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"Blink" is the tenth episode of the third series of the British science fiction television series Doctor Who. It was first broadcast on 9 June 2007 on BBC One. The episode was directed by Hettie MacDonald and written by Steven Moffat. The episode is based on a previous short story written by Moffat for the 2006 Doctor Who Annual, titled "'What I Did on My Christmas Holidays' By Sally Sparrow".

The Angels reappear in the 2012 episode "The Angels Take Manhattan." The Angels infiltrate Manhattan and set up a "battery farm" by creating an endless time loop of people entering a hotel and dying, with the resulting energy being feasted on by the Angels. Amy and her husband Rory Williams are able to break the time loop, eliminating the Angels' presence from New York, but a lone straggler sends Amy and Rory back in time, with the paradoxes caused by the time loop making the Doctor unable to go back and retrieve them. Following this, the Angels appear in various cameo roles, such as in the episodes "The Time of the Doctor," "Hell Bent," and "Revolution of the Daleks." The Angels also briefly appear in the finale episode of the spin-off series Class, where they are revealed to have masterminded events behind the scenes. The Angels return in Doctor Who series 13, also known as Flux. In the series, an Angel appears in the TARDIS control room and pilots the ship to a small village. The village becomes assailed by Angels, who are attempting to recapture Claire, a woman they had previously hunted in the episode "The Halloween Apocalypse." It is revealed that an Angel is housed in Claire's mind, and it is attempting to escape the mysterious organization known as "the Division," of which the other Angels are members. The Thirteenth Doctor offers to help the Angel in exchange for information regarding the Division and her past, but the Angel betrays the Doctor for the other Angels, as it had been promised freedom in exchange for handing over the Doctor to the Division. The Doctor is turned into an Angel and transported to the Division base, after which the Angels leave.

The Weeping Angels are a race of aliens that feed off temporal energy. They obtain this energy by touching their victims and sending them back in time, feeding on the energy caused by the resultant time travel. The Angels resemble statues due to being "quantum-locked," which means they can only move when unobserved. Later appearances add more abilities to the Angels, including the ability for an image of a Weeping Angel to become another Weeping Angel, the ability for Angels to convert statues into other Weeping Angels, and the ability for Angels to snap someone's neck and use their vocal cords to communicate. A smaller version, known as Cherubs, appears in later episodes as well. The episode "Village of the Angels" adds many more abilities, including the ability to direct where in time a person is sent, the ability to kill a victim by touching them twice, the ability to communicate telepathically, and the ability to turn other lifeforms into Angels to allow them to be transported. The Weeping Angels' role in the series has varied. They are initially portrayed as scavengers who are merely acting out to survive and who act independently of each other, but later episodes depict the Angels in more organized roles. Their appearances in Flux depict them as working for an external organization, depicting them for the first time having organized motivations beyond survival. The Weeping Angels first appear in the 2007 episode "Blink." In the episode, they have sent the Tenth Doctor and Martha Jones back in time, separating the Doctor from his time machine known as the TARDIS. The Angels intend to harness the TARDIS for food, but the Doctor is able to place messages for a woman named Sally Sparrow to find in the future, which guide her to stopping the Angels. The TARDIS returns to the past for the Doctor, and the Angels are trapped within each other's vision, rendering them unable to move. The Angels reappear in the 2010 two-part episode "The Time of Angels" and "Flesh and Stone." An Angel is held aboard a ship known as the Byzantium, which crashes into a planet. The Eleventh Doctor, Amy Pond, River Song, and a group of militant clerics enter the wreckage to recover the Angel, but the clerics are picked off by the Angel. An Angel is able to enter Amy's mind through a video recording and threatens to take form using the image left in her brain. It is revealed that the Angel crashed the ship into a large maze containing a large number of dormant Weeping Angels, which are revived by the power that is contained within the ship. A "crack in time" begins to expand aboard the ship, which the Angels feast on, but soon begin to flee from as the crack expands. The Doctor is able to trick the Angels into falling into the crack, erasing them, including the Angel in Amy's head, from existence.

