Видео

@@SirLanceMan so far, unfortunately, the music used for my videos are just snippets and demos I create. I appreciate it though! 🤘

Heard that 🫡 the crazy thing is that the PodMic and the SM7b were made to minimize this with their shotgun style design. Wild

@@pinkunicornfish9343 thank you for watching 🤘🍻

@@igorkhomenko2508 I 100% satisfy the title, regardless of the viewer’s expertise

@@calib5 thank you very much ❤️🙏

I think I understand what you mean, but the examples you have here sound like what I described. Granular glitching includes varying pitches, but using essentially the same process to achieve

@@rick49 hell yeah! Thank you so much 🙏❤️

I actually disagree. Where over-compression is absolutely possible, it is a necessary tool for many sources. And, depending on the genre, is almost unavoidable. Compression can also accentuate transients, depending on the attack and release time

@@richardharmon9596 noted. I definitely could have made the difference more apparent, so thank you for pointing this out! 🙌

@@chronic4719 noted. I could probably have made it more extreme to exaggerate the effect. Thank you!

Thanks for watching! ❤️😎

Thank you! ❤️❤️

I think it’s the reason I won’t get rid of this thing

You know it! That record changed my life lol

@@BearTechNation noted! And I’m so glad to hear it was helpful ❤️😎

@@skoolhitdabutton I think a great way to start is by using low ratios and barely getting the compressor to work, then bypass to compare it to before. You’ll get there! Write down a note to potentially make just a video on vocal compression.

Thank you so much so the feedback ❤️🙏

Luv you bro ❤️

Thank you for watching! 😎🫡 Glad it was helpful

Thank you! 😎🫡

Probably could have saved time making this video if I had used it, but I’m more genuine than that

Nah thank YOU for watching! 🙌😎

@@saschakuhn2660 Thank you! 🤘and honestly, I use transient designers when I love the sound of the instrument, but I either want it to hit harder or softer. Using compression is more for shaping the overall sound, so it can hit harder or softer yes, but then you change the tail information and ambience as well. Does that make sense?

@@johnwurm1985 I’m glad to hear that! Thank you very much 💪😎

@@lightingwalk thank you so much! ❤️🙌

@@diostaylow 😂😂😂 that’s fuckin right

@@JulieGoens-w4e thank you!! ❤️❤️

It's just too good lol

I'm not a fan of that because it's all about look and not sound. It could breed some bad habits, and force you to use your eyes more than your ears, so you'd have a hard time growing and getting better creatively

@@drasticboxxmedia I agree with what you're saying... But I still find it a useful tip for setting the release time on something like a snare or kick along with using my ears too. Helps get me in the ballpark. Point being if the release doesn't get back to zero (on say a snare) before the next hit it will start creating a "pumping" effect. But there again it all depends on what you're trying to do. In some cases you might want to apply a pumping effect as an artistic choice. At the end of the day what even the pros say... There's no hard and fast rules. And as you're saying just go with what SOUNDS good, or use your ears! Kudos to you for taking the time to make this tutorial! It's certainly a good enlightening starter tutorial for people just getting started. But speaking as someone who's been studying mixing for a couple decades I humbly admit I still struggle with how to HEAR what a compressor is doing! You do a decent job of explaining WHAT the different control knobs do but precious little about how to HEAR what they're doing! Over the years I've watched countless video tutorials on compression. Most of them get into the technical side. Some even going as far as telling you THE "RIGHT" attack and release, ratio and threshold setting for different instruments or vocals but that's kind a moot point because every recording is different and needs to be addressed individually. But I finally stumbled upon one guy that goes on a WAAAY deep dive into how to HEAR what all the functions on a compressor do by a guy that designs and builds software and hardware compressors and other effects. Excellent, excellent, excellent tutorial on a trick to help HEAR what a compressor is doing and maybe even more importantly, how to use a compressor artistically as a tone shaping tool! I'd highly recommend checking it out. I guarantee you'll find it very enlightening! Hands down the very best tutorial I've ever watched on compression! ruclips.net/video/K0XGXz6SHco/видео.html

I actually agree with this comment 100%. And yes, the purpose of my video is for absolute beginners that are lost. So, I don’t like giving out advice that may point them in a complicated direction. In my opinion, it’s better to explain a general scope, and leave the person to the experimentation. The best part about all of this is that it’s all choice, like you said. I’ve had the pleasure of having great mentors over the years that have help me understand and hear tools like this. Anyway, not against what works for you ❤️, but personally, I won’t give advice I don’t agree with. I’ll check out this video you have here

@@drasticboxxmedia Yeah check it out! "The House of Kush". There's always something new to learn! I've learned a lot from this guy on all sorts of other areas of mixing too. He has a unique "outside the box" way of looking at things I find refreshing!

@@cachelesssociety5187 how cool! I need to check that out!

@@drasticboxxmedia Another cool plugin is D16 Frontier's free limiter. Turn the volume WAY down. Then turn the threshold down to taste & try it on Piano. It creates a bounce, similar to some jazz recordings heard in the 1970's. It makes it a much more lively and rich sounding instrument. Very springy in a good way. Bad for snare drums, great for character instruments, including pitched percussion and wind instruments. At extremes it reacts a bit like walking in a wind storm but it ads a lot of flow character & lively sustain - keeps interest.

Yes it is! That was one of those super cheap blue Gios they sold haha. Thanks you!

Very true

The moment you’re able to just use your ears is amazing 🙌

@@drasticboxxmedia I never understood parameters lol. till today :(

@@GermoStaalfeldt keep it up 100% you may surprise yourself

Thank you! I’m glad you enjoyed it 🫡🙌

Thank you! 🫡😎

unreal

very useless comment. no proper explanation. (the kind that make people cringe). is there someone reading this chat who recommend a better comment with less hate?

I’ll never explain how to mix without any credits to back it up. Only sharing fundamental knowledge that spans whole careers

Makes sense! But I still had no idea so thank you 🙌

Thank you for watching!! 😎❤️

Thank you! 🫡 And Beato goes into great depth with them

💪😎🙌

Glad you enjoyed it! 🫡

🫡👊 thanks for watching

Noted! 😎🫡 Thanks for watching, too!

Even so, I think it does a great job with vocal examples, I just didn’t use one. But, I like this feedback for future reference! Appreciate it 🙌