- Видео 15
- Просмотров 13 054
Pamela Frame
Добавлен 11 мар 2007
Ravel Trio video SD 480p
Timothy Baker, violin
Pamela Frame, cello
James Barbagallo, piano
Pamela Frame, cello
James Barbagallo, piano
Просмотров: 19
Видео
Berceuse by Amy Beach performed by Pamela Frame & Robert Weirich
Просмотров 1363 года назад
Images from family photos. The 1950s with great-grands, grands, parents, aunts, uncles, cousins and siblings. Happy times.
Kreisler, Liebesleid SD 480p
Просмотров 283 года назад
Encore from a concert at Opera Comique in Paris, performed by Pamela Frame, Cellist and Robert Weirich, Pianist. Images: from the collection of Pamela Frame Family.
Kreisler, Liebesleid, Pamela Frame, Robert Weirich, Live, Paris
Просмотров 463 года назад
My grandmother's trip at age 14 to Brussels and Switzerland, in 1914 She was with her parents and close friends.
Rebecca Clarke Sonata I Impetuoso Pamela Frame & Barry Snyder
Просмотров 1193 года назад
Rebecca Clarke Cello Sonata, 1st movement Impetuoso
Clarke Cello Sonata II. Vivace, Pamela Frame cello, Barry Snyder, piano
Просмотров 1623 года назад
Clarke Viola Sonata, Cello version
Brahms Op 99 IV SD480p
Просмотров 443 года назад
Pamela Frame, Cellist and Robert Weirich, pianist, perform Brahms Op.99 F major Sonata, movement IV. This is a live performance from Kilbourn Hall, Eastman School of Music, Faculty Series.
Mazurka by Amy Beach
Просмотров 3 тыс.8 лет назад
Mazurka is the third in the Op 40 set. Performed by Pamela Frame, cello and Robert Weirich, piano
"La Captive" by Amy Beach, Op. 40, no. 1
Просмотров 6 тыс.8 лет назад
La Captive performed by Pamela Frame and Robert Weirich
Rebecca Clarke Sonata I Impetuoso Pamela Frame & Barry Snyder
Просмотров 8368 лет назад
Rebecca Clarke Cello Sonata, 1st movement Impetuoso, performed by Pamela Frame, cellist and Barry Snyder, pianist
Clarke Sonata, III. Adagio Pamela Frame, cello, Barry Snyder, piano
Просмотров 2148 лет назад
Clarke Sonata for viola and piano, cello version, performed by Pamela Frame and Barry Snyder
Pamela Frame and Robert Weirich play Beethoven's Kreutzer Sonata
Просмотров 2 тыс.15 лет назад
Beethoven's Sonata for Violin and Piano was pronounced "UNPLAYABLE" by the great 19th century violinist R. Kreutzer. Here it is, played not on violin, but the cello, by Pamela Frame and Robert Weirich. This performance took place in Kilbourn Hall, Rochester, NY.
What delicious playing. Evocative? Imagine that word in four dimensions. That's P F's playing :)
Stunning
Thank you vey much😘
Beautiful playing bravo!
Thank you very much! That’s very kind of you.
Pame, you always played beautifully
Tomek???!!!! HELLO!
Caitlin was looking for a recording of this on RUclips and we were so glad this recording popped up! Thank-you for this music which calms the soul!
hi! I really enjoyed this, Did you just transpose the piece for cello or is there sheet music with it already? Thanks so much!
It's the violin version...same piano part.
Gorgeous! Beautiful playing.
This is the "Viola Sonata", also issued with an alternate part for cello.
I wish this weren't the ONLY recording I ever made of this sonata...live concert, first performance, I think.
awesome! this whole CD of yours is one of my all-time favorites!
Liane C Thank you Liane! It is still for sale through... classical something? I will look it up.
I think it's Classical Archiv. They have never contacted me about it...hahaha!
How beautiful! Thank you.
Thank you for your kind comments!
Thanks for introducing me to this amazing piece. You're awesome
so nice!
Bravo Pamela!
Gorgeous performance!
Thanks so much Tom. It was live... and it was fun. The pianist is Robert Weirich.
well done
Thanks Nancy! That's very kind of you! It was so much fun to play this.
Thank you, dancer1122!
Wow- glad I heard this!
Very nice, never heard that piece on cello before, and I didn't expect it could sound so well and effortless. Congratulations !
You have probably found the "secret" by now...figure out what you have to do to play ON the string and DON'T do that. I learned not to try to bounce the bow - distrastrous because you can't control the dynanics or speed, but to bite the string and then let it go. You have to become a scientist and know exactly how legato works.
I wish I had been around in 1803 at the premiere or schedule premiere of this piece with violinist Bridgetower so that I could have watched the debacle related to the drinking party either before or after the concert (well, which was it, boys?) which caused Beethoven to change the dedication to Kreutzer, who subsequently declared that the violin part was UNPLAYABLE. See? Even Beethoven had bad days.