- Видео 23
- Просмотров 103 411
Empire Film and Media Ensemble
Добавлен 5 апр 2014
Meet Flannery O'Connor - Miriam Cutler
Theme from the documentary film about the beloved American writer, Flannery O’Connor: “Flannery - The Storied Life of the Writer From Georgia”
Composed by Miriam Cutler, Orchestrated by Catherine Joy
Violin 1 + 2, Katie Knudsvig
Viola, Joseph Hagen
Cello, Brian Gadbow
Bass, Caroline Samuels
All video and audio engineering by Grant O'Brien
Composed by Miriam Cutler, Orchestrated by Catherine Joy
Violin 1 + 2, Katie Knudsvig
Viola, Joseph Hagen
Cello, Brian Gadbow
Bass, Caroline Samuels
All video and audio engineering by Grant O'Brien
Просмотров: 178
Видео
Alice in Wonderland - Story Time LIVE
Просмотров 2434 года назад
From Alice in Wonderland (Tim Burton, 2010) Composed by Danny Elfman Performed by Empire Film and Media Ensemble on March 1, 2020 at the Paychex Auditorium, The Strong National Museum of Play Orchestrated and Conducted by Grant O'Brien Animations by Brett Copeland Original Illustrations by Sir John Tenniel empirefilmandmediaensemble.com/
RIT: Live to Picture Trailer
Просмотров 576 лет назад
October 28, 2018 Ingle Auditorium Rochester Institute of Technology empirefilmandmedia.com/upcoming/
The Long Road Home: Suite for Brass
Просмотров 716 лет назад
Songs of the Valiant, a Veteran's Day Concert. Drawing material from some of the great military film scores like SAVING PRIVATE RYAN and National Geographic's, THE LONG ROAD HOME, our resident brass ensemble will be paying homage to America's greatest heroes in performance. All proceeds were donated to the Wound Warrior Project.
Prelude from "Psycho"
Просмотров 6346 лет назад
The main title to Bernard Herrmann's bone-chilling score, Psycho. Conductor - Grant O'Brien Licensed by Themes and Variations
The Storm Clouds Cantata from "The Man Who Knew Too Much"
Просмотров 28 тыс.6 лет назад
The Storm Clouds Cantata from The Man Who Knew Too Much performed by the Empire Film Music Ensemble. Composed by Arthur Benjamin and arranged by Bernard Herrmann Conducted By Grant O'Brien Licensed by Themes and Variations.
Scene d'Amour from "Vertigo" - Bernard Herrmann
Просмотров 1,5 тыс.6 лет назад
Conducted by Grant O’Brien Scene d'Amour by Bernard Herrmann performed by the Empire Film Music Ensemble. This cue provides musical insight to the world of Hitchcock's story of love, disorientation and obsession. Licensed Themes and Variations.