The Angels were created by writer Steven Moffat. Moffat was inspired by a variety of sources, including an encounter with a statue in a graveyard, which mysteriously disappeared when he returned to view it at a later date. The Weeping Angels are portrayed by actresses, who portray the Angels physically, with freeze frames being used to make the Angels appear entirely still in the final product. The Weeping Angels were planned to act as the overarching, main antagonists of the spin-off series Class, but this never came to fruition as a result of the series' cancellation. Since their initial appearance, the Weeping Angels have been repeatedly nominated as one of the most popular and frightening Doctor Who monsters. They have been praised for their concept and fear factor, but have been criticized for the expansion of their abilities and their overexposure across Doctor Who media. They have been significantly analyzed since their debut. The tool Weeping Angel, which was leak

The Weeping Angels are a race of fictional predatory alien creatures from the long running science fiction series Doctor Who. The Weeping Angels are "quantum-locked", meaning they can only move when unobserved. Weeping Angels feast by touching a victim; the victim being sent back in time, and the Angel feeds on the resulting time energy from the time travel caused. The Weeping Angels were introduced in the 2007 episode "Blink" and became recurring characters across a variety of Doctor Who media. These later episodes expand the Angels' list of abilities, which include the ability for an image of an Angel to become another Weeping Angel, the ability to turn other statues into Weeping Angels, and the ability to kill others by touching them twice.

Graffiti supporting Palestine and the Free Gaza movement has been a subtle yet striking presence in Budapest, including areas like Mikszáth Square. These works, often found on walls, underpasses, and other urban spaces, typically feature bold messages, simple iconography, and occasionally intricate artistry. They serve as both political statements and reminders of solidarity with global struggles. Around Mikszáth Square, such graffiti may appear alongside more localized expressions of social and economic critique, reflecting the neighborhood's mix of university life and bohemian atmosphere. The messages often take the form of stencil art, painted slogans like "Free Gaza" or "Palestine Will Be Free," and images of Palestinian flags or iconic symbols such as doves carrying olive branches. The graffiti here not only communicates international issues but also echoes Budapest's tradition of politically charged street art. While some of these works stay for years, others are painted over quickly, either by authorities or new artists, reflecting the transient nature of urban dissent.

Jenna Marie Ortega (born September 27, 2002) is an American actress. She began her career as a child and received recognition for her role as a younger version of Jane in The CW comedy-drama series Jane the Virgin (2014-2019). She then won an Imagen Award for her leading role as Harley Diaz in the Disney Channel series Stuck in the Middle (2016-2018). She played Ellie Alves in the thriller series You (2019) and starred in the family film Yes Day (2021), both for Netflix.

Azok a mennyezeten micsoda buherák?

Félrlem èés rettegés Budapesten

Nem értem, miről van szó, de a műanyag virágok tényleg tartósak. Arra gondoltam, hogy ha egy kicsit nagyobb lesz a nyugdíjam, veszek műgyepet, azt a tyúkjaim sem tudják kitépkedni

Bementem az IKEA-ba, térdig álltam művirágba', csujujujujujuju „A FEJKA művirágok nem igényelnek túl sok figyelmet. Tökéletes választás, ha nincs időd locsolni a virágokat, törődni velük, vagy levágni a száradt leveleket. Olyan élethűek, hogy a vendégeid még csak észre sem veszik a trükköt.” Az IKEA zöldmosó stratégiájának valóban ott a helye a hírességek csarnokában. Miközben a „fenntarthatósági” kezdeményezéseikkel kérkednek, és környezetbarát megoldásokat ígérnek, titokban hegyekben gyártják a műnövényeket, mint a FEJKA, amiket globálisan szállítanak, fosszilis üzemanyagokkal működő gyárakból. Ezek a „élethű” növények minden esztétikai örömet megadnak a zöld felületek iránti vágyunknak, anélkül, hogy bárminemű környezetvédelmi előnyt nyújtanának, mint mondjuk az igazi növények. És ne felejtsük el a csomagolást-ami több műanyagot tartalmaz, mint amit a lelkiismereted képes elviselni. Ez egy mesterfokú művelet, hogy eladjuk a bolygó iránti törődés illúzióját, miközben folytatjuk azokat a gyakorlatokat, amelyek ártanak neki. De hé, legalább a vendégeid nem fogják észrevenni a különbséget. #IKEA #FakePlants #Greenwashing #SustainabilityMatters #EcoFriendlyOrNot #PlasticPlants #InteriorDesign #SustainableLiving #HomeDecor #ScandiStyle #EcoCritique #ConsciousConsumer #MinimalistDesign #ClimateImpact #GreenAesthetics IKEA Ikea Hackers #ikeaörs #IKEAgreenwashing #IKEAbullshit #IKEAsustainability #IKEAplasticflowers

