- Видео 13
- Просмотров 137 469
Michael Schutz
Добавлен 12 янв 2010
Spanesque Oscillations (Steve Riley). Performed by the McMaster University Percussion Ensemble
The McMaster University Percussion Ensemble performs Steve Riley's "Spanesque Oscillations". C. Alan Publications. (www.sheetmusicplus.com/en/product/spanesque-oscillations-17641144.html)
Instrumentation:
Marimba 1 (4-octave)
Marimba 2 (4-octave)
Marimba 3 (4-octave)
Marimba 4 (4.3-octave)
Featuring upbeat marimba quartet featuring syncopated rhythms and fast moving lines-a high energy quartet is a treat for performers and audiences alike! Featuring McMaster percussion ensemble members Andy Chen (Chemical Biology), Jonathan Gonzalez (Life Sciences), Nadia Mohammed (Life Sciences), and William Zhang (Arts & Science). Available from C Alan Publications.
Instrumentation:
Marimba 1 (4-octave)
Marimba 2 (4-octave)
Marimba 3 (4-octave)
Marimba 4 (4.3-octave)
Featuring upbeat marimba quartet featuring syncopated rhythms and fast moving lines-a high energy quartet is a treat for performers and audiences alike! Featuring McMaster percussion ensemble members Andy Chen (Chemical Biology), Jonathan Gonzalez (Life Sciences), Nadia Mohammed (Life Sciences), and William Zhang (Arts & Science). Available from C Alan Publications.
Просмотров: 10 900
Видео
Sofapilla (Chuck Ricotta) . Performed by the McMaster University Percussion Ensemble
Просмотров 30 тыс.Год назад
The McMaster University Percussion Ensemble performs "Sofapilla" by Chuck Ricotta. An energetic piece for ensemble of 10-14 players, performed here in the 11 member version. Sheet music available from www.tapspace.com. Instrumentation: Glockenspiel Xylophone Chimes Vibraphones 2 marimbas-(1) 4-octave, (1) low A w/optional low C indications 4 timpani Drums (4 concert toms, snare drum, concert ba...
Danse by Debussy (arr. Whitney Prince). Performed by the McMaster University Percussion Ensemble
Просмотров 8 тыс.Год назад
Originally for solo piano, 'Tarantelle styrienne' was written by Claude Debussy in 1890. In 1903, Debussy reissued this composition with a few small revisions under the new title, 'Danse'. This arrangement for keyboard percussion ensemble, published by Permus, offers a beautiful reimagining of a classic featuring exotic tonalities and lush melodic lines. This performance features six students f...
Antiphon (F. Michael Combs). Performed by the McMaster Percussion Ensemble
Просмотров 5352 года назад
McMaster Percussion Ensemble performing "Antiphon" by F. Michael Combs. Featuring ensemble members Pierre August-Ahrens, Jamaar Bryan, Thomas Dykstra, Andres Elizondo, Brad James, Tom Johnston, Ryan McEwen, Nadia Mohammed, Eveline Rowley, Sarah Slabon, Stefan Kitai, conducted by Michael Schutz. Antiphon by F. Michael Combs is percussion ensemble piece scored for "double percussion choir" (ten p...
Woodwork (Josh Gottry). Performed by the McMaster University Percussion Ensemble
Просмотров 1622 года назад
McMaster Percussion Ensemble performing "Woodwork" by Josh Gottry. Featuring ensemble members Pierre August-Ahrens, Jamaar Bryan, Tom Johnston, Ryan McEwen, Nadia Mohammed. Music available from gottrypercussion.com/woodwork/ Instrumentation: 4.3-octave marimba, 5.0-octave marimba, cajon
McMaster University Percussion Ensemble - Overview
Просмотров 2473 года назад
Learn about the McMaster University Percussion Ensemble through a series of short clips from past performances and rehearsals, as well as an interview with ensemble member Andy Lopez
Concerto for Marimba (David Long). Mvt III
Просмотров 15 тыс.3 года назад
Guest soloist with the McMaster University Concert Band conducted by Joe Resendes. Featuring Michael Schutz (marimba). Wilson Hall, McMaster University (Hamilton, ON). April 7, 2019
"Blues for Gilbert" (Glentworth) performed by Michael Schutz
Просмотров 61 тыс.3 года назад
Recorded at the Isabel Bader Center in Kingston, Ontario in Dec of 2020. To appear in the Bridge Wolak series on Music Mentorship
Hospital Sound Check
Просмотров 3263 года назад
CHCH explores problems with medical device alarm sounds-a public health issue that can impede patient recovery, impair communication amongst medical professionals, and even lead to patient deaths. Here explores how the MAPLE Lab is applying Dr. Schutz's musical knowledge to the problem through an innovative collaboration with medical Dr. Joseph Schlesinger (Vanderbilt University Medical Centre)...
