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Hi Iain, first of all, amazing way to explain miking techniques. Secondly, weird question, what program did you use to make the video?

You have the best explanation i've found so far. Thank you so much!

Hi Iain, thanks for this very useful video. For you, what would count as a small ensemble vs large? I'm looking to record a group of 10-15 singers (4 parts). Thank you.

No diss on your vid or PT here but Logic's system of doing this is so much better! No need to click anything to do a new take, nothing disappears, and the last take is stacked at the top which is usually the best take. The comps also auto crossfade between each other. It's so much faster than this. I've been using the Logic system on professional voice work for years now. PS it's still not perfect in Logic but I think it's better than PT's system.

What a great channel. I'm very glad to have found you.

Excellent to the point

Thank you for the demonstration. How is Melodyne on harmonic elements like piano chords?

AB technique requires use of omni microphones not cardioid.

Beautiful explanation

Super helpful. Thanks for this!

This was a great re-learning or me and VERY clear and well presented. Although I dont remember anymore, if you did tell in the first part that in some of those sets cardioid works well better than omni! Thanks anyway!

most excellent

Seems like theres a curse in pro tools, non of the tips i see on youtube works

I press controll and backspace and the audio just disappears and no playlist is created

M50 microphones and the Decca Tree are a myth. Don't mention them. Don't even think of them.

Very succinct! Thank you!!

good afternoon, i was wondering if you could help me, i have artist that dont want to him themselves while recording, but i still need to hear them how do i do this using sub mix

Audio is so complicated. Thanks for the lessen.

Absolutely brilliant walk-through. Thank you very much.

Awesome

One question... Why should someone accept audio advice from someone who can't even get the audio level for their video correct?

Beat Detective rules! I must have looked at a zillion videos trying to find out how to quantize my drum tracks from Cakewalk to Pro Tools. They just would not line up right with the rest of the instrument tracks when importing the OMF file from Cakewalk. I couldn't find anything. I tried warping the beats in a track but nothing would quite line up right. Then I found your video and bingo there is joy again in my DAW world. I am migrating from years of Cakewalk to Pro Tools. Thanks so much you helped me out of a major dilemma.

I don't like the sound of XY on guitar personally. The engineer at NAXOS uses A B 1.5m out and slightly above the guitar itself. He also selected from a range of mics depending on the sound of the player and their classical guitar.

Awesome thank you!

why not use the edit smoothing feature instead of the fade thingy?

Believe it or not, SDC's rock on vocals (in OMNI, trust me). I do love these mics - I recently did a SDC (small diaphragm Condenser) shootout, check it out: ruclips.net/video/UT8ACoDDb5Y/видео.html

I want to record stereo in my phone with leveler mics what can I do z I am actually looking forward to make asmr

Well made! Thanks mate

Thank you!!

Thanks very much! That's a fantastic video with some very important concepts explained so well! I've got a question that I'm hoping you or someone here might answer :) I'm recording a small orchestra (minus strings section) and I'm hoping to use a pair of Rode M5 in either the XY or ORTF position. My question is do I record with Pan set to the Center for both Mics (on the mixer/recorder), or do I need to pan each mic left/right? Any help is much appreciated :)

You didnt mention anything about interchannel level difference and interchannel time difference - inportant topic which makes these techniques more undestandable. And if you are talking about audio, your sound quality should be nice, but it is really hard to to listen - its quiet and your voice is unnaturally bassy and causes resonance

Which version? coz 12 does not support Audio to midi drag & drop

Great video, thank you!

Thank you!!!

Closeup placement is from the old days when microphones and recording equipment had much less signal to noise ratio. Now the microphones and equipment are much better, so when old techniques are used it sounds so unreal with exaggerated details you can not hear in a live performance. It's like looking at paintings with a magnifying glass.

great explanation, thank you!!!!!

Well presented.

Does this work in ProTools Intro?

great video , please , could you tell me which is the best position to record Grand coda Piano ? thank you so much

I got a lot done with one stereo mic and have over thirty videos showing the process if anyone is interested.

Your eraser technique is impeccable

Wtf where has this video been all my life

A proper “matched pair” have their response measured by the manufacturer to be consistently similar. ALSO worth mentioning is use of the MS technique allows for adjusting the amount of stereo width in post and the MS technique is very mono compatible.

Thank you, but how do you maintain phase?

wow...thank you, a lot of help. I have an assignment due in 2 days and have no idea how this works. much appreciated!

can you do a loop preview video of all the piano loops

Love this

I wish I watched this last week. Had a first 6 piece session on Monday where there was a need for a tempo change and I ended up using the pencil tool to make the adjustment from 134 to 168 or so! We decided that we wouldn't make the manual change for the second change down back to the 134 so they just ignored the 168 beat click in shifting their performance down to the 134. I am going to play around to see if I can post recording put the tempo change in. I am doing pick ups over the weekend so I can get a fresh recording of the ending with the tempo change in place for the band. There is so much going on with this program.

Thankyou.

Awesome! Really informative and to the point. Exactly what I was looking for!! :D appreciate the help!