È meravigliosa la nostra Valle d'Itria...Locorotondo, Cisternino, Martina Franca....borghi da ricordare.

Complimenti per la scelta dei sottofondi musicali!

The situation of Jews in Italy under Benito Mussolini evolved significantly during his rule, particularly after his alliance with Adolf Hitler and the rise of fascist ideologies in Europe. Early Fascist Period (1922-1938): Initially, Mussolini and the Fascist Party did not emphasize anti-Semitism as a central tenet of their ideology. In fact, many Jews supported Mussolini's rise to power, seeing Fascism as a stabilizing force against socialism and anarchism. Jews served in prominent positions within the Fascist regime, and there was little systemic discrimination. Mussolini himself publicly dismissed racism during the early years of his rule. However, as Italy drew closer to Nazi Germany in the 1930s, anti-Semitic attitudes began to infiltrate Fascist policies. --- The Racial Laws (1938): In 1938, Mussolini introduced the Italian Racial Laws (Leggi Razziali) under Nazi influence. These laws marked a dramatic shift in policy and severely restricted the rights of Jewish citizens: Exclusion from public life: Jews were banned from government jobs, military service, and teaching positions in schools and universities. Segregation in education: Jewish students were expelled from public schools and could only attend segregated Jewish institutions. Economic restrictions: Jews were prohibited from owning large businesses or employing "Aryan" Italians. Marriage laws: Intermarriage between Jews and non-Jews was outlawed. Citizenship revocation: Foreign Jews who had immigrated to Italy after 1919 were stripped of their citizenship and expelled. While these laws were not as extreme as the policies in Nazi Germany, they led to widespread social ostracization and economic hardship for Jews in Italy. --- World War II and the Holocaust (1943-1945): When Mussolini was overthrown in 1943 and the Germans occupied northern Italy, the situation for Jews worsened dramatically. Under the puppet Italian Social Republic (RSI), controlled by Mussolini and supported by the Nazis, Jews faced direct persecution: Jews were rounded up and deported to Nazi concentration camps, including Auschwitz. Italian Fascists actively collaborated with the Germans in anti-Jewish raids and arrests. Approximately 8,000 Italian Jews were deported, of whom only about 1,000 survived the Holocaust. --- Resistance and Rescue: Despite the official policies, many Italians opposed the persecution of Jews. Catholic clergy, partisans, and ordinary citizens helped hide and protect thousands of Jews, often at great personal risk. This resistance partially explains why the survival rate of Jews in Italy (approximately 80%) was higher than in many other Nazi-occupied countries. --- Conclusion: Mussolini's initial lack of anti-Semitism gave way to opportunistic and calculated adoption of racist policies to strengthen ties with Nazi Germany. The implementation of the Racial Laws and later active participation in the Holocaust marked a dark period in Italian history, with devastating consequences for the Jewish community. However, acts of courage and resistance by Italians provided a glimmer of humanity amid the persecution.

The sandy beaches of Bari, where the Adriatic Sea meets the remnants of humanity's consumerist glory, offer a picturesque view of plastic bags fluttering in the breeze like flags of surrender. Broken flip-flops, faded water bottles, and cigarette butts nestle in the sand, creating a mosaic of modern decay. The water itself, once a shade of blue that inspired poets, now carries a slick sheen of microplastics and oil residues, glinting under the sun like a dystopian mirror. Tourists step over the debris, finding their way to the patches of sand still Instagrammable, while seagulls pick through the trash, mistaking synthetic for sustenance. Nearby, fishermen curse the garbage tangled in their nets, a poignant reminder that not even the sea escapes human greed and negligence. It's a perfect metaphor for our times: an endless holiday amidst the ruins of our own making, where nature’s beauty struggles to survive beneath layers of discarded convenience. Welcome to Bari, where the sea doesn’t cleanse-it collects.

