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THANK YOU 🙏

I get an error message saying "failed to retrieve still image from disk". Any suggestions? I realize you made this 3 years ago. I'm on version 18.6. Maybe I should update to 19? Please help. Thank you!!

BG music way too loud to follow tutorial

Honestly what you're teaching here is what people would pay GOOD money to learn. Loved this. Thankyou

Rec2020 and Apple Log as input colour space. Why REC709?

Your channel is the one I was searching for but just couldnt find until today. Thank you Bro for the great color grade vids, they are comin in clutch for me!

Brother this is excellent... Thank you!

I only have the option for prores hdr on iphone 13 pro, no log.. is that normal?

I'm really enjoying learning from your videos. Really nice work. Thank you.

Very helpful. I just discovered your channel and enjoy your presentation style very much. Thanks for creating this video for us.

very interesting. I really enjoyed watching this. Thanks for creating it for us.

I get a feeling that u would become a good channel on color grading n color mgmt. Btw,that light (whatever it is) on the right side ,near the monitor,is grabbing the attention more..subbed!❤

Could use a power window too if you just wanted to use the luminance slider on the qualifier.

Also, what I'm realizing is most 'creative' LUTs are built for rec 709. So does that mean in order to take advantage of them I'll need to change my working space in color managment to rec 709 as opposed to DaVinci WG?

How did you know that your Kodak 2383 D65 LUT required a cineon input? Is there a way to check LUT input requirements ? Additionally, do you have a good resource for free or paid LUTs that input and output DaVinci Wide Gamut? Thank you!

Can't watch. Background music 😢

Thanks for sharing this great video,. Helped me a lot!

Awesome tutorial I've been playing with Pro Res but still learning Color Grading and Resolve.

Thanks for your work fam, helped a lot!

Thanks for the great video! By sheer coincidence, I’ve been practicing on the exact same RED clip, and it was very reassuring to find your video, and to see that I was right on track with the same workflow and results. The only real difference is that I had a ‘balance’ node to get the image less warm at the beginning of the node tree, then added the split tone look node after that. My results were virtually identical. I guess it’s a positive sign that I’m getting there! Looking forward to watching for more of your videos.

OK, there was a lot that was good about this, but I think you would benefit from reading the Apple Log White Paper... Apple Log specifically bypasses tone mapping and digital sharpening, or as the white paper says "minimal processing". The file size is big because of ProRes (the bitrate and lack of interframe compression), the file resolution is still 4k...not 48 mp or 24 mp (the resolution). 4k footage, is by definition, approximately 8.3 MegaPixels (3840 pixels X 2160 pixels = 8294400 pixels) The color gamut that Apple Log uses is Rec2020, not Rec709. You absolutely nailed that one should use Color Space Transforms (or the project settings color management which does basically the same thing) and I love that you showed the uncorrected log twitter account.

First time coming across someone making use of two "colour space transform" nodes and learned a lot!

Thank you very much for your work!

Pl make a video on timeline level as u spoke on 5.15 min of the video pl

Awesome, thank you!

Why the nodes ? Please explain.

so da vinchi doesnt edit timeline with text but primier does?

If working colour managed, what input do you select if you have mixed cameras in the timeline? Or is it best in this instance to go the node based route? Thanks. BTW. I paused the video to ask. Apologies if this is addressed later in the video.

youtube algorithm suck so back, i took so longer to find a well explained video like yours, hoping to see more real time colour grading in your channel this is why im subscribing! thanks for the effort and attention! you rock! keep up bro

thanks so much, helps a lot. its tampa airport I live near by.

Raoul. What you have to teach is very important. Unfortunately your presentation is a bit disorganized and you use esoteric terms that are impossible to follow. We’re watching this because we don’t know this stuff. So using specialized terms we get lost almost immediately. My suggestion is that you work your presentation down to plain language for we beginners. I'm not actually a beginner and i’m having trouble following. That said, I appreciate the time you put into this.

Watched again. And again!!

Thank you, but..... Music is sooo irritating. Why Why WHY. I you MUST use music in a background mix it properly please. It is so disturbing to listen to your interesting explanation! Dont destroy yopur quality, because you think you MUST use music

idk man, I think PP has a better text-editing feature. I dislike with Resolve how it only affects the source and it makes you drag an drop bits of clips vs. actually moving around the timeline like PP

Welcome to Final Cut Pro

The channel has officially made it to RUclips partner! Thanks everyone that made it possible. More videos to come!

I would love more videos to learn how to understand the color grading pipeline.

Thanks

Brother you are amazing ! I just recently did a color grading on my apple log footage and the video you made helped me a lot. Keep it up man !

Been going through your videos and like them. I am still new to colour grading, would love it if you did a "rules of colour grading" similar to having compositional rules. Things that beginners can use early on to guide them. I know I still struggle get get contrast right and the balance of the image when it comes to contrast.

1:28 I know a couple of people who can monologue for a couple of hours without even taking a breath or pause :)

Have you ever found that your blacks get all fucked up when using HSV saturation? I messed up a whole project because the HSV saturation was causing my blacks to lose all detail as well as weird artifacting.

Great explainer. Thank you

Hope you all are having a good week! Let me know if you tried this technique out in your work and how it turned out for you. Also, just to point it out I did show a comparison between both methods using a wipe at around the 7:00 mark.

👏👏👏👏👏👏👏👏👏👏👏👏👏👏

"I'm gonna add a few nodes here" HOW?

Thank you

Pick an interesting scene. Is it that hard to go outside and shoot a video with trees or something. I wanted to know how the highlight rolloff with the mids and shadows.

so much useful info in this video, thank you raoul

Great walkthrough. I agree about using CSTs as opposed to LUTs. LUTs are great for fast turnarounds. But, CST still give you more control. Whereas LUTs tend to bake in looks. I have the iPhone 15 Pro. And from my initial test shots, I've been very impressed with how clean the shots are. I went from the iPhone 12 Pro Max to the 15 Pro. And the difference in video quality was astonishing. I've been thinking that the iPhone 15 would make a great b-cam for wide shots where depth of field isn't an issue. The Cinematic mode is still not convincing enough to replace my Sony FX30 in regards to depth of field capture abilities. Nonetheless, I can see the iPhone 15 Pro/Max being used to make movies. Thanks for your color grading techniques. Subscribed.