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- Просмотров 248 145
Brattleboro Museum and Art Center
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Добавлен 24 май 2010
www.brattleboromuseum.org
The Brattleboro Museum & Art Center is an independent, non-collecting contemporary art museum whose mission is to illuminate art and ideas in ways that inspire, inform, and connect people from all walks of life.
The Brattleboro Museum & Art Center is an independent, non-collecting contemporary art museum whose mission is to illuminate art and ideas in ways that inspire, inform, and connect people from all walks of life.
Art Talk: Adrienne Elise Tarver and Daricia Mia DeMarr
Artist Adrienne Elise Tarver and curator Daricia Mia DeMarr discuss Tarver’s BMAC installation, "Roots, Water, Air."
Adrienne Elise Tarver is an interdisciplinary artist based in Brooklyn, NY with a practice that spans painting, sculpture, installation, photography, textiles, and video. Her work addresses the complexity and invisibility of Black female identity including the history within domestic spaces, the fantasy of the tropical seductress, and the archetype of the all-knowing spiritual matriarch.
She has exhibited nationally and abroad, including solo shows at the Aldrich Museum of Contemporary Art in Connecticut; the Academy Art Museum in Maryland; Atlanta Contemporary in Atlanta, Ge...
Adrienne Elise Tarver is an interdisciplinary artist based in Brooklyn, NY with a practice that spans painting, sculpture, installation, photography, textiles, and video. Her work addresses the complexity and invisibility of Black female identity including the history within domestic spaces, the fantasy of the tropical seductress, and the archetype of the all-knowing spiritual matriarch.
She has exhibited nationally and abroad, including solo shows at the Aldrich Museum of Contemporary Art in Connecticut; the Academy Art Museum in Maryland; Atlanta Contemporary in Atlanta, Ge...
Просмотров: 3
Видео
Art Talk: Susan Mikula and Charlie Hunter
Просмотров 7112 месяца назад
Photographer Susan Mikula and curator Charlie Hunter discuss Mikula’s exhibit, ISLAND, which features haunting images of the historically-rich, 30-acre “island” in Bellows Falls, Vermont. Susan Mikula lives and works in New York City and rural western Massachusetts. Her work has been shown in solo and group exhibitions in New York, San Francisco, Miami, Los Angeles, and Northampton and Province...
Art Talk: Saks Afridi and Sadaf Padder
Просмотров 725 месяцев назад
Saks Afridi’s "SpaceMosque" fuses Islamic mysticism and technology, investigating intersections of capitalism and spirituality, historical record and futuristic imagination, and the physical and emotional limits of materiality. In this online conversation, Afridi and curator Sadaf Padder discuss the exhibition, Afridi’s first solo museum presentation in the United States. Born in Pakistan and n...
Art Talk: Mishel Valenton, Benedict Scheuer, and Maria Stabio
Просмотров 356 месяцев назад
Curated by Maria Stabio, the exhibit "Personal Nature" pairs the work of Mishel Valenton and Benedict Scheuer, two artists intrigued by the ephemerality of personal and natural experiences. In this online conversation, the artists and curator discuss the exhibition, their artistic practices, and their fascination with all sensations, visual and tactile. Mishel Valenton works in oil paints, goua...
Reclaiming Stolen Art: A Personal Story
Просмотров 2137 месяцев назад
In 2023 Vermont filmmaker Andy Reichsman became the first person ever to reclaim stolen artwork from the Croatian government. In this talk, hear Reichsman tell the story of his family’s 70-year effort to seek the rightful return of works by Cezanne, Degas, Picasso, Vlaminck, Derain, and others, which were stolen from Reichsman’s grandfather by the Nazi-aligned government in Yugoslavia during Wo...
Art Talk: Edward Holland and Mara Williams
Просмотров 988 месяцев назад
Edward Holland and curator Mara Williams discuss "Celestial Sea," a body of work Holland began in 2014, built around mythology, myth-making, and the Zodiac. Edward Holland’s works bring to life the full potential of collage as an aesthetic and conceptual device. Often combining mixed media such as oil paint, acrylic, graphite, and printed papers, his compositions are scaffolded by the linear ge...
