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Yeah this is not the speedbooster. This is the one for using on full frame sony cameras. The speedboosters cover small sensors like APS-C. Here is the link to the one that I have that is in the video. www.metabones.com/products/details/MB-EF-E-BT6 . At the bottom of the page is a list of cameras they have tested this on!

For my 21mm lens I used one of the tilta focus rings, I believe it was a 61mm diameter one. For my other lenses, they are from Simmod.

That’s a huge compliment, thank you!!

@@acoast84 hey! I meant to create a short to show it against the backlight, but I’m in the middle of moving and on vacation too. But, as for an answer for now, and just using it, I don’t notice anything that sticks out to me. The inside of the metabones is flocked with black velvet material to reduce any extra external light from leaking. The fit is tight on the postive lock and the is a weather seal between the camera and metabones adapter. When I can, I’ll test the zeiss contax lens on my fx6 with an adapter and a native ef lens mount camera

@@themadlightfilms Thanks for the thorough reply! I was looking into 7artisans adapter as well but there is a review that says it has a noticeable flare against strong backlight. I'm always skeptical about ''cheaper'' gear. One more thing - With this Cine Smart lock, is it possible to change the lens with only one hand as well while holding the camera with the other hand? Or is it definitely a two-hand thing? Thank you!

@@acoast84 np! well I really wanted a solid lens mount and didn’t want to have to mess with testing out cheaper products. I would say, if you do video work professionally, buying good gear is the way to go. I am able to change smaller lenses with one hand but even then it is way better to use 2. It would be easy to think the lens is flush when it is not. Also some lenses are tougher to get flush than others. For bigger lenses you definitely want 2 hands or 2 people.

@@acoast84 also, there is the one from dzofilm but reviews say it has a tight connection which was a turn off for me. The metabones has been perfect also far

@@WinstonMcfarlane yup! I can make a follow up short on it tonight if you want. What’s funny is I found a second one in my bag, and I’m willing to bet it came with the cage, I just didn’t know what it was lmaoo

@@themadlightfilmsyes I confirm you it works and it come with the cage

@@AnthonyHadleyJr for sure! 🙌🏽

@@dymonmein yeah that’s just how I talk, Idk why but my voice fast gets tired doing VOs 🤣🤣🤣 I’ll see if I can improve them 🫡

@@juliusschade599 we use cineprint 16 by Tom bolles! Applying this node tree to footage looks really good on s-log straight out the gate. Although normally I’ll turn off the blur and halation (or decrease it) .

@@BassCatchProductions thanks Zach!! Trying to make more 🫡

@@basementstudios53 hi! Awesome to hear from someone so far away! Thanks for watching!! Yeah the goal is to post more, I’ll be posting some vlogs I’m editing as soon as I get back from a trip on the 28th

apprecciate it!!

lmao don't be a weird hater

I do have one on, i had to duouble check another clip I have but the seatbelt is being perfectly covered by the steering wheel 🤣. I would have known if it was off because my car would have been screaming at me

sapo

Thank you! It was a combination of the time we shot, the color temperature and magenta/ tint of the train and color grade 👌

What's up dude! Yeah that was a first one for me and Robby so it was cool to see yall.

Thanks! ill definitely make a follow up video to this one once I put a couple hours in to the monitor! And thats part of why I made this, I dont see whole lot of content surrounding monitors like these so I wanted to share my experience.

Waiting for your further impressions. I also do color but I also like to shoot and travel. I just don't want to be confined to my room for grading and this bad boy seems to be just enough portable.@@RobbyCisneros

@@andy80sdrumsI’ll make that update video as soon as possible!

thanks for taking the time to watch! and yeah ill let you know my thoughts!