Moving to the beat improves music listening
Просмотров 16113 лет назад
Dr. Michael Schutz of McMaster University describes a new finding demonstrating that "moving to the beat" while listening can actually improve the way in which we hear rhythms. This study was conducted in conjunction with student Fiona Manning at the Maple (Music, Acoustics, Perception and LEarning) Lab, housed within McMaster's School of the Arts.
Live interview with Michael Schutz
Просмотров 1,1 тыс.14 лет назад
A live interview with Michael Schutz, discussing his research on a "musical illusion."
A musical illusion (Michael Schutz)
Просмотров 9 тыс.14 лет назад
Musical Illusion: A segment on Hamilton Life about Michael Schutz's music cognition research. This clip features a demonstration of the illusion, along with a discussion of the psychological principles behind it, touching on its musical applications.
Why so slow
Amdo Batista
Folha seca
Jean
Solista convidado da McMaster University Concert Band dirigida por Joe Resendes. Apresentando Michael Schutz (marimba). Wilson Hall, Universidade McMaster (Hamilton, ON). 7 de abril de 2019
A Universidade de McMaster, no Canadá, é tudo de bom👏🏻👏🏻👏🏻
Bela apresentação 👏🏻👏🏻👏🏻🎵🎶🎶
111
Hey, nice job with this piece, everyone! I really enjoyed the professional production of the video, as well. Thank you so much for performing my music. Best, Steve Riley
Thank you Michael Schultz and the members of the McMaster University Percussion Ensemble for this beautiful performance. I can't believe you're not all music majors. Bravo! I made this arrangement while I was a student at the University of Michigan in about 1975 where I had the good fortune to have Charles Owen as my percussion teacher. He was an incredible musician and he had a particular love for Debussy. (He made a lovely arrangement of Debussy's "Girl with the Flaxen Hair" for vibes that I enjoyed performing.) What a great pleasure it is to hear your performance and bring back sweet memories.
QUE HERMOSA MUSICA NADA QUE VER CON LAS BARBAJADAS QUE CANTAN AHORA
Arr. Prince?
Kio
Idiots with mask
Bravo!!
Wow!! ❤
I love this kind of music, the sounds of debussy is so smooth and soft
beautiful music, can’t get over the fact the guys name is debussy.
Cool instrument and sound!!!! Sweet flow and timing and nice chopstick hold on your stick!s!!! Much more success to you!! Happy Holidays!!!!
Please change the video title to its full name: Danse tarantelle. Wonderful arrangement and performance.
That's a very interesting point. The version edition I have of the transcription is simply titled "Danse" but you're right!
❤
Finally I'm listening to Debussy
Amazing!
Se la dedico a quien se detuvo a leer este comentario y que Dios lo bendiga y lo cuide AMÉN ❤
Beautiful production, quality and music.
Much appreciated!
So cool ❤🎉
Very nice performance !
Thank you - much appreciated :)
LOVE IT, MIKE! It's such a joy to watch you play with such finesse and passion!
Thanks Nick - I'm so glad you enjoyed it!
this is not true at all. When using a longer stroke, the not is in fact longer. in general faster stroke = short, stoccato sound and slow stroke = long and legato.
Yea this was an example for a class and I have to say there is no difference in the duration at all. If this did work it is localized to just the xylophone like instruments. If you are watching an actually performance of more than one person chances are you will never notice this. If you are watching a full orchestra you barely see what is going on at a distance.
Sounded identical to me, but I've been working with audio and music for 7 years now, so it would do.
I was a student of his at Longwood University and it is almost impossible in my opinion to be able to distinguish the differences in the two notes on a RUclips quality video. However, in a live setting, to a person sitting in the audience, the difference is huge. Try watching someone perform live with isolation earmuffs. Obviously you will not hear the pitches, but your mind will be able to perceive the dynamics simply by the gesture. Great clip Mike.
Yay I did that study!
His terminology is not so good. The "sound" does not change. It is easy to hear that the sound is identical. However, if listeners are instructed or happen to focus on the INTENT of the sound, it is easy to imagine, to kind of think of the sound as longer or shorter. So for many listeners in this context, the "experience" is different. Saying the "sound" is different is really not right though.
I didn't hear a difference, does that make me special?