Art Talk: Samira Abbassy and Sarah Freeman
Просмотров 7310 месяцев назад
Samira Abbassy and curator Sarah Freeman discuss Abbassy’s exhibition, "Out of Body", which examines the human body as a psychological, biological, and spiritual vehicle. Abbassy was born in Iran in 1965 and moved to London as a child. After graduating from Canterbury College of Art, she began showing in London. She moved to New York in 1998, where she helped to set up the Elizabeth Foundation ...
Artist Conversation: Fawn Krieger and David B. Smith with Wendy Vogel
Просмотров 92Год назад
Writer and art critic Wendy Vogel leads a conversation with multimedia artists Fawn Krieger and David B. Smith, whose practices involve layering, colliding, and collapsing physical materials and visual forms to reimagine ceramics and textiles. The artists will discuss their exploration of themes such as attachment, association, relation, embodiment, and perception. Their work raises questions a...
Artist Talk: Aurora Robson
Просмотров 536Год назад
Aurora Robson, whose innovative works made of plastic debris are on view in the Brattleboro Museum & Art Center's exhibition "Human Nature Walk" through February 11, 2024, discusses her artmaking life and career. The recipient of BMAC’s inaugural Award for Service to Art & Humanity, Robson has inspired countless people to not discard their bottle caps-and instead to bring them to BMAC as contri...
16th Annual Domino Toppling Extravaganza
Просмотров 2,2 тыс.Год назад
16th Annual Domino Toppling Extravaganza
Artist & Curator Conversation: Anina Major and Sadaf Padder
Просмотров 84Год назад
Artist & Curator Conversation: Anina Major and Sadaf Padder
Artist & Curator Conversation: Cathy Cone and Sarah Freeman
Просмотров 99Год назад
Artist & Curator Conversation: Cathy Cone and Sarah Freeman
"Keith Haring: Subway Drawings" at BMAC - Behind the Scenes
Просмотров 411Год назад
"Keith Haring: Subway Drawings" at BMAC - Behind the Scenes
Director's Tour of "Keith Haring: Subway Drawings" at the Brattleboro Museum & Art Center 3/30/23
Просмотров 388Год назад
Director's Tour of "Keith Haring: Subway Drawings" at the Brattleboro Museum & Art Center 3/30/23
Artist & Curator Conversation: Alison Moritsugu, Erin Shigaki, and Sarah Freeman
Просмотров 2282 года назад
Artist & Curator Conversation: Alison Moritsugu, Erin Shigaki, and Sarah Freeman
Conversation: Renate Aller and Makeda Djata Best
Просмотров 3142 года назад
Conversation: Renate Aller and Makeda Djata Best
Artist Talk: BMAC Climate Change Artists in Residence
Просмотров 412 года назад
Artist Talk: BMAC Climate Change Artists in Residence
Artist & Curator Conversation: Judith Klausner and Sarah Freeman
Просмотров 532 года назад
Artist & Curator Conversation: Judith Klausner and Sarah Freeman
Artist & Curator Conversation: We Feel Our Way Through When We Don't Know
Просмотров 1512 года назад
Artist & Curator Conversation: We Feel Our Way Through When We Don't Know
15th Annual Domino Toppling Extravaganza
Просмотров 3,4 тыс.2 года назад
15th Annual Domino Toppling Extravaganza
Artist & Curator Conversation: Beth Galston and Mara Williams
Просмотров 522 года назад
Artist & Curator Conversation: Beth Galston and Mara Williams
Abenaki Cuisine Demo with Chef Jessee Lawyer
Просмотров 1122 года назад
Abenaki Cuisine Demo with Chef Jessee Lawyer
Installation of "Beth Galston: Unraveling Oculus" at Brattleboro Museum & Art Center
Просмотров 1302 года назад
Installation of "Beth Galston: Unraveling Oculus" at Brattleboro Museum & Art Center
Artist Panel Discussion: Felt Experience
Просмотров 3622 года назад
Artist Panel Discussion: Felt Experience
Timelapse: Melissa Joseph felting at Textile Arts Center in Brooklyn
Просмотров 1242 года назад
Timelapse: Melissa Joseph felting at Textile Arts Center in Brooklyn
Looks like I found the organizer!
Oh dear, museum curator I must tell tell that have memories of a musical doll stage wit/ballerina spinning on the round music playing box ran by battery. A owner could change the clothing when the ballerina came and stopped at the back of the Box's Stage. I have seen nothing like the toy I owned as a little Girl that was a long time ago so, I have learned to like a puppetry figured biz.
