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Thanks for the kind words! We plan on making more of this style of cooking video in the future.

Glad it was helpful!

Great question! When it comes to still photography, especially if you’re shooting in RAW, native ISO is generally less of a concern compared to video. The dynamic range in photos is usually well-maintained across various ISO settings, so you have more flexibility.

Hello, thanks for watching! The DR-10L PRO doesn't have a dual recording mode, so there isn't a way to record multiple files. Hope this helps!

@@MeridianMedia ok wrong question, sorry i meant if, like the de-10l, there is the "track incrementation" option that every 15 minute save the current audio file that's recording

@@user-ye8px5bu6b There is no track incrementation option on the Pro version...not sure why they got rid of that

Hmm good question. Did you try nesting the clips first?

Agreed!

Thank you so much for the kind words! I really appreciate it!

Good luck, I'm sure you'll do great!

You're welcome!

Good luck! With a practice score like that you'll be fine!

@@MeridianMedia thankyou. you’re right i was fine. idrk what to do now tho i only did it cause im on my njrotc drone team

@@itsmeyourluck7302 Congrats on passing! That’s awesome to hear. If you're not sure what to do next, you could consider exploring some freelance work or internships related to drones-plenty of opportunities in aerial photography, surveying, and inspections. Since you're on the NJROTC drone team, maybe see if you can take on more advanced roles or help guide newer members. Keep building your skills, and you’ll find more ways to put that Part 107 to good use!

Couldn't agree more!

That's awesome! It's funny how we sometimes naturally do things without realizing there's a science behind it.

Thanks for watching and glad you found the super clamp idea helpful!

Thanks! The DJI Mic 2 has great specs and a small footprint, which is perfect for weddings. My only concern is the lack of a locking mic jack, but it's definitely a solid option. Would love to hear how it works for you!

Thanks for watching! Native ISO is more important for video because it directly affects dynamic range and noise. In photography, dynamic range is generally well-maintained across various ISO settings, so it’s less of a concern. However, it’s still good to know about, especially in challenging lighting.

Awesome. Thanks so much for your time and for the reply. appreciate it.👍

You're welcome, thanks for watching!

Very nice. You'll love the MKE 600. We've used it for 4 years now and I'm not sure I'll ever need to upgrade.

Great question! The older dual-record option was handy, but with 32-bit float recording on the DR-10L Pro, you can capture a much wider dynamic range. For example, you could record a whisper and a shout in the same take, and both would be perfectly clear without any clipping or distortion. This flexibility makes dual-recording less necessary. Thanks for watching!

👍Thank you for confirming!

Congrats on passing your 107! Glad to hear you found the video helpful, even if it was after the fact. If you ever need a refresher or more tips, feel free to stop by again. Safe flying!

Great question! Honestly I'm not sure...maybe someone else can chime in!

You can run regular inputs through the top jacks once the mics are removed.

Thanks for sharing your thoughts! I totally get where you're coming from. The amount of information required for the FAA Part 107 test can definitely feel excessive, especially when a lot of it doesn't seem relevant to actual flying. But, if you want to fly commercially, there's no getting around it-you need that license. I've had several jobs where I had to show my license to get a permit to fly, and having it does give you an edge over those who don't. So while the test can be frustrating, it's a worthwhile step if you're looking to make money with your drone.

Thank you so much!

so did you upgraded?

@@cosmonaut1961 Yes! I needed a third lavalier microphone for weddings and while I don't see myself using the bluetooth functionality I think having 32 bit float and extra battery life is worth the extra $24 dollars.

@@MeridianMedia thank you! In what scenario would you use the 3rd lav? Do you mic brides? So it would be groom, bride and officiant? (I film weddings too 👍)

@@cosmonaut1961 You got it! We usually try to mic the bride, but it depends on the dress and how easy it is to conceal the lav. For that we use the original DR-10L (white version). Then for the other two mics we are usually laving the groom and the officiant.

@@MeridianMedia thanks!

Hi there! Thanks for your question. I don't typically mount the Tascam Portacapture X8 to my camera often, but I did use this setup for a project in New York where capturing high-quality location sound was important. Mounting the X8 on the camera allowed me to capture a highly spatialized stereo mix, which was fantastic. To help with syncing in post, I usually clap in front of the camera. Regarding handling noise, you will experience it if you're just handholding the X8. However, if it's mounted on the camera or if you're using a holder, you can avoid handling noise. I hope this helps! Let me know if you have any other questions.