The staircases with arches in shifting planes still grants an aura of complex scenography, despite its present cramped and dilapidated state: a grandiose entrance leading only to a decrepit palace.

Naples' "ruined" appearance can be attributed to a combination of historical, social, economic, and political factors: 1. Historical Legacy Naples has a long history of neglect and exploitation, dating back to its role as a regional capital under various rulers who often drained its resources. Frequent natural disasters, such as earthquakes and the eruption of Mount Vesuvius, have repeatedly devastated the city. 2. Urban Density The city is densely populated, with narrow streets and aging buildings that are challenging to maintain. Overcrowding exacerbates wear and tear on infrastructure. 3. Economic Challenges Persistent poverty and high unemployment have left many areas underfunded and poorly maintained. Economic disparities between Northern and Southern Italy have historically resulted in fewer investments in Naples. 4. Corruption and Mismanagement Naples has struggled with organized crime, particularly the Camorra, which siphons resources and undermines legitimate governance. Corruption in public administration has led to poor urban planning and inadequate public services. 5. Environmental Neglect Waste management has been a recurring crisis due to inefficiencies and criminal interference. Piles of uncollected garbage have tarnished the city's image. 6. Cultural Preservation vs. Modernization Naples' historic center is a UNESCO World Heritage Site, which complicates modernization. Preservation efforts often clash with the need for urban renewal. Despite its challenges, Naples is also celebrated for its resilience, vibrant culture, and rich history. Its "ruined" charm often adds to its authenticity and appeal, captivating visitors with its raw, unpolished beauty.

Naples' "ruined" appearance can be attributed to a combination of historical, social, economic, and political factors: 1. Historical Legacy Naples has a long history of neglect and exploitation, dating back to its role as a regional capital under various rulers who often drained its resources. Frequent natural disasters, such as earthquakes and the eruption of Mount Vesuvius, have repeatedly devastated the city. 2. Urban Density The city is densely populated, with narrow streets and aging buildings that are challenging to maintain. Overcrowding exacerbates wear and tear on infrastructure. 3. Economic Challenges Persistent poverty and high unemployment have left many areas underfunded and poorly maintained. Economic disparities between Northern and Southern Italy have historically resulted in fewer investments in Naples. 4. Corruption and Mismanagement Naples has struggled with organized crime, particularly the Camorra, which siphons resources and undermines legitimate governance. Corruption in public administration has led to poor urban planning and inadequate public services. 5. Environmental Neglect Waste management has been a recurring crisis due to inefficiencies and criminal interference. Piles of uncollected garbage have tarnished the city's image. 6. Cultural Preservation vs. Modernization Naples' historic center is a UNESCO World Heritage Site, which complicates modernization. Preservation efforts often clash with the need for urban renewal. Despite its challenges, Naples is also celebrated for its resilience, vibrant culture, and rich history. Its "ruined" charm often adds to its authenticity and appeal, captivating visitors with its raw, unpolished beauty.

Naples' "ruined" appearance can be attributed to a combination of historical, social, economic, and political factors: 1. Historical Legacy Naples has a long history of neglect and exploitation, dating back to its role as a regional capital under various rulers who often drained its resources. Frequent natural disasters, such as earthquakes and the eruption of Mount Vesuvius, have repeatedly devastated the city. 2. Urban Density The city is densely populated, with narrow streets and aging buildings that are challenging to maintain. Overcrowding exacerbates wear and tear on infrastructure. 3. Economic Challenges Persistent poverty and high unemployment have left many areas underfunded and poorly maintained. Economic disparities between Northern and Southern Italy have historically resulted in fewer investments in Naples. 4. Corruption and Mismanagement Naples has struggled with organized crime, particularly the Camorra, which siphons resources and undermines legitimate governance. Corruption in public administration has led to poor urban planning and inadequate public services. 5. Environmental Neglect Waste management has been a recurring crisis due to inefficiencies and criminal interference. Piles of uncollected garbage have tarnished the city's image. 6. Cultural Preservation vs. Modernization Naples' historic center is a UNESCO World Heritage Site, which complicates modernization. Preservation efforts often clash with the need for urban renewal. Despite its challenges, Naples is also celebrated for its resilience, vibrant culture, and rich history. Its "ruined" charm often adds to its authenticity and appeal, captivating visitors with its raw, unpolished beauty.

