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Can you do a transcription of a cue from Randy Newman’s rejected score of Air Force One?

Thats an amazing piece! You think you can do a score reduction and analysis of the Jakku Chase scene from Star Wars: The Force Awakens? Like what's the difference of the unedited version from the album is different from the edited one in the movie.

Could you do apparition on the train?! I would love to know what the heck is going on during that one

I have been looking for an analysis of this films score for a while now and havent been able to find any. But this is a great piece of work, and very well done! You have a great talent in score analysis. Keep up the great work. Also may I recommend you do the ferry scene next? That piece was always a good one in this film.

🎺🎺🎺🎺🎺🎺 i love this song!

Can you do an analysis on Hedwig's Theme, Leaving Hogwarts and Harry's Wondrous World?

Great video man!

Thanks Bros for such and good analysis, remind me of my childhood!!! Keep going.

Could you examine the score for _Fallen_ by Tan Dun? It's quite avant-garde and I think you will find it challenging. You should also take a look at the score for _The Haunting_ by Jerry Goldsmith.

I thought only the London Symphony Orchestra was performing the score! I didn't know the Hollywood Studio Symphony did the work for the movie version! The HSS did a great job, but the LSO is a lot more dramatic and intense.

What is the tempo for the first 6 measures?

I'd like to expand upon what you said at 0:20 under "A Military Band" in regard to the C trumpet. The use of the C trumpet in the American orchestra came from the French trumpet tradition migrating to Boston. Starting mostly after WWII, its profile especially raised when the Chicago Symphony mandated the use of C trumpet in its orchestra. When the CSO brass section became arguably one of the best brass sections in the country and their students started winning more orchestral positions, C trumpet pretty much became a requirement to be an orchestral player in the US.

Thank you very much!

In the UK, this music was used to accompany a yearly tv event called Sports personality of the year and it was spine tingling as they profiled each nominee with this in the background. They don’t do it anymore and it’s worse off because of it.. 😢 Really hope this used as podium music for the medal ceremonies at LA28

David R Lentz, Columbus, Ohio, USA (Friday, 6 September, 2024) Mr. Suiter, my first love musically is motion picture scores in the classical style, much as we long have heard from Mr. Williams, John Barry, Jerry Goldsmith, Howard Shore, Patrick Doyle, and a dozen or so others. I also enjoy the symphony in the classical repertoire. More on these and others later. I so wish that I could demonstrate for you in person not merely my heart-swelling joy of hearing this contemporary mæstro of melodic fineness, but also, in singing along with the chorus (choir?) in many of these pieces. I am a vocalist and a voice artist (though untrained) of extraordinary vocal range, enabling me to sing in all eight registers of the chorus. Years past whilst at university, a friend who was a piano performance major had told me that I could reach the D above high C (and once an A), down to the fifth ledger line below the bass clef. I can sing Schubert’s “Ave, Maria” (I have yet to learn all the words in the original Latin, their proper pronunciation, the musical intonation, etc., of these), the “Alleluia Chorus” from Händel’s Messiah, “O mio babbino caro” (though to most who understand the lyrics, my rendition probably would strike them as absurdly incongruous; I enjoy it for its musical elegance, how it flows through my vocal apparatus!), Allegri’s “Miserere Mei, Deus,” Barber’s “Agnus Dei”, amongst a few other selections from the Classical repertoire (though the scope of my repertoire is sparse). I also enjoy performing some of the easy listening standards and love songs of my mother’s music, and the grand melodies of stage and screen: Andy Williams, “The Love theme from Love Story”, “A Time for Us (the Love Theme from Romeo & Juliet)”, etc.; Frank Sinatra, “All the Way”, “Strangers in the Night”, etc.; Nat King Cole, “That Sunday, That Summer”, “L-O-V-E”, etc.; Johnny Mathis, “Stardust”; Giorgio Tozzi, “Some Enchanted Evening” (from the motion picture, South Pacific), and hundreds more. I require training, though . . . . I also must note my keen regret that watching your video is terribly difficult for me, as the white screen is too painful for my eyes. I wish I could arrange for such material to be made into videos for the computer, with the scoring, the lyrics (if any), etc., all synchonised with each other; the background would be black, with the notation, text, etc., in a cool green, quite as how it now is as I type this message to you.

