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Tomás Jonsson
Добавлен 20 янв 2013
Close to You ft. Caity Gyorgy (Score Video)
Close to You ft. Caity Gyorgy (Score Video)
Просмотров: 83
Видео
Ocurrencias (2024 BMI/Peermusic Latin Award Winner)
Просмотров 993 месяца назад
Ocurrencias (2024 BMI/Peermusic Latin Award Winner)
Pra Machucar Meu Coração with @DaniToralla
Просмотров 225 месяцев назад
Pra Machucar Meu Coração with @DaniToralla
Capim - Tomás Jonsson & @DaniToralla
Просмотров 167 месяцев назад
Capim - Tomás Jonsson & @DaniToralla
Doralice - Tomás Jonsson and @DaniToralla
Просмотров 908 месяцев назад
Doralice is the first single of our upcoming duo EP. We recorded four of our favorite Brazilian gems in our very own unique way. Stay tuned for the release! Piano - Tomás Jonsson Vocals and shakers - Dani Toralla Composers - Antônio Almeida, Dorival Caymmi Mixing - Kent Stump Video - Pedro Girón Producciones Follow us on Instagram: musicbytomas dani_toralla
March of the Tadpoles Feature with One O'Clock Lab Band
Просмотров 5310 месяцев назад
March of the Tadpoles Feature with One O'Clock Lab Band
Back Home Blues
Просмотров 3710 месяцев назад
Live at the 2024 UNISA International Jazz Piano Competition
Some Day My Prince Will Come ft. Ulysses Owens, Jr. & Reuben Rogers
Просмотров 103Год назад
1st Place Performance at the Jacksonville Jazz Piano Competition, May 2022
Scriabin's Harmonic Prophecies of Jazz
Просмотров 2,6 тыс.2 года назад
Scriabin's Harmonic Prophecies of Jazz
Espressivo ft. Benny Benack III coming soon!
Просмотров 332 года назад
Espressivo ft. Benny Benack III coming soon!
Grieg Cello Sonata in A Minor, Op. 36
Просмотров 1273 года назад
Grieg Cello Sonata in A Minor, Op. 36
A Trip to the Moon (1902) - Original Film Score and Sound by Tomás Jonsson
Просмотров 2 тыс.4 года назад
A Trip to the Moon (1902) - Original Film Score and Sound by Tomás Jonsson
Someday My Prince Will Come feat. Caity Gyorgy
Просмотров 2,2 тыс.4 года назад
Someday My Prince Will Come feat. Caity Gyorgy
Tomás Jonsson Final Westworld Score #westworldscoringcompetition2020
Просмотров 2364 года назад
Tomás Jonsson Final Westworld Score #westworldscoringcompetition2020
AAAAAAAAAA
great video!
Lovely video! I often have Scriabin Op. 11 nr.11 prelude playing in my head like a fast jazz trio song. A bit similar to Oscar Peterson playing Carioca
@@olawfhjorth9985 haha I hear it now. Although a jazz ballad would be a little easier to adapt
Chic, Buena Vista SC and well beyond 🙂☺️
Fantastic Mr Jansson et Co ❤
🔥🔥🔥
That wink tho 😍
Great video!!
thanks for checking it out!
Every great composer should just be as great as an improviser…
This is probably the best version of this short film on RUclips! The others I found had scores that did not match what was going on, save the one I found with no music at all. Thank you for letting me experience this movie in a way similar to the way it's first audience may have. (The first audiences probably only would have had music but the sound effects were a superb touch.)
that is so kind, thank you! I tried to give it a vintage vibe.
Clean and smooth!
Love your Scriabin improv
Thank you for linking the historical context of classical and Jazz, this style of harmony was bread and butter of the late romantics and impressionists. Jazz gets way too much credit for harmonic innovations that were never theirs to begin with.
@@tj3482 So glad you enjoyed. I will say in the goal of this video was not to denigrate the harmonic creativity of jazz artists, but rather to lift up as deserving of recognition someone who likely independently came to the same conclusions. Scriabin was likely not that familiar to most jazz musicians, though Ravel and Debussy were certainly more so. The harmonic seeds of jazz were born in the late romantics and impressionists certainly, but they still needed to be further developed.
@@MusicByTomas I don't think Debussy was familiar jazz, as he died in 1918 before it became mainstream, I do belive he was acquainted with ragtime more so, but I could be wrong. Ravel was, but it was more in the rhymtic aspects of his music as well as some blues applications. My comment wasn't meant to denigrate Jazz, just to highlight that many early jazz artists were beginning to apply 20th century modernist harmonic concepts in their music. A lot of the early giants admitted to that influence, but so many today seem to ignore it purposefully or have forgotten about it.
@@tj3482 well said.
@@MusicByTomas thank you, and I can't stress how much I love this video and how talented you are, from your improv or you seamlessly applying jazz concepts to classical pieces.
Beautiful and tragic! 💔
Really well done!! 🎉
Remarkable. Please improve your tech/recording means.
You're a fantastic improviser
beautiful rendition. could you provide the sheet music for this?
Unfortunately I don't have any music for it!
This is one of the best arguments for the harmony of the 4th sonata I've heard. I analyze the opening bars as an "obscured" tonic. The opening bar being an F#13 with a B in the bass to make it ungrounded, then V9 with the 7th in bass, etc... However, the 2-5-1 argument is going to make me rethink this in depth. I enjoyed this presentation alot.