Tiszta paranoiás lesz ezektől a szemektől az ember

Mária miért néz egy gyerekméretű keresztet?

Szupermária? Miért kell ilyeneket a falra ragasztani?

Kőjurták

Ez egy légy

Ez itt Külföldön van?

Biztosan ufók laktak itt

🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉 Ámen

😮😮😮😮😮😮😮😮😮😮😮😮😮😮

🥰🥰🥰🥰🥰🥰🥰🥰🥰

Svi-fi 😮

Angelo De Pascalis Angelo De Pascalis (Lecce, 31 ottobre 1969) è uno scrittore, poeta, blogger e assicuratore. Da trent’anni lavora in Generali Italia. Ha lavorato come speaker radiofonico e corrispondente giornalistico. Ora la sua grande passione è la scrittura, con grande successo sul web. L’esordio in radio è avvenuto all’età di nove anni. Ha collaborato e collabora con diverse emittenti radio-televisive. Le sue trasmissioni radiofoniche per Radio Manbassa “Angelo della Notte” e “DP Inside” sono diventate un cult per il pubblico del Sud Italia. Per otto anni è stato corrispondente de "La Gazzetta del Mezzogiorno". “Sotto il Vestito L’Anima” è la sua opera prima (2019). Ha fatto seguito "Il Ritrattista di Anime" (2020) e "Prometto di Amarmi " (2020).

Hátkéremszépen a Halászbástya nemzetinek mondott építészeti giccsünk, szeretik a turisták, szeretjük. Akárcsak a Mátyás-templomot meg a Parlamentet

Cerrone forever.. Одна из любимых групп в своё время.

1977 год.Церроне СУПЕР НЕЙЧА

Это Церон !

Муз не повтаримы

The difference between street art and state-sponsored public art (statues, murals) in Hungary lies mostly in authorship, intent, and political narrative. Here’s a comparison tailored to Hungarian conditions: 1. Authorship and Origin Street Art: A grassroots initiative created by independent artists, often anonymously or without permission. It reflects social injustices, political issues, and frequently mocks power structures. (See: Csurka statue) State-Sponsored Public Art: Created by artists selected through public procurement or "friendly commissions." These works often reinforce governmental narratives, like the revival of Horthy statues or installations glorifying Hungary’s "glorious past." 2. Intent Street Art: Critical, provocative, or humorous, often targeting the establishment. Examples include the spontaneous “NOlimpia” stickers or the protest graffiti near CEU. State-Sponsored Public Art: Promotes "national unity," "Christian values," or a one-sided historical narrative. Think of the "Monument to the Victims of the German Occupation" on Szabadság Square, widely criticized yet still erected. 3. Approval and Legal Status Street Art: Largely illegal but often embraced by the community if its message resonates. Authorities frequently remove it unless deemed politically "neutral." (See: the Színes Budapest initiative, where legal walls allow artworks to stay.) State-Sponsored Public Art: Fully backed by the state, often disconnected from public demand. Its funding is usually opaque (e.g., enormous bronze statues with undisclosed costs). 4. Style and Impact Street Art: Fresh, dynamic, and rooted in everyday realities. It often mirrors genuine public sentiment and frustrations, as seen in politically charged graffiti or slang-covered wall State-Sponsored Public Art: Monumental and ceremonial but often surrealistically outdated or ideologically overloaded Philosophical Divide In Hungary, street art frequently rebels against the “nerocratic” regime, while state-sponsored art reinforces the current political narrative. Or as Pest’s streets might put it: “One is art for the people, the other is propaganda masquerading as art about the people.” Which would you choose?

