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*Please refer to my main channel: @alessandroperini "On that day my left ear became a toad" For cello with DIY amplified bow 2018-2023 Elide Sulsenti, cello Studio recording - June 2024, Inter Arts Center, Red Room More info: alessandroperini.com/portfolio/on-that-day-my-left-ear-became-a-frog/

The project consists of eight independent audiovisual systems, each comprising a vibration speaker and a light source that passes through a water-filled plexiglass plate. The vibrations in the water caused by sound generate dynamic visual patterns projected onto walls, creating a direct link between sound and visuals. More info: alessandroperini.com/2015/09/25/polifonia-liquida/

“Subverted spatialization interface” is an ironic installation which presents a real-world version of the software interface used by electroacoustic musician to spatialize sound, often represented on computer screens as a circle that the musician can move within a square. In this installation, the spatialized vibration under a square wooden board causes a little ball to stroll around. The dimen...

Created at the residency at Park in Progress (Mons, Belgium), September 2nd-11th 2014. More info: alessandroperini.com/2014/09/11/tactileheadset/

Alessandro Perini Sound Fossil III. Lines machine for eroding clay (2018) Part of a cycle of three works about the geomorphic forces seen as sound. The 16-bit digital audio recording of the Banna creek, which erodes the Pianalto region near Turin (Italy), is used to control sixteen electrovalves suspended on a mass of soil from the same area. When a bit is 0, the corresponding electrovalve is k...

Alessandro Perini Sound Fossil II. Spiral machine for carving clay (2018) Part of a cycle of three works about the geomorphic forces seen as sound.A geophone has been used for recording the vibration occurring in the soil while collecting clay from it. A fragment of this recording was then carved into a disc made of the same clay, by means of a custom-built machine. The disc thus incorporates a...

Alessandro Perini Sound Fossil I. Plane machine for shaking clay (2018) Part of a cycle of three works about the geomorphic forces seen as sound. A custom-made machine shakes liquid clay for days, until it solidifies. The movement reproduces a historical seismography from 1887, recorded in the same area where the clay is found. The resulting solidified piece of soil incorporates, from a morphog...

Alessandro Perini - “Intorno alla traccia” (2020) for clarinet with two MIDI-controlled side-keys and live electronics Recorded by Natalie Eriksson in November 2020 at the Inter Arts Center, Malmö I modified a Bb clarinet by 3D-printing a mount which holds two solenoids, pushing two of the side-keys. 💨 alessandroperini.com/2021/02/08/intornoallatraccia/

for French horn with custom-made mouthpiece and tape Written for Sören Hermansson recorded in Studio A • Inter Arts Center

stones / sand / clay (2023) - Sören Hermansson (outdoor version)

"Les Automates de Descartes. Concertino" (2015) live in Luzern, May 2024 @elidesulsenti5922

"Three Studies For Two Voices" (2017) for two performers with embedded speakers

Irene Bianco plays "Epicentro" (2020) for piano, 10 vibrating motors and two contact microphones

"Sounding Canebrake" - mobile sound installation

"Stereofonia Acquatica" - listening at the water's edge

Banana plant .:. inside trees #3

White willow .:. inside trees #2

Black alder .:. inside trees #1