This is about the coolest thing I’ve ever seen
I am always full of admiration for what you do, your beliefs, the passionate message of your stunning work and your determination to educate all of us about the devastation plastic has caused on our planet. The backstory irony of the Amazon piece was not lost on me. Thank you for sharing your process and fondness for the pieces you've created, despite the sad origins of where your materials have come from. Can't wait to see what's next. Bravo, Aurora.
Can you help me find a Mail Art group I can participate in? As a stamp carver and Mail Art sender of thirty plus years, I would love to meet other artists that do this. Thank you. Please leave information here, as I don't have a working email address on Google.
Wow what a wonderful talk. It is a tragedy that I am the first to comment and it took me two years to find it.
Det var snällt att det lilla barnet fick välta.
Tack så mycket
The David Soyer anecdote is interesting in that, because he was part of a great string quartet, his dedication to specifically performative clarity, times four, came off as a kind of tyranny. One assumes that that’s especially true in the context of a talk on loose brushwork, the flow of experimentation, etc.-but for a performing musician, the word “amateur” is a very loaded one (George Bernard Shaw’s famous quip, “Hell is full of musical amateurs,” from “Man and Superman” illustrates the case vividly enough). You bring up an important divergence in fundamental aims between the creative and re-creative or interpretative arts. There’s a big difference between musical amateurs and professionals-and a huge gulf between amateurs and artists-that’s immediately and painfully obvious to audiences, no matter how uninitiated. Van Gough’s lousy drawing skills are viewed as unimportant, but playing out of tune is.
Wow his work is so powerful. Vulnerable and captivating. I love the idea of using a mask to reveal rather than to conceal. Can't wait to go to the next artist talk back !
The conundrum of being a separate entity and trying to be part of something . . .
thank you so much for sharing this information. gave me a better insight about Minor White and the impact he has had on the world. also thank you for the information on the online tour! it is very neat and helpful since I currently cannot travel to see this in person.
communists
This whole discussion is so great to hear. I love felt as a medium being given more space for "serious" art, and all of these artists are really challenging that age old thing of "craftiness."
What a wonderful talk. Thanks for posting it. Pure inspiration.
Thank you. I'm going to read the two catalogs
Rest in peace, sweet Ali (Frizzy) . To my best friend in high school : We shall always have that special bond from ALL our amazing escapades . SO many great memories - thank you ! I am incredibly proud of all your amazing accomplishments in your short lifetime . Until we meet again ... Grr, snap, snarl ! Love and XXXOOO Gillsy (Frenchy) .
Thank you for this wonderful excursion into the photographic world of Minor White. Wonderful to learn about his gravitation towards interiority, and how this guided his vision. I have a deeper appreciation of his work after watching this interview. 🙏🏽
I was a student of sculptor Patricia de Gogorza Gahagan. She was married to painter James Gahagan. They were students of Hans Hofmann. She was the best teacher I ever had. My career as an art teacher was successful for my students because she took the time to teach me something about drawing. That moment in time has been what I tried to pass on to my students in public school, grades K to 12. I don't know if it made any of them devoted to art. I do know the FELT it as KINDNESS. I imagine, from this, that Hans Hofmann was that rare sort of teacher, for whom love and kindness and generosity of spirit is more important than a particular set of skills when it comes to
Awesome!
Thank-you, Wolf Kahn! I do believe you have just revived The Sleeping Artist Within me! I’ve been away much too long. The “Humanitarian Thing,” I was in to, did not work out Too Well and it was Not NEARLY as Much Fun! Your work has always resonated within me. Truth is like that!
Yeah!! Surprises in your mailbox! So inspiring to see so much variety. I’ve watched this video a couple of times and it frees up my mind to new possibilities.
I still don't understand how Mail Art works. Are only postcards artistically designed and sent or is it a matter of a postcard being designed by several recipients and then forwarded?
Mail Art is so much more than both of the options. It’s about a free form of communication through the postal system. You can send whatever you want. You can collaborate. Make up your own game. Try it and find out what you want to do with it!
Both....and yet neither are necessarily art
Thanks for doing this talk. It's just what I needed to rev up my creative interaction with other artists since I am now homebound.
my absolute dream is to attend Lois’s exhibition, if possible, Maine, of course. a trip to the usa have always sounded impossible and overwhelming for my small living soul, let alone the current conditions. but i’ll try, one day🤞 thank you, endless appreciation.
