- Видео 136
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Sacramento Historical Fencing Academy
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Добавлен 28 янв 2013
The Sacramento Historical Fencing Academy is the home of the Sacramento Freifechter. We provide videos on Historical Fencing in Joachim Meyer's Kunst des Fechtens, as well as material on Salvatore Fabris Scienza d'Arme.
Wesbite:www.sachema.com/
Facebook: sacramentohistoricalfencing
Wesbite:www.sachema.com/
Facebook: sacramentohistoricalfencing
Sacramento Historical Fencing Academy
Historical Fencing, Modern Training
Have you always wanted to learn to use a sword but didn't know where to start?
Join the Sacramento Historical Fencing Academy
Wesbite:www.sachema.com/
Facebook: sacramentohistoricalfencing
Have you always wanted to learn to use a sword but didn't know where to start?
Join the Sacramento Historical Fencing Academy
Wesbite:www.sachema.com/
Facebook: sacramentohistoricalfencing
Просмотров: 607
Видео
"The Shot Caller" Favorite Fights [Season 1]
Просмотров 2422 года назад
Join the Sacramento Historical Fencing Academy Wesbite:www.sachema.com/ Facebook: sacramentohistoricalfencing 00:00 Alec v Erro 01:59 Sydney v Jim 04:01 Andrew v Stefan
Wednesday HEMA Fight Night [July 6th]
Просмотров 5472 года назад
Join the Sacramento Historical Fencing Academy Wesbite:www.sachema.com/ Facebook: sacramentohistoricalfencing 00:00 Andrew V Serafin 03:43 Enrique V Nytshaed (Rapier) 06:05 Enrique V Andrew 08:58 Alec V Andrew 12:47 Enrique V Nytshaed
SHFA Battleborn 2022 Highlights
Просмотров 2492 года назад
Join the Sacramento Historical Fencing Academy Wesbite:www.sachema.com/ Facebook: sacramentohistoricalfencing
Smallsword - SOCAL Swordfight 2022
Просмотров 5662 года назад
Join the Sacramento Historical Fencing Academy Wesbite:www.sachema.com/ Facebook: sacramentohistoricalfencing
SHFA vs EGF Varsity Longsword
Просмотров 1663 года назад
The SHFA Meyerites faced the EGF Crooked Rooks in the second exhibition matchup of the 2021 season on August 21.
German Dagger Fighting Volume 2 Review
Просмотров 3814 года назад
German Dagger Fighting Volume 2 Review
What mask should I wear under my fencing mask?
Просмотров 3844 года назад
What mask should I wear under my fencing mask?
Is low gear sparring historically accurate?
Просмотров 2524 года назад
Is low gear sparring historically accurate?
Historical Gear when Historical Fencing
Просмотров 3094 года назад
Historical Gear when Historical Fencing
Rostock: A note about Rucken (Reupload)
Просмотров 1854 года назад
Rostock: A note about Rucken (Reupload)
Memorial Day Practice 5.24.2020 Edited
Просмотров 814 года назад
Memorial Day Practice 5.24.2020 Edited
Rostock: The Fifth Rule of the Diagram
Просмотров 2514 года назад
Rostock: The Fifth Rule of the Diagram
Rostock: The Fourth Rule of the Diagram
Просмотров 2814 года назад
Rostock: The Fourth Rule of the Diagram
How important is that technique anyway?
Просмотров 1554 года назад
How important is that technique anyway?
Rostock: The Third Rule of the Diagram
Просмотров 2384 года назад
Rostock: The Third Rule of the Diagram
Alcohol Aided Addition: Why cutting is prioritized in Meyer's Longsword
Просмотров 2784 года назад
Alcohol Aided Addition: Why cutting is prioritized in Meyer's Longsword
Great video. My personal interpretation about the eightfold windings involve the four quadrants of the head (that Meyer specifically associates with Winding even before he starts talking about the guards), and the inner/outer windings. The examples he gives all assume the opponent enters the bind with a simple Zornhau, but it should be applicable to any type of bind. Left Low |I.63V|: hängen > short edge wind in > sturz wind out Right Low |I.21| |I.43V|: zwerch > short edge wind in > zwerch wind out Left High |I.50V|: kurzhau > schiel/sturz wind in > schneller wind out Right High |I.64|: oberhau > duplierenish wind in > zwerchish wind out He also does mention outer windings as counters to inner ones in |I.43V|: he only gives shiel as an example against the right-low wind in, but it seems to work as a counter to everything else.
