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Great shows, thanks for uploading

Legend

Great interview.Proper music fans 👋🏼👋🏼

Being a fellow Bolan fan it was nice to hear a few Marc mentions..Nice to hear confirmation that the Jam did once perform Desdemona Live!...Enjoyed the whole show .Nice one!

IIRC Salvation were the house band for a year or two at the Electric Garden (don’t ask me what it’s called now) at the Charing Cross end of Sauchiehall St.

Blood on the Tracks, good shout

Good interview. Have fond memories of seeing Biding Time at the Beacon and seeing ABCQ at Wickerman.

Really enjoyed the podcast, guys. Really informative and I learned a lot about the records featured. It was hearing Earl Slick being mentioned that made me want to comment. A friend of mine owns The Bungalow in Paisley and he invited me to see Ex-Pistol, Glen Matlock performing there, in February 2020, the last gig I saw pre-lockdown. What I didn’t know before arriving was Earl Slick was his guitarist. He was the epitome of Rock coolness and a fabulous player. That was a great experience. Cheers, Pat Glasgow.

Frank Ocean will w withstand the test of time. In the US it was groundbreaking from its first release. It remains one of the most valuable vinyl records on Discogs. Represses sell out in minutes,. I'm happy to have a bootleg but I've been waiting for a long time for an official release.

👏 Hats off to George for upstaging me on the music trivia front. Doubt if anybody will beat that Boney M one. Although, adding to the meaningless background trivia on the death of both Mama Cass & Keith Moon in Flat 12, 9 Curzon Place: It was (apparently) actually in the same bed, in a flat decorated by Ringo Starr, owned by Harry Nilsson, which he sold after the 2 deaths to Pete Townsend.

Agreed with almost all of the choices & comments. One possible remedy/suggestion for Lisa’s 🤔 Brucellosis of the pointy bits: Personally I much prefer his earlier work - The Wild & The Innocent.. (or the even earlier Ashbury Park) to Darkness on The Edge of Town. Also, IMO Born to Run - which appears (deservedly) much higher up the list - is much more accessible. If you haven’t already, give his earlier stuff a try first. If you do and still none of it grabs you, then I doubt if anything post Born to Run, including The River (too long) will help ease the grating of the mammary papillae.

Just so you know I turned on and you’re not alone and (occasionally) wonderful. (Thanks DB!😉) I would’ve made the same choices. I also find the list a bit too Americentrist, with an unhealthy sprinkling of “tokenism”. If this was a list from the NME, rather than Rolling Stone, you can guarantee there would be something from Eno or Roxy, or TRex, or Kraftwerk, or The Smiths, or Nick Cave & many more (.. you name it!) in the Top 100. Maybe even a Scottish entry. My own prejudices aside, despite the understandable US-centric imbalance, I personally find there’s too many genre omissions - No room for Blondie, or B52s or Devo, or Al Green, or Cohen, or Buckley, Or Tom Waits, or Television, or .. you name it) & perhaps a tad too much (token?) hip-hop and “recency bias”? . One factor I find myself applying which might help rectify this is, when deciding to give the thumbs down, I find myself asking .. does this artist deserve to be on the list before .. you name it .. . & do they have another/better album further down the list? If so, ditch. Setting aside my own bias and old foggyism, I think that might help produce a better balanced list, with a wider range of genres.