Empire Film Music Ensemble performs Cosmos: A Spacetime Odyssey, Suite for Orchestra
Просмотров 21 тыс.8 лет назад
Alan Silvestri, Composer Dylan Price & Michael Elderkin, Arrangers Michael Staffeldt, Conductor
Empire Film Music Ensemble performs Lux Nova by Eric Whitacre
Просмотров 5038 лет назад
Joe Clark, Arranger Michael Staffeldt, Conductor
Empire Film Music Ensemble performs Music from the Star Wars Saga I. The Asteroid Field
Просмотров 5568 лет назад
John Williams, Composer Michael Staffeldt, Conductor
Empire Film Music Ensemble performs Ein Lichtspiel
Просмотров 2608 лет назад
Film by László Moholy-Nagy (1930) Jairo Duarte-Lopez, Composer Joe Clark, Conductor
Empire Film Music Ensemble performs Nox Aurumque by Eric Whitacre
Просмотров 1408 лет назад
Hana Cai, Conductor Performed by EFME Choir
From Darkness into Light (Trailer)
Просмотров 1638 лет назад
The Empire Film Music Ensemble, in association with the Optical Society of Rochester, presents a multimedia experience... From Darkness into Light Featuring the music of Eric Whitacre, Jairo Duarte-Lopez, Alan Silvestri, John Williams, Max Berlin, and Daniel Sunshine. Wednesday, January 27, 2016 8pm, Kilbourn Hall, Eastman School of Music Rochester, New York
Bela Bartok -- Music for Strings, Percussion, and Celeste
Просмотров 2818 лет назад
Conducted by Boon Hua Lien Performed on October 19, 2014 by the Empire Film Music Ensemble in Kilbourn Hall at the Eastman School of Music
Empire Film Music Ensemble plays Introduction to Also Sprach Zarathustra
Просмотров 24310 лет назад
Empire Film Music Ensemble plays Introduction to Also Sprach Zarathustra
Empire Film Music Ensemble (EFME) plays Batman: Evolution arr. Dylan Price
Просмотров 40810 лет назад
Empire Film Music Ensemble (EFME) plays Batman: Evolution arr. Dylan Price
Empire Film Music Ensemble (EFME) plays Selections from E.T. by John Williams
Просмотров 7 тыс.10 лет назад
Empire Film Music Ensemble (EFME) plays Selections from E.T. by John Williams
Empire Film Music Ensemble (EFME) plays Suite from A Beautiful Mind
Просмотров 9 тыс.10 лет назад
Empire Film Music Ensemble (EFME) plays Suite from A Beautiful Mind
Empire Film Music Ensemble (EFME) plays Main Theme from Star Trek: The Motion Picture
Просмотров 3,4 тыс.10 лет назад
Empire Film Music Ensemble (EFME) plays Main Theme from Star Trek: The Motion Picture
Empire Film Music Ensemble (EFME) plays Suite from How To Train Your Dragon
Просмотров 45910 лет назад
Empire Film Music Ensemble (EFME) plays Suite from How To Train Your Dragon
Empire Film Music Ensemble (EFME) plays Highlights from Jurassic Park
Просмотров 21 тыс.10 лет назад
Empire Film Music Ensemble (EFME) plays Highlights from Jurassic Park
Empire Film Music Ensemble (EFME) plays Soundtrack Highlights by John Williams
Просмотров 8 тыс.10 лет назад
Empire Film Music Ensemble (EFME) plays Soundtrack Highlights by John Williams
🥲🥰😇My Life. This Is Heart Touching Music 😇
Great performance, everyone! Thank you. I am preparing to conduct this, once again, with my Wisconsin orchestra and it's wonderful to hear your spot on performance of this great John Williams medley.
Quite simply, Arthur Benjamin is a composer worthy of complete rediscovery. A modern master.
4:38 🏈Detroit Lions🦁 vs Denver Broncos🐎 4:42 Orange Crush
I study Physics listening to this
In the 1956 movie the man who is shown conducting the orchestra and chorus is actually Bernard Herrmann himself, it is his only cameo in any picture.
Where I can find the saxophone tenor partition
Whenever I listen to this beautiful piece of music, I can ALWAYS hear Doris Day scream in my head just before the crash of the cymbals!
When Bernard Herrmann was contracted by Hitchcock to score his second filming of “The Man Who Knew Too Much” in 1956, Hitch instructed Herrmann to consider writing a new concert piece for the climactic scene in Albert Hall. After listening to the original “Storm Clouds Cantata,” Herrmann rejected the idea of a new composition. “It’s a beautiful, exciting piece of music with full orchestra and chorus, and it builds progressively, relentlessly to its thrilling climax. Why on earth would we toss it out? Let me do some arranging to fit the timing without losing any of its luster and see what you think.” And so he did, to Hitchcock’s delight. “Of course, you were right, Bennie. What was I thinking?”
I wish Hitch had listened to Bennie in 1966 with Torn Curtain. He might have saved a mediocre film.
I like the soprano here better than the one in either film.
Beautiful,,, sounds like real Alan Silvestri
A favorite of mine! ❤
1956 tops 1934 by a mile.