This looks so cool! I'm hoping to take a look sometime.
Follow up. I signed up and am loving it. 🙏🏻
I have people in my club who reads it in the way that most do and say that every strike should have the potential to connect to the body, but I argue against them using the same reasoning you used here. I think most people read "don't chase the blade" and think that we aren't suppose to strike to the blade at all when in reality it means don't focus on the blade
Nice fencing!!
landing flat
It's really not, but hey thanks for the comment.
@AllerSdF In my own practice, I have difficulty both applying the short edge under-shilt to the bind and striking the right temple edge-on at the same time. This has led me to striking on the left temple when binding the same side of the blade with schielhau
This was really fun to watch
Fantastic fencing!
1st drill @1:10 2nd @2:00 3rd @3:00 (long short alternating) 4th @3:40 (flat) 5th @4:12 (attacking to the different openings)
hi. nice setup you have there!
What is the prupose of the flat strikes? I know it is just a drill but i fail to see any practical use in combat or sparring for that matter.
Honestly our thinking on this has evolved greatly since this was recorded. Flat strikes have martial value even if not immediately fatal. Ask yourself, are you comfortable getting hit in the head with a bar of steel that has been sharpened on the edges, without any kind of protection? While it's highly unlikely any such strike is going to be deadly, it can still be quite painful, and delivered to the proper target even incapacitating. Over the years I've take a few flat strikes on my mask right over my ear. It set my ears ringing and easily left me open to a follow-up strike. I have no interest in ever taking a strike like that from a sharp sword without a mask.
@@SacHistoricalFencingthank you for your answer. Im looking at this from another angle than how fatal an attack like this can be: my judgement is that these attacks are much easier to parry than a usual, properly aligned attack. I can see that it might be useful to get into a winding or thrusting position, kind of as a feint, where the blade is already properly aligned, but there are better ways do archieve this. I would personally never, in any situation, go for a strike like this, just because if i get parried it is much harder to recover. I would add that attacking strikes are already relatively rare compared to cuts or thrusts, as those are superior in motion, speed and reach(thrusts) and perhaps even power - most of the time. Perhaps i am not seeing something or misjudging this, so feel free make an opposing point.
Well we filmed this year's ago, so I'm not sure what part you're specifically referencing. However drills by and large aren't fighting, they are about learning certain movement patterns. So yeah, these 8 year old flat strikes I'm doing aren't something I'd advise one of our current students who've finished beginners material to use, outside of very specific instances that can arise from within a bind, but they are good for beginners who aren't ready to spar and instead are still learning to move the sword around without getting their hands tangled up.
@@SacHistoricalFencing I see, thank you!
My pleasure
Very cool that you guys are posting full tournaments, watching it during work. Would love to watch live in the future
We have a monthly in house tournament and a local every other month that we will be livestreaming.
"Promo sm" 🙄
Great video! I'm still unclear as to what each of the numbers mean. I've been searching around RUclips to gain a better understanding, but it's still unclear. Also, the footwork is critical to this. It's not just the sword stroke. When you began, I was hoping to follow, but realized I needed to understand the stance switches as well as the cuts to have a cohesion of form, coordination and balance. That said, should I work on simply switching stances first before attempting the cuts or stumble my way through imperfect execution?
Sorry I didn't see this comment, we really probably should remake these videos that are closing in on being a decade old. One principle we work on with our beginners is that they need to be able to control the sword before they worry about anything else but that also includes controlling their body. It starts with footwork. If you can't move your feet, moving the sword around doesn't really do much good. So I would suggest: learn to move your feet, learn to move your sword, then learn to move your sword with your feet.
