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RIP Garfield Cadets, RIP the G-bugles. They took it as far as it could go. Bravo.

Thanks for posting!! To hear our 1984 horn line again, like this, gave me chills. wow.

Well played.

Drum corps will never be the same without The Cadets. 💔

This is the best ever1 'thank you'

It was all larger than life back then. It just rips my heart out to know it is gone.

Thank you for this! Truly! I was member of ´84 Garfield Cadets Contrabase Line. That warm-up never gets old! I get welled up inside everytime I hear it.! I know this reads biased, but we had the best hornline in the DCI that year! That is why we were World Champions with nearly a perfect score.!

One of the coolest parts never heard are the contras coming in after the opening solo in Jeremiah. I loved playing that! Mysterious leading into to absolute power.

wow . . . .listening to the Cadets now is just surreal ? maybe that is not the word, but I will say, the whole situation is simply not right. Just like that, 89 years and gone in an instant.

Wow. It’s so cool to hear the nuances in this brass book! I had no idea the baris and euphos were divided into so many parts in “Maria”.

Excellent, excellent recording!!! And no compression!! What I like about this is when I compare it my tape recordings and you hear the crowd losing their minds (which they did back then) they recorded them in such a way that you can hear that hornline soaring above the roars. This is excellent sound recording isolation. (I competed from 1990-1995 in a small Midwestern corps.) Of course, though, those were g bugles mostly, not B-flat concert instruments. The sound was so much sweeter. It was MEMORABLE. I am very, very sad the Cadets folded for the 2024 competitive season. They were just getting back to their old form and getting closer to a top 3 finish... 😢

Crazy to find out how far o sacred head goes back and to find a recording from back in the day

I went back and listened to this again tonight. For me, the most telling moment occurs at 2:52 when they begin to play the piece that none of us can seem to remember. But they treated it with the same respect that they held for all of the music in the shows. That is who they were. Those brass sections treated every piece of music put in front of them with utmost respect and played it to the best of their ability.

Wow...Candide is just nuts!!

Do you have any more hornline material from the 80s? I’d love to hear it.

At 8:58 Is that the old form to end the show? Given the silks, it’s obviously the closer, but it isn’t the championship ending form.

What is the tune after Maria? That wasn’t played in 85? I have no memory of it if is was..

Why’d you take down all ur rap songs? Some of them use to help wit hard times bruh I been looking for em

Drum Corps is G bugles. Bb/F is band. Going to band instruments for the weak argument of better intonation, kids playing on the horns and resale and killing off the identifying sound of drum and bugle was an error that should be corrected. It’s the equivalent to plastic surgery on Marisa Tomei (or nearly anyone). It takes what’s naturally beautiful as it is and change it because it’s not “measuring” “correctly”. Jennifer Gray technically looks more “correct” but doesn’t look like Jennifer Gray anymore. BTW, listening to Bb/F 365 is the equivalent to eating peanut butter and orange marmalade 365/24/7 (which Suncoast Sound basically did). #exaggerating #notbymuchthoug.

The consistency of dynamics across the line in 84 is astounding.

Really well done

Lovely!

The G Bugle is an awesome instrument, it has a fat rich sound, it can be tamed but is best served up in your face. Perfect for Drum and Bugle Corps on a football field. In my opinion B flat instruments sound thin. The only way to overcome this flaw is all to familiar 50 yard line power block formation. I would live to see a corps go back to G and rip it!

Amazing sound in two ways 1) the recording is amazing for back in the day (especially the low brass). 2) The brass sound and arrangement,,,,wow! absolutely love it! thank you much for sharing

CHASE ! This is a TREASURE ! CHARGE ADMISSION !! OMG ! ( ps: Did Jim Prime write Most or All Of That ? Sh*t Man... )

What a historic treasure! Some of us still remember being there. Thanks for posting this.

6:32 - 8:48 unbelievable control of those horns

The hornline sounds great - yes two valves can be great - and the mellophones are exactly why I wanted to and did become a part of that line!

Chase, this is a great compilation that I can't stop listening to. As the others said, thanks for posting this. FHNSAB

❤️🔥 Thanks for posting!

Remarkable, flawed, beautiful, and exotic in its own special way is the ensemble sound of the G bugle.

OMG, this is awesome! Two of my favorite shows! Go Cadets!!!

That 85 show was the first time I saw Cadets live in Bayonne. I have been a fan ever since.

Those 85 reps sound mid season. Lots of changes were made. They still sound like a great hornline that's exactly where they need to be at that point in the season. I still can't get over the micro tuning in Maria from chord to chord. What a challenge and so well executed.

FHNSAB 89-91, staff 92 awesome mix Chase! Your dad taught me. Amazing guy 💋❤️ Wow these are some early season recordings!

We sometimes forget how truly groundbreaking that brass section was. In 85 they demonstrated their versatility by maintaining that marvelous control and musicianship while adding a ferocity that was necessary in order to pull off "Jeremiah." Great times in my misspent youth!

Fantastic fantastic fantastic. Wishing there was more '84, but what a find this is. Well done.

What’s the chorale after “Maria” on this recording? Outstanding!