Thanks for the thoughtful comment, so glad you found it insightful.
🔥🥵
Caity! You Are Sensational !! Is that Tomas on Piano? He is also Hot on the Keys...
Man, you're a superb, high skilled and it's inspireing to watch/listen🔔
Great lecture!🌍
Glad you think so!
When I studied Bebop harmony in grad school in the early 1980s I could see that Scriabin had already used that harmony. I had studied Scriabin and already understood much of his harmonic practice. I also found the Dernova book to be especially helpful in showing that Scriabin's music is tonal, not octotonic and not quartal and not atonal.
What is the dernova book?
@@MusicByTomas Dërnova, Varvara. 1968. Garmoniia Skryabina [Scriabin’s Harmony]. Muzgiz. I found an English-language copy in my college library. She analyzes late Scriabin tonally. She identifies the #9th and 13th as the tritone-related added tones that link harmonies. She calls them the v and w tones. Unfortunately I don't know any more about this now since that was back in the early 80s when I read this book. She did an extensive analysis of Sonta 8.
@@pseudotonal thanks for sharing
@@MusicByTomas RUclips accused me of spamming and have disabled my comments. I'm Pseudotonal and this is my other account. I think this is probably the book I read. Varvara Dernova's Garmoniia Skriabina : a translation and critical commentary Authors:Varvara Pavlovna Dernova, Roy J. Guenther Thesis, Dissertation, English, 1979 Edition:View all formats and editions Dissertation:Catholic University of America
nice video , but in that prelude b major i thing there is a sharp..
Can you give me a timestamp?
@@MusicByTomas3:46
@@MichalDirer good catch, yes I got the wrong note there!
Wow...brilliant video....thanks for this!!! Ending Gershwin was a trip!!🎉🎉🎉🎉🎉
What was the stride piano song you played
At what point in the video? Do you have a timestamp?
Ain't misbehavin'
I want a full stride version of the op 11 no 5 prelude.
You are so talented. Thanks for sharing. Do you like kapustin? I assume you do. By any chance do you teach?
Haven't played Kapustin in a while but I do like him. I teach some in the Dallas area!
Lovely 💕
This was a great presentation and had all the elements I’ve been thinking about. I’m a jazz player who plays some Scriabin and this really helped bring it into focus. Your abilities are superb in demonstrating your ideas. Congratulations on a very fine achievement.
Thank you Jerome!
I'm not done watching this vid yet so this might come up later but I remember one of Scriabin's waltzes (the f minor one I believe) having an incredibly bluesy section in the middle of it. RIP Scriabin you would've loved jazz <3
What fun! I'm a Scriabin fan who doesn't know a lot about Jazz, but you made a convincing argument! Thanks!
Outstanding presentation, despite the wilful altering of D maj prelude ending in op 11. Many insights - thank you for this!
So glad you enjoyed! Which alteration are you talking about, I don't remember changing something, but let me know if I did.
@@MusicByTomas Just the cadence at the end of D major op. 11. Only a little thing, it caught me by surprise.
@@flonzaley6092 Interesting. Not trying to nit pick, but I checked the score and didn't see what you meant! Could you give me a time stamp? I'm curious where I changed it, might have been without knowing, but I can't find it. s9.imslp.org/files/imglnks/usimg/6/62/IMSLP10496-Scriabin_-_Op.11.pdf
@@MusicByTomas My apologies, Tomas, you were right to pick me up on it! You changed nothing there, and I should have checked. I think I must have been thinking about the G major. So you were not wilful, I was careless. But in op 2 no 2 bar 12 the RH second note is A sharp, not A natural - the harmony is E major, but the tonality is still B! (3.46-3.47) Congratulations and best wishes on your work. If your university can find the very scarce Eterna LP (DDR) of Günter Phillips' improvisations, he had some improvisations which show a deep understanding of Scriabin equal to your own, which is very rare in such jazz impros on Scriabin!
@@flonzaley6092 thanks for the detailed comment, I hear what you're saying about the A-sharp, that's definitely an oversight on my part. I'll look into Gunter Philip, thanks again!
Absolutely phenomenal. ❤
Thank you!
A thoroughly interesting examination of Scriabin’s jazzy premonitions plus a very ingenious fusion with Gershwin for dessert! As an untrained Scriabin devotee I found your presentation very enjoyable and enlightening.👍👍
Thank you so much for this video!! I am playing the fourth sonata in concert tomorrow, and am ashamed to say I learned just now that his jazz-like music was developed independent of jazz... What a dream it is for it to be adapted by a jazz trio, in the fashion you do in your video!!
Thank you for tuning in, and good luck tomorrow!
What a fascinating video ! As a Scriabin and Jazz enthousiast, I was amazed by your comprehension of Scriabin's harmony. I knew you would select that 4th sonata ! Your overall selection was great and there are many more that sound jazzy (like the prelude op 37 n°3, op 48 n°2...) I find that amazing that you actually spotted some jazzy intricacies in such an early work as the little prelude. This shows how great of a musician you are. Not only your lecture was so interesting but also your impros were OUTSTANDING, especially the last one. You are truly a great musician.
Thank you for the thoughtful comments! Glad you enjoyed
Very nice!
Just sublime.
Fantastic 😊
Love your scat~ and just beautiful dueting! Bravo