Alec v Erro - Two of our exceptional Red Ribbon students who demonstrated clean and precise fencing techniques Sydney v Jim - Two of our newest White Ribbon students, was very pleasing to see that they avoided messy exchanges and focused on fencing to the best of their ability in this tournament Andrew v Stefan - By the time this match came up, Stefan was undefeated in the tournament with excellent fencing technique which had him at an outstanding 4 wins and 0 losses
Why is there 2 minute long intro song??
These videos were originally done as part of a live stream show, sorry for the delay at the start.
Very good video. Only one question. Are real Rapier swords that wobbly as well?
No. The swords are practical use, allowing for safe sparring. The sword Enrique uses is a Hanwei practical rapier, which is notorious for being extremely flexible.
Thanks for sharing, good to see y'all having fun making some sparks together! Of the longsword bouts, Serafin looked the best IMO due to his solid footwork, being patient and following up with fairly clean and well-placed ripostes, without striking harder than necessary. Good control.
Serafin hasn't fenced actively with us in 2 years, so that is him unpracticed. He is a very excellent fencer!
@@SacHistoricalFencing Wow that's quite impressive!
@@SacHistoricalFencing Also, Serafin moves with deadly efficiency and purpose, which would be essential on the battlefield, to conserve one's strength. Those coming to HEMA from modern sport fencing could take a note here.
Upcoming Plans - Add a mic on the Referee - On screen graphic displaying point count
Interesting listen - the slides really don't come through in the video at all though, which is a shame. Stumbled on your RUclips stuff awhile ago. Have done general Lichtenhauer longsword for awhile, but recently decided to try and learn more about Meyer. Have really enjoyed looking at your takes on it. I realize there's been no replies here for... years... but thanks for the uploads.
Hi Francois, we're still around it's just that we made the move to being a full time school with a dedicated space last year and haven't had time to start making videos again. But thank you for your comment.
Ruleset: fightbattleborn.com/longsword-tournament-rules
man, that guy in the white jacket & socks with black paints was awesome. Some of the cleanest fencing I've ever seen.
Ruleset used: socalswordfight.com/pages/smallsword-tournament-ruleset
Our understanding of the progression through the system is very different. First I'd say stay with the weapon you are most fascinated with. Doing Longsword only is pretty fine if the interest is there. Second, the Meyers Cross needs to be also practiced with partner, it's not about learning the cuts with all edges of the blade (kurze/lange Schneide and Flächen) only, it's about overloading the opponents defence capabilities and keep him in Nach. This training needs progression. All four blows need to be executed, not parry reposte, this is essential to his system, it's the core training. Again, forget parry reposte training at first, it's not Saber. Train at least 1/4-1/3 of your time the Meyers square with partner (most Stücke are examples of exactly this). The progression should be trained with Ablaufen, Verfliegen, maybe a Schnitt and so on on first blow, second , third, forth, maybe two in a row. etc, the partner can first learn Versetzen, later he can try Nachreißen or attacking Indes, to steal the Vor. And that's the point where Winden begins. Also never forget Abziehen wit another Hau and with Thread or on Tournament you catch a lot of Afterblows. That was a summary of Meyers Cross Partner Training as written in the source and fills several pages right after the cross is introduced (Basically it describes "Aliveness" Training with the cross cuts). It's a lot of fun too. Beginners will progress quickly and training as well as sparring will be a joy to watch.
Meyer is basically only useful for sword tag and tip tapping fencing. The older Masters at least had real combat in mind when they created their treatises.
What makes you feel that way? While this was a popular opinion a while ago it's generally been agreed upon that it's an inaccurate one. Opinions have shifted to both recognize Meyer's martial viability and that the idea that early KdF is only for "real combat" is itself flawed.
I'm sorry bud, but your comment just shows how much you don't understand the system and the old systems at that. If you formulated this opinion by yourself, maybe do some more study and training. If your instructor told you this, maybe find a new one...