@@MeridianMedia Thank you for the quick reply! I'm researching the best way to record clear stereo ambient sound for video when a camera is mounted on a gimbal. The simplest solution is the Sennheiser MKE 440, but the preamps on the camera (Sony A7siii) aren't amazing. The X8 might capture a cleaner sound (and in 32bit), but I'm not sure if the sound quality improvement is substantial enough to justify dealing with handling noise and the added bulk. I'm also considering connecting a 440 to a small 32-bit recorder like the Zoom F2. Do you have any experience with the 440, or have you tried comparable solutions at that x8 budget?

@@GuyCassidy Hi again! I haven't used the Sennheiser MKE 440, but I have experience with the MKE 600, which is an excellent mic. The MKE 600 captures high-quality mono sound, which can be ideal for certain situations, but for ambient stereo sound, you might want to explore other options. Given your setup with the Sony A7siii on a gimbal, the Tascam Portacapture X8 could indeed provide cleaner audio with its 32-bit float recording, though handling noise and bulk are valid concerns. To mitigate handling noise, you could use shock mounts and holders designed for such setups. Additionally, if you're looking for alternatives within the X8 budget, the Zoom H5 or H6 could be worth exploring. Both offer excellent preamps and the flexibility of interchangeable mic capsules, allowing you to tailor your setup to different recording environments. I hope this helps!

Hi there! Thanks for your comment, glad you found the info useful! Yes, you can definitely power the Tascam Portacapture X8 using a V Mount battery. Most V Mount batteries come with a USB-C output, which works perfectly for this purpose. I recommend checking out the Smallrig Mini V-Mount as it’s compact and reliable. Happy recording!

Glad it helped! Thanks for watching

You got it!

Thank you for your kind words! I recommend the K&F Concept 82mm Variable ND2-ND400 ND Lens Filter (1-9 Stops). It's versatile and works great for both photo and video, allowing you to adjust the density without needing multiple filters. I use it with my R6 Mark II, and it has been very reliable. You can find a link to it in the description of this video. If you have any other questions, feel free to ask!

Also, I appreciate my home state of maine being a subject in this

Okay I see it... it's way off screen because (I assume) it's tracking... what I need is a mask that's permanently in one specific place no matter what the masked video's placement is... the footage is highly variable and I need to be able to center the subject in the masked area.

​@@Valjurai Thank you for your comments! I'm glad to hear you caught the nod to Maine-I always enjoy incorporating elements from viewers' home states! Regarding your latest observation about the mask moving off screen, it sounds like you might benefit from using a fixed position mask. Here’s what you can do: Create a Fixed Mask: Instead of using a track matte that moves with your video, create a mask that stays static throughout your clip. You can do this directly in Premiere Pro using the ‘Effect Controls’ panel: • Apply the ‘Opacity’ effect to your clip. • Use the ‘Ellipse’ or ‘Rectangle’ tool to draw a mask around the area you want to keep visible. • Ensure the mask is set to stay in one place by unchecking any keyframes that might cause it to move. These steps should help you create a stable masked area for your variable footage. If there's anything else you need, just let me know!

Alas, @@MeridianMedia, it's a no go. There are no keyframes; I just get media off an SD card in the midst of a hectic conference and the speaker is never in the same place twice, so I have to drag the media x,y around to recenter them... and it keeps dragging the box mask with it, which is driving me absolutely insane. I can't find anything to uncheck to prevent it. I just need a box in the lower corner that defines the mask, completely unlinked from the thing it's masking

You are quite welcome! Thanks for watching and good luck on the test!

Great question! To my knowledge, you can't use adjustment layers with the Render and Replace technique directly. Instead, you have to copy the properties from the adjustment layer and paste them onto each individual clip. I hope this helps!

@@MeridianMedia Yes eventually that’s exactly what I did. Thanks for your answer still!

That's great to hear. Thanks Doug!

Awesome! Thanks for the kind words and I'm this helped!

Glad it helped! Good luck on the test!

I appreciate that! Thanks for watching!