Shitcunami

Broadway is synonymous with the Theater District and closely associated with Times Square. Despite its name, only three theaters-Broadway Theatre, Palace Theatre, and Winter Garden Theatre-are actually located on Broadway itself. The majority of Broadway theaters are found on the numbered cross streets, spanning from the Nederlander Theatre on West 41st Street (just south of Times Square) to 53rd Street, with the Vivian Beaumont Theater at Lincoln Center on West 65th Street marking the northern boundary. Generally, "Broadway theater" refers to venues with seating capacities of at least 500. Smaller venues, regardless of location, are classified as off-Broadway, while those with fewer than 100 seats are called off-off-Broadway, a term also applied to experimental or non-traditional productions. The Theater District is a major tourist destination in New York City. According to The Broadway League, Broadway shows generated around $1.54 billion in ticket sales during both the 2022-2023 and 2023-2024 seasons, drawing approximately 12.3 million attendees each year. Broadway is best known for its musicals, which have become a cornerstone of American popular culture. Historian Martin Shefter highlights the impact of Broadway musicals-particularly the works of Rodgers and Hammerstein-in solidifying New York City's status as a global cultural hub.

Ah, the "Broadways" of two cities: one is the beating heart of global theater, where dreams are spun into reality under a sea of blinding lights; the other, well, is Budapest's Nagymező utca, lovingly nicknamed Broadway, because why not aim for aspirational branding? Location & Atmosphere New York Broadway is a pulsating artery in the middle of Manhattan, buzzing with life, creativity, and overpriced pretzels. It’s a place where aspiring actors sell their souls for a shot at stardom while tourists pay absurd ticket prices to feel cultured for two hours. Meanwhile, Budapest Broadway is... quieter. Nestled near Oktogon, it offers a quaint mix of crumbling façades, bars trying to gentrify themselves out of their clientele, and theaters that may or may not have seen a renovation since Franz Joseph had a full head of hair. The vibe is less "city that never sleeps" and more "city that naps after lunch." The Theaters On Broadway, you’ve got grand stages like the Majestic or the Gershwin hosting global sensations like The Phantom of the Opera or Wicked. Budapest Broadway has the Operetta Theatre and the Thália. To be fair, the Operetta Theatre is a true gem-ornate, historic, and dripping with charm-although its repertoire leans heavily on operettas and revivals that might be more "niche" (read: retro Hungarian patriotism, with extra sequins). Performances In New York, it’s a high-stakes gladiator arena for musical and dramatic brilliance, a make-it-or-break-it stage. Hamilton, Lion King, Hadestown. Global hits. Budapest Broadway? You’ll find shows about Csárdáskirálynő and Mágnás Miska, and yes, they’re beloved classics, assuming you grew up within earshot of the Danube and think rhinestones are a form of spiritual expression. Nightlife Post-show on NY’s Broadway, you’ll hit up a swanky bar for $22 cocktails with names like Velvet Curtain. Budapest’s version? A ruin bar where the cocktails are palinka shots served in recycled jars, the playlist is retro Hungarian disco, and the vibe is more “student loans” than “financial freedom.” Tourists NY Broadway is a melting pot of starry-eyed visitors and sharp-elbowed New Yorkers. On Budapest Broadway, the tourists are probably German pensioners on a Danube cruise, trying to figure out why the street is called Broadway when there isn’t a single billboard or neon sign in sight. The Verdict Both Broadways capture something essential about their cities. New York's is ambition, grit, and a little bit of narcissism wrapped in glitter. Budapest's is charm, nostalgia, and a lot of köszönöm szépen for showing up. So, if you’re in Budapest and squint hard enough, Nagymező utca might just feel like Broadway-but only if you imagine it’s intermission and the cast hasn’t shown up yet.

❤🎉

❤

Aki a Turulhoz nyúl, az a Magyarok Istenéhez nyúl. (\_/) (0_0) (")_(")

Fölröppen a templomra a Pink Turul, ráugrik a megyéspüspök háturul.

It's dismaying how many people react to violations of individual rights of honest, peaceful people by seeking to violate the individual rights of honest, peaceful people.

How much?

Such a beautiful vndalism 😅😅😅😅

Spar? Megveszem!

Magánjacht?

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