Nice video bro, but please refrain from ample marijuana usage until after you film yourself next time 😆
That's without smoking. I wouldn't be able to speak of I had smoked
@@SacHistoricalFencing just giving you a hard time buddy 😆
Cheers
interesting...
I dont know why it took so long for youtube to bring me here, but im glad it. Good content and clear instruction. So thank you. As a side note, I use to have the same weirdness transitioning from the 2nd quatrain to the 3rd. I took a look back at what Meyer wrote and drew the square based solely on his words. The square drawn in the fechtbuch does not match the order he describes to cut in.
I didn't see the comment until now for some reason but yes the description doesn't match the diagram
I'd like to see a video demonstrating inner and outer winding, with long and short edge, done to both sides. And then if you can manage it with your pell, why one could not wind with both fencers in the upper hangers or both fencers in the lower hangers.
I can't put my pell in an Unterhengen but I'll see what I can get done Sunday to record a longer demo
Incidentally I'm not arguing against being able to do the actions from all types of binds but rather a question of the classification of actions. Why is a Doplieren a distinct action and not just a Wind In? My argument that the various types of bind geometry is giving rise to the different naming conventions that we see. Of the 4 possible configurations of bind (both from above, one from above and one from below, one from below and one from above, both from below) the first 3 are there just common to occur in the initial binding. I'd need to go look to see if I can find the both from below (both in Unterhengen) happening in Meyer. But I'll see what I can get done Sunday
@@SacHistoricalFencing I conceptualize everything that happens in the middle/handworks in the bind, as a wind. The different names given to actions are different ways to describe the actions and the circumstances in which they occur. Setting-Off is just winding with the long edge starting out of a bind; doubling is winding with the short edge against strength from an initial bind, and so forth. Instead of saying "perform the 17th winding action" we are given mnemonics like "x-hauw."
I don't disagree but I'll save it to for the requested demo to go into more details about why I think it matters
@@SacHistoricalFencing 👍
I don’t disagree, I just want some clarification. You say winding takes place from a hanging (Hanging or Zwerch) like position on a straight position (Straight Parry or being overbound) This, I believe, is perfectly sound. I’m just a little confused when in the Zorn bind, you wind, seemingly going against the principle stated above. Now of course, in Meyer fashion you reverse your sword before you wind, this is how he says to do it. However, if we look at 1.30r.2, it seems to match this at first glance. But when reading it says “remain hard on his blade; push your pommel suddenly through under your right arm; remain in his sword” now you’re right in saying that this puts us in a hanging position, but he immediately follows this line with “at once jerk your pommel back out and wind the short edge outward at his head.” He doesn’t call the reversing action winding, but the action immediately after it winding. Now this is just semantics separating your view from mine, so I could have just misunderstood your point, so I would very much like to see what you have to say. In addition, they way I define inward and outward windings is, for example: If I am bound from my right, an outward winding takes place to the opponent’s left side, while an inward winding takes place on the opponent’s right. This is of course, opposite if I was bound on the left. I’m not too sure how you define them, so I also wouldn’t mind knowing that. Regardless of separating views, an insightful video nonetheless.
So, part of what I am arguing here is that while there are many (little w) winding actions, the (big W) Winden "Windings" are being done from this Unterhengen or Einhengen position. So when I "wind" from a Zorn bind I am actually doing one of the other named actions in Meyer's Handtarbeit. They "are" the winding but from a very specific situation. Its all fiddly and at the end of the day doesn't 100% make a difference. So then to your specific question in regards to 1.30r2. I am going to assume that the initial bind here is a Zorn/Zorn bind, so when I shove my pommel suddenly through under my right arm its not a "Winding" (big W) because of the initial bind. But having reversed and brought myself into a hanging position, I can now actually Wind (now it is a big W). Further, this makes sense because the "Wind the short edge Outward" works with my understanding of that position. Winding Out (Auswinden if you will) is (in Meyer) a wind that moves my blade into opposition against my opponent's blade, whereas Winding In (Einwinden) in, again in Meyer, a yielding action that goes around their blade. So Winding In is soft, Winding Out is hard. Basically Meyer (I'm not really to really assault the early KdF tradition on this) has his Windings reversed from what most modern HEMA people do. Whereas its common to first press then yield, Meyer's winds yield, then press. You have to keep hard on the blade during the yielding to maintain Fuhlen but you are strengthening your position while doing so by bringing your blade on top of theirs. If you feel them leaving the bind to "rush down on your from above" as he says, you then Wind the pommel out from under your arm to displace them and protect yourself. If they strengthen against this and push your point off to the side (their left if starting from a bind from my right to their left) then you Durchwinden through with the pommel. If that leaves confusion I will attempt to film another video this Sunday to answer further.
