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Interesting conversation. The cheap shot against Eliot is more than unfortunate. It has come to pass that this way of thinking (being free of historical constraints) has become dominant. Now there is very little historical awareness, including that of the work Morton Feldman.

At last, reuploaded! Thank you!

Quel snobisme ...

I don't understand what I am listening to

Superbe.

Adorno, großer soziologe und großer komponist.

Thank you for posting. This is a treasure!

Maderna ha sempre pensato la musica come un fatto sociale, che univa i popoli. Questa è la sua storia grandissima.

Theodor Adorno war ein atonaler Naturtalent und sehr begabter atonaler komponist, einzigartig Charakteristisch finde ich ist dass seine Kompositionen sehr autonom sind, zerstreuende Dissonanz, die harmonie ist, man interpretiert nichts hinein was nicht hineingehört weil es nicht geht sondern wird von der musik interpretiert, die musik diktiert vollumfänglich, sinnvoll echt richtig wahrheitsgemäß und sehr schön und sogar perfekt ❤❤❤❤❤ RiP und hoffentlich bist du mit deinen Liebsten wiedergeboren in einer viel besseren welt❤❤, ich würde musikalisch so differenzieren es gibt da alles andere und auf der anderen seite adornos musik und dann noch one more light live von Linkin Park , ❤RiP Chazy ❤ es ist beseelte musik ❤

It's a pity there's no biography of Feldman. Thanks for sharing this, I can smell the sulphur of the matches as he lights another cigarette.

This interview is mind-numbingly devoid of life, Spirit, love, passion, all things worthy of attention. These are two academics, f***** within a tiny chamber inside their Ivory Tower, talking to each other through cipher, signifying nothing. This is not the way. True art or true music is born.

Iddius ma che roba celestiale

Ho scoperto per caso sia quest'opera, che i compositori. Faccio pubblica ammenda, colpa della mia monotematica cultura musicale

morton feldman i love you

Appapro to the title The House of Hidden Knowledge, Milton Babbitt said that at one time the mainstream press would write about us, but now they only write about big label music.

Fine piece. This stereo file is merely a shadow of what the piece sounds like, with the eight-channel fixed media, and more importantly with the 'phase-aligned version of this fixed media. When S. composed the tape part in Paris, the IRCAM computer was not powerful enough to realize the electronic part as conceived by Stockhausen. He needed to record the 'tones', synchronized, onto 8-channel tape. They couldn't be synchronized, often displaced by 50-100ms. This produces a 'nice' "tone", but is not accurate, and not what S. composed. In the memorial concerts in Montreal, Toronto and Halifax in the SMCQ concerts of 2008, 'corrected' - ie, phase aligned versions of the eight channels was employed. In eight-channels, the 'tones' are hyper-immersive in the presentation with eight speakers. The listener is transported to being 'inside' the sound. The piece also requires a hyper-virtuoso flute player who is able to perform what may sound like repeated notes, however throughout most of the piece, the individual notes have 'phonetic' embouchure spectral shaping of the wind noise. The three Canadian performances of Marie-Hélène Brault were immersively beautiful and faithful to the conception of the piece.

Why is this not better known? It's very effective.

Many decades ahead of it's time...

This wouldn't sound out of place on a Squarepusher album, which is pretty remarkable given that this was created pre-1960.

Capolavoro

Very creepy but fantastic. Messianen was an idol

this sucks!

"Music ... throughout history it's always going to have a great past, never a future." ~ 43:30 OMG

4:20 ai che dolor

is this Eleanor Rigby?

Le poème d'Henri Michaux : Poussant la porte en toi, je suis entré Agir, je viens Je suis là Je te soutiens Tu n'es plus à l'abandon Tu n'es plus en difficulté Ficelles déliées, tes difficultés tombent Le cauchemar d'où tu revins hagarde n'est plus Je t'épaule Tu poses avec moi Le pied sur le premier degré de l'escalier sans fin Qui te porte Qui te monte Qui t'accomplit Je t'apaise Je fais des nappes de paix en toi Je fais du bien à l'enfant de ton rêve Afflux Afflux en palmes sur le cercle des images de l'apeurée Afflux sur les neiges de sa pâleur Afflux sur son âtre.... et le feu s'y ranime Agir, je viens Tes pensées d'élan sont soutenues Tes pensées d'échec sont affaiblies J'ai ma force dans ton corps, insinuée ...et ton visage, perdant ses rides, est rafraîchi La maladie ne trouve plus son trajet en toi La fièvre t'abandonne La paix des voûtes La paix des prairies refleurissantes La paix rentre en toi Au nom du nombre le plus élevé, je t'aide Comme une fumerolle S'envole tout le pesant de dessus tes épaules accablées Les têtes méchantes d'autour de toi Observatrices vipérines des misères des faibles Ne te voient plus Ne sont plus Equipage de renfort En mystère et en ligne profonde Comme un sillage sous-marin Comme un chant grave Je viens Ce chant te prend Ce chant te soulève Ce chant est animé de beaucoup de ruisseaux Ce chant est nourri par un Niagara calmé Ce chant est tout entier pour toi Plus de tenailles Plus d'ombres noires Plus de craintes Il n'y en a plus trace Il n'y a plus à en avoir Où était peine, est ouate Où était éparpillement, est soudure Où était infection, est sang nouveau Où étaient les verrous est l'océan ouvert L'océan porteur et la plénitude de toi Intacte, comme un oeuf d'ivoire. J'ai lavé le visage de ton avenir. Henri MICHAUX, "Poésie pour pouvoir", in Face aux verrous, éd. Gallimard, 1967

This is amazing! I'd love to know his process, and what he may have built to make this work so well. Vocoding and maybe a ribbon controller for PB? In any case there are some amazing and surprising harmonies found in this piece - worth the listen for sure. I love the transition into 2:45.

I'm gaining deep insights! Despite the age of this interview, the most fundamental perspectives on music and art are still the same or even repressed in the meanwhile!

Morton Feldman is my hero!!!

I really like this melody

Poétique, d une beauté incroyable et passionnant du debut à la fin ! ✨

Крипатура:)))

Größter Müll

L'étrangeté des modulations et des fréquences donne quelque chose de terrifiant

this is really cool,,

Is this interview available to be purchased as an MP3?

👏🏽👏🏽👏🏽

Che mostri!

Thanks for the Upload, Jesus loves you guys

...and nice photo!

L' estremo saluto degli amanti...

Butterflyeeee! Papion.. Or tell yor .. ( Othello) Cheers for this! 😆

Merci, pour cette pièce unique et si difficile à trouver. Peut-être parce que Boulez lui-même ne l'a pas mis au catalogue.

great interview. thanks much for sharing!

On several occasions, this composer has claimed to be from a planet in the Sirius system.

I have this along with a Boulez conducting the LSO with Peter Serkin.Two different dynamic interpretations with one conductor in common. The difference is the immediacy of Uchida's energy and attack versus the more laid back approach by Serkin. Good music to listen and differentiate between during lockdown!

cool

waw merveilleux

SOMEBODY MAKE A SCP OUT OF THIS

Remarkable. Entity music!