I have to know your music background. How on earth…???? This is so cool. John Williams is my favorite movie composer, and Hook is my favorite movie score of his. Has a lot to do with why this is one of my all time favorite movies. A classic case of the music making the movie! Great stuff dude.

and no sports announcers.... 10/10

can you do a score reduction for "Voldermort" from HP and the Goblet of Fire if possible?

Brass with organ is one of the most underrated combos. Pure magic.

i love john conducting like a freaking maniac lol

Goose bumps every time since 1984.

So aggravating listening to the original broadcast where the announcers just couldn't stfu so that John's beautiful music could come through.

Call the man and ask him to write a new one for Los Angeles. He'll do it

This is not the movie version. This is the version we can hear on the soundtrack.

stunning

where is the classic Arneaux bugle bit? in recordings i hear it in the beginning -- the very classic one you think of when you think olympics? did he or didn't he include it?

Like any good fanfare, this tune re-imagines what its like to have donosaurs participating in the Olympics; here comes the Brachiosaurus marching in....

Hello, Pat. You're right: the Boston Pops recording from 1987 that John Williams conducted did include the organ part.

...that rude person with the voiceover is the legendary Jim McKay of ABC's Wide World of Sports, followed by ABC newsreader Peter Jennings on the outro.

It felt so good to read along with it!!!!!!!!!

2028年のロサンゼルスオリンピックもファンファーレはこれを使って欲しいなあ。1984年のオリンピックでのこの曲の印象は強烈でした。

As a trumpet player, John william's music is amazingly satisfying to play. He understands brass instruments like few other composers do, and brings out the best each brass instrument is capable of.

John Williams dans toute sa splendeur ! Merci ! Thank you

Love this music and your reduction and analysis. I've done a few John Williams mockups including this!

It was definitely not the proud convention that this music played to. この音楽が奏でるような、誇り高き大会ではなかったことは間違いない

I always wondered where this track was in the film whenever I'd listen to the album. Now it makes sense.

Pretty sure the rude commentator is Jim ("What an Olympics these are!") McKay.

This is some of the most detailed, thoughtful and well-presented analysis (along with your other vids) I've ever encountered in RUclips-Land, and I watch A LOT! I'm fortunate to view this on a giant screen, but even so, much pausing is needed to take in the loads analysis; that's not a criticism: it's quite worthwhile to slow down and to really consider the music moment by moment, chord change by change, mood by mood. I hope John Williams has found your channel and that he's offered his thanks, and maybe a scholarship or cash! You deserve it!

What's next? Carol Anne's theme from Poltergeist by Jerry Goldsmith?

Fantastic, yes 🎉🎹🎵

Hoping for Summon the Heroes

¡Ahhh belleza!

Holst + Wagner + Military themes = John Williams

Who should read this ? i

Man John Williams knew what's up

I have been watching the Olympics since 1960, since Abebe Bikila won the men's marathon running barefoot through the streets of Rome. We have all seen hundreds of thrilling athletic moments over the years. However, None of that evoked the emotional response I still get from hearing this theme at the Closing Ceremonies of the 1984 Olympics when Williams' fanfare played and the majestic horses and riders who won medals in Individual Jumping entered the LA Coliseum. It was so beautiful, so unexpected, so stunning, and so magnificent that I gasped and cried then, imagining how those riders felt as the crowd figured out what was happening and 90,000 cheers rose from the stands. Just watched those moments again on RUclips and cried again.

Some of the writing is a bit reminiscent of Howard Hanson