Ah, I see. I did not pick up on your difference of the letter W. Is this distinction (big and little W) used in the treatise anywhere, or is it more of a personal rule? Assuming I understand your point, the handworks that retain blade contact such as Reversing, Winding Through, and maybe even Wrenching are all “winding,” but not “Winding.” I may not entirely agree with this, but I’ll approach some devices with this mindset to see if I can better understand your viewpoint in practice, not just theory. Thanks for taking the time to spell it out for me.
Yeah, what I'm saying is that the "8 Windings" take place from the Hengen specifically, which in this case means one person is in Unterhengen, Ochs(ish), and the other is in Einhengen, pflug(ish). However there are many actions which are related and wind or wend to bring the point in line but aren't one of the 8 Windings if they aren't starting from that particular bind (in Meyer, rdl may be different (
Not to be dismissive, I swear, but to summarize: when binding, if not in Hengen, wind to one, if in Hengen from winding, or parrying with Hengen, Wind to body, inward or outward as the situation calls for it. (Deliberate use of W and w)
You're not being dismissive at all, I asked for people to come at me and pick it apart. But, yes that's basically it.
Great video guys!
this was very useful, really appreciate it!
Glad you liked it. I should note that this review of quite old at this point. Having said that the Castile feders have only gotten better over that time.
Yeah, my SCA group actually just bought one of the latest models of castille armory feder blades for loaner gear. I was using this video to get an overall sense of how the regenyei compare flex wise, because I'm looking to purchase one and I was sure if it met the SCA flex standards. If its in the same ballpark like it looks to be it should be fine!
With the Castile you can specify the desired level of flex with options for SCA C&T our HEMA. Personally I think the C&T flex is ultimately overall as the HEMA level is to stiff. It was adopted by Castile during the height of popularity for murdersticks that swept through the HEMA scene a couple of years ago but we're now seeing trends away from.
honestly i have no idea what a murderstick is but i want one
Nah you really don't. They are things like the Black Horse feder that are dangerously stiff and getting thrust with one can be quite painful. They also let you cheat your technique in a bind
that one bitter guy that downvoted ?
It's the internet, there's always someone that will dislike things.
I started with a club doing early Lichtenaur, but I find I want to do Meyer more, although there are no clubs nearby that do Meyer, what would you suggest I do in that regard? I am trying to put a club together as I write, but aside from having Forgengs translation, I'm not sure how to go about studying Meyer.
First, read through all of Meyer, or at least the 3 sword sections. Don't try and actually do his plays, hell you can almost skip them. You're just getting a feel for what he advises. Then after you've read through the book you can go back and start working plays, but don't obsess. It's very easy to get bogged down in his initial chapters but most of his good advice and material comes later in the book. Personally I found my best progress started when I looked at his rapier plays and started thinking about and working them but using a Longsword. Hopefully that will get you going but feel free to ask if you have more questions
Make more vids like this! Extremely helpful. Do all the basic cuts!
Hi Taylor, it's on our list of things to do. Unfortunately like so many things both covid and the California fires have gotten in the way. But I'll try and get those other primary cuts done.