Even though it's a classic Hitchcock film I had somehow not seen it until today. This scene is so dramatic and the fact it's just the music and no dialogue makes it even more powerful.
Supposedly, this scene is the longest in film history with no dialogue (silent films excepted, of course).
This song is perfection
I've loved the film from '56 since my youth, and now, free on ROKU is the '34 version. Such different films, but both with this perfect composition of Benjamin. This haunting and highly emotional arrangement by Herrmann is striking!
The Albert Hall scene in the 1956 movie is one of the most dramatic scenes of any movie I have ever seen, and somehow - without any real action except the musical performance - Hitchcock keeps it moving and involving. Also, with her body and expressions Doris Day conveys so many emotions, including despair.
In the movie the man who is conducting is Bernard Herrmann himself. It's his only appearance in a film.
A shame that they skipped one of the best parts and most important of the movie: creating governing dynamics.
Is it copyrighted or not?
❤️
any ideas where I can get this arrangements?
This is my all-time favorite movie music treasure!
That flute That damn flute 😍 Idk why I like flutes so much
astonishing
"La inmensidad de esa revelación, fue como un enamoramiento"
I listened to this about 35 times today.
This should be declared the anthem of the whole human race.
amazing
Wonder how much it was to rent/hire the score and parts and how much it cost per performance. 🤔
Beautiful ❤️
Simply brilliant 👏
perfetto!!!
This is so beautiful but.. Why am I crying??
Only just saw this film for the first time the other night, and the music was so familiar, because I've been following British classical composers for decades. So delightful to hear it here and see the Great Herrman in CONCERT! (His score for "Journey to the Center of the Earth" was my intro to his work!)
except that Herrman didn't write this: Arthur Benjamin did
Arthur Benjamin wrote a shorter version of this Piece, as heard in the 1934 version of The Man who Knew Too Much, with Peter Lorre. Bernard Hermann expanded it greatly for the 1956 remake, especially adding about two minutes to the Introduction before the Voices come in.
Bravíssimo!!!!! Is Magic!!!
So wonderful ! This soundtrack make me cry, this is a tribute for Science and all humankind ! In the hard times that we are living, keep hope and faith in humanity, at the end of the day we will be stronger !
Waouwww bravo, quel niveau !!! Vraiment top et super fidèle à l'original !
Una total obra de arte.
This version of the movie The Man Who Knew Too Much not this orchestral piece is definitely not as good as the one of the 1930's. I also hate James Stewart and Doris Day.
Bernard Herrmann's arrangement and performance in the 1956 film is superior to the original and Benjamin agreed!
I don't know why anyone would hate Jimmy Stewart, but Doris Day? Really? Please expound. I'm so curious.
@@aslkhjbasijt785: I just hate both of them like Clark Gable, Seinfeld, Betty White, Danny Thomas, Bea Benadaret, John Shithole Wayne and so many many many others. I can't delineate why since I'm not particularly good at articulating as would be required by English professors. Further I'm sure I'm not the only one who hates Stewart and Day!
@@roberttelarket4934 Maybe not but i'm sure you're in a small minority.
@@trevorcorso473 in a very small minority indeed!
This is life!
Excellent response bra!!
Hi, thanks for sharing this video. May I kindly ask if you have the score?
I think you may find Benjamin's score was reconstructed
@@ausbrum I mean Herrmann's reconstruction
From Wiki: "The full score of the Storm Clouds Cantata has never been published. A piano arrangement of the latter half of the work was published in 2014 in the collection Music From the Hitchcock Films"
8:32 Something missing here... can't quite put my finger on it.
The organ I think.
Best tempo that I have heard on a cover of this piece.
Bravo 👏 Very well done. Thanks for posting this.
Amo demais
maravilloso.
I love it 🌠
❤❤❤❤
Marvelous!!
After 45 years of singing choral masterpieces and operas, this remains on my " Bucket " list. Lightning revealed!!
Can I use this music in my video?