscripcion y mi apoyo buen hombre. Impresionante que solo este hecho con ese software, te admiro demasiado
Just only Muse Sounds? No DAW? WOW!! Great!!
sounds like the old FBO-1 generator's
Don't the other movements exist yet, or have I just not found them? But that doesn't matter, because I orchestrated the Sonata (in 3 movements) 2020 myself😁: ruclips.net/video/EkPL_2BJ118/видео.html ruclips.net/video/9LG3eFpNbQc/видео.html ruclips.net/video/Q8K0Qu_WHuI/видео.html I find your work very interesting, but I still have to study it in detail. You are probably also familiar with the many arrangements by www.youtube.com/@jchoe95, but he only set most of the Beethoven sonatas for strings.
wonderful\
Schönheit im reinen Zustand. Vilen Dank
This touched me from another perspective, like a completely different piece! Adorable!!! Stunning!!!! I'm absolutely in love with this orchestra version ❤❤❤
Podrías hacer una versión orquestal del nocturne op 48 n1 de chopin porfavor??🙏🙏🙏
Precioso
Schön. Man kann sagen, dass es sich um eine symphonische Studie handelt. In dieser Ballada möchte man bleiben und leben.
Podrias hacer una version orquestal del vals de chopin waltz in E minor b56 porfavor?🙏🙏🙏
Actualmente estoy y sigo orquestando las baladas de Chopin, pero por supuesto me encantaría orquestar ese vals que me propones y otras piezas del compositor. ¡Muchas gracias por la recomendación! Saludos 👋
@@gonzaloperezcanas gracias a ti 🥰🥰🥰
Wow, just wow
Spannend wie immer
Increíble, muy hermoso
Magnífico Gonzalo !!
Sehr gut. Vilen Dank
Suena fantástico!!!
One gets real fun with this version. Thank you
Tantos años y tantas tardes compartiendo ideas y conversaciones sobre la música y sus posibilidades, que me alegra enormemente que estas comiencen a dar sus frutos. Un abrazo fuerte.
Maravillosa!!! Enhorabuena hijo
Bravo Gonzalo, eres un fenómeno.
Wow, this is fantastic!!! Especially the Largo !!! Thank you for opening this sonata in a new light to me! And I say this as someone who has also orchestrated a few of Beethovens sonatas and string quartets ...
How interesting - I have done the same last year😊: ruclips.net/video/6qCPuGrXZVs/видео.htmlsi=S9ZEiXUXFpMwpgIE
Otra experiencia gratificante y sorprendente. Gracias por darnos esta oportunidad de ofrecernos otro punto de vista tab original de estas sonatas.
This is awesome!
Sounds so damn good. How did you make this?
I worked the piece, arranging it for orchestra, on MuseScore 4 and saved it as a mp3 file, using the Muse Sounds package. Thank you very much for your words!
I can't describe but they are truly brilliant. I had imagined before how the sonatas would sound in a symphonic form, and here you showed me how magnificent it can be!
A succesful orchestration, well done!
Lo he disfrutado mucho. Deseando escuchar la siguiente!!!
Un regalo para los oídos