As a Non-affiliated/solo enthusiast, I’m just curious here. What would you think of a rank marker being a stripe on one’s mask? My thinking is that most sparring and drilling should happen with mask and gloves at least, so a stripe or incremental piece of the club’s logo can relate to students how capable and safe the guy is, and can also help represent the club to others when fencing outside HEMA-ists Any thoughts?
I could see it working
Thank you for the nice explanation video! Yet, i think the performance is a little overextended, though probably its done on purpose. I personally question if the meyer circle is really something to be reckoned with in a dirty fight, as it seems very very predictable and in most tournaments you would aim for the obvious weaknesses of the circle.
So if you haven't already I'd suggest watching our series on the Rostock Diagram and Rules as they provide a better framework for how we feel Meyer approached a fight. The key with the Rules is to follow them until it's appropriate to break them.
Drills are used in drills. Actual fight, thinks compress.
I know people have probably asked, but can you do a video on how to make your pell arms/sword holder?
Sure. It's all pretty roughly put together but that just makes it easy for other people to do
@@SacHistoricalFencing we're looking at teaching remotely to people meeting in person since a good number of our instructors are high risk or live with high risk friends/family. So, having a dummy that can hold a sword would be nice for when we can't get instructors together in a bubble.
Ok I'll try and get something filmed today or tomorrow, although it will be rough since it's going to be around 113 as the high today.
@@SacHistoricalFencing godspeed!
Are you guys having a tournament?
Unfortunately because of the quarantine restrictions we are going to have to postpone our planned tournament until next year..
Wear a mask, wash your hands, get plenty of vitamin d, practice social distancing and work on your Zufechten. Meyer himself wasn't killed by the sword but by disease.
Great idea for a video; thanks!
Since masks catch the droplets and therefore concentrate any virus particles that may be present, if you can't keep your hands away from your face then you're safer not wearing a mask at all. And let us not forget that we're swinging giant bars of steel at each other. You have to do what you have to do, but fencing is an innately hazardous sport. Don't obsess about masks to the point of distraction because a virus isn't the only thing might put somebody in the hospital.
This is frankly, unhelpful. Yes yes we're swinging steel bars at each other but we still take pains to minimize the risk to ourselves and others. Similarly a face mask isn't intended to protect you, it's to protect others. If you are touching your face and then communal items or gear the presence or absence of a face mask will have little effect. However the mask will greatly reduced airborne droplets which will help to protect others. And that is the key, slowing airborne transmission. Spreading via contact is prevented by not touching other people or their gear.
Love your analysis!!! Great job..
Perfect training to become a witcher 😁
Thanks for making this video! I have been working on learning Meyer's system for little while now, but it is still really helpful to get thoughts on how to proceed through his work. I am currently working my way through your videos and really like what you are doing.
I'm glad you're enjoying them. We have a few things delaying video production at the moment but we have more on the way
I’m not sure that levels of contact would be any different between a couple of layers of fabric and a t-shirt. If I fence with someone in a hoodie, I would still take the same attitude to contact as I would against someone in a t-shirt. We do quite a bit of work in gloves and a mask, and we really only target those two areas when we do it. A light tap on the forearm without gear on could pretty easily become a chipped elbow bone. If that same person put on the equivalent of a few hoodies, then they would be wearing a an unrated fencing jacket level of protection but without the puncture resistance. I think the two safest options are t-shirt, and full gear. Anything more than a t-shirt when doing slow play, is a false sense of security. By having two modes of work at opposite ends of the scale, I think training is safer.
I guarantee that the amount of protection provided by my period style doublet is significant compared to a t-shirt. A SPES officer style jacket is similar in it's cut resistant capabilities. Yes an impact on an elbow will have similar blunt force effects but that's a function of mass, not the ability to cut. I think we see this protective ability in action when looking at the dagger and the types of strikes employed, vs say something that develops in warmer climates. You're simply not going to cut all that easily through thick wool compared to stabbing through parts of it.
The whole thing really does make one want to know more about the whole wet vs dry fechtschule and how it all worked.
Period pants/chausses are also perfect for lunges. I do not know any modern pants that provide such freedom of movement.