What a pleasant and interesting person to spend an hour with.
This helps me so much
Excellent presentation on NFT Art by Anne Spalter. I learned so much! Lots of great tips.
僕は、昔父島から、板のハガキを、志摩ちゃんに送った、ことが有るんだ、メールアートでした。ジェネシスありがと😉👍🎶
ジェネシスありがとう。
W. e.B Du Bois was a communist. The blacks are communist have a long history with the Communist Party USA since the 1920's.
wEB Du Bois was a Communist. Blacks have been communists since the 1920's Through the Communist Party USA. The civil right movement were used as a Trojan horse to Ouse Communistic ideology laws. Blacks love the communists party because it's a party of struggle who's thirst will never be satisfied
Futurism were FASCISTS. Dadaism and Surrealism were COMMUNISTS
What a delightful fellow!
Thank you for doing this.
Just got around to re watching this you two guys did a great job on your explanation of mail art and it was nice just to see you two at last in your flesh, it's nice to know that a few of my cards didn't get thrown out the door after they were received out of who knows where efforts at art end up, I am seeing mine in a few mansions in Southern California and also the Goodwill store, and every place in between, continued good luck on your wonderful hobby that you've turned into a vocation of fun and pleasure
Outstanding interview.
Thank you:) An exciting meeting.
Thank you!! ❤️❤️❤️
Thanks for posting this, I've enjoyed his paintings for years but this lecture really gave me a sense of him as an artist and enhanced my enjoyment of his work.
iuoma-network.ning.com/main/
Great talk enjoyed I was a personal friend of Ray Johnson and life long mail-artist.
hi valery. im pedro from mexico. i would really appreciate if we can have an interviewe. thanks!
Cool!
Good morning Chuck - I still have those images we made in the Peterborough show.
Simple answer no
London Olympics
Such a brilliant setup! I love how different it is from the other BMAC setups :)
Two comments? That's it? This deserves way more attention. I always like the BMAC events. The blue/white at the beginning was cool conceptually. Too bad you didn't have an overhead camera. I loved the yellow/orange/red/maroon half circle wall with triangles in front of it. Beautiful. The trees in the green part kind of reminded me of the ones I recently did. So obviously I liked them! At about 3:49 I wish you could see the red/yellow square shape in the back a little more close up. It looked really interesting. Overall I liked it, but it's admittedly not my favorite of the BMAC setups. Kudos to the four of you though for putting this together even during a pandemic!
I totally agree. The setup is absolutely incredible. (well, BMAC is always amazing) My favorite parts were the last walls (hot colors) and the first section (cool colors) with the clear, white, and blue lines. Even though a part either toppled early or didn't fall at all, the setup still looked amazing. And yes, I agree it is not my favorite BMAC (maybe 4th?) but is still really good.
Great fall down
You are an incredible woman and your story is very inspiring. Thank you!
This is crazy cool. So Mr. Miller let the vehicles and the pedestrians trigger the different parts, but my question is, how did he arrive at what notes or rhythms those parts would be in and of themselves? For example [for the sake of example, the notes, instruments, etc., are just chosen at random]: - A car zips across the screen - why do we hear Eb6 as opposed to say, A#4? - Why is one pedestrian accompanied by a goofy melody on a saxophone but another pedestrian is accompanied by music in a different mood? - Is that more the composer's artistic interpretation of how the subject is making them feel at the moment of composition, or were there other predetermined rules for these passages? Also, is the music colored by the weather in the different scenes? I'm fascinated by this composition style, and would love to hear more details.
I created a different "scale" for each season - winter more congested, diminished, summer with more open 5ths, etc. I put these scales in a grid on the side of the screen. When a vehicle passed through this grid, the top of the car and the bottom of the car (not the tires) decided which two notes were played per vehicle - depending on what note the top and bottom passed through. All pedestrians have two notes also - the top of their head and their waist. And all notes for them alternate in 120bps (the walking tempo). If a pedestrian is pausing at a light or store window, they become long tones. These little motifs were derived the same way as vehicles - I never chose any notes. The notes were chosen for me. Once I set up the rules, the initial conditions, the composition played itself. Of course, it took a lot of detail work on my part to make this happen. The weather had no effect, other than the season,. As mentioned above